Two signed photos were the highest sellers among the Marilyn-related lots in the Entertainment Signatures sale at Heritage Auctions yesterday. A Frank Powolny headshot (from the same session which later inspired Andy Warhol) sold for $13,750, and a classic pin-up image by Earl Thiesen fetched over $9,000. A restaurant menu from Trader Vic’s in Honolulu, signed by Marilyn and Joe DiMaggio in 1954, reached a top bid of $6,875. Among other popular lots were sets of rare photos showing a young Marilyn with security guard Aviv Wardimon (aka Blackman) on the Fox lot in 1947. You can see more photos from the auction here.
It Happened Here is a documentary series on the US Reelz channel, charting key locations in the lives of legendary icons. The most recent episode focuses on Marilyn, visiting Zuma Beach, California (where she posed for some of her earliest photo shoots); The Rainbow Bar and Grill in Hollywood (formerly the Villa Nova Restaurant, where she and Joe DiMaggio first dated); and the subway grate on Lexington and 52nd, NYC, where she filmed The Seven Year Itch. Guests include authors Lois Banner, Elizabeth Winder, and reality TV star Trisha Paytas. While it’s an interesting premise, fans tell me the show is marred by sensationalism and unfounded insinuations (which is unfortunately no big surprise, as Reelz previously aired a National Enquirer documentary on Marilyn.)
This wall mural of Marilyn in the MASS district of Flagler Village is just one of many new additions to this up-and-coming Fort Lauderdale suburb, as Phillip Valys reports for SouthFlorida.com. (Photo by Jennifer Lett of the Sun Sentinel.)
The Andrew Weiss Gallery has hosted several Marilyn-themed photo and art exhibitions in the past. Tomorrow at 10 am, a rather unusual assortment of items related to MM and other stars will go under the hammer at their Hollywood Legends and Music auction, including a brick retrieved by KTLA reporter Christina Pasucci from the former Dougherty home where Norma Jeane lived from 1944-45 at Hermitage Street (later Avenue), during its controversial demolition in 2015. Also on offer is a wooden clapperboard from the set of Gentlemen Prefer Blondes; a brush, comb and hand-mirror set, supposedly containing Marilyn’s blonde hairs; plus a hotel switchboard memo found inside one of her books, notifying her that Joe DiMaggio had called.
UPDATE: According to the auction website, the clapperboard sold for $4,750; the house-brick for $2,300; the brush set for $19,500; and the DiMaggio memo for $500 (although these figures are listed as ‘unverified’.)
Actress Barbara Rush has shared memories of her long career with Stephanie Nolasco for Fox News. Born in 1927, she met a young Marilyn Monroe in the late 1940s, while both were residents at the Hollywood Studio Club, a home for aspiring actresses.
‘Oh yes, we were friends,’ she said. ‘We were in the studio club together. At least with me, when you first come to Hollywood, and I went to Paramount, they put me immediately in the studio club. It’s kind of like a sorority house. And Marilyn Monroe was there. I loved her. Marilyn was such a darling lady. She was very sweet and nice. All the girls in the studio club just had a good time.’
In 1954, Barbara won the Golden Globe award as ‘Most Promising Newcomer – Female’ for her role in the sci-fi classic, It Came From Outer Space. She was then married to actor Jeffrey Hunter. She played the wife of James Mason in Bigger Than Life (1956.) Director Nicholas Ray, a mutual friend of Marilyn, offered the star – who was filming Bus Stop on another soundstage at Twentieth Century Fox – a cameo role in his film, but due to Marilyn’s nerves, it never transpired.
In The Young Lions (1958) Barbara starred opposite Marlon Brando and Montgomery Clift, who would later work with Marilyn on her last completed movie, The Misfits.
Barbara married Hollywood publicist Warren Cowan in 1959. As Marilyn’s biographer Gary Vitacco Robles tells me, ‘Warren Cowan was part of a publicity firm (Rogers & Cowan) that had merged with Arthur P. Jacobs’ Company. I believe the two firms separated again around 1959. Both had represented Marilyn.’
Barbara still remembers her disbelief at hearing of Marilyn’s death three years later. ‘It was in the middle of the night when we got the call,’ she recalled. ‘My husband, who handled her, was very shocked. So shocked. I just kept hearing him go, Oh my God, over and over… We were all just very disturbed by it.’
During this time Barbara also worked in television, including a memorable role as the devious Nora Clavicle in Batman. She also appeared in the Rat Pack musical, Robin and the 7 Hoods (1964), and with Paul Newman in the 1967 Western, Hombre.
In 1970, Barbara won the prestigious Sarah Siddons Award (referenced in All About Eve) for her stage role in Forty Carats. She would later star in a one-woman Broadway show, A Woman Of Independent Means. She returned to her sci-fi roots with a recurring part as Lindsay Wagner’s mother in TV’s The Bionic Woman. Since 1997 she has lived at the Harold Lloyd Estate in Beverly Hills, where Marilyn was photographed by the former silent movie comedian back in 1953.
Barbara’s most recent screen credit was in 2007, when she appeared in several episodes of another television series, Seventh Heaven. She is still active, having just made a short film and attending a Hollywood Museum exhibition, Batman ’66.
Bernardo Axtaga is a Spanish author whose 2014 novel, Nevada Days – a fictionalised account of his nine-month stay as writer-in-residence at the Centre for Basque Studies – is now available in English, and the early chapters include several references to Marilyn and The Misfits.
She is first mentioned when Axtaga flips through a copy of The Misfits: Story of a Shoot, Sergio Toubania’s monograph of the Magnum photographers who documented the production. “Individually, the photographs were really good,” Axtaga comments, “… but perhaps because the photographs were the work of different photographers, seeing them all together jarred somehow.”
He later visits Pyramid Lake, and is surprised to find no postcards from The Misfits in the gift shop.”There was one, I seemed to remember, that would have been perfect: Marilyn Monroe and Clark Gable lying next to each other on the shores of Pyramid Lake. I asked the waitress, but she had never heard of the film. Nor was she interested in Marilyn Monroe.”
The final, extended passage about Marilyn occurs during a long drive, while Axtaga is talking to his wife Angela about Arthur Miller’s stay at Pyramid Lake in 1956, where he wrote the short story that would become The Misfits while waiting out his first divorce, and conducted a long-distance relationship with Marilyn, who was filming Bus Stop. Axtaga imagines Marilyn’s anguished telephone call to Miller from the set, as described in Miller’s autobiography, Timebends.
Axtaga then recalls the famous scene from The Seven Year Itch (1955), where Marilyn’s character, ‘The Girl’, sympathises with the monster in yet another movie, Creature From the Black Lagoon. (This was foreshadowed in an earlier episode, when Axtaga’s young daughter cries at the end of King Kong.)
As the author forms his own impressions of Nevada, Marilyn disappears from the novel. But her ghostly presence reflects how an outsider’s preconceptions about American life can be shaped by literary and cinematic mythology.
Michael Colby is a songwriter and the grandson of Ben and Mary Bodne, who owned Manhattan’s famed Algonquin Hotel from 1946-1987. In an interview with the New York Post‘s Barbara Hoffman, Colby recounts a somewhat risque tale of Marilyn.
“‘Marilyn Monroe used to come in at lunchtime and get a Beefeater martini,’ says Michael Colby, striding past the bar in the Algonquin Hotel on West 44th Street. And it was just down the street, at Fifth Avenue, that his grandmother once spotted her wearing a white mink coat.
‘If you think that’s something,’ the actress told her, perhaps after a few too many martinis, ‘you should see what’s underneath!’
Yes, Colby tells the Post, leaning against a portrait of hotel regular Tallulah Bankhead: His granny got flashed by Monroe.”
As fans will know, Marilyn was proud of her body, often went out sans underwear and thought nothing of wandering round her apartment or dressing room nude. Sam Shaw and Yves Montand have also told of similar encounters; but tales of Marilyn have a way of growing so that practically anyone vaguely connected to her will claim to have experienced the same.
Monroe biographer Carl Rollyson considers it ‘possible’, but points out that the Algonquin was not known as one of Marilyn’s more regular haunts, and that particular brand of exhibitionism was more commonly associated with the outrageous Tallulah Bankhead.
Meanwhile in Vauxhall, South London, MM superfan Valerie shared this with me – inspired by Marilyn’s 1953 shoot with Alfred Eisenstadt for LIFE magazine.
Mercer Vine, the brokerage firm whose listings included the Holmby Hills estate where Fox mogul Joe Schenck once lived, and Marilyn’s last home in Brentwood, has closed after its financier, Robert H. Shapiro, was recently implicated in a billion-dollar Ponzi scheme, as Peter Kiefer writes for the Hollywood Reporter. (Schenck befriended Marilyn in the late 1940s, and she sometimes stayed in his guest cottage. Milton Greene also photographed her in Schenck’s mansion, known today as Owlwood. The article gives no further details on Marilyn’s home at Fifth Helena Drive, which was sold for $7.25 million in 2017.)
“Two years. That’s all it took for luxury brokerage firm Mercer Vine to establish itself as a major player in L.A.’s cutthroat luxury real estate market. Eight-figure listings. Pedigreed listings like Marilyn Monroe’s former home in Brentwood.
Just months after it launched in 2016, Mercer Vine grabbed headlines for representing Shapiro in the $90 million purchase of the Owlwood Estate, a 12,200-square-foot property at 141 South Carolwood Drive, which once was owned by Tony Curtis and later by Sonny and Cher. At the time, it was the second priciest residential sale in L.A. history behind the Playboy Mansion. What was even more astounding was when Shapiro and Mercer Vine relisted Owlwood a mere nine months later for $180 million without having done a single lick of work on the estate.”
One of the best-known, and long-lived Marilyn murals – now 37 years old – is profiled on DC Curbed.
“On the upper outside wall of Salon Roi, passersby can find a massive mural of pop culture icon Marilyn Monroe. The work was completed in 1981 by John Bailey. It was later restored in 2001 after the artwork faded over the years. New lights were also installed. In 2014, Washington City Paper’s Reader’s Poll named this piece one of the the best murals in the city.”