Major news outlets (who really ought to know better) frequently trumpet ‘rare, unpublished’ images of Marilyn which are usually nothing of the kind. With that in mind, what a lovely surprise to wake up this morning and find genuine unseen colour footage of Marilyn arriving at Chicago’s Midway Airport to begin her promotional tour of Some Like It Hot on March 17, 1959, posted to the Marilyn Monroe Video Archives account on Youtube.
A ghostly Marilyn Monroe (in drag) features in a Hollywood-themed new music video, as Randall Roberts reports for the Orlando Sentinel.
“Ssion featuring Ariel Pink, “At Least the Sky Is Blue” (Dero Arcade). The multi-disciplinary artist born Cody Critcheloe, who performs as Ssion, has carved a fascinating life for himself. As a video director, he’s worked with such acts as Peaches, Kylie Minogue, Santigold and Perfume Genius; as a bandleader and producer, he crafts dense, slightly off-balance club tracks.
For his new ‘At Least the Sky Is Blue’ video, which is taken from his forthcoming album ‘O’ (May 11), he and collaborator Ariel Pink portray characters in a VCR-tinted set piece featuring a Mercedes convertible cruising through the city. Dressed in drag as the ghost of Marilyn Monroe, Pink appears as a vision being pushed along the sidewalk in a wheelchair.”
‘Can you be a film buff in a streaming world?’ Andrew Clarke asks, in his arts column for the East Anglian Daily Times. (Clarke has written before of his admiration for Marilyn, in a 2017 article for the Ipswich Star.) Most of her major movies – and several documentaries – are available on Amazon Prime, but subscription services tend to favour contemporary films. All About Eve is the only Marilyn film currently available on Netflix, while the more specialist Filmstruck has The Prince and the Showgirl.
“The early 2000s proved to be a golden age for the film buff getting new prints of classic films by such stars as Marilyn Monroe (TheSeven Year Itch and Some Like It Hot) … Streaming makes access to films easier but the companies have to make sure that those historic titles are both preserved and made available for our children and grandchilden to enjoy. Great films never go out of fashion.”
The gulf between Marilyn’s private and public personae is explored in a new video essay created by Lara Mubayadeen and Luke Jamieson for Film School Rejects. The short film’s title, ‘Actress Must Have No Mouth’, is lifted from Marilyn’s private journals, collected in the 2010 book, Fragments. Other quotes are superimposed onto archival footage of Marilyn talking to the press, but unfortunately, some of her actual responses to reporters’ questions – often intelligent and witty – have been cut out, giving the footage a retrospective note of tragedy.
Heiress and socialite Paris Hilton’s love of Marilyn has been evident since she became a reality TV star in the early 2000s. (Personally, I’ve always thought she resembled one of the ditzy gold-diggers Marilyn played on film than Monroe herself.) Now 36, Paris is a DJ, singer and has even launched her own perfume. Her new, retro-style single, I Need You, was released on St Valentine’s Day, and the accompanying video – directed by fiance Chris Zylka – shows Paris embracing vintage glamour, with at least one Marilyn-inspired costume – more details over at Instyle.
Cuban-American Singer Camila Cabello, who is promoting her debut solo album after leaving girl group Fifth Harmony, performed a new track, ‘Never Be the Same’, on Jimmy Fallon’s Tonight Show. ‘Cabello turned up the heat with her smouldering delivery as a dizzying montage – we see clips of Marilyn Monroe, brutal storms, spiral galaxies and so much fire – lit the backdrop,’ Billboard reports. The footage of Marilyn blowing a kiss to the camera was filmed when she arrived in New York’s Idlewild Airport to film The Seven Year Itch in September 1954, and is also captured in an iconic photograph by Arthur ‘Weegee’ Fellig.
The British alt-rock band Wolf Alice has just released the video for ‘Beautifully Unconventional’, the latest single from their Visions Of Life album, with singer Ellie Roswell seemingly taking style inspiration from Marilyn, as MXDWM reports.
“Perhaps the idea of the video gets at how a culturally ultra-conventional icon like Marilyn Monroe is actually an unconventional individual. To be conventional would one would have to be anything other than an American icon. To be conventional is to be part of the cultural masses—going to work, raising a family, having normal things to talk about. Monroe’s life was hardly normal, and she would stick out ‘sorely’ in a regular, everyday context. Convention is normal, beautiful unconventionality is someone who sticks out not like a sore thumb, but like Marilyn Monroe.”
This year marks the 50th anniversary of The Beatles’ Sergeant Pepper’s Lonely Hearts Club Band, one of the most influential pop albums ever made. The cover – a collage by artist Peter Blake – features the Fab Four lining up alongside more than sixty of the last century’s most iconic figures. Marilyn is there, as photographed by Ben Ross in 1953. BBC Music have compiled a mini-documentary for each one: Marilyn’s includes newsreel footage from her arrival in England to shoot The Prince and the Showgirl in 1956. You can watch the clip here.
After a recent mini-movie starring Kate Upton, UK fashion magazine LOVE has unveiled another Marilyn-inspired clip, featuring the model and young Kardashian sister, Kendall Jenner. Shot by photographer Rankin and apparently inspired by Marilyn’s late collaboration with Bert Stern, the effect is more Lolita than Let’s Make Love; but Kendall exudes a playful innocence here, keeping her hair brunette a la Norma Jeane, and (perhaps wisely) miming to Marilyn’s voice rather than attempting a full impersonation.
She’s not the first in the Kardashian clan to be linked with MM – eldest sister Kim was compared to Marilyn by husband Kanye West (of course, he’s biased), while Khloe received some iconic Monroe prints from the family matriarch, Kris Jenner, last Christmas. ‘What would Marilyn Monroe have made of it?‘ asks WWD‘s Samantha Conti – and that, of course, is anyone’s guess.