You can now read my review of Dr Rock Positano’s memoir, Dinner With DiMaggio, over at Immortal Marilyn.
My interview with Michelle Morgan, author of Marilyn Monroe: Private and Undisclosed, Marilyn’s Addresses and Before Marilyn: The Blue Book Modelling Years, is spread over six pages in Issue 11 of Art Decades magazine, now available from Amazon and priced at £9.60 (UK) or $13 (USA.) Michelle has also written biographies of Madonna, Carole Lombard and Thelma Todd.
“I think the biggest myth about Marilyn is that she was a dumb blonde. She absolutely was not! Here is a woman who rebelled against the studio system; who set up her own film company and went to acting school when she was already at the top of her profession. She had a very intelligent head on her shoulders and I think that when people say she was a dumb blonde, it is revealing more about them than her. Yes, many times Marilyn played a dumb character on screen, but why should that mean she was that way in life?”
You can read my review here.
I’m delighted to announce that The Mmm Girl, my novel about the life of Marilyn Monroe, is finally back in print. This edition includes a new prologue and ten additional passages: including Marilyn’s diverse encounters with teenage fans and world leaders; intimate photo shoots, a rare stage appearance, and a trip to Mexico; and a closer look behind the scenes of her many movies, from early bit parts to timeless classics.
The Mmm Girl is now available from Amazon worldwide, in paperback (UK, £8.24; US, $12.50); and via Kindle (UK, £3.29; US, $4.93.) While I can’t provide signed copies, I’ll be happy to send a signed bookplate, free of charge, to anyone who wants it. You can contact me here.
You can preview the first four chapters on Amazon, or read further extracts and reviews, and view the book trailer, right here. And of course, after you’ve read the book (and hopefully enjoyed it), please consider writing a short customer review on Amazon or Goodreads.
Minding Marilyn is a short novel by Dianne DeWilliams, published via Amazon Kindle in November 2013. It is written from the perspective of Marveen, a widow who is moving from New York to a retirement home in California, to spend more time with her two grand-daughters. When she shows them a photograph of herself as a beautiful young woman in a nightclub, alongside Marilyn Monroe, they demand to know more.
Back in 1952, Marveen was hired as a maid to Monroe, then on the brink of stardom. While in reality there was no ‘Marveen’, Marilyn did employ a maid, Lena Pepitone, who later published a ghost-written memoir. Although Marilyn Monroe Confidential offered some insight into the star’s daily life, it was highly sensationalised. Her Los Angeles housekeeper, Eunice Murray, wrote a more creditable book, Marilyn’s Last Months – but she is more often remembered as the woman who discovered Marilyn’s dead body.
Hazel Washington, Marilyn’s studio maid, was also said to have written a manuscript about her memories of Marilyn, but it was never published; while her cook, Hattie Stevenson, was planning to move from New York to Monroe’s Los Angeles home before the actress died. Another maid, Florence Thomas, attended her funeral.
Like Marveen, these lesser-known figures in Marilyn’s life were African-American. As well as a re-imagining of Marilyn’s private world, Minding Marilyn explores what it was like to be a black woman in the USA during the 1950s and ‘60s, when endemic racism was being challenged by the growing Civil Rights movement.
Marveen’s story is told alternately through letters written to her mother during her years with Marilyn, and a contemporary narrative detailing her efforts to commit her memories to print. DeWilliams has clearly done her research; and while her tale is fictional, the factual background is mostly accurate.
DeWilliams also inputs minor details about Marilyn’s life – for example, her love of Judy Garland’s song, ‘Who Cares?’ These simple touches help to create a rounded and sympathetic picture of Monroe’s personality.
It is well-known that Marilyn was ahead of her time in her progressive attitude towards racial equality. In 1954, she helped the legendary jazz singer, Ella Fitzgerald, to secure a residency at the Mocambo Club by promising to attend her show every night. She was also friendly with actress Dorothy Dandridge (dubbed ‘the black Monroe’), who features prominently in Minding Marilyn.
DeWilliams also includes another screen goddess, Ava Gardner, in the storyline. In reality, Marilyn and Ava didn’t know each other well. But they both came from modest backgrounds, and both were close to Frank Sinatra. Ava’s wild, earthy character makes an exciting contrast to the ambitious, but fragile Marilyn.
Gardner, the daughter of a North Carolina sharecropper, grew up among black people. Despite the colour bar that existed in Hollywood, she mixed freely with all races. Her maid, Mearene Jordan, was also her best friend. Living With Miss G, Jordan’s personal account of their many adventures spanning almost fifty years, was published in 2012, and provides a real-life parallel to Minding Marilyn.
While being a maid might be seen as a ‘subservient’ position, Marilyn was both thoughtful and generous towards those who worked for her, at home and on film sets. DeWilliams makes an interesting point that black audiences related more to Marilyn than other white stars, because she was ‘no stranger to pain’ – whether through suffering the impact of childhood trauma, or experiencing the pressures of fame. This observation about her cross-cultural appeal is echoed in W.J. Weatherby’s 1976 book, Conversations With Marilyn.
Sadly, Monroe seldom experienced the loving support of a group of female friends depicted by DeWilliams in Minding Marilyn. Although she was not particularly religious, in one scene she is welcomed into a Pentecostal church. DeWilliams seems to be suggesting that these are alternate paths which might have led Marilyn towards a lasting happiness that eluded her in reality.
DeWilliams evokes the deep shock felt by Marilyn and those around her when, in 1961, she was committed to a psychiatric ward against her will. Famously, her devoted ex-husband, Joe DiMaggio, came to her rescue. But DeWilliams implies that in times of crisis, the ‘little people’ who served Marilyn were just as valuable to her as the major players.
Minding Marilyn imagines a different response to Marilyn’s tragic death, in which the voice of Marveen is finally heard, setting the record straight. As a piece of writing, Minding Marilyn is not perfect – the paragraphs can be short and choppy, the sentences a little breathless – but the warm-heartedness of DeWilliams’ tale more than compensates for these minor shortcomings.
Although fictional, Minding Marilyn offers something that many of the biographies published over the years cannot – a sweet, charming tribute from a fan, and a testament to the sincere affection in which she is held by so many of us.
Reviewed by Tara Hanks, author of The Mmm Girl
Also available on Amazon.com
Book trailer for Minding Marilyn
Facebook page for Minding Marilyn
Read more about Marilyn’s employees
Joyce Carol Oates’ Blonde is not one of my own favourite novels (nor one of my favourite books about Marilyn), although to be fair I haven’t revisited it since it was first published in 2000. After that first reading, I felt that Oates – a writer I had admired – distorted aspects of MM’s life, and portrayed her as a rather one-dimensional victim.
Since then, I’ve spoken to many fans who feel the same. Obviously, I’m not impartial here, having written my own fictional take on Marilyn. Six years after completing The Mmm Girl, I’d like to read Blonde again, mainly out of curiosity – and especially if it was reissued on Kindle, as it’s rather a weighty tome!
However, I was pleased to discover the positive experience that Blonde has been for some others, leading them to impart their knowledge and challenge misconceptions – as posted recently on the Lonesome Reader blog.
“I wanted to highlight this novel specifically because I had a strange conversation with a colleague once. Somehow we started talking about Marilyn Monroe and he instantly said ‘Oh, that slut.’ I flinched in shock that he’d be so disdainful and answered him angrily. He tried to justify himself by saying that she basically slept with everyone and that’s the only reason she had a career. I have no doubt his opinion is shared by many people. It’s this sort of casual dismissal and thinking about women in only simplistic misogynistic terms which is the reason why feminism and the promotion of women’s writing is especially important.”
A few years ago, I made a list of all the books owned or read by Marilyn Monroe (some 436 at last count) for ES Updates. At the time, I wondered if anyone else would be interested.
I’m glad to have played a small part in widening public knowledge of MM, and hope that more people will now discover that for Marilyn, reading was much more than an intellectual pose.
‘American Blondes’, my essay comparing Marilyn Monroe with Lana Turner (originally posted here), is republished in the latest issue of the excellent Mad About Marilyn fanzine, which also features Marilyn’s 1956 interview with Elsa Maxwell; a profile of photographer Gene Lester; and a feature on the Moon of Baroda diamond.
If you would like to subscribe to Mad About Marilyn, please email email@example.com