Original photos of Marilyn by Andre de Dienes, Cecil Beaton, Gordon Parks, Eric Skipsey and Bert Stern will be auctioned at Christie’s in Paris on June 19, as part of the Icons of Glamour and Style sale, taken from the collection of Leon Constantiner.
A final post (for now) on the Julien’s Legends series, in advance of the auction on June 13-14. As well as Marilyn’s bathrobe from How to Marry a Millionaire (see here) her costume from A Ticket to Tomahawk (1950) is also on offer. She wore it to perform ‘Oh, What A Forward Young Man You Are’ with Dan Dailey and her fellow chorines.
As well as an archive of material by Manfred ‘Linus’ Kreiner (see here), several other photographers are also represented.
UPDATE: I have now added the final bids for each item.
“A group of seven color slides, all showing Marilyn performing for U.S. troops in Korea in 1954. Four slides show Monroe wearing a purple spaghetti-strapped dress on stage, three show her wearing a bomber jacket and pants in the camp, and one has a further handwritten annotation in black fountain pen ink reading in part ‘6 Feb 54 – A little/ closer this time.'” (SOLD for $448)
Actor Burt Reynolds, who died last year, once told of meeting Marilyn at the Actors Studio (see here.) And it seems she made a lasting impression, as his personal property – up for auction at Julien’s on June 15-16 – includes several Monroe posters and biographies, including the 2010 book, Fragments – as Scott Fortner reports on his MM Collection Blog.
Scott Fortner of the Marilyn Monroe Collection blog has detailed his visit to the home of Anna Strasberg, widow of Actors Studio founder Lee Strasberg and heir to Marilyn’s estate, in a 3-part article, ‘Finding Marilyn Monroe.’ Among his many fascinating discoveries, Scott reveals that pictures of Marilyn still adorn the Strasberg family home; Lee was unaware that he would be the main beneficiary in her will; and that Marilyn had admired her future husband, Arthur Miller, since the late 1940s. It’s essential reading for all fans of MM.
The most surprising aspect of last week’s Essentially Marilyn auction at Profiles in History was how many valuable items from the Maite Minguez-Ricart collection and others (including movie costumes) went unsold, while others only reached the lower estimate. In a post for his MM Collection blog, Scott Fortner goes as far as to call it a flop – and noting the high prices reached at Julien’s only last month, he argues that poor organisation was to blame, rather than a lack of interest. Here’s a selection of items that sold well, and others that didn’t: you can find the full list over at iCollector.
Photo of Norma Jeane aged five, with her ‘first boyfriend’, Lester Bolender ($10,000)
Wedding photo of Norma Jeane and Jim Dougherty ($15,000)
Seven photos from Norma Jeane’s first assignments with the Blue Book Modelling Agency, 1945 ($11,000)
Marilyn’s personally inscribed photo with Ben Lyon ($37,500 – more info here)
Black silk cocktail dress with oversize white bow, designed by John Moore and worn by Marilyn in 1958 ($40,000)
Gold pleated halter gown designed by Travilla for Gentlemen Prefer Blondes ($100,000)
Crème-coloured gown by Travilla for How to Marry a Millionaire ($100,000)
Crème and blue gown by Travilla for There’s No Business Like Show Business ($70,000)
Pink and purple satin pantsuit with train, designed by Charles LeMaire for The Seven Year Itch ($100,000)
Silver cigarette box inscribed by Marilyn to Billy Wilder, 1954 ($10,000)
Sheer tan dress by JAX, worn by Marilyn in 1958 ($20,000)
Patterned wool overcoat, worn by Marilyn in 1961 ($30,000)
Marilyn’s personal key to Warner Brothers, 1956 ($10,000)
Red halter dress by JAX, worn by Marilyn in her final photo session with Milton Greene, 1957 ($100,000)
Certificate of nomination from the Golden Globe Awards for Some Like It Hot, 1959 ($10,000)
Black address book ca 1960-62 ($17,000)
John Bryson’s candid photo of Marilyn and Arthur Miller on the set of Let’s Make Love, signed by both ($8,00)
Pucci silk blouse, worn by Marilyn in 1962 ($95,000)
White Ferragamo pumps, worn by Marilyn in Something’s Got to Give ($16,000)
Marilyn’s original grave marker from Westwood Memorial Park ($38,400)
Period costume by Rene Hubert for A Ticket to Tomahawk (UNSOLD)
Brown Skirt Suit by Charles LeMaire for Love Nest (UNSOLD)
Costume sketches by Eloise Jenssen for We’re Not Married (UNSOLD)
Green dress by Travilla for Don’t Bother to Knock (UNSOLD)
Marilyn’s personally owned Ceil Chapman dress (UNSOLD)
Unreleased studio master for ‘Down Boy’ (UNSOLD – more info here)
Showgirl costume by Travilla for Gentlemen Prefer Blondes (UNSOLD)
Charles Feldman’s archive regarding The Seven Year Itch (UNSOLD)
Pearl encrusted gown, one of several copies made for The Prince and the Showgirl (UNSOLD)
Two address books, ca. 1950s-60s (UNSOLD)
Various exhibition prints by Milton Greene (UNSOLD)
Another new exhibition, Merry Marilyn: Natural Elegance, Magical Charm, is now on display at the National Cinema Museum in Turin, Italy until January 28, 2019. Shoes and other Marilyn-related items from the Salvatore Ferragamo collection are featured alongside film clips and vintage magazines, with a festive vibe befitting the season. Nine of Marilyn’s films will also be screened, including Niagara and Some Like It Hot.
Thanks to Rick at Marilyn Remembered
“She was ‘somewhere between Chaplin and James Dean’, according to François Truffaut, to underline the talent and instinct, physicality and sensibility of an actress whose image was based not only on the absolute beauty of a seductive woman, but also on the complex personality of an actress who challenged conventions and imposed a new model. Diva of modernity, feminist in her own way, Norma Jeane Mortenson Baker, aka Marilyn Monroe, helped to dictate the new rules of the Star System, anticipating the revolutions and social changes that in a few years would have transformed Hollywood.
It is no coincidence that Edgar Morin calls her ‘the last star of the past and the first without Star System’, which she attempted to rebel against to avoid the commodification of her own image. Capricious and humorous, but able to amaze directors like Henry Hathaway and Billy Wilder with her talent, Marilyn has been proclaimed by the American Film Institute the sixth greatest actress in the history of cinema.
An inexhaustible source of inspiration for artists and scholars: from the drama After the Fall (1964) in which the playwright Arthur Miller , her ex-husband, reflects in the balance between cynicism and guilt over the diva’s suicide, in the pages of Truman Capote in Music for Chameleons (1975), from the portrait of Andy Warhol who transforms Marilyn into a pop icon; to the recent Blonde novel by Joyce Carol Oates, who describes her as a ‘beautiful child’ with a thousand insecurities.
At the glow of celluloid of the great Hollywood diva, they finally act as a counterpoint to Elton John with Candle in the Wind and Pier Paolo Pasolini, who calls her ‘little sister’, asking: ‘It is possible that Marilyn, the little Marilyn, has shown us the road?’, in a poem that – not surprisingly – is one of the most moving moments of his film La Rabbia, released in 1963, a year after her controversial suicide.”
Marilyn Monroe: The Unknown, a new exhibition featuring the collection of Ted Stampfer, opens at the Historical Museum of the Palatinate (Museum Der Pfalz-Speyer) in Speyer, one of Germany’s oldest cities and part of the Rhineland-Palatinate region this Sunday, December 16, for a six-month stay. There is an accompanying programme of events and you can also purchase special edition lipstick and wines.
Thanks to MM News
Marilyn By Moonlight author Jack Allen is selling off some items from his collection in the Essentially Marilyn auction on December 11 at Profiles In History – including photographs and the unreleased song, ‘Down Boy‘, as Mike Szymanski reports for The Art of Monteque. (The auction also features the spectacular collection of Maite Minguez Ricart – more details here.)
“When Jack Allen first fell in love with Marilyn Monroe, it was while watching her in the 1953 movie Gentlemen Prefer Blondes where she plays an ambitious showgirl … ‘Here was a girl full of naïve innocence and you could really tell that she loved performing and that she really wanted to make it,’ says Jack. ‘In a lot of ways that is the story of Hollywood.’
Jack worked on some of the photo displays and books with [Andre] de Dienes’s widow after he died in 1985, and as a payment for his work, he received some of his original photos.
‘I was most fascinated with the “End of Everything” photo session that he took near Zuma Beach in Malibu,’ Allen recalls. ‘She was troubled at the time, and it has an almost religious feeling to them.’
What the auction house doesn’t explain in the description of the photographs is why they will have a faint scent of dirt or earthiness to them. After a terrible rainstorm in Los Angeles in the 1950s, a mudslide buried and destroyed many of the photographer’s collection in his house, and out of frustration he simply buried most of his collection in the backyard. A year later, LIFE magazine editors asked about some Monroe photos, and he literally dug them up from his backyard, and in the middle of the mess, salvaged a few of the gelatin silver prints.
In another signed 8×10 photograph expected to fetch between $6,000 and $8,000, Marilyn signed it to former Heavyweight Champion of the World Max Baer, writing: ‘To Max, My body guard, Love Marilyn Monroe.’ Baer was a fighter-turned-actor and longtime admirer of the starlet, and visited her on the set of Some Like it Hot.
When studios made movies, they often pressed a record — and it was usually one-sided — of each of the songs used in the film, so when dubbing or playback was necessary while they were filming, they could use the record. So, these records actually played while the stars recreated the scenes, or filmed the dance numbers or lip synced the songs.
Jack found the heavy 78 acetate records on eBay as part of an estate of a 20th Century-Fox craft service worker who took the 12-inch records when they were abandoned by the studio after the filming of Gentlemen Prefer Blondes. Jack bid on the records in 2005, thinking they would be a fun piece of Hollywood history to have to one of his favorite films. The records were stained and scratched, but kept in their vintage sleeves from the studio … But, Jack noticed a recording ‘Down Boy‘ also penned by the legendary Hoagy Carmichael that featured only Marilyn and a soft piano accompaniment.
‘I realized that this was a song that was actually mentioned in the script, but it was never used in the movie,’ Jack recalls. ‘It was like finding a treasure. No one had ever heard this recording of Marilyn before.’
The song is upbeat and whimsical and planned for when a diamond dealer played by Charles Coburn is getting fresh with Marilyn’s character Lorelei. She sings to the men like they are a pack of hungry dogs, saying ‘Down Boy‘ to them. Marilyn sang the song with a swing temp in the key of A and B-flat.”
A pair of Marilyn’s white gloves will be on display as part of Pop! Icons of American Culture at the Smithsonian, at the D’Amour Museum of Fine Arts in Springfield, MA from this Friday, December 7, until February 24, 2019, as Ray Kelly reports for Mass Live. (And if you’re wondering why there aren’t more substantial Monroe artefacts in the Smithsonian collection, it’s because they’re too expensive. Donations, anyone?)