Tommy Hilfiger to Sell Marilyn’s Jeans

Ahead of the Icons & Idols event in November, Marilyn will also figure in the Tommy Hilfiger sale at Julien’s Auctions on October 21, as People reports.

“Designer Tommy Hilfiger has a slew of celebrity fans and frequently references pop culture in his designs, so it shouldn’t surprise you to find out that he’s got an enormous collection of memorabilia worn by some of the most iconic celebrities of all time … A pair of Foremost JCP Co. blue jeans worn by Monroe in the 1954 film River of No Return are available and can be yours if you’ve got a ton of disposable income just lying around (they’re estimated to sell up to $40,000). Hilfiger previously owned two other pairs of the jeans worn by Monroe, but gifted them to Britney Spears and Naomi Campbell (#nobigdeal).”

As well as Marilyn’s jeans, the Hilfiger collection also includes this screenprint by pop artist Steve Kaufman.

UPDATE: Surprisingly, Marilyn’s jeans went unsold.

‘Down Boy!’ Rare Marilyn Song Resurfaces

Marilyn has been making news in the music world this week, with a story that ‘Down Boy’, an unreleased song cut from Gentlemen Prefer Blondes, may be sampled on a new track by hip hop producer Timbaland (who is currently working on his fourth solo album, Opera Noir.) Here’s a report from ContactMusic:

“The 43-year-old record producer is sampling the late Gentlemen Prefer Blondes actress’ only unreleased track, a swing number titled ‘Down Boy’ 53 years after she died of an overdose.

Timbaland – who produced Michael Jackson’s second posthumous album Xscape in 2014 – is now working on a modern version of the track after meeting up with the owner to the rights, Hollywood resident Jack Allen.”

Jack Allen‘s name will be familiar to fans, as he authored the 2002 book, Marilyn by Moonlight: A Remembrance in Rare Photos. Long out of print, it is now highly collectable.

Fans may also remember a similar news story from Entertainment Weekly in 2006, when Allen tried to shop ‘Down Boy’ to various female pop stars. It was briefly rumoured that Britney Spears would sample the track, but nothing came of it – so I would advise readers to treat this latest update with caution.


This unreleased song came from an 20th Century Fox playback acetate record, made for the music numbers in the movie. An acetate is a transitional stage between the master tape and the finished vinyl record. It is a metal plate covered in a layer of acetone. Very few are made and they are distributed to people directly involved with the recording in order that they can approve the sound before the record is cut.

‘Down Boy’ was intended for a scene in which Lorelei (Marilyn) dances with elderly millionaire (Charles Coburn.) Some footage can be briefly glimpsed in the film, although plans to include ‘Down Boy’ were abandoned. You can listen to a snippet from the original recording here.

The song, penned by Hoagy Carmichael and Harold Adamson, was later performed by Betty Grable in a 1955 musical, Three for the Show. You can watch it here.

Biographers’ Q & A: Lois Banner

Biographile has interviewed Dr Lois Banner, author of Marilyn: The Passion and the Paradox. Asked which celebrity today reminded her most of Marilyn, Banner replied, ‘I’m thinking. Angelina Jolie, maybe, because she’s smart and she’s tough. Britney Spears, Paris Hilton, they’re sort of dumb. Marilyn was never dumb.’

You can read the interview in full here.

Britney Spears: ‘Femme Fatale’

Britney Spears opened her new ‘Femme Fatale’ tour in Sacramento on Thursday with this number inspired by Marilyn’s famous ‘upskirt scene’ from The Seven Year Itch. reporting for MTV, Nicole James was starstruck:

“Britney’s channeled Marilyn before (see: her super sexy 2003 cover of Esquire magazine), and we have to say it totally works for her…Sometimes all you need is a simple white dress…paired with fishnets and black stiletto boots, obvs.”

However, Carla Meyer of the Sacramento Bee thinks Britney’s allure is more girl-next-door than Hollywood goddess:

“Spears spent the first part of the show illustrating the ‘Femme Fatale’ theme of her tour — which kicked off in Sacramento — by wearing shiny bikinis, a 1940s-inspired gold cape and a billowing skirt a la Marilyn Monroe’s in The Seven Year Itch.

After she changed into rhinestone-studded Daisy Dukes for ‘Baby One More Time’, the difference was remarkable.

Though Spears performed like a pro throughout the show, hitting all her marks, she had shown hesitancy in her movements – natural for the first stop on a tour. But that hesitancy vanished when she put on the denim. She seemed at ease.

The Louisiana’s native’s sexiness has always been more good ol’ gal than femme fatale.”