This year marks the 50th anniversary of The Beatles’ Sergeant Pepper’s Lonely Hearts Club Band, one of the most influential pop albums ever made. The cover – a collage by artist Peter Blake – features the Fab Four lining up alongside more than sixty of the last century’s most iconic figures. Marilyn is there, as photographed by Ben Ross in 1953. BBC Music have compiled a mini-documentary for each one: Marilyn’s includes newsreel footage from her arrival in England to shoot The Prince and the Showgirl in 1956. You can watch the clip here.
Marilyn will be honoured with an unusual double bill on Friday May 5 at the Britannia Panoptica Hall in Glasgow. Starting at 7:30 pm, one of her most obscure films, 1951’s Hometown Story (in which she appears only briefly, but makes a strong impression) will be followed by The Legend of Marilyn Monroe (1966), one of the first (and best) documentaries made about her – and all for just £5, so don’t miss out!
In January, exhibitions featuring Milton Greene and Douglas Kirkland’s photographs of Marilyn opened in London and Amsterdam. In New York, the Museum of Modern Art paid tribute to Marilyn’s choreographer, Jack Cole. Also this month, James Turiello’s book, Marilyn: The Quest for an Oscar, was published. And Edward Parone, assistant producer of The Misfits, died.
In February, Marilyn ‘starred’ with Willem Dafoe in a Snickers commercial for the US Superbowl. Monroe Sixer Jimmy Collins’ candid photographs were sold at Heritage Auctions, and the touring exhibition, Marilyn: Celebrating an American Icon, came to Albury, Australia.
Another major Australian exhibition, Twentieth Century Fox Presents Marilyn Monroe, featuring the collections of Debbie Reynolds, Scott Fortner, Greg Schreiner and Maite Minguez Ricart – opened at the Bendigo Art Gallery in March. And Barbara Sichtermann’s book, Marilyn Monroe: Myth and Muse, was published in Germany.
In April, a special edition of Vanity Fair magazine – dedicated to MM – was published. A campaign to save Rockhaven, the former women’s sanitarium where Marilyn’s mother Gladys once lived – was launched. And actress Anne Jackson – wife of Eli Wallach, and friend to Marilyn – passed away.
In May, Marilyn graced the cover of a Life magazine special about ‘hidden Hollywood’, and Sebastien Cauchon’s novel, Marilyn 1962, was published in France. Cabaret singer Marissa Mulder’s one-woman show, Marilyn in Fragments, opened in New York, while Chinese artist Chen Ke unveiled Dream-Dew, a series of paintings inspired by Marilyn’s life story. The remarkable collection of David Gainsborough Roberts was displayed in London. Finally, Alan Young – the comedian and Mister Ed star, who befriended a young Marilyn – died.
June 1st marked what would be Marilyn’s 90th birthday. Also in June, New Yorkers were treated to an Andre de Dienes retrospective, Marilyn and the California Girls. An exhibition of the Ted Stampfer collection, Marilyn Monroe: The Woman Behind the Myth, opened in Turin, Italy. A new documentary, Artists in Love: Arthur Miller and Marilyn Monroe, was broadcast in the UK, while Australia honoured Marilyn with a commemorative stamp folder, and genealogists investigated Marilyn’s Scottish ancestry.
In July, the birthday celebrations continued in Marilyn’s Los Angeles hometown with tributes from painter David Bromley, and another Greene exhibition. A new musical, Marilyn!, opened in Glendale. Rapper Frank Ocean appeared alongside a Monroe impersonator in a Calvin Klein commercial. And Marni Nixon, the Hollywood soprano who sang the opening bars of ‘Diamonds Are a Girl’s Best Friend’, passed away.
August 5th marked the 54th anniversary of Marilyn’s death. Also this month, it was announced that Seward Johnson’s ‘Forever Marilyn’ sculpture may return permanently to Palm Springs. April VeVea’s Marilyn Monroe: A Day in the Life was published, and Marilyn’s role in Niagara was featured in another Life magazine special, celebrating 75 years of film noir.
In September, Marilyn: Character Not Image – an exhibition curated by Whoopi Goldberg – opened in New Jersey. Terry Johnson’s fantasy play, Insignificance, was revived in Wales. Two locks of Marilyn’s hair were sold by Julien’s Auctions for $70,000. And author Michelle Morgan published The Marilyn Journal, first in a series of books chronicling the Marilyn Lives Society; and A Girl Called Pearl, a novel for children with a Monroe connection.
In October, Happy Birthday Marilyn – a touring showcase for the collection of Ted Stampfer – came to Amsterdam, while Marilyn: I Wanna Be Loved By You, a retrospective for some of her best photographers, opened in France. Marilyn Forever, Boze Hadleigh’s book of quotes, was published. Marilyn’s friendship with Ella Fitzgerald was depicted on the cult TV show, Drunk History. And on a sadder note, photographer George Barris, biographer John Gilmore, and William Morris agent Norman Brokaw all passed away this month.
In November, Marilyn’s ‘Happy Birthday Mr President‘ dress was sold for a record-breaking $4.8 million during a three-day sale at Julien’s Auctions, featuring items from the David Gainsborough Roberts collection, the Lee Strasberg estate, and many others including the candid photos of Monroe Sixer Frieda Hull. Also this month, comedienne Rachel Bloom spoofed ‘Diamonds Are a Girl’s Best Friend’ in a musical sequence for her TV sitcom, Crazy Ex-Girlfriend. And Marilyn Monroe: Lost Photo Collection, a limited edition book featuring images by Milton Greene, Gene Lester and Allan ‘Whitey’ Snyder, was published.
Finally, in December the EYE Film Institute began a Marilyn movie season in Amsterdam. The Asphalt Jungle was released on Blu-Ray by Criterion. And actresses Zsa Zsa Gabor and Debbie Reynolds both passed away.
Marilyn Monroe: Movie Legend, a small box-set containing a DVD documentary and magazine focusing on her illustrious film career, is available now for £4.99 at WH Smith stores across the UK. If this looks familiar to you, it was first published in the US as Marilyn Monroe in the Movies (with text by Timothy Knight) back in 2010, then reissued as a gift set, Big Screen Legends: Marilyn Monroe in 2013, and in paperback (minus the DVD) in 2015. Marilyn Monroe: A Life in the Movies, a ‘video-enhanced’ ebook, is also available.
Thanks to Fraser Penney – read more about his incredible collection here
For those in the UK who subscribe to the Sky Arts channel, Marilyn and Arthur Miller are featured in the latest episode of the documentary series, Artists in Love, tonight at 8pm.
“I’d been disgruntled by this series. Featuring famous partnerships, it had chosen pairings where the man was the genius and the woman merely his muse. Why not tell us about Leigh/Olivier or Plath/Hughes, marriages where the woman does a bit more than wash the dishes and spark up her man’s imagination?
The series corrects that tonight by focusing on the short marriage of Marilyn Monroe and Arthur Miller. When Miller first met the blonde bombshell he immediately saw past her sexual image, saying to her: ‘You’re the saddest girl I’ve ever met.’
And yet, despite seeming a sad ‘girl’ to this intellectual man, he was in awe of her, recalling of this first meeting: ‘I had to flee or walk into a doom beyond all knowing. With all her radiance she was surrounded by a darkness which perplexed me.’ And this impressed Marilyn: he walked away rather than swooning, pawing and patronising her.” – Julie McDowall, The National
Zimbelism, the long-awaited documentary about photographer George S. Zimbel, had its premiere at the recent Hot Docs Festival in Toronto. Zimbel, now 86, spoke to Laura Goldstein for mashumashu.com about his 72- year career in ‘humanist’ photography, and his memories of Marilyn as she filmed the ‘subway scene’ for The Seven Year Itch. A retrospective of Zimbel’s work, Momento, was published last year.
“‘I am more of a determined photographer than a pushy photographer but that night I did something atypical. I started to shoot as the filming commenced. (Strictly forbidden!) There was enough street noise to cover the discrete click of the Leica shutter, but someone obviously didn’t like what I was doing and I was removed from the press photography area and escorted behind the police lines by two of New York’s finest. I used the new viewpoint and kept shooting from there. I remember when all action stopped as two men walked across the set. It was Joe Dimaggio, (Marilyn’s) husband and Walter Winchell, the Broadway columnist. Dimaggio was furious about the scene (remember it was 1954.) Every publication that could find an excuse to run photos of that event did so. And here is my personal mystery – I decided not to throw my shoot into the editorial pot.’
I ask George bluntly, ‘Why did you do that? Didn’t you kick yourself afterwards?’
‘We all have our priorities,’ he says without regret, ‘and I was working on a photo essay on Irish Americans that had to be completed first. You know we had to fight just to be paid $100. Of course I checked the Marilyn negatives first and then I filed them away unprinted and unpublished. They even survived a fire in my darkroom in 1966 and my move to Canada in 1971.’
Amazingly, the Monroe photographs weren’t shown until over 20 years later, in Zimbel’s solo exhibition in 1976 at Confederation Centre of the Arts, Prince Edward Island, Canada. The full set was shown for the first time in 1982 at Galerie Art 45 in Montreal.
As Zimbel reminisces, ‘In January 2000 I had a retrospective in Valencia Spain and my Marilyns were exhibited on the walls of Sala Muralla, a gallery fashioned from an ancient archeological site at Institut Valencia d’Art Modern where they shared space with an ancient plaque of a Roman goddess. I felt it was a homecoming for her image.'”
The US cable channel, Reelz, has announced a new documentary series exploring celebrity scandals, in association with the National Enquirer, reports PR Web. The first episode will focus on Marilyn’s death and is due to air on May 28. (One can only hope that the programme will be of a higher standard than the Enquirer is generally known for, but I wouldn’t bet on it…)
It has been a puzzle to Marilyn fans for many years: the brief video clip where a swimsuit-clad MM, reclining on a poolside lounger, purrs, ‘I hate a careless man.’ It was shot at the home of Harold Lloyd, the silent movie comedian turned cheesecake photographer, in 1953. But little more was known about it. Now Immortal Marilyn‘s April VeVea has found the source of the mystery footage…
“Recently I was going through Marilyn Monroe’s IMDB page under the ‘Archive Footage’ tab. I was surprised to see her listed under a 1995 documentary, narrated by William Shatner, called Trinity and Beyond – The Atomic Bomb Movie. In it, a short 1953 PSA [Public Service Announcement], that was only shown to members of the United States Air Force, called Security is Common Sense is shown at the 47:35 mark. The PSA talks about using common sense measures when dealing with government secrets such as ‘avoiding loose talk, safeguarding top secret information, reporting security violations at once, and avoiding writing about top secret information when writing home.’ At 48:39 who pops up but Marilyn herself to end the PSA!”