Hello Norma Jeane, Dylan Costello’s comedy about an Essex grandmother who might just be Marilyn Monroe, has opened at the Park Theatre in Finsbury Park, North London. Here’s what the critics have to say…
Vicki Michelle in Hello Norma Jeane
“The cast launch themselves into their characters with enthusiasm … The first half in particular seemed to zing with energy and snappy one-liners that had the audience laughing; the second half seemed to lose a little pace and perhaps needs to be a little tighter in order to maintain focus.” – Gay Star News
“Costello’s play wavers uncertainly between camp comedy and sentimental melodrama before finally settling on the latter, and despite the occasional delightfully bitchy joke, the moments of touching affection between grandmother and grandson are the most satisfying things on offer here.” – The Stage
“Vicki Michelle starts off in hilarious form as the crimplene-clad Lynnie … Her Lynnie is funny, charming, and cheerily blue in her use of language, yet she is also vulnerable and more frail than she wants to admit.” – The Reviews Hub
Farrel Hegarty as an imaginary Marilyn
“It is a credit to the writing that by the end of the second act, I had changed my mind a dozen times as to whether Lynnie was or wasn’t Marilyn. In fact, I have seen the second act twice – and not just because of Peter McPherson’s abs – and come to a different conclusion each time.” – London Theatre 1
“Michelle’s performance maintains buoyancy through the second act transition from comedy to reflections on ageing, but there’s some squelchy sentimentality and facile sub-plotting … it’s expanded to a needless two hours 15 when the sweetness of the idea really demands the sharpness of an hour-long version.” – The Londonist
“The plot is intriguing but the acting sometimes falls flat … a warm-hearted and at times very funny play. With more polish it has the potential to go far. It is unpredictable, which is its greatest charm.” – The Upcoming
