The Misfits, which proved to be the last film completed by either Marilyn or Clark Gable, ranks 4th among his 10 highest-rated movies on IMDB, as Screen Rant reports. (Interestingly, Gone With the Wind – one of the most famous movies ever made – is tied with Gable’s 1934 comedy, It Happened One Night, for first place.)
As Jake Dee reports for Screen Rant, the top-ranking Marilyn movie on user-led review site Rotten Tomatoes is not one of the more famous comedies, but her early dramatic role in Don’t Bother to Knock, reviewed here by film blogger Wess Haubrich.
“One huge reason Marilyn rocked my world as a lover of film, is that I myself have struggled with depression … I identify with her struggle with mental illness (read a heart-breaking letter she wrote about her time in a psychiatric ward here) — the seed of which was likely planted long before her stardom: her mother was not in her life as she was diagnosed with paranoid schizophrenia and spent much time in and out of hospitals, and virtually none with her daughter — because I too have been there, in that deep, dark, blacker-than-the-deepest-black hole.
1952’s Don’t Bother to Knock (based upon the 1951 novel Mischief by Charlotte Armstrong) hits on those fronts and is also, in my view, Marilyn at her most visibly delicate, at least early on in the film. The film is 66 years old this August.
We see Marilyn Monroe in the role of the fragile Nell Forbes, new to Manhattan and recruited by her uncle Eddie, who is an elevator operator in a ritzy hotel in the city, to babysit for an affluent couple … [the] tension in Nell Forbes’ unfolding psychosis is made all the more palpable because Marilyn Monroe’s performance feels like it reaches into the pit of her soul and her struggle with mental illness.
In the screen test for her role, Monroe stayed up for 48 hours straight training hard with her acting coach Natasha Lytess (much in the way of rumor circles the two women), even disobeying direct orders not to sneak Lytess on to the soundstage during her screen test, despite Monroe’s notoriously insecure nature at this point in her career. This gamble she took to get her first starring role in feature film paid off with a successful test, and Zanuck himself sent her a note of congratulations.
Don’t Bother to Knock was unjustly lampooned by the critics when it was released. Marilyn Monroe’s performance is truly something to behold, despite the low budget B-Picture trappings surrounding the film itself. It is a fine contribution to the canon of both film noir and B-Movie history.”Thanks to A Passion for Marilyn
Crazy For You is a free online fanzine in French, devoted to eye-catching pictorials of Marilyn (and Madonna, who inspired its name.) The latest issue covers Marilyn’s appearance at the Golden Globes in 1960, where she won the Best Actress in a Comedy or Musical award for Some Like It Hot. Previous issues have covered the press party for Let’s Make Love; Marilyn’s notorious red dress by Oleg Cassini; and a glamorous shoot with John Florea. For updates, subscribe to the Paradise Hunter blog or follow on Instagram.
Youtuber Jordan Lee revisits some of the Nevada locations for The Misfits in the latest instalment of his travel vlog, ‘Daze With Jordan the Lion’ – and you can watch all 38 minutes of it here.
Thanks to Lorraine at Marilyn Remembered
On Marilyn’s 93rd birthday, Sophia Waterfield aggregates online ratings from Metacritic and Rotten Tomatoes to gauge the 10 highest scoring Monroe movies with critics and audiences today in a post for Newsweek. The results are surprising, with her dramatic roles in Don’t Bother to Knock and The Misfits tying for first place; followed by Gentlemen Prefer Blondes and The Asphalt Jungle, with perennial favourite Like It Hot coming in fifth. The ranking continues with All About Eve, Monkey Business, The Seven Year Itch, Niagara, and How to Marry a Millionaire.
Meanwhile on the Gold Derby website, Zach Laws and Chris Beachum pick their top 15, with Some Like It Hot, The Misfits and The Seven Year Itch on top. Three more of my favourites – Bus Stop, Clash By Night and The Prince and the Showgirl – occupy the 5th, 13th and 14th places respectively, with River Of No Return ranked 11th and There’s No Business Like Show Business at 15th. (Of all Marilyn’s major movies, Let’s Make Love is the only one not to make either list.)
Richard C. Miller’s photographic archive has been added to Getty Images, including his photos of James Dean on the set of his last film, Giant, and many other Hollywood icons. Marilyn is also featured, from the early modelling days to her roles in Some Like It Hot and Let’s Make Love. Among the selections are some rare outtakes and more familiar shots previously unattributed. (You can read my tribute to Miller here.)
Four years after her first assignment with Miller in 1946, Marilyn worked with him again in 1950, as he followed her to an audition at the Players Ring Theatre in Los Angeles. This shoot remained unpublished for many years.
When they reunited eight years later Marilyn was a superstar, shooting what would become her most popular movie, Some Like It Hot.
And finally, on the set of Let’s Make Love in 1960…
Although The Misfits gave us one of Marilyn’s finest performances, it’s hard not to recall it without sadness. This is even more true for fans of Clark Gable, who died on November 16, 1960 (58 years ago this week), having suffered a heart attack two days after filming wrapped.
Gable had been Marilyn’s childhood idol (and an imaginary stand-in for her absent father.) He was probably her favourite leading man, and although her delays on the set often frustrated him, he remained a supportive friend to her throughout.
She was heartbroken by his death, and while some journalists blamed her for it, his widow would invite her to the christening of their only son in April 1961. Here’s a review from fansite Dear Mr. Gable, who are marking the King of Hollywood’s anniversary with Misfits-related posts on their Facebook page.
“The Misfits is an apt title for this film, not only fitting for its group of wandering cowboys and recent divorcee, but for the cast portraying them: The King of Hollywood, Clark Gable, who at age 59 was in no shape to be playing a 40-something-year-old cowboy in the hot Nevada desert. In fact, he failed his first physical for production insurance. After giving up alcohol temporarily and crash dieting to lose 35 lbs, he passed. And celebrated with whiskey and a steak.
Clark is paired as the unlikely romantic interest for the 34 year old Marilyn Monroe. Marilyn was in a dark place at the time … This film to me is just sad. I wonder if I would feel the same way if it wasn’t Clark’s swan song and if he didn’t look so terrible in it. I’m not sure though; it’s just a bleak film. The screenplay is very poetic, full of perfectly executed prose that at times seems overdone … It’s unfortunate for us all that we never got to see Marilyn attempt to play such a dramatic role again.
His wife Kay recalled: ‘Most of The Misfits was shot on a blistering hot dry lake bed 50 miles from Reno. The thermometer generally registered 135 degrees by mid-afternoon. Many members of the cast and crew became ill. But Clark outrode and outwalked men half his age.He did take after strenuous take roping a wild stallion singlehanded … Clark explained they had filmed a scene in which he was dragged on a rope behind a truck going 30 miles an hour. I was appalled. “Why are you doing those scenes?” I asked. “You’ve got a stunt man who’s supposed to do them.” Clark confessed that he’d found the waiting so demoralizing he’d volunteered to do the scenes just to keep occupied.’
On November 4, 1960, production wrapped on the film as the final scene was shot: Clark and Marilyn, alone in the car, surrounded by darkness.
‘How do you find your way back in the dark?’ she asks.
‘Just head for that big star straight on. The highway’s under it, it’ll take us right home,’ he says.
Those were the final words either of them would utter onscreen. There were no end credits, no ‘The End’ on the screen; it just faded to black. You can’t get more poetic than that.”
With the new 4K restoration of Some Like It Hot heading to UK cinemas next month, Marilyn’s role as Sugar Kane has been ranked sixth in a poll of the Sexiest Female Characters, conducted by movie website Chili, reports The Sun.
Gene Lester (1910-1994) began his career as a radio singer before moving into photography. He opened a studio in Hollywood in 1940, and became the Saturday Evening Post‘s West Coast correspondent for the next thirty years.
He first photographed a young Marilyn in 1947, and thereafter on the set of There’s No Business Like Show Business in 1954, and on several occasions in 1956, in which her business partner Milton Greene was also present: including a glamour shoot for the Post‘s famous Pete Martin interview, plus snaps outside the Beverly Glen home Marilyn rented while filming Bus Stop, and her first photo-call after meeting co-star Don Murray.
A number of previously unseen photos by Gene Lester are now available to view on the Getty Images website. Enjoy!