Tag Archives: Marilyn: Character Not Image

2016: A Year In Marilyn Headlines

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In January, exhibitions featuring Milton Greene and Douglas Kirkland’s photographs of Marilyn opened in London and Amsterdam. In New York, the Museum of Modern Art paid tribute to Marilyn’s choreographer, Jack Cole. Also this month, James Turiello’s book, Marilyn: The Quest for an Oscar, was published. And Edward Parone, assistant producer of The Misfits, died.

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In February, Marilyn ‘starred’ with Willem Dafoe in a Snickers commercial for the US Superbowl. Monroe Sixer Jimmy Collins’ candid photographs were sold at Heritage Auctions, and the touring exhibition, Marilyn: Celebrating an American Icon, came to Albury, Australia.

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Another major Australian exhibition, Twentieth Century Fox Presents Marilyn Monroe, featuring the collections of Debbie ReynoldsScott Fortner, Greg Schreiner and Maite Minguez Ricart – opened at the Bendigo Art Gallery in March. And Barbara Sichtermann’s book, Marilyn Monroe: Myth and Muse, was published in Germany.

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In April, a special edition of Vanity Fair magazine – dedicated to MM – was published. A campaign to save Rockhaven, the former women’s sanitarium where Marilyn’s mother Gladys once lived – was launched. And actress Anne Jackson – wife of Eli Wallach, and friend to Marilyn – passed away.

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In May, Marilyn graced the cover of a Life magazine special about ‘hidden Hollywood’, and Sebastien Cauchon’s novel, Marilyn 1962, was published in France. Cabaret singer Marissa Mulder’s one-woman show, Marilyn in Fragments, opened in New York, while Chinese artist Chen Ke unveiled Dream-Dew, a series of paintings inspired by Marilyn’s life story. The remarkable collection of David Gainsborough Roberts was displayed in London. Finally, Alan Young – the comedian and Mister Ed star, who befriended a young Marilyn – died.

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June 1st marked what would be Marilyn’s 90th birthday. Also in June, New Yorkers were treated to an Andre de Dienes retrospective, Marilyn and the California Girls. An exhibition of the Ted Stampfer collection, Marilyn Monroe: The Woman Behind the Myth, opened in Turin, Italy. A new documentary, Artists in Love: Arthur Miller and Marilyn Monroe, was broadcast in the UK, while Australia honoured Marilyn with a commemorative stamp folder, and genealogists investigated Marilyn’s Scottish ancestry.

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In July, the birthday celebrations continued in Marilyn’s Los Angeles hometown with tributes from painter David Bromley, and another Greene exhibition. A new musical, Marilyn!, opened in Glendale. Rapper Frank Ocean appeared alongside a Monroe impersonator in a Calvin Klein commercial. And Marni Nixon, the Hollywood soprano who sang the opening bars of ‘Diamonds Are a Girl’s Best Friend’, passed away.

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August 5th marked the 54th anniversary of Marilyn’s death. Also this month, it was announced that Seward Johnson’s ‘Forever Marilyn’ sculpture may return permanently to Palm Springs. April VeVea’s Marilyn Monroe: A Day in the Life was published, and Marilyn’s role in Niagara was featured in another Life magazine special, celebrating 75 years of film noir.

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In September, Marilyn: Character Not Image – an exhibition curated by Whoopi Goldberg – opened in New Jersey. Terry Johnson’s fantasy play, Insignificance, was revived in Wales. Two locks of Marilyn’s hair were sold by Julien’s Auctions for $70,000. And author Michelle Morgan published The Marilyn Journal, first in a series of books chronicling the Marilyn Lives Society; and A Girl Called Pearl, a novel for children with a Monroe connection.

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In October, Happy Birthday Marilyn – a touring showcase for the collection of Ted Stampfer – came to Amsterdam, while Marilyn: I Wanna Be Loved By You, a retrospective for some of her best photographers, opened in France. Marilyn Forever, Boze Hadleigh’s book of quotes, was published. Marilyn’s friendship with Ella Fitzgerald was depicted on the cult TV show, Drunk History. And on a sadder note, photographer George Barris, biographer John Gilmore, and William Morris agent Norman Brokaw all passed away this month.

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In November, Marilyn’s ‘Happy Birthday Mr President‘ dress was sold for a record-breaking $4.8 million during a three-day sale at Julien’s Auctions, featuring items from the David Gainsborough Roberts collection, the Lee Strasberg estate, and many others including the candid photos of Monroe Sixer Frieda Hull. Also this month, comedienne Rachel Bloom spoofed ‘Diamonds Are a Girl’s Best Friend’ in a musical sequence for her TV sitcom, Crazy Ex-Girlfriend. And Marilyn Monroe: Lost Photo Collection, a limited edition book featuring images by Milton Greene, Gene Lester and Allan ‘Whitey’ Snyder, was published.

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When Whoopi Met Marilyn…

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Whoopi Goldberg attended the opening night of Marilyn: Character Not Image (which she curated) at MANA Contemporary in Jersey City this weekend, reports NJ.com.

“‘We have pieces of her as the actress, but it’s not the actress acting,’ she said. ‘It’s the woman reacting to what’s happening around her.’

Pointing to a Greene shot of Monroe with playwright Arthur Miller, Goldberg said, ‘This is the Marilyn you know.’ Then, pointing to a photo of Monroe coming out of a pool, beaming and wearing a black-and-white bikini, she said, ‘That’s the Marilyn you don’t.’

The exhibit also includes some of Monroe’s drawings and videos of the late screen star narrated by readings of her poetry. The dress, though, is the star of the show.

Made of soufflé gauze and 2,500 hand-stitched crystals, the gown is displayed on a mannequin standing on a white pedestal. When Goldberg saw it, she said, ‘She had a big derrière.’

Monroe’s legendary performance — ‘Happy Birthday, Mr. President’— came at a Democratic Party fundraiser at Madison Square Garden held 10 days before Kennedy’s 45th birthday.

The gown is up for auction in November. It last sold in 1999 for nearly $1.3 million, then a record. Martin J. Nolan, executive director of Julien’s Auctions, which is handling the sale, believes it will go for up to $3 million, though he thinks it’s worth far more. He called it the ‘holy grail’ of collectibles.

‘It’s a piece of art, but it’s Hollywood, it’s pop culture, it’s Marilyn Monroe, it’s the Kennedys — everything wrapped up into one piece of fabric,’ he said. ‘It’s truly amazing.’

Nolan added that, despite Goldberg’s comment on Monroe’s backside, the actress was petite in May 1962, weighing about 112 pounds.”

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Meanwhile, Priscilla Frank has reviewed the show for Huffington Post.

“The drawing above, titled ‘Lover watching his love sleep,’ was made by Monroe herself in the late 1950s, with Conté crayon on paper. The sepia-toned image depicts a woman who may or may not be Monroe herself, unclothed and reclining leisurely while her lover watches on, entranced.

It’s a simple drawing, but powerful nonetheless, not only in its aesthetic qualities but in what it reveals about its maker. The artwork hints at a different Marilyn than the bold vixen we see on screen. Rather, a Marilyn who is thoughtful, introspective, and creative ― an avid reader and obsessive writer. “

‘Marilyn: Character Not Image’

Marilyn at the 'East of Eden' premiere in 1955 - photo and manipulation for Arthur Fellig, aka 'Weegee'
Marilyn at the ‘East of Eden’ premiere in 1955 – photo and manipulation for Arthur Fellig, aka ‘Weegee’

Marilyn: Character Not Image, a new exhibition curated by none other than the multi-talented actress, comedienne and host of TV’s The View, Whoopi Goldberg – a woman who has consistently defied stereotyping throughout her long career – will open at Jersey City’s Mana Contemporary on September 25, through to October 22.

weegee_10327_1993_8+2“This show presents a different side to the legendary actress: behind the glamour was a vulnerable, sensitive, and ambitious young woman who spent time writing poems and diary entries to self-analyze, understand, and reassure herself. In these writings, she craves love and friendship, and battles with ongoing pain, heartbreak, and disappointment. She attempts to understand the world on her terms, tries to accept her insecurities and fears, and to become a better artist.

Milton Greene was a personal friend who constructed many famous images of Marilyn the star, but he also took many intimate photographs of Marilyn the person. The images here demonstrate her sweetness, humor, and impatience: with husband Arthur Miller, talking to animals, receiving directions for a photoshoot, taking a summer dip. The images by Weegee reveal a sly complicity between subject and photographer: his dark-room distorted imagery pokes fun at the unreal and absurd facets of the Hollywood industry, of which Marilyn was keenly aware.

Also on view is the dress she wore during the unforgettable 1962 performance singing ‘Happy Birthday’ for President John F. Kennedy at Madison Square Garden, perhaps the most significant moment of her career, the crystallization of the persona she was continually creating since she dreamed of becoming an actress as a little girl. The dress and the drawings are on loan from Julien’s Auctions’ forthcoming November events.

‘The image of Marilyn Monroe the icon endures and strengthens as time goes by, but her personal life remains a mystery,’ says Whoopi Goldberg. ‘With this exhibition I wanted to show a glimpse of the woman behind the icon using, before now, never-before-seen images, some of her personal writings, and some pieces of her artwork.'”

Thanks to Edgar Freire