Attention, Midlanders: two Monroe movies are to be screened at Derby’s QUAD Centre, with The Seven Year Itch set for tomorrow, March 24, at 3 pm; and Bus Stop at 2:30 pm on Sunday, April 7. It’s a tie-in with Marilyn, a free exhibition based on photographer Emily Berl’s stunning images of Monroe lookalikes (see here), at the nearby Déda Gallery until April 14 as part of the Format Festival. (The gallery is closed on Sundays, however, so you’ll have to see them on different days.)
Thanks to Lorraine at Marilyn Remembered
Comic book author Alan Moore (whose past creations include V for Vendetta and Watchmen) puts his own spin on Marilyn’s mysterious death in the final issue of his Cinema Purgatorio anthology – to be published on May 29, as Rich Johnson reports for the Bleeding Cool website.
“Cinema Purgatorio is the anthology that Alan Moore has been curating for the past two years for Bleeding Cool’s publisher, Avatar Press. Each perfect bound paperback volume begins with a comic by Moore and Kevin O’Neill that names the title, with someone trapped in a cinema in purgatory, watching classic films that have been twisted to reflect aspects of humanity of its history – especially that of movies. So we’ve had the tales of the Warner Brothers told using the Marx Brothers. Or corruption in cinema with the Keystone Kops.”
Photographer Bettina Bogar was inspired by fellow Canadian Douglas Kirkland’s iconic 1961 shots of Marilyn between the sheets to launch Skinwork, a women’s empowerment project in aid of skin cancer awareness, on display at Toronto’s Artscape Youngplace until March 16, as Wing Tze Tang reports for the Toronto Star.
“When Toronto photographer Bettina Bogar visited a local art gallery a few years ago, she was struck by a picture of Marilyn Monroe, facing Douglas Kirkland’s camera wearing nothing but white bedsheets. ‘I thought, she feels so comfortable in her skin. I’ve never seen a woman feeling that good about herself,’ says Bogar, who decided to create her own shoot inspired by that iconic image … The photos celebrate the female figure and skin in intimate and varied detail, including close-ups of skin tags, scars and markings, all cast in a bright and beautiful light. None of the images were retouched.”
Meanwhile, a Douglas Kirkland retrospective opens today at the Palos Verdes Art Center in California – more details here.
A retrospective for Alfred Eisenstaedt – known as the ‘father of photojournalism’ – will open at New York’s Robert Mann Gallery tomorrow through April 27.
“In 1935, Eisenstaedt decided to emigrate to the United States, as magazines in Germany began to shutdown with the rise of Hitler. He settled in New York where he became one of the first four photographers hired by LIFE Magazine. Eisenstaedt’s coverage of Hollywood in the 1930’s is some of his most quintessential work, photographing stars such as Bette Davis, Katherine Hepburn and Sophia Loren, who is known to be one of his favorite subjects. He photographed Marilyn Monroe on a small patio behind her home in Hollywood in 1953, capturing her in Rembrandt-inspired light that beautifully emphasized the unparalleled Marilyn mystique—femininity, naiveté and sexuality.
Andy Warhol’s portraits of Marilyn are mentioned in a feature about artists and their muses from this week’s issue of UK magazine Country Life (dated February 27.)
Thanks to Fraser Penney
The ‘honeymoon album‘ gifted to Marilyn and Joe DiMaggio by Japan’s baseball league after their 1954 visit has been sold for $12,000 at Heritage Auctions. It is also the subject of an article in US weekly Closer (not to be confused with the UK magazine of the same name.) It’s dated March 4 with Vanna White on the cover, and can also be ordered here.
Audrey Wollen (the artist and feminist scholar best-known for her Sad Girl Theory) takes an in-depth look at the numerous images of Marilyn reading – taken by various photographers at different stages of her career, and ranging from silly to serious – and how they have shaped public perceptions, in an article for Affidavit.
“In 1999, Christie’s auctioned off nearly 400 books from Marilyn’s personal library, a roster of classics ranging from Proust to Hemingway, which publicly solidified her intellectual identity and provided hard evidence against all those who claimed the plentitude of reading photographs were staged. But staged, of course, they were. They are hardly a homogenous document of fact; taken across decades, their only consistent element is the subject (Monroe), the act (reading), and the light, the aura that emits from the promise, the flattened proof, that beauty is real. Some call this being photogenic. Feminist accounts of Marilyn Monroe often take great trouble to declare the photographs’ candid status as a way to defend her ability to think, as if to pose with a book is to admit one cannot read it. But it is the slipperiness of their authenticity that make these photographs so mesmerizing.”
A Douglas Kirkland retrospective, including photographs from his 1961 shoot with Marilyn, will open at the Palos Verdes Art Centre next month.
A poster of Marilyn in The Seven Year Itch (the image is usually attributed to Sam Shaw) can be glimpsed in this deceptively casual photo of Ivanka Trump’s dorm room at a Connecticut girl’s boarding school, as Ashley Alese Edwards reports for Refinery 29. The eldest daughter of real-estate tycoon and future president Donald Trump, Ivanka now contentiously serves as his personal advisor.
“A January 1998 piece, first reposted by the Instagram account @thankyouatoosa, run by Casey Lewis, profiles a 16-year-old Ivanka in her dorm room at Choate Rosemary Hall in Connecticut, which she shared with two other girls. ‘Some people might be surprised I’m a normal teenager,’ Ivanka, who is pictured striking a very ’90s cool-girl pose on a small wooden chair, told the magazine. The 15-by-11 feet room is normal: Her wall is adorned with string lights, photographs of friends and family, and a poster of Marilyn Monroe’s iconic skirt-flying-up photo. ‘There’s a lot of random themes from movies,’ she said.
Although the room seems no different than that of any American teenage girl at the time, one can glean some insights into future Ivanka. Ivanka’s image, much like a magazine spread, is perfectly curated. She grew up with unimaginable wealth, but her public persona (like her dorm) is that of a person who is almost implausibly down-to-earth. She wears immaculate designer clothes, but is never gaudy. She speaks with authority, but maintains a soft tone. She’s an adviser to one of the most powerful men in the world, but still wants to be seen as relatable and approachable by posting smiling selfies, videos of herself playing with her kids, and engaging in PDA with her husband Jared Kushner (who is also an adviser to the president). Much of what Ivanka portrays herself to be is paradoxical; how could a woman who has always been privileged — and by extension, powerful — really be just ‘one of us’?
Ivanka, who grew up shuttling between multiple luxury residences, told Seventeen her unassuming dorm, with its austere furniture and plain, white walls, ‘probably expresses me best.’
She added: ‘It’s an atmosphere I created.’
A new photography exhibit in The People’s Gallery at City Hall in Austin, Texas celebrates women with disabilities, including a portrait shot by Greg Mitchum – which recalls Marilyn’s 1954 ‘ballerina sitting’ with Milton Greene – as Laura Jones reports for the Austin Chronicle.
“‘Sometimes I hear mothers with young children telling their kids not to stare at me,’ says the pretty blond model, as we talk over the phone. I’d watched videos of her online, dancing with the help of her crutches. Seen her Marilyn Monroe-style photographs – white dress, flirty smile – at the People’s Gallery exhibit at City Hall. ‘I always tell people, “It’s okay. Go ahead and stare.” We are human beings, so we are going to notice difference, but we don’t have to make it all of what a person is about.’
This model’s name is Tanya Winters. She’s a 42-year-old woman with cerebral palsy who is, among other things, an accomplished dancer, choreographer, and president of the board of VSA Texas. When she dances, she does so on her crutches, an image many people may not be used to, but a captivating one nonetheless. Photographs of Winters, along with 19 other disabled women, are currently on display at City Hall as part of a People’s Gallery capsule exhibit created by the Bold Beauty Project of Texas. The goal of the project is to show disabled women in a new light.
For Winters’ portrait, she worked with photographer Greg Mitchum to create a blend of four images modeled on one of Marilyn Monroe’s iconic looks. Each image, she says, represents a different side of her personality: a shy side, a strong side, a side that is fun and spontaneous. Two of the photographs feature her crutches, one her wheelchair, because, she says, ‘I use both and both are a part of me.’ Monroe, to her, is an icon. ‘To add my disability to that was very important to me and to disability culture,’ Winters says.”