Good news for North American fans: Marilyn – Her Untold Story, a Hollywood Legends Collectors’ Edition magazine special, is now available for $12.99 from stores across the US (and also in Canada.) Readers tell me it’s a nice visual tribute and a fun collectible, but the text relies too much on rehashed gossip. You can view the contents page below – and if you’re outside the US, a few copies are surfacing on Ebay.
Bill Wamke, who was drafted by the US Army in 1952 and was appointed stenographer to the Commanding General of the 25th Infantry Division, recalls meeting Marilyn during her 1954 tour of Korea in an interview with the Kokomo Herald.
“‘She got to because our division was not on the line when I got over there, the 7 was on the line. My division was not on the line … Of course there was no danger there, and since it was close to the ceasefire, I got there about a month before. Marilyn Monroe moved around the camp and visited with the troops and stuff, and it was neat to see her.’
Wanke still has the photographs he took of Monroe and said, for one of them, she was kind and patient while he got his camera set to take the photo.”
In an article for Mic, Rachel Lubitz takes a closer look at ‘the undeniably cool and surprisingly feminist history of the turtleneck.’
“While the turtleneck enjoyed success in the military during World War II, the 1950s brought the turtleneck into mainstream popularity again, this time on a very different group of people: beatniks and bombshells. It became a marker for a certain kind of cool, edgy artist … Other fans of the black turtleneck in the ’50s and ’60s were people like Audrey Hepburn, Marilyn Monroe, Lauren Bacall, Eartha Kitt and Jayne Mansfield, who utilized the turtleneck’s tightness to show off her assets.”
Actress Erin Sullivan – currently touring the US in her one-woman show, With Love, Marilyn – will also play a supporting role as MM in an industry presentation of a new musical, Dorothy Dandridge: Hollywood’s Sepia Goddess, at New York’s Off-Broadway Theatre on November 13, BWW reports.
Marilyn first met Dorothy at the Actors’ Lab in Los Angeles during the late 1940s. They were neighbours on Hilldale Avenue in 1952, and Marilyn’s vocal coach, Phil Moore, was also Dorothy’s musical arranger. In 1953, as Marilyn filmed River of No Return, Dorothy began a tumultuous relationship with director Otto Preminger. Sadly, Dorothy’s career was ultimately stymied by racism, and in an eerie echo of Marilyn’s fate, she would also die of a drug overdose.
With a major new biography of Richard Avedon, Something Personal, due to be published later this month, the New Yorker‘s Hilton Als looks back at Nothing Personal, the photographer’s 1964 collaboration with author James Baldwin. An exhibit of material from the book will go on display at the Pace/McGill Gallery, NYC, on November 17.
“As an artist, Avedon told the truth about lies, and why we need them or metaphors to survive, and how people fit into their self-mythologizing like body bags, and die in them if they’re not careful. Look at his portrait of Marilyn Monroe in Nothing Personal, perhaps one of the most difficult pictures in the book. In an interview, Dick said Monroe had given a performance as Marilyn Monroe earlier in the shoot, laughing and giggling and dancing. But then the shoot was over, and where was she? Who was she? Nothing Personal is riddled with these questions of identity—what makes a self?—a question that gave a certain thirteen-year-old ideas about the questions he might ask in this world: Who are we? To each other? And why?”
Following the recent devastation of Hurricane Maria in Puerto Rico, a barge named ‘Marilyn Monroe’ has been transporting vital equipment – including vehicles, housing, bulk fuel, food, and self-powered cellular communication towers to the island, Smith Maritime reports. The barge has no direct connection to Marilyn, of course – but given her charitable nature, it’s pleasing to find her name being used to help those in need.
A Jewish daily prayer-book acquired by Marilyn at the time of her 1956 marriage to Arthur Miller will be auctioned at William Doyle Galleries of New York as part of their Rare Books, Autographs & Maps sale on Tuesday, November 7. The book, which numbers some 648 pages, is described as ‘quite worn’ and includes a few notations in pencil, apparently by Marilyn herself. It was originally sold at Christie’s in 1999. The estimated price this time around is $4,000-$6,000. For more information on Marilyn’s conversion, read this excellent article by Simone Esther.
Two pairs of earrings worn by Marilyn in Frank Powolny’s iconic publicity shots for Gentlemen Prefer Blondes will be auctioned on November 18, as part of a sale from the estate of legendary jewellery designer Joseff of Hollywood at Julien’s. Also coming up this month is the Entertainment Signatures sale at Heritage Auctions on November 11.
UPDATE: The gold-plated earrings have sold for a staggering $112,500; while the pair with simulated pearls fetched a none-too-shabby $81,250.
George Chakiris, the perenially youthful actor, dancer and choreographer, who worked with Marilyn at the start of his movie career in Gentlemen Prefer Blondes and There’s No Business Like Show Business, and has spoken fondly of her at several memorial services, has shared his memories with Stephanie Nolasco for Fox News.
“‘She was so intensely concentrated on her work,’ Chakiris told Fox News. ‘She was very quiet. She didn’t speak with anyone, not to be rude, but she was just so concentrated on her work.’
‘Whenever they cut [a scene] for any reason, she didn’t go to the mirror or her dressing room. She went right back to her starting position and was ready to shoot the number again or that portion of it… She was just so strikingly beautiful. She had such fair skin.’
‘I remember one time… Jack Cole was facing Marilyn and behind him, also facing Marilyn was Natasha Lytess,’ recalled Chakiris. ‘But he didn’t know Natasha was behind him. And I guess he was giving Marilyn some kind direction and Natasha was very slowly shaking her head. It looked like, Pay no attention to what he’s telling you, I’ll tell you later. But Marilyn Monroe was wonderfully polite to the both of them.’
‘I know there are those other stories, of course,’ explained Chakiris. ‘But the thing that I noticed was her courtesy, how wonderfully quiet she was, how her main concern was her work… I really admired that… She never made a big, loud entrance.’
‘I always thought that in spite of what anybody said about her in any way, shape or form, I always felt [that] in her heart she was kind. There was a sweetness to her… I respect who she was and what she was trying to do… When you see her in a movie, any movie she’s in, your eyes always go to her… She’s so gifted, I think. She’s musically gifted.’
Author Darwin Porter is nothing if not prolific, publishing new books every year. He has become a one-man National Enquirer of Old Hollywood, writing salacious biographies following this lucractive dictum: the dead don’t sue. Among film historians, Porter has very little credibility, but certain tabloid newspapers, more interested in cheap thrills than evidence, lap up his tall stories.
In 2012, Porter published Marilyn at Rainbow’s End, a lurid tome panned by many long-term Monroe fans. He has since mentioned her in equally dubious ‘biographies’ of Ronald Reagan, Elizabeth Taylor and James Dean. His latest victim is 1950s heartthrob Rock Hudson.
This latest publication, Rock Hudson: Erotic Fire, is featured in the UK’s Daily Mail. Porter claims that his source is actor George Nader, whom inherited the interest on Hudson’s estate along with his partner Mark Miller, Hudson’s former secretary. The couple were close to the star throughout his long career. Rock’s homosexuality was hidden until shortly before his death from AIDS in 1985. (George Nader died in 2002.)
Porter claims that Rock met a young Marilyn on the Universal lot in 1949 and offered to buy her lunch. They met for dinner on several occasions at a ‘hamburger den’, before Marilyn reportedly told him, ‘We don’t want this to get more serious. Both of us will have to lie on a few casting couches.’
This alleged quote is third-hand at best, and besides, Marilyn never worked at Universal. It’s highly unlikely that an affair between two such famous names could have gone unnoticed for sixty years. Rock was initially considered for the male lead in Bus Stop (1956), while Marilyn was considered for Pillow Talk (1959.) Marilyn also wanted him to star in Let’s Make Love (1960.)
Hudson presented an award to her at the 1962 Golden Globes, where they were photographed hugging affectionately. However, her date that night was Jose Bolanos. Hudson also narrated the documentary Marilyn, produced by Twentieth Century Fox after her death.
All of this suggests that they were on friendly terms, but nothing more. In a life as scrutinised as Marilyn’s, there are very few secrets left. Her relationships with celebrities like Marlon Brando, Frank Sinatra and Yves Montand are well-known. At this late stage, a rumoured affair with Hudson should be treated as hearsay, if not outright fantasy.