In 2012, Marilyn was the face of Cannes – and the Champs- Élysées Film Festival uses images of her every year. Now her star will shine over the Middle East, as The 961 reports. (With an impersonator striking a classic Seven Year Itch pose, the LIFF artwork seems inspired by LIFE magazine.)
“Believing that art should have a certain message, the Lebanese International Film Festival (LIFF) chose to fight against the stigma that is attached to mental health issues by collaborating with Embrace, the leading organization that raises awareness about mental issues.
For that particular reason, LIFF opted this year for the image of the iconic renowned superstar Marilyn Monroe as she is an ideal example of a successful woman that was fighting her own battle with mental health. ”
Further recent news about Marilyn’s Scottish roots (see here), it seems her Celtic heritage may go back even further, the BBC reports.
“A Highlands clan with links to Hollywood star Marilyn Monroe has traced its origins back more than a thousand years ago to Ireland.
The same project has traced American movie idol Monroe’s ancestors to a Munro family that lived in Moray. The seat of Clan Munro is Foulis Castle near Evanton in Easter Ross in the Highlands.
Clan chief, Hector Munro of Foulis, said for him the most interesting thing to have emerged from the project so far were the origins of the clan.
He said: ‘The origins of name Munro has puzzled historians for generations. Tradition has it that we were mercenary soldiers from near the River Roe in Derry, Northern Ireland, hence the name Munro – Mac an Rothaich in Gaelic. But it had proved impossible to verify.’
The chief said the DNA project had identified an Irishman from 1,750 years ago with four distinct male lines with living descendants. He said: ‘All four lines can be traced back to south west Ireland.'”
Bob Bahr explores Marilyn’s spiritual side in a cover story for the Atlanta Jewish Times (dated August 30.)
“Monroe once told Paula Strasberg, her drama coach at the time, that she felt a special kinship with her newfound faith. ‘I can identify with the Jews,’ she said. ‘Everybody’s out to get them, no matter what they do, like me.’
On the front door of the home where she died, she had affixed a mezuzah with its tiny parchment scroll of sacred Jewish writings. She still had the prayer book with her personal notes written in its pages, a gift from Miller that had once belonged to the Brooklyn synagogue where he had had his bar mitzvah. On her mantle she kept a bronze menorah, which played ‘Hatikvah,’ the national anthem of the State of Israel. It was a present from Miller’s Yiddish-speaking mother.
Rabbi Robert Goldburg had worked with her during her conversion and provided her with a number of Jewish historical and religious works to study. About three weeks after her death, he wrote of his impressions of her at the time.
‘She was aware of the great character that the Jewish people had produced. … She was impressed by the rationalism of Judaism — its ethical and prophetic ideals and its close family life.’
When she rebelled against the exploitation of the Hollywood studio system, broke her contract with 20th Century Fox and fled Hollywood in 1954 for a new life in New York, it was at the urging of Milton Greene, a popular Jewish photographer with whom she founded Marilyn Monroe Productions. For a while she lived with Greene and his wife and helped take care of their year-old son.
Even before the move she lived and worked in what was largely a Jewish world. In Hollywood her agent and publicist and an early drama coach and mentor were all Jewish. She owed her early success, in part, to personal relationships with the powerful Jewish studio executive Joseph Schenck and the important talent agent Johnny Hyde, who had originally emigrated from the Jewish Ukraine. Her three psychiatrists were Jewish as well as many of her doctors. One of her closest journalistic confidants was the newspaper columnist Sidney Skolsky.
But all that accelerated when she moved to New York and enrolled in Lee and Paula Strasberg’s Actors Studio … She quickly fell in with their circle of friends, who made up the theatrical and literary elite of Jewish New York. She volunteered to be the star attraction at a United Jewish Appeal dinner.
The poet Norman Rosten and his wife and children were close friends. She was a regular at a summer of brunches and picnics and cookouts with the Strasbergs in Ocean Beach on Fire Island. She frequently dug into what Paula Strasberg called her ‘Jewish icebox’ there, with its salamis from Zabar’s on New York’s Upper West Side and the honey cakes and fancy European pastries from some of the bakeries started in New York by refugees from Nazi persecution.
It was, in the words of one Monroe biographer, ‘a year of joy,’ made even more joyful by a newfound romance with [Arthur] Miller … Gloria Steinem, the Jewish American essayist and feminist, wrote a perceptive analysis about the relationship and Monroe’s decision just before their marriage to convert to Judaism.
‘Miller himself was not religious, but she wanted to be part of his family’s tradition.”‘I’ll cook noodles like your mother,” she told him on their wedding day. She was optimistic this marriage would work. On the back of a wedding photograph, she wrote “Hope, Hope, Hope.”‘
Her public commitment to Judaism in the mid-50s was just one of the signs that Jews were winning new acceptance in America after the end of World War II and of the changes that the war had brought.
Although she’s been gone these many years, she is not forgotten. Time has treated the memory of Monroe with kindness. Her estate, most of which she left to the Strasberg family, has consistently earned tens of millions of dollars over the more than 50 years since her death … As for that prayer book that Arthur Miller took from his Brooklyn synagogue and Monroe kept to her dying day, it sold at auction last year for $18,000.”
A 1955 nude calendar sold for $5,120, while a $160 check signed by Marilyn to psychoanalyst Dr. A. Gottesman in 1952 fetched $3,840 at Julien’s Online Entertainment Auction this weekend. You can read more about the 78 Marilyn-related lots – mostly documents from her personal archives – over here.
An online entertainment sale, featuring 78 Marilyn-related lots, is set for August 19 at Julien’s Auctions. In addition to photos by Andre de Dienes, Bert Stern and George Barris, and an original nude calendar from 1955, there are also numerous documents from her personal files which shed new light on her life and career. Here are some selected highlights:
“A counter check written entirely in Monroe’s hand in black ink dated February 26, 1952, and paid to Dr. A. Gottesman, in the amount of $160. The check is drawn on Monroe’s Bank of America account. Monroe lists her address as the Beverly Carlton Hotel. Gottesman was a psychoanalyst Marilyn started seeing in the early 1950s. “
“A colorful birthday card sent to Marilyn for her 30th birthday by business manager and friend Inez Melson. In her message Melson acknowledges she’s been informed that Marilyn has transitioned the responsibility for the care of her mother Gladys away from Inez. Melson’s handwritten message reads, ‘Dearest Marilyn, This little card not only wishes you a Happy Birthday, but says “au-revoir.” I say this because Mr. [Irving] Stein was in this morning and told me of the new arrangement with the Arthur Jacobs Company with respect to taking care of all matters relating to Mrs. Eley. I am truly sorry, dear one, but you know you can always call upon me if you should ever need me. With fondest love, always, Inez.’ The original transmittal envelope is included. Melson managed Marilyn’s finances and business affairs throughout the early portion of Marilyn’s career. Interestingly, Melson ended up becoming the executrix of Marilyn’s estate after her death, which included ensuring the care of Marilyn’s mother who passed away in 1984. Inez passed away in 1985.”
“A September 8, 1956 letter to Marilyn from Mary Lee Fairbank reading in part, ‘We’ve just got back and looking forward to having you both for dinner – what night? How many? Who particularly do you want to meet – political, (undecipherable), fluff, philosophical, scientifical (sic).’ The original envelope, also included, is addressed to Mrs. Arthur Miller, Parkside House, Englefield Green, Surrey, where Marilyn and husband Arthur Miller stayed for four months while filming The Prince and the Showgirl.” [Possibly from Mary Lee Fairbanks, who married actor Douglas Fairbanks Jr. in 1939.]
“An April 2, 1957 letter to Marilyn from Margaret Hohenberg, M.D., reading, ‘I am sending you your file for the sessions you had during March. I hope you are getting along in your new analysis, yet I want to repeat what I said last time over the phone: Whenever and for whatever reason you may want to see me again – you will be always welcome.’ Hohenberg was Marilyn’s psychoanalyst from 1955 through early 1957.”
“An original program for Cat on a Hot Tin Roof from its run at the Erlanger Theatre in Chicago, IL for the week of July 7, 1957 signed by American character actor and producer/director Delos Smith. On the cover, Smith wrote, ‘How sweet of you to ask my autograph! We are closing Saturday, then I go to Kansas for two weeks on income taxes, then back to N.Y. Read page 13. Love, Delos.'”
“An August 21, 1957 letter from [theatre director] John Gerstad. The letter reads, ‘Dear Miss Monroe, Arnold Schulman introduced us in Sardi’s quite a few months ago. Arnold figured that since I had directed The Seven Year Itch for Broadway and you had made the picture that we should meet. This is just to tell you how much I enjoyed your picture The Prince and the Showgirl, particularly your fetching performance. I hope this note finds you in good health. Sincerely yours, John Gerstad.’ Also included, a carbon copy of a December 5, 1957 letter sent to Gerstad from Marilyn, reading, ‘I am sorry it took so long to answer your note. It was very nice of you to write telling me that you enjoyed my performance in The Prince and the Showgirl. Thank you for your kindness. Warmest regards. Sincerely …'”
A November 13, 1957 handwritten letter to Marilyn from Stefan Lorant, which reads, ‘I have sent you the picture in which Lincoln looks like your husband. I hope you like it. It was so good to meet you at Amagansett. With kindest regards to you and your husband, Stefan Lorant.’ Lorant is referred to as a pioneering Hungarian-American filmmaker, photojournalist, and author. Included is a carbon copy of the response letter dated December 4, 1957 reading, ‘I am so happy with the picture you sent me of Lincoln. It was kind of you to remember. My husband loves it a much as I do, and we both feel it is probably one of the best of the Lincoln portraits. Thank you again for your thoughtfulness. Perhaps we will be seeing you again soon. We haven’t seen Mary Bass since the summer but we hope to. With kindest regards from my husband and myself.’ Mary Bass was the executive editor of Ladies’ Home Journal.”
“A small notecard dated November 13, 1957 with a very unusual message. The card reads, ‘Please forgive this extreme personal intrusion: It is my utmost desire to learn if you were adopted from an Iowa orphanage around 1935. I am looking for a browneyed (sic) sister formerly named Geraldine. Sincerely, Ruth Webb.’ Included is a carbon copy of the response letter dated December 5, 1957 reading in part, ‘For your information, I am not the person you describe, as I have never even been in Iowa. I hope you will find the person you are looking for.’ Interestingly, Marilyn herself signed the original letter, and not a secretary as was the case for a great deal of Marilyn’s correspondence.”
“A July 16, 1958 letter to Marilyn from Dr. Eugen Grabscheid that reads in part, ‘I am sorry to hear that the complaints after your flight have increased. I am very sure that everything will come out all right as long as the treatment is not overdone.’ This letter is likely referencing Marilyn’s flight from New York to Los Angeles on July 7, to meet with director Billy Wilder about Some Like it Hot.”
“A carbon copy of an October 21, 1958 letter to Marilyn from Rex Taylor in reference to Marilyn’s interest in painting. The letter reads in part, ‘I just talked with Jon Whitcomb who tells me you are quite interested in painting. He also tells me that you would like too (sic) take the Famous Artists Painting Course. At Jon’s request we are making you a scholarship student but I am at a loss as to where to forward the textbooks since, as I understand it, you will be in Hollywood for sometime (sic) before returning to New York City,’ and ‘I thought you might be interested in seeing a recent story on the army of Hollywood painters.’ Included with the letter is a reprint of a story referencing film stars taking up painting with a picture of Tony Curtis featured.” (Marilyn did subsequently take this course, and some of her artwork survives – more info here.)
“A small notecard originally affixed to a floral arrangement with a personal message from Oscar winning American actress Eva Marie Saint and her husband American television director and producer Jeffrey Hayden. The notecard reads, ‘We are so happy about the beautiful news. Best Wishes.’ The greetings are likely in response to the news that Marilyn and husband Arthur Miller were expecting a child. Sadly Marilyn miscarried in December, 1958. Also included, the original carbon copy response letter from Marilyn to the couple reading, ‘Thank you so very much for the beautiful flowers and the good wishes. My best to you both.'”
“A July 23, 1959 letter to Marilyn from Mrs. Frank Klein, regarding an article her daughter had written for speech and drama class during her freshman year in high school. The assignment was to write about the voice of a well-known personality. The typed article, also included with this lot, reads in part, ‘Marilyn Monroe’s voice is high-pitched and soft-toned. Her manner of speaking is breathless and rapid. Her voice has an appealing little girl quality. It convey’s (sic) Miss Monroe’s screen personality, the only one with which I am familiar, to perfection.'”
More fan mail, including a torn-up 1958 letter from Phil D’Agostino, asking Marilyn to send two signed photos daily for 2 months; a small photo sent by Myrna E. Phaire, who also gave Marilyn artwork previously sold at Julien’s; and an unsigned drawing.
“A Western Union telegram from publicist Pat Newcomb, addressed to Marilyn at her 444 East 57th Street, New York apartment, dated April 16, 1961 reading, ‘Hey friend. You know I knew even before and that I understand, but please call me today. I want to talk to you. Love, Pat.’ It’s unclear what this telegram is referencing. A number of events were occurring in Marilyn’s life at this time. Just five days prior to the date of this telegram Marilyn attended an opening day baseball game at Yankee Stadium with former husband Joe DiMaggio. They’d been on vacation together in Florida just weeks prior. In early March Marilyn was released from Columbia Presbyterian hospital. On March 7, Marilyn attended the funeral for August Miller, the mother of third husband Arthur. “
“A greeting card from Rupert Allan, who handled Marilyn’s publicity and press inquiries for several years. The card’s message from Allan reads in part, ‘I am already much better after a day in the sun: none of the pressures of the office, and the fabulous mineral waters and whirlpool bath treatment for my pinched nerve. It is so hot and relaxing.’ Included is the original transmittal envelope date stamped May 4, 1961.”
“A small red gift tag with an attached red ribbon. The tag reads, ‘Happy Christmas, 1961,’ and ‘George Cukor,’ written in silver ink in Cukor’s own hand. Interestingly, research indicates that Cukor agreed to direct Something’s Got to Give in November of 1961, and this card was likely attached to a Christmas gift he gave to Marilyn considering they’d soon be working together again.”
“A small notecard, presumably originally affixed to a floral arrangement due to its size and artwork, with a personal message from two-time Oscar winner Shelley Winters. The card reads, ‘All your fellow students from the Actors Studio California branch at the moment thinking of you.’ The card is signed, ‘Shelley W.'” [UNDATED]
“A small notecard with embossed letters reading ‘WADLEY & SMYTHE, NEW YORK.’ The handwritten note on the card reads, ‘May the days of your years be gentle always. Sincerely, Joan Blondell.’ A comparison of Blondell’s known autograph resembles the signature on the card, indicating it’s very likely she wrote the note herself. Blondel starred in more than 100 productions both in film and television, her most notable being her performance in the 1951 film The Blue Veil, for which she received an Academy Award nomination. Younger generations will recognize her as Vi, one of the waitresses at the Frosty Palace in the 1978 cult classic, Grease. [UNDATED]
“An oversized birthday card with an image of Marilyn on the cover together with an image of Brigitte Bardot. The card’s cover reads, ‘Brigitte Bardot or Marilyn Monroe.’ The message inside offers the bearer a night with Bardot or Monroe for $2.00 with the coupon printed in the card. A handwritten message on the card’s inside cover reads, ‘Tell M.M.M. I’ve saved up $1.62 already yet. Love, Del’ under a greeting that reads, ‘For your Birthday.’ An interesting yet crass greeting card featuring Marilyn herself (and likely without her approval) sent to the film star by a fan. [UNDATED]
UPDATE: The nude calendar, and check to Dr. Gottesman were the biggest sellers among the Marilyn-related lots – more details here.
“You know, she would stop whatever she was doing to wave to truck drivers and cabbies who yelled ‘Marilyn!’ to her. She had a lot of their standards … That’s the element, the quality, which every young girl in America could recognise.
I think the major reason for her myth becoming larger and larger every day, for the legend growing on such a gigantic scale, is not the tragedy of her life. It’s the joy of the girl; she presented the joyous moment of a vibrant woman.
More important, she represents the freedom which kids have today. Only, she was fifteen or twenty years ahead of the times, so she paid the price for her freedom.
Anyway, I want to show the nice moments in her life. I think in my own way I don’t gloss over what we look upon as vicious in life. What the hell! You’ve got to be tough to survive in the movie world. And in individual relationships with people. In the emotional life.”
Marilyn makes the front page of today’s Inverness Press & Journal, with news of her ancestral links to the Munro clan of Moray. This story is also reported in today’s Scotsman.
“New DNA evidence proves beyond doubt that Marilyn Monroe had Scottish roots. She was descended from the famous Munro clan, from Moray, despite the alternative spelling of her surname. The blonde bombshell was born Norma Jeane Mortenson in 1926, but took her screen name from her mother, Gladys Monroe.
Hundreds of members of Clan Munro will hear details of her Scottish kin during a clan gathering in the Highlands next weekend. They will meet at Foulis Castle, near Dingwall, for an update on the latest discoveries in the clan’s DNA project.
Monroe’s mother Gladys could trace her father’s line back to John Munro, a prisoner of war exiled to America after the Battle of Worcester during the English Civil War in 1651. No Munro men who shared the same signature pattern of the male Y chromosome had been found in Scotland, so the link to the Highland clan was uncertain.
Now, the Clan Munro DNA project has finally proved that Marilyn’s forefathers were related to a Munro family from the Moray village of Edinkillie, near Forres. Descendants of this Munro family, some of whom emigrated to the Bahamas in the 18th Century, carry the unique Y chromosome marker previously found only in descendants of exiled John Munro.
Another member of the Moray family, William Munro, emigrated from Scotland to Batavia, now Jakarta in Indonesia, in the early 19th Century. He married into a Dutch family, and William’s descendant Roelof Zeijdel said: ‘I was most proud to discover my clan Munro heritage, but very amazed that DNA could show also I was related to this big star that everybody knows.’
Clan chief Hector Munro said: ‘At Foulis Castle, Munros whose ancestors travelled throughout the world, as well as those who stayed in Scotland, will be coming together to celebrate our shared history, heritage and traditions, whatever their genes may tell us.’
Previously the Munro DNA project found that US President James Monroe was of a different male line, most closely related to the Munros of Teaninich Castle in Alness.”
Berniece Baker Miracle, Marilyn’s half-sister, turns 100 years old today. (This photo, taken in 1994, showed Berniece aged 75.)
Berniece was born on July 30, 1919, to John ‘Jap’ Baker and his wife Gladys in Venice, California. She was their second child, Robert (or ‘Jackie’) having been born in 1917. Baker was sixteen years older than Gladys, who had married him aged just fifteen. The marriage was not a happy one, and in 1923, they separated. After the divorce, Baker abducted both children and returned to his hometown of Flat Lick, Kentucky. Gladys followed them there, but was unable to recover her children. She eventually returned to Los Angeles and after another failed marriage, became pregnant with Norma Jeane who was born in 1926.
In 1933, Berniece’s brother Robert tragically died aged sixteen. Two years later, Gladys suffered a nervous breakdown and would spend much of her later life under psychiatric care. Berniece, who believed her mother was dead, received a letter from Gladys in 1938 and also learned of her half-sister’s existence for the first time. The two ‘sisters’ began a warm correspondence. At nineteen, Berniece had just graduated from college and was about to marry her long-term boyfriend, Paris Miracle. Their daughter, Mona Rae Miracle, was born in 1939, and the family moved north to Detroit, Michigan.
In 1944, Norma Jeane travelled to Detroit where she finally met Berniece in person. Two years later, Berniece – now living in Oak Ridge, Tennessee – visited her half-sister, now a successful model and aspiring actress under her new name of Marilyn Monroe, in Los Angeles.
In 1951, Berniece moved to Gainesville, Florida, and would later work as a bookkeeper at the University of Florida, while Mona Rae qualified as a schoolteacher in 1957 and was married a year later.
Although the sisters stayed in touch throughout Marilyn’s rise to fame, they would not meet again until 1961, when she asked Berniece to stay with her in New York as she recuperated from gallbladder surgery. Sadly this would be their last reunion, and in August 1962, Berniece was one of the first to hear of Marilyn’s death from her ex-husband, Joe DiMaggio. She travelled to Los Angeles to help Joe and Inez Melson (Marilyn’s business manager, and legal guardian to Gladys) and attend her sister’s funeral. She and Mona Rae were among the beneficiaries of Marilyn’s will.
In 1967, Gladys left Rockhaven Sanitarium in California, and moved to Florida to live with her daughter. A few years later, she entered a nursing home. Gladys survived until 1984, and was joined in death by Paris Miracle six years later. My Sister Marilyn, co-written by Berniece and Mona Rae, was published in 1994. It is one of the most tender and intimate books ever written about Marilyn, and an essential read for anyone seeking a truthful account of her family background.
Perhaps best known for her role in It Came From Outer Space (1953), Kathleen Hughes was married for sixty years to River Of No Return producer Stanley Rubin, who died in 2014 (see here.) She is also a regular guest at the annual memorial services for Marilyn.
In an interview with Stephanie Nolasco for Fox News, Kathleen looks back on her career, and shares memories of Marilyn dating back to the first time she saw her perform in Strictly For Kicks, a revue staged at 20th Century Fox in March 1948 – many months after Marilyn’s first contract with the studio lapsed. (You can hear the Glenn Miller Band’s version of the song Marilyn performed here.) Kathleen’s cousin, Diana Herbert, had briefly appeared with Marilyn in her first movie, Scudda Hoo! Scudda Hay! Both were uncredited.
Kathleen also mentions testing for a role ‘a short time after’, which involved dancing, and losing the part to Marilyn. This could be Ladies of the Chorus, a low-budget 1948 musical filmed at Columbia Pictures in April 1948. The black gown worn by Marilyn in Strictly For Kicks was a costume from the movie.
“My cousin Diana Herbert was taking acting lessons when I was already under contract. She was in a show at the studio club. Every studio in those days had a studio club and it consisted of all the people behind the scenes – the mailroom people, the secretaries – everybody but the actors. They would put on a show every year. My cousin was going to be in one of these shows.
The day before the show, she said, ‘They took my song number away from me and they gave it to a girl named Marilyn Monroe who had been under contract at the studio for six months — they had just dropped her! But now they’re giving her the song. I’m still in the show and you still have to come and see me.’ Well, I went to see it and Diana did her number. She was very, very good. But then Marilyn came on. Oh my God, she was fantastic. She did a song called “I Never Took a Lesson in My Life.” She was wearing this slinky black dress. I just couldn’t believe they dropped her.
She was incredible. She was just a star. I just thought if anyone from the studio saw the show, they would realize they made a terrible mistake and sign her back again. A short time later, the casting office called me and they said, ‘Can you dance?’ They got me with this poor, patient man of a dance director. He tried hour after hour after hour to teach me one simple step. Years later I was able to pick it up, but I could not learn this step at the time. At the end of the day, as it was getting dark, he said, ‘Forget it! We’ll get someone else.’ That someone else was Marilyn.”
After plans to develop the former Rockhaven Sanitarium into a park and boutique mall were scrapped earlier this year (see here), the City of Glendale are now reconsidering a proposal to turn the site into a hotel and community garden, as Lila Seidman reports for the Los Angeles Times. (Marilyn’s mother, Gladys Baker, was a resident at Rockhaven from 1953-67. You can read more about this pioneering women’s sanitarium here.)
“City officials are reconsidering an idea to turn the site of the former Rockhaven Sanitarium in north Glendale into a boutique hotel and community garden, voting this week to revive a proposal submitted by a developer nearly three years ago.
During a special meeting on Tuesday afternoon, Glendale City Council members supported entering into a six-month exclusive negotiating agreement with Avalon Investment Co. to fine-tune its vision for the property that originally opened in 1923 as a women’s mental-health facility.
It’s a departure from the present council’s decision in 2016 to work with Gangi Development and turn the property into a park and boutique commercial center. At the time, council members sidestepped a recommendation by the city staff to work with Avalon.
Friends of Rockhaven, a nonprofit dedicated to preserving the property, supported Gangi’s proposal. During the meeting on Tuesday, Friends treasurer Jo Ann Stupakis said the nonprofit now supports Avalon’s proposal. ‘We have some new friends that have come to play,’ Stupakis said of Avalon. ‘They see [Rockhaven’s] beauty, her history, her potential.’
Friends president Joanna Linkchort said she still preferred a park, but felt Avalon’s managing partner, Weston Cookler, is working hard to tailor the hotel project’s design to the community’s needs. Councilman Vartan Gharpetian said he also preferred a park, but voted to go forward with the negotiating agreement, voicing his support as a ‘soft yes.’
‘The original plan didn’t really get it,’ Linkchort said during an interview after the meeting. ‘Now, talking to [Cookler], it seems like a much better fit.’
After hearing from several stakeholder groups, including local historical societies and business organizations, Cookler said his team is considering lowering the number of hotel rooms from 45 to 30. Members of the public, not just hotel guests, would be free to roam the grounds of the planned hotel, he added.
The sanatorium, founded by nurse Agnes Richards, was put on the state’s historical resource list in 2016 … As part of Avalon’s proposal, Rockhaven’s structures and grounds would be restored and preserved to a federal standard. The decision won the support of the Glendale and Crescenta Valley historical societies.”