This year marks the 50th anniversary of The Beatles’ Sergeant Pepper’s Lonely Hearts Club Band, one of the most influential pop albums ever made. The cover – a collage by artist Peter Blake – features the Fab Four lining up alongside more than sixty of the last century’s most iconic figures. Marilyn is there, as photographed by Ben Ross in 1953. BBC Music have compiled a mini-documentary for each one: Marilyn’s includes newsreel footage from her arrival in England to shoot The Prince and the Showgirl in 1956. You can watch the clip here.
Philippe Halsman’s joyous 1959 portrait of Marilyn – part of his ‘Jump’ series – is one of seventy images chosen to represent Magnum Photos on its 70th anniversary in an exhibition in the pedestrian tunnel at King’s Cross in London for a month from May 15, reports The Guardian.
Today’s edition of U.K. Sunday newspaper, The Observer, includes a feature on the 70th anniversary of Magnum, focusing on the pioneering agency’s female photographers. Marilyn’s work with Eve Arnold is mentioned, and Inge Morath’s portrait of a warm, mature but still wistful Marilyn during the Misfits shoot is among Magnum’s many iconic images of Monroe. When Inge visited the Millers’ hotel suite in Reno on that fateful day in 1960, who could have predicted that within two short years Marilyn would die, and Morath would be Arthur’s wife?
Thanks to Fraser Penney
Cecil Beaton’s ethereal 1956 portrait of Marilyn – which she kept framed in her New York apartment, on top of her famous piano – was one of many iconic images projected onto the Empire State Building this week, marking the 150th anniversary of Harper’s Bazaar magazine. Among her contemporaries, Elizabeth Taylor and Audrey Hepburn were also featured.
This autumn will see the release of what could be the most comprehensive Greene retrospective to date, The Essential Marilyn Monroe by Milton H. Greene: 50 Sessions. Coming from ACC Art Books on September 27, it spans 324 pages and 400 photos.
Marilyn also graces the cover of Cecil Beaton: Portraits and Profiles, one of many celebrities featured, out in paperback on October 5. This book was originally released in hardback (with Beaton on the cover) back in 2014.
And for something completely different, Robin Holabird’s Elvis, Marilyn, and the Space Aliens: Icons on Screen in Nevada is out now. Don’t be put off by the wacky cover: it includes a chapter on The Misfits.
The annual Hollywood Legends auction at Julien’s, set for April 29, features a number of Marilyn-related items, including a 1961 check book which, as UK tabloid The Mirror reports, shows she was overdrawn at the time.
Here are some of the more unusual lots…
“A Marilyn Monroe novelty game night set. The Brown & Bigelow set contains two decks of playing cards, one showing Monroe in the ‘A New Wrinkle’ pose and one of Monroe in the ‘Golden Dreams’ pose from her 1949 Red Velvet photo session with Tom Kelley, and a set of four tin coasters showing Monroe in the ‘Golden Dreams’ pose and ‘Marilyn Monroe’ printed on each. Contained in a black flocked presentation box, stamped with an image of Monroe and branded text that reads ‘Always First/ with the Best Figures/ T D F CO.’ at lower right.”
Rare photos taken by Bruce Davidson during filming of Let’s Make Love.
A number of items related to photographer John Florea, including this contact sheet from the ‘Heat Wave’ number in There’s No Business Like Show Business.
A personal note from photographer Zinn Arthur to Marilyn and Milton Greene, probably penned during filming of Bus Stop.
And an invitation to the 1961 Berlin Film Festival…
Posing as Marilyn is becoming a rite of passage for ex-Disney starlets: following Dove Cameron’s recent lead is Bella Thorne, in a new shoot by Mona Kuhn for Harper’s Bazaar, channeling Douglas Kirkland’s legendary 1961 session. Madonna and Christina Aguilera are among earlier stars who’ve paid homage; Kirkland has himself recreated the scene with Angelina Jolie. Over at Yahoo Style, Hayley Fitzpatrick looks back on other celebrity tributes to Marilyn, both in and out of those silky sheets.
“Marilyn Monroe, I (1962)
James Rosenquist painted this inverted and fragmented portrait of Marilyn Monroe just following her unexpected death in 1962. Like fellow Pop artist Andy Warhol, Rosenquist transformed Marilyn’s iconic image. But whereas Warhol used well-known photographs of the celebrity sex symbol repetitiously, Rosenquist chose to present her in a manner that denied immediate recognition, while preserving her coquettishness. He achieved this by breaking apart her eyes, lips, and hand, reassembling the pieces into a seemingly random configuration, and boldly overlaying letters that are themselves fragments of her name.
Below the lettering appears a fragment of the word ‘Coca-Cola’ in the soda’s trademark script. Through this association with branding, mass-production, and popular culture, the artist draws attention not so much to Monroe as a person as to how she was packaged in the mass media and marketed based on her sex appeal, here synecdochically referred to through images of her smiling mouth and attractive blue eyes artistically repackaged. Rosenquist’s painting of Marilyn Monroe is one of countless others painted by his contemporaries, including Andy Warhol and Willem de Kooning, that attest to the increasing power of mass media and its impact on art production during the 1960s.
Oil and spray enamel on canvas – Museum of Modern Art, New York”
In an interesting article for Broadly, Mitchell Sunderland explores the bizarre phenomenon of #ThugMarilyn – the images of a tattooed, gun-toting MM which adorn unofficial t-shirts, phone covers and social media pages, yet are the antithesis of the real Marilyn’s sweetly sexy persona and her gentle, introspective private self. While some fans clearly feel this makes her more relatable, to me #ThugMarilyn is as mythical as the ‘dumb blonde’ character she sometimes played in movies. Furthermore, I’m not sure Marilyn would have wanted to be associated with violence and crime.
“Marilyn Monroe has lost her edge. Her sexual roles and nude Playboy pictorial made her one of the most controversial women of the 20th century, but the masses turned her once forbidden image into a backdrop for inspirational quotes posted on Pinterest and Instagram.
#ThugMarilyn posts cover Monroe in a 20th century aesthetic that opposes the sanitized version of her that appears on dorm room posters and alongside inspirational quotes, but it’s questionable how the hashtag associates tattoos and basketball jerseys with a dangerous coolness.
But the images of Monroe and Los Angeles have always been open to interpretation: Monroe played comedic roles while suffering from depression in her off time, and the underground has always lurked under the surface and around the corner from movie studio lots … Despite the dull quotes that millennials now attribute to her name, the underworld and hustling has always defined Monroe as much as her movie stardom—just like Los Angeles itself.
As much as #ThugMarilyn drawings rely on glaring stereotypes, their creators believe they’re bringing authenticity to Monroe’s life and legacy, which contain multitudes and contradictions. Monroe never flashed guns or paid for a tattoo sleeve, but her public persona consisted of playing dumb blonde comedic roles while navigating a tragic personal life and a sexuality the public deemed controversial.”