Henri Dauman: Looking Up, a documentary about the French-born photojournalist, will be released in the US on March 6, Deadline reports. And Los Angeles gallery KP Projects is hosting a month-long retrospective, with Dauman himself (who photographed Marilyn on several occasions) attending the opening night on February 29.
You can read my review of Arthur Miller – Writer, the intimate 2017 documentary made by his daughter Rebecca Miller, here.
Henri Dauman: Looking Up, a documentary about the Frenchman who photographed Marilyn on several occasions during the late 1950s, has been acquired by Samuel Goldwyn Films for a theatrical release in 2020, according to the Hollywood Reporter. And while the camera used by Douglas Kirkland in his 1961 photo session with Marilyn went unsold at Christie’s last month, he is also the subject of a new documentary, That Click, which recently had its world premiere in Italy.
The Fox News documentary series, Scandalous: The Death of Marilyn Monroe, has now concluded. While some viewers voiced concerns about sensationalism in the early episodes, most fans watching in the US seem satisfied by the verdict.
“I’m one of the experts interviewed for this three-part special on Marilyn Monroe,” historian Elisa Jordan says. “I’m pleased to be a part of something that gets closer to the truth about her death and debunks a lot of the ridiculous conspiracy theories surrounding her. If you happen to catch it, it’s worth watching. (And I would say that even if I weren’t in it.)”
Fellow contributor Donald McGovern, author of Murder Orthodoxies (reviewed here), has spoken about the dubious origins of conspiracy theories linking the Kennedy brothers to Marilyn’s untimely demise.
“‘The conspiracy theories about Marilyn’s death as they exist now. Did not exist in the 60’s. They grew exponentially from the 60’s to where we are now,’ said Donald McGovern, in the final episode of the Fox Nation series, Scandalous: The Death of Marilyn Monroe.
The documentary details how a right-wing writer [Frank Capell] the head of an anti-Communist group [Maurice Reis], and the first police officer to arrive on the scene of Monroe’s death [Jack Clemmons], conspired to point the finger at [Robert] Kennedy.
The three conspirators met in the months after Monroe’s death, and according to McGovern, ‘that’s when they first got the story from Reis about the Kennedy-Marilyn involvement.’ The show delves into the plan to push the narrative that Monroe did not die of a drug overdose, as the coroner had concluded, but that she was killed on orders from Kennedy.
Central to this scheme was the involvement of one very powerful New York gossip columnist. ‘Walter Winchell serialized what essentially was a theory. That Bobby Kennedy and Marilyn had had an affair and that Bobby Kennedy had Marilyn murdered. I don’t know that Winchell ever comes out and says that. But it’s insinuated,’ recounted McGovern.
The theories surrounding Monroe did not end there. They re-surfaced in the 1970’s, around the 10th anniversary of her death, when novelist Norman Mailer wrote an instant best-selling book, Marilyn: A Biography. In the final chapter of that book, Mailer turns the Capell-Reis-Clemmons conspiracy on its head and suggests that Monroe was killed by the conspirators.Fox News
Marilyn’s life and death is the subject of a new 3-part documentary in the Fox News Channel series, Scandalous. It began last night, and will continue over the next two Sundays. It’s being aired in the US and Australia, but not as yet in Europe. Interviewees include authors Gary Vitacco Robles, Charles Casillo, Donald McGovern and Keith Badman, plus Elisa Jordan of LA Woman Tours and photographer Larry Schiller and Leigh Weiner’s son Devik. This alone could make it worth watching, although fans have already complained about the use of Marilyn’s autopsy photo on both the show and tabloid coverage.
Although he hung up his blond wig back in 1997, Jimmy James remains one of the most beloved Marilyn impersonators. He talks about his plans for a documentary about ‘the Marilyn years,’ and more, in an interview for Instinct magazine.
“I did an L.A. Eyeworks ad (it was banished under threats of lawsuits from ever being seen for twenty two years until the internet set it free around 2012. Now I can sell the Limited Edition prints with mine and Greg Gorman’s signatures). It has become the most mis-identified photo of Marilyn Monroe in the world. It was actually even made into an African stamp by mistake, and juxtaposed with real images of Marilyn Monroe!”
Photographer Arnold Newman, who died in 2006, was known as the ‘father of the environmental portrait’, although according to the New York Times, he hated that title: “He was not interested in the details of his subject’s surroundings, but the symbols he could create with them.” In 1962, he photographed Marilyn dancing and chatting with her poet friend Carl Sandburg during a party at the Beverly Hills home of Something’s Got to Give producer Henry Weinstein. Dressed casually with minimal make-up, Marilyn appears thin and rather fragile. The photo shown above is featured in Arnold Newman: One Hundred, published last year to celebrate what would have been his centenary,
Newman was one of many notable photographers who appeared in Marilyn Monroe: Still Life, a 2006 documentary for PBS:
“He says it’s the real Marilyn, you know? It really is this portrait shot of her, cut out of a two shot of her talking to Carl Sandburg. I had looked at those pictures many times, and never seen that the portrait was actually just a cropped version of this photograph. So already the eye of the photographer is present, just in being able to see what he has in his own picture. And I said to him, ‘God, look at that. Carl Sandburg is just listening to her,’ and he said, ‘No, she was just pouring her heart out, she was miserable.’ He did that photograph in March of ’62 and she was dead by August of ’62. She was already very troubled, very sad. So the whole circumstance of the photograph was one that you didn’t necessarily know when first looking at it. “Gail Levin, filmmaker
The spectacular career of Bob Mackie, designer to the stars, will be explored in a new documentary, as Bronwyn Cosgrave writes in the Hollywood Reporter.
“Slated for a December 2020 release, the as-yet-untitled doc will examine the Burbank-based designer’s 50-year career, commencing from his start in 1961 at Paramount Pictures working as a sketch artist for Edith Head before moving on to assist Columbia’s costume designer Jean Louis. For Louis, Mackie innovated the nude-illusion sartorial concept by creating an illustration that proved to be the blueprint of the form-fitting, rhinestone-studded sheer gown in which Marilyn Monroe generated a sensation performing ‘Happy Birthday, Mr. President’ to President John F. Kennedy at Madison Square Garden in May 1962.”
The Lithgow Valley Film Society in New South Wales, Australia are presenting a wonderful double bill from 2 pm this Sunday, April 28 at their Main Street cinema. Introduced by an ‘MM expert’, the acclaimed 2012 documentary Love, Marilyn will be followed by the 1953 ‘Technicolor Noir’, Niagara, in a restored print, the Lithgow Mercury reports.
In her new documentary, Romantic Comedy (which has its US premiere tomorrow at the SXSW festival in Austin, Texas), Elizabeth Sankey argues that Marilyn and Doris Day – both blonde and funny, though otherwise very different – dominated the genre in the 1950s, and as she tells Danielle Solzman on the Solzy At The Movies site, Sankey also believes that if Marilyn had lived to complete Something’s Got to Give, she could have transformed the genre forever.
“I think the real ‘wow’ moment for me was that on Marilyn Monroe’s last film she had planned to do a nude scene – she was going to swim naked in a pool to try and entice her husband back into her arms. This would have been groundbreaking and I think potentially could have changed the world of romantic comedies – and their relationship to sex – in an indelible way. But the film was never finished and instead re-made a year later with Doris Day [Move Over Darling] who was not someone who was keen for romantic comedies to contain sex or female characters with sexual agency. And they’ve never really changed since then. It’s bizarre that even in 2019 romantic comedies so rarely have the two leads having sex – most of them end with heady declarations of love before they’ve even kissed! I do wonder if this has influenced the way women are encouraged in society to prioritize love and romance, with their sexual desire being something they’re not ‘supposed’ to be concerned with.”