Marilyn has been chosen as the face of the 1950s in a Marie-Claire article about changing beauty trends over the decades.
“Elegant hair updos are making a comeback on the fashion week catwalks, but their history is firmly rooted in 1950s fashion. Few beauty muses are more iconic than Marilyn Monroe, whose hourglass figure was the most desired female shape of the decade. She’s probably also a big reason why the best red lipstick is such a timeless classic beauty look.”
Marilyn in Manhattan author Elizabeth Winder has written an excellent article for Marie-Claire about Marilyn’s escape to New York and triumphant battle with Hollywood. It’s well worth reading, and a great preview of the book. (However, as MM: A Day in the Life author April VeVea points out, Marilyn wasn’t, as is sometimes claimed, the first woman in Hollywood to start her own production company – the Talmadge Sisters, Rita Hayworth and Ida Lupino all preceded her.)
“Years ahead of her time, and dead at the age of 36 in 1962, Monroe wouldn’t live to see the changes she made possible. But her reach went far beyond the machinations of Hollywood and shifted the way women around the world viewed themselves: Bra-less and never in girdles, Monroe didn’t apologize for her raw sensuality and frankly admitted to posing nude in the past; she’d been a penniless starlet and whose business was it anyway? At the same time, she wasn’t afraid to appear ‘unsexy.’ She loved being photographed in grimy boas and ripped fishnets, or puffy-eyed and makeup free, hair tangled from hours of fitful sleep. Monroe wanted to express herself, no matter the risk.”
Arthur Miller was born 100 years ago today. In this extract from her 1960 interview with Georges Belmont for Marie-Claire magazine, Marilyn describes how they first met and what attracted her to him.
“When I met Arthur Miller for the first time, it was on a set, and I was crying. I was playing in a picture called As Young As You Feel, and he and Elia Kazan came over to me. I was crying because a friend of mine had died. I was introduced to Arthur.
That was in 1951. Everything was pretty bleary for me at that time. Then I didn’t see him for about four years. We would correspond, and he sent me a list of books to read. I used to think that maybe he might see me in a movie – there often used to be two pictures playing at a time, and I thought I might be in the other movie and he’d see me. So I wanted to do my best.
I don’t know how to say it, but I was in love with him from the first moment.
I’ll never forget that one day he said I should act on the stage and how the people standing around laughed. But he said, ‘No, I’m very serious.’ And the way he said that, I could see that he was a sensitive human being and treated me as a sensitive human being, too. It’s difficult to describe, but it’s the most important thing.”
Michelle Williams, currently starring in Blue Valentine, has spoken to Newsweekabout her role as MM in the forthcoming My Week With Marilyn. You can watch her here, along with James Franco and Nicole Kidman, discussing their own experiences of playing iconic, real-life characters such as James Dean and Virginia Woolf on the big screen.
Michelle is also cover girl for February’s Marie-Clairein the UK.
“In a post-war era when actresses had little power, she would fight studio heads to control her image and film roles, winning adoring fans and a legion of men along the way … She was a woman who veered between paranoia and power, innocence and bold sexuality; a woman whose life involved extraordinary triumphs and dark episodes…”
Louise Millar’s article, published in the December 2010 issue of Marie-Claire (UK edition) is based on the new Cindy De La Hoz book, Marilyn Monroe: The Personal Archives.