Permission to open ‘The Marilyn’, a new speakeasy-style cocktail on Monroe Street, NYC, has been denied, Bowery Boogie reports. Monroe Street is in the Two Bridges district of Manhattan. While in theory it sounds like perfect branding, it seems the developers failed to address residents’ concerns.
Two Bridges is located near the footings of the Manhattan Bridge and Brooklyn Bridge, the subject of a touching 1955 poem by Marilyn…
Folk art turned its eye to the silver screen this weekend, with Marilyn gracing this year’s Scarecrow Festival in Wray, Lancashire – alongside Charlie Chaplin, the Pink Panther and more, the Guardian reports.
Meanwhile in India, this early contender for National Geographic‘s Photographer of the Year has captured another unlikely parallel to Marilyn’s ‘subway scene’ in The Seven Year Itch.
“‘Tribute to Marilyn’ by Tihomir Trichkov: ‘My imagination ran wild, I was smelling the gunpowder, hearing the gunshots, the neighing of the horses and the screams of the wounded, picturing what is it like to be under siege, protecting your freedom and ideals against foreign invasion. But the human mind is incredible, a sudden breeze of wind took me straight to a different time, a completely different movie set, a hundred or so years later, well famed for a single white dress…'”
‘Ms. Monroe’, the new single from Brighton band Warsaw Radio (whose lead singer Brian McNamara hails from Limerick, Ireland), is inspired by Marilyn’s relationship with Arthur Miller, as Eric Lalor reports for JOE.ie. Taken from their debut album, Midnight Broadcast, ‘Ms. Monroe’ doesn’t mention the couple directly, but its lyrics evoke doomed love and the video’s use of found footage enhances the retro feel.
“The narrative imagines Monroe giving advice on relationships after the break down of her relationship with Miller when they were filming what would be Monroe’s last film (The Misfits) in Reno, Nevada … McNamara’s vocals have rarely sounded better … It’s a cracker from start to finish and would leave you wanting to hear more.”
UPDATE: In an interview with the Connacht Tribune, Brian McNamara revealed the inspiration behind the song…
“About two years I went to see a play about Marilyn Monroe at the Brighton Fringe Festival. I didn’t know anything about her, other than she was a movie star. I came home that night and started writing that song. A few days later it was finished. At the time we were recording our album and I was exploring this way of writing where you try to get other people’s perspective.”
Must Close Saturday: The Decline and Fall Of The British Musical Flop, a new book by Adrian Wright, covers the short-lived 1983 show, Marilyn! The Musical. It failed to win over critics and closed after 156 performances, but its talented star, Stephanie Lawrence, won critical acclaim and that year’s Best Actress award from the Variety Club of Great Britain, as well as a nomination for the Society of West End Theatre awards (now known as the Laurence Olivier awards.)
“The show was intended as a tribute to another popular icon who died young, but it failed to capture the public imagination,” Michael Billington wrote in The Guardian. “The one person who emerged with credit was Stephanie Lawrence. She not only captured the externals of Marilyn Monroe – the wiggle, the walk, the passionate pout, the vocal breathiness – but conveyed the carmined innocence and soft vulnerability within. It should have been her passport to fame but the show failed to live up to its star.”
Her performance is fondly remembered by Monroe fans, and in 1995, she released an album, Marilyn: The Legend, featuring songs from the musical as well as covers of Monroe tracks. Stephanie, who also starred in more successful musicals including Evita, Starlight Express and Blood Brothers and acted on film and television, died suddenly in 2000. Michael Billington described her as “an actress of rare glamour” and “a pillar of British musical theatre”, who nonetheless “never fully achieved the 40-carat stardom that came to her no-more talented peers.”
Drag artist Dusty Mae has posed for a tribute shoot with photographer Joseph Adivari, wearing Marilyn’s own clothes (courtesy of collector Greg Schreiner), reports Out magazine.
“I’ve always believed that she has endured because of her authenticity and personality. Beauty can make someone famous, but it can’t make them into a cultural icon who is still celebrated over 50 years after their death. She had almost no family, and she struggled with poverty, abuse, sexism, and much more, yet she never let it stop her, and she still became Marilyn Monroe. Everyone who knew her talks about how she always came from a true place of love and generosity. If someone said, ‘Oh I love your sweater!’ she would give it to them without a second thought. She wasn’t materialistic, even though people might assume she was. My friends and I love to imagine what Marilyn Monroe would have been like in the 70s and 80s. She had the ability to reinvent herself, which is why so many people see parts of themselves in her, or feel that they identify with her on a deeper level. I think the world really missed out on some amazing things because of her death, but it speaks to her talent as an actress, and charm as a person, the fact that she is still celebrated today, and will be remembered forever as a definitive icon of the silver screen.”
Singer Mariah Carey is one of Marilyn’s most famous fans – she bought the star’s white piano at Christie’s in 1999, and recently revealed to Vogue that she also owns a compact belonging to Marilyn, containing handwritten notes for her Golden Globes speech. And today, Variety reports, Mariah will follow her idol’s path as she dips her hands and feet in cement outside Hollywood’s Chinese Theatre.
“Even with a long list of accolades behind her and a number of upcoming projects ahead of her, being immortalized alongside legends such as Marilyn Monroe, one of her own idols, is not an event Carey takes lightly. ‘I have this picture of Marilyn Monroe and Jane Russell when they were doing their imprint ceremony. It’s an iconic photograph, and I have it hanging in my living room,’ Carey says. ‘It’s something that feels humbling, and I feel honored by it.'”
The British alt-rock band Wolf Alice has just released the video for ‘Beautifully Unconventional’, the latest single from their Visions Of Life album, with singer Ellie Roswell seemingly taking style inspiration from Marilyn, as MXDWM reports.
“Perhaps the idea of the video gets at how a culturally ultra-conventional icon like Marilyn Monroe is actually an unconventional individual. To be conventional would one would have to be anything other than an American icon. To be conventional is to be part of the cultural masses—going to work, raising a family, having normal things to talk about. Monroe’s life was hardly normal, and she would stick out ‘sorely’ in a regular, everyday context. Convention is normal, beautiful unconventionality is someone who sticks out not like a sore thumb, but like Marilyn Monroe.”
Gwendoline Christie, the English actress who plays Brienne of Tarth in TV’s Game of Thrones, has revealed that Marilyn was a formative influence on her chosen career. “I remember seeing Marilyn Monroe in Bus Stop on television and thinking, what she was doing was so incredibly extraordinary,” Christie told People magazine. “I didn’t come from an acting background, but I just knew —that’s what I want to to do.”
The sheer number of Marilyn-themed plays being produced around the globe at any given time is astounding. Unfortunately, many seem poorly conceived, so I don’t always mention them here. However, Some Like It Marilyn – a tribute show first staged in 2010, starring Australian actress Lexi Sekuless – could be something special, reports the Canberra Times. (You can book tickets here for this one-off performance on Sunday, September 10.)
“The show features hit songs from favourite Monroe movies including ‘Two Little Girls from Little Rock’ and ‘Diamonds are a Girl’s Best Friend’ from Gentlemen Prefer Blondes (1953), and scenes from Bus Stop (1956) and Some Like it Hot (1959). Those who loved her and sometimes loathed her – such as co-stars Jane Russell and Tony Curtis, baseball legend Joe DiMaggio and director Billy Wilder – are quoted and an excerpt from her third and final husband Arthur Miller’s autobiographical play, After the Fall, is featured, building up a picture of a complex woman with a difficult relationship to the stardom she seemed to both crave and dread.
‘When she was married to Joe DiMaggio he wanted her to be Norma Jean [her real name] and she wanted to be Marilyn Monroe – with Arthur Miller she wanted the reverse,’ Sekuless says. ‘So many books have been written about her – I feel everyone wants a piece of her. They all want their filter to be the true one.’
By relying mostly on reported and published words from Monroe and others, and the songs and scenes from movies, Sekuless wants the focus to be on the star’s persona and her talent rather than on what she calls the ‘salacious’ aspects of her life such as her relationship with US president John F. Kennedy or the conspiracy theories surrounding her death.”