The short-lived but highly influential 1960s magazine, Avant Garde, has been digitised in its entirety, as Dan Colman reports for Open Culture. Issue 2, released in March 1968, featured ‘The Marilyn Monroe Trip by Bert Stern‘, and is now highly collectible.
Floral tributes were left by Marilyn’s crypt at Westwood Memorial Park in Los Angeles on what would be her 90th birthday, while devoted fans like Monica Shahri visited in person.
Canadian fan Billy made a heart-shaped card for Marilyn…
And there was cake too, courtesy of the Hollywood Foreign Press Association (the team behind the Golden Globes.)
The L.A.-based fanclub, Marilyn Remembered, organised a donation to Hollygrove, the former children’s home where Marilyn once lived. Now known as EMQ Families First, the charity has launched a new fundraising drive, ‘Modern Marilyn‘.
Everlasting Star admin Sirkuu Aaltonen went on a book hunt…
And UK superfan Megan posted a touching tribute on her personal blog.
“Another year has gone by and Marilyn’s star keeps growing brighter and brighter, people are still fascinated and enthralled by this beautiful soul. Did Marilyn have her faults? Of course she did, it’s hard to believe, I know, but she was a human being just like us. I love Marilyn for Marilyn and that will never change. I’d like to think that there are more genuine fans who love and respect Marilyn than conspiracy lovers who just follow their ignorance.”
If you’re going to Chelsea Harbour for the Design Centre exhibition, there’s another Marilyn-related event to check out in nearby Fulham. Happy Birthday Miss Monroe, a pop-up display of classic images from Milton Greene, Bert Stern, Douglas Kirkland and others, opens at The Showroom Presents from tomorrow and throughout June, Jess Denham reports for the Independent.
Canadian-born celebrity photographer Douglas Kirkland’s iconic 1961 images of Marilyn wrapped in silk sheets (as well as his 2001 remake with Angelina Jolie) are featured in a retrospective at the Izzy Gallery in Toronto, Canada, as Nigel Hunt reports for CBC.
“Kirkland recalled how, as a young photographer, he went to meet the movie star in her apartment to discuss ideas for the photo shoot.
‘She said: I know what we need. We need a bed, a white silk sheet, Dom Pérignon champagne and Frank Sinatra records. We don’t need anything more. And I’m going to be in that bed with nothing on!’
‘Could you imagine what a young man like me was thinking?’
That session produced several images that count among the most iconic shots of the much-photographed screen starlet.
For that, Kirkland credits the sexual energy in the room that emanated from his subject.
‘She was just under this white silk sheet, nothing on. And I’m a kid from Fort Erie!'”
Marilyn Monroe was one of the world’s most photographed women, but her mother Gladys, who suffered from severe mental illness, was a more shadowy figure. In an article for the Los Angeles Times, Katherine Yamada reveals how Louie Deisbeck of the Glendale News-Press, who died in January this year, captured a rare image of Gladys Baker Eley as a 60 year-old on the run from Rockhaven Sanitarium in July 1963.
“Less than a year after Monroe died, the 60-year-old Eley fashioned a rope out of two uniforms, climbed through an 18-inch-square closet window and lowered herself to the ground. After climbing over the wire mesh fence surrounding the property, she began walking.
Twenty-four hours later, she was discovered some 15 miles away in a church on Foothill Boulevard. She had spent the night in the church’s utility room, sitting near the water heater to keep warm.
The minister who found her called the police; they were soon followed by Glendale News-Press photographer Louie Deisbeck and a reporter.
Deisbeck, who had been with the newspaper since 1957, had many contacts in the city.
‘Police and firemen contacted him all the time in those days, they knew to call him directly at home,’ his son Rusty said in a recent phone interview.
Deisbeck was met at the church by two female police officers. ‘It was real hush hush,’ his son recalled.
After he got the photo — the first taken of Eley in more than 20 years [although several family photos of Gladys were taken in the late 1940s] — Deisbeck raced back to the News-Press, leaving the reporter to get the story.
The police officers told the reporter (who did not get a byline in the July 5, 1963 article) that Eley stated she wanted to get away from the sanitarium and practice her Christian Science teaching. After determining that she was unharmed, they returned her to the sanitarium.
Deisbeck’s photo earned front-page coverage in many newspapers.
‘That was the most famous picture he ever did,’ son Rusty said. ‘He sold it to magazines and newspapers all over the world.'”
Magnum alumni Bruce Davidson, who photographed Marilyn behind the scenes during filming of Let’s Make Love and The Misfits in 1960, is the subject of a new book by Vicki Goldberg in the Magnum Legacy series, reports CNN. (It follows the first Magnum Legacy book about Eve Arnold, another photographer of Marilyn’s, which was published last year.)
“What makes Davidson’s photographs so compelling is that they stem from patience and an ability to empathize with his subjects.
‘I stay a long time,’ he said. ‘My eyes open to their lives. In my silence, they feel secure. My philosophy is to stay until it becomes a subject. I am an outsider on the inside.'”
Andre de Dienes: Marilyn and the California Girls – a rare solo retrospective for the European-born, West Coast photographer – will be on display at the Stephen Kasher Gallery in New York from June 9-July 30, reports the British Journal of Photography. As well as his extraordinary work with Marilyn, the exhibit will also showcase De Dienes’ exotic nudes, taken against the spectacular natural backdrop of California’s desert landscape.
Zimbelism, the long-awaited documentary about photographer George S. Zimbel, had its premiere at the recent Hot Docs Festival in Toronto. Zimbel, now 86, spoke to Laura Goldstein for mashumashu.com about his 72- year career in ‘humanist’ photography, and his memories of Marilyn as she filmed the ‘subway scene’ for The Seven Year Itch. A retrospective of Zimbel’s work, Momento, was published last year.
“‘I am more of a determined photographer than a pushy photographer but that night I did something atypical. I started to shoot as the filming commenced. (Strictly forbidden!) There was enough street noise to cover the discrete click of the Leica shutter, but someone obviously didn’t like what I was doing and I was removed from the press photography area and escorted behind the police lines by two of New York’s finest. I used the new viewpoint and kept shooting from there. I remember when all action stopped as two men walked across the set. It was Joe Dimaggio, (Marilyn’s) husband and Walter Winchell, the Broadway columnist. Dimaggio was furious about the scene (remember it was 1954.) Every publication that could find an excuse to run photos of that event did so. And here is my personal mystery – I decided not to throw my shoot into the editorial pot.’
I ask George bluntly, ‘Why did you do that? Didn’t you kick yourself afterwards?’
‘We all have our priorities,’ he says without regret, ‘and I was working on a photo essay on Irish Americans that had to be completed first. You know we had to fight just to be paid $100. Of course I checked the Marilyn negatives first and then I filed them away unprinted and unpublished. They even survived a fire in my darkroom in 1966 and my move to Canada in 1971.’
Amazingly, the Monroe photographs weren’t shown until over 20 years later, in Zimbel’s solo exhibition in 1976 at Confederation Centre of the Arts, Prince Edward Island, Canada. The full set was shown for the first time in 1982 at Galerie Art 45 in Montreal.
As Zimbel reminisces, ‘In January 2000 I had a retrospective in Valencia Spain and my Marilyns were exhibited on the walls of Sala Muralla, a gallery fashioned from an ancient archeological site at Institut Valencia d’Art Modern where they shared space with an ancient plaque of a Roman goddess. I felt it was a homecoming for her image.'”
Chinese artist Chen Ke has mapped the different stages of Marilyn’s life in her debut gallery show, ‘Dream-Dew’, at Hong Kong’s Galerie Perrotin until June 25, Samuel Spencer reports for BlouinArtInfo.
“Whereas previous artists have focused on Monroe as an image or icon of a certain era of Hollywood glamour, Chen’s paintings focus on Monroe as person, a woman with hopes, history, and dreams.
For example, in ‘1932 Los Angeles 6 Years Old,’ 2016, Chen shows a young Monroe in the flower garden of a house straight out of an early 20th century American landscape painting. The image is put into question, however, by Monroe’s shadow, which seems to suggest she is posing against a backdrop rather than a real landscape, and by the fact the image is totally removed from the reality of 1930s America, with young Monroe’s blonde hair and clean blue dress at odds with our images of the Great Depression.
Chen’s idea to paint Monroe’s dreams and real life came from the Chinese character translation of ‘Monroe’, which literally means ‘dream of dew.’ As the artist puts it in a statement, ‘Dream refers to Marilyn’s dreams, also the American Dream, the Hollywood Dream…the large paintings represent dreams of Marilyn’s childhood, youth, adulthood and an imaginary old age,’ while ‘dew is the real, as opposed to dreams.'”
And finally, here’s part of a personal statement from the artist, Chen Ke:
“A Marilyn Monroe in her teens catches my eyes right away. Innocent and alive, slightly withdrawn and shy, with brightness and darkness like shadows in the sun, the girl was none of the sexy icon she would later be…
In Marilyn’s case, the success of dream pursuit and its attendant life force in the end, are no match for the dark influences planted deep in her unfortunate childhood, making her sad ending a kind of fatalism. In watching her strivings all along, we as knowing viewers can’t help feeling tragic for her, just as we would for Sisyphus who endlessly pushes the rock to the mountain top.”
Curtis Sneary, a pop artist living in St Petersburg, Florida is the subject of a new exhibition, as Janelle Faignant reports for Creative Loafing. And on his own website, Sneary shows how he created his painting, ‘Marilyn Monroe Selfie‘, a tongue-in-cheek update to her famous ‘subway scene’ in The Seven Year Itch. (Fans will know that Marilyn visited St Petersburg in 1961, while ex-husband Joe DiMaggio was coaching the New York Yankees.)
“Sneary and his wife have lived in St. Pete for 14 years now. They are a team in his artwork, with Beth handling business issues and modeling for many pieces, (her body became Marilyn Monroe’s in that painting) and their goal is to make their whole house into a studio in the near future.
Sneary says the answer to the question ‘How long does it take to finish?’ is a lifetime.
‘Because you put all this knowledge into it,’ he says, adding that the physical work averages about 40 hours, or a month to six weeks.
Sneary has shown the landscapes in galleries and sold well but his satirical pop art has been slower to sell, despite its popularity with audiences.