“Curated by Charles L. Ross, the free exhibit features fan memorabilia from the private collection of Wilton Manors resident Ed Witkowski.
‘When Marilyn Monroe died in 1962 I was 14 years old,’ Witkowski said. ‘Marilyn Monroe was a woman who had ultimate sex appeal. I really did not know what sex appeal was at that age, but I felt it as a young teenage boy coming-of-age.’
According to the exhibit, Monroe was ahead of her time on LGBT issues, and many gay men related to her struggles with insecurity and finding acceptance.
‘I really think it’s because she was vulnerable and talked about her life. She talked about how she struggled and that made her different. Gay people felt different and misunderstood,’ said Ross, chief curator at Stonewall. He remembers, as a teenager in Pennsylvania, when news of her death broke over the radio.
The exhibit marks a departure for the gallery, which has generally focused on people who are LGBT.
‘This is so different because there are so many people who had an interest in Marilyn Monroe and still have an interest in Marilyn Monroe,’ Ross said. ‘It won’t be just for the LGBT community. Straight men and women would go too.'”
Curtis Sneary, a pop artist living in St Petersburg, Florida is the subject of a new exhibition, as Janelle Faignant reports for Creative Loafing. And on his own website, Sneary shows how he created his painting, ‘Marilyn Monroe Selfie‘, a tongue-in-cheek update to her famous ‘subway scene’ in The Seven Year Itch. (Fans will know that Marilyn visited St Petersburg in 1961, while ex-husband Joe DiMaggio was coaching the New York Yankees.)
“Sneary and his wife have lived in St. Pete for 14 years now. They are a team in his artwork, with Beth handling business issues and modeling for many pieces, (her body became Marilyn Monroe’s in that painting) and their goal is to make their whole house into a studio in the near future.
Sneary says the answer to the question ‘How long does it take to finish?’ is a lifetime.
‘Because you put all this knowledge into it,’ he says, adding that the physical work averages about 40 hours, or a month to six weeks.
Sneary has shown the landscapes in galleries and sold well but his satirical pop art has been slower to sell, despite its popularity with audiences.
Photos of Marilyn filming the ‘subway scene’ for The Seven Year Itch in New York, 1954, are currently on display at the Norton Museum of Art, as Jan Sjostrom reports for the Palm Beach Daily News. They are owned by Beth Rudin DeWoody, whose vast collection of 20th century photography and video is showcased in a new exhibit, Still/Moving, open now until May 15. (The unidentified author of these images may one of several photographers who covered the event, including Elliott Erwitt, Sam Shaw, and George S. Zimbel.)
This glorious photo of Marilyn filming the ‘subway scene’ from The Seven Year Itch – taken by Gary Winogrand in New York, 1954 – is featured in ‘People and Places: Photographs From the Collection’, showing at the Boca Museum of Art in Boca Raton, Florida, until this Sunday, August 23.
The memory of Sugar Kane is alive and well on Coronado Island, where scenes from Some Like it Hot were filmed, Jackie Burrell writes in The Reporter.
“Surf surges against this pristine shore, the white sand dotted picturesquely with red-striped cabanas. A paved footpath leads up to the iconic grand hotel. And it doesn’t take much imagination to see Marilyn Monroe on this beach, sun-kissed and wind-swept in her short white beach robe.
In fact, it takes no imagination at all. All over Coronado Island you’ll see photographs taken during the filming of Some Like It Hot, the 1959 comedy starring a ukulele-playing Monroe, and Jack Lemmon and Tony Curtis as fellow members of her, ahem, girl band bound for Florida.
Much to the consternation of Miami’s then-mayor, the role of Florida beach was played by this stretch of strand, which is crowned by the 19th-century Hotel Del Coronado. Legend has it that Coronado’s mayor told his much-aggrieved Floridian counterpart, ‘Some like it hot, but not as hot as Miami in September.’
Coronado actually is the bulbous end of a skinny peninsula that connects the ‘island’ to the mainland in Imperial Beach, seven miles south. But it’s easy to forget such topographic technicalities as you cross the sweeping bridge or arrive by ferry from San Diego.”
Two of Marilyn’s movies will be screened at this year’s Humphrey Bogart Film Festival, from May 1-4 in Key Largo, Florida: How to Marry a Millionaire, co-starring Bogart’s wife, Lauren Bacall; and that perennial crowd-pleaser, Some Like it Hot.
A West Palm Beach strip club is being sued by Marilyn’s estate for copyright infringement, reports the Sun-Sentinel:
“Marilyn Monroe may have been the most prominent sex symbol of the last century, but her image cannot be used to promote a highbrow West Palm Beach strip club, her estate argued in a federal lawsuit filed last week.
Monroe’s of Palm Beach is infringing on the late actress’ trademark by using her name and image in its signs, its Twitter account and its very name, according to the lawsuit filed by the estate of Marilyn Monroe, which is based in New York.
Until recently, some of its fliers featured a silhouette reminiscent of the iconic scene from The Seven Year Itch in which Monroe’s skirt is blown from a blast of air coming from a subway vent.
A manager at the West Palm Beach club, who identified himself only as John, said the business has stopped using the skirt silhouette, but denied the club is trying to profit from the memory of Marilyn Monroe. The club uses images of numerous 1950s stars, including Lana Turner, Bettie Page and the Rat Pack, he said.
‘Monroe,’ he said, was the name of the club owner’s cat, and the name was chosen in jest as a challenge to Rachel’s, a rival strip club believed to be named after its owner’s cat.”
A selection of Marilyn’s best films are due to be screened at the Miami Beach Cinematheque, including Gentlemen Prefer Blondes (August 30), How to Marry a Millionaire (September 6), The Seven Year Itch (September 13), and Some Like it Hot (September 20), reports Florida IUSM.
This retrospective, entitled ‘Marilyn: 50 Years Later,’ is accompanied by an exhibition of vintage memorabilia from the MBC archive, including posters, programs and other promotional items; a complete portfolio of ten European portraits by Andy Warhol; and various items on loan from the World Erotic Art Museum.
‘Marilyn Monroe: Tribute to an Icon’ is a new exhibition, featuring 21 artists, opening on August 22 and running through to October 10 at Miami’s Galleria Ca’d’Oro, reports Art Daily.
“The exhibition showcases a life-size sculpture of Marilyn wearing the iconic white dress immortalized by Seward Johnson in her most famous pose; an unusually lanky rendition by Valentina De Martini, a naked Marilyn immersed in color by Pablo Echaurren, a pop interpretation by Ludmilla Radchenko alongside the Marilyn series produced by Andy Warhol, a decollage by Mimmo Rotella, a witty composition by Leonardo Hidalgo, a painting with a real black diamond on the famous Marilyn beauty mark by Enrico di Nicolantonio and a live performance by Erika Calesini. The tribute to the American starlet comes to life in a 28-work exhibition that includes paintings, photographs, video, installations, and sculptures.
Pepsi Italy has created a Pepsi Light limited edition can to commemorate the myth and the 50th anniversary of the death of the timeless star. Among all the artists that made Marilyn immortal, Pepsi chose Sid Maurer; who’s many talents range from painting to music- to create an art can which captures the charisma, femininity, and sex appeal of the world famous style icon. The collectable Marilyn can will make it’s first U.S. appearance at the opening reception at Galleria Ca’ d’Oro.”