Category Archives: Art and Photography

Monroe Six Snaps Up For Grabs

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A remarkable collection of candid photos, including some never seen and taken by James Collins – an original member of the ‘Monroe Six’, the group of teenage fans who befriended Marilyn after she moved to New York – will be on sale via Heritage Auctions on February 20, the Mirror reports.

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“Marilyn moved to New York in 1955 and spent about five years in Manhattan. We all met on the street and we just sort of decided we were going to be a group. I just used any box camera I had, nothing fancy because I couldn’t afford an expensive camera.

We knew where she lived and her hairdresser [Peter Leonardi] was a friend of ours so he would tell us when she was going to an event and where she would be. Afterwards we would run to the drugstore to get our snapshots developed in multiples so that all of us could have all the shots we had taken of her.

We wanted nothing from her except the opportunity to take her picture or to get her autograph – and often she would sign on the very photographs we had just taken of her the day before. I kept them in a little satchel, but after she died I put it in my closet and left it for years.

They’re all candid photos, they show the two sides of her. By day she was this sweet, lovely girl and at night she became the movie star. But I never took them thinking they would be worth anything.”

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‘Forever Marilyn’ Lands in Australia

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Marilyn’s Australian year kicks off next week as the touring exhibit, Marilyn: Celebrating an American Icon opens at the Murray Art Museum (MAMA) in Albury, New South Wales. The exhibition will feature 150 artworks and supporting programs, reports the Border Mail.

Meanwhile the arrival of Seward Johnson’s giant sculpture, ‘Forever Marilyn’, in Bendigo Park, Victoria (around 90 miles from Melbourne) heralds another upcoming exhibition, Twentieth Century Fox Presents Marilyn, opening at Bendigo Art Gallery on March 5. You can watch a video of the installation here.

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Glynis Traill-Nash reports on both exhibits in an article for The Australian.

“The two exhibitions deal with Monroe in different ways: for Bendigo, it is about getting closer to the woman herself, and includes screen costumes, photographs, her own wardrobe items and personal effects, such as make-up and notebooks; MAMA instead opens Monroe to the gaze and interpretation of others, including images of the star created both during her lifetime and after her death, from the likes of photographers Cecil Beaton and Henri Cartier-Bresson, and artists including Andy Warhol and Richard Lindner.

The Bendigo exhibition also includes two particularly notable personal looks. ‘We have the little green Pucci blouse, which was quite understated, and was the last thing that Marilyn was photographed publicly in, so it’s quite poignant,’ says Curtin. There is also a photo of the star in a red cotton housecoat, with a pattern of chickens and roosters. ‘It’s quite ordinary, housewifey,’ says Curtin. ‘It was worn when she was about two months’ pregnant (to third husband Arthur Miller). You can see in the photo she looks quite proud, but sadly she lost the baby. But that human side of Marilyn gives us some insight that we don’t usually get to see.'”

Russell Young’s Marilyn in London

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Pop artist Russell Young’s latest exhibition, Superstar, draws on two iconic beauties from different eras – Marilyn, and British model Kate Moss – and is on display at London’s Halcyon Gallery until February 14. James Fisher reviewed it for The Upcoming.

“Art, like every other aspect of modern culture, is subject to the fashion of the day. Luckily for Russell Young, the current fashion appears to be pop art. His latest solo exhibition,Superstar, is another wonderful example of a genre that seems to be moving from strength to strength.

Superstar is described as an ‘exploration into the visual nature of fame and celebrity’ and it certainly fulfils its promise …  From humble beginnings in North Yorkshire, he moved to London and then the US, where he began to fully focus on his art in the year 2000. He describes how watching a film of Marilyn Monroe in his younger years in England motivated him to seek out new adventure in his later life. It was that sense of silver screen wonder, beautifully captured in this exhibition …

Taking inspiration from the great pop artists of the 60s and 70s, Young leans heavily on the screen printing process … Young’s use of colour creates an atmosphere of 60s grandeur, with colours named Vegas and California Gold allowing us to briefly imagine those places at the time. This is not just a celebration of fame, however, but also a reminder of its lows. Marilyn Crying shows us the human side of celebrity; there’s no diamond dust here, just a girl with the world’s eyes upon her, showing us a brief moment of real emotion … We are presented with a celebration of a period arguably started by Monroe and finished by Moss and this is undoubtedly one of the finest exhibitions of its kind.”

Fake James Dean/Marilyn Image Debunked

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In a post debunking fake, Photoshopped images, Gizmodo’s Matt Novak points out a frequently circulated image of Marilyn, supposedly with James Dean. In fact, she was photographed alone by Ed Feingersh in 1955, smoking a cigarette on a balcony overlooking a New York street. The photo of Dean appears to have been taken while filming East of Eden. While the two iconic stars have often been compared, actually they only met on a handful of occasions and were not close friends.

‘Magnum on Set’ in the Netherlands

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Following the opening of an exhibition in Amsterdam featuring Milton Greene’s and Douglas Kirkland’s photos of Marilyn, there is more good news for our Dutch readers. ‘Magnum on Set‘, a retrospective of the legendary agency’s cinematic photojournalism (including coverage of The Seven Year Itch and The Misfits) is now on display at the Boscotondohal in Gemeentemuseum Helmond until March 27.

Thanks to Sacha at Immortal Marilyn

Marilyn Goes ‘Blonde’ in London

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Marilyn by Douglas Kirkland (1961)

After ES Updates reported last week of an exhibition featuring Milton Greene and Douglas Kirkland’s photos of Marilyn opening in Amsterdam, comes news of another Greene/Kirkland show, in the UK. As announced by Luxury London, ‘Gentlemen Prefer Blondes Starring Marilyn Monroe’ will be on display at the Little Black Gallery on Park Walk, Chelsea, from January 19-February 27, with a selection of prints for sale.

Greene, Kirkland and Marilyn in Amsterdam

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Milton Greene’s 1955 portrait of Marilyn – posing with a girl’s best friend, her dog – graces the January 2016 cover of Focus, a Dutch photography magazine. Inside is a short item about Marilyn Monroe: The Woman Who Made Love to the Camera, an exhibition of images by Greene and Douglas Kirkland, on display at the Eduard Planting Gallery in Amsterdam from January 9-March 5.

Thanks to Sacha and Johann at Immortal Marilyn

Halsman’s Marilyn at the Smithsonian

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Philippe Halsman’s most iconic photo of Marilyn – chosen for her first Life magazine cover in 1952 – has won a Smithsonian Magazine readers’ poll, and will be displayed in the National Portrait Gallery, Washington, from January-March 2016.

“A portrait of Marilyn Monroe will be installed in the Smithsonian National Portrait Gallery’s ‘Recognize’ space, Jan. 22, 2016. The museum’s historians and curators selected three actresses’ portraits for voters to choose from—Rita Hayworth, Marilyn Monroe and Mae West—three fan favorites who, despite long acting careers, never received Oscar nominations.

Thousands of votes were cast on Smithsonianmag.com, and Monroe’s portrait received the most votes. Philippe Halsman’s photograph of her will be on view on the ‘Recognize’ wall, near the north entrance of the museum, through March 6, 2016.

Last year, the Portrait Gallery created ‘Recognize’ as an opportunity for people to select what they would like to see on display. Twice a year, the museum presents three portraits, and the public votes for their favorite. In the last round of ‘Recognize,’ voters elected to display a portrait of the baseball Hall of Famer Roberto Clemente by Charles ‘Teenie’ Harris.”

Henri Dauman: Photographing Marilyn

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March of Dimes fashion show, January 1957

Time has published an article about photographer Henri Dauman, whose work graced the pages of Life, Newsweek and the New York Times. Dauman photographed Marilyn at several public events during the late 1950s, mostly in New York. Self-taught, and inspired by cinema, Dauman escaped the holocaust and was orphaned at 13, fleeing France for America. A documentary, Henri Dauman: Looking Up, is currently in the fundraising stage.

The Millers at a preview of 'Some Like it Hot', 1959
The Millers at a preview of ‘Some Like it Hot’, February 1959
'Some Like it Hot' premiere, Chicago (March 1959)
‘Some Like it Hot’ premiere, Chicago (March 1959)
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Named as Best Actress for ‘The Prince and the Showgirl’ at the David di Donatello Awards, May 1959.