Like most Canadian theatres, Paradise Cinemas in British Columbia is currently closed. But as the Williams Lake Tribune reports, Cariboo Art Beat have released photos from their new mural, created by Tiffany Jorgensen and Sarah Sigurdson, which will greet moviegoers when it reopens. As you can see, Marilyn is placed here with Clint Eastwood (in his ‘Man With No Name’ guise), Indiana Jones, and a Minion from Despicable Me. She’s depicted in the apparel of Marvel Comics heroine Wonder Woman, holding a crown like she did in a 1953 publicity shot by John Florea (wearing a Travilla gown from How to Marry a Millionaire.)
The Seven Year Itch gets a free screening tomorrow, August 7, at 6:30pm, as part of the Movie Monday series at the Eric Martin Theatre in Victoria, British Columbia.
Canadian superfan Billy Krzemien shared this hauntingly beautiful mural on Immortal Marilyn‘s Facebook group today…
“Proof that our sweet Marilyn is EVERYWHERE….My dear friend Sheila was visiting her brother recently in a small town called, Chetwynd (northern part of our British Columbia), when upon a walk with her friend, spotted this mural painted on a building. Her friend surprisingly had no idea who the subject was (*shocker*), but Sheila sure did…and told her that she knows someone (me), that he was a huge fan/collector, and would love this! I sure do! Sheila believes that it was painted a good number of years ago, as it has been weathering with time and the elements. Sheila says there are many other murals of other subjects painted on buildings there, to deter tagging and grafitti…WORKS, as no one has dared to ruin another artist’s work. Of course if someone defaced this, they’d have to answer to me and a whole army of Marilyn fans! Anyway, I love this mural, inspired by a 1953 photo session, that Marilyn had with photographer Milton H. Greene…Her first with him, for LOOK magazine…and a collaboration that would go from 1953-1957…Sessions that would go on to become some of the most beautiful photos taken of Marilyn, ever!”
Public art featuring Marilyn always seems to cause a stir. Just two weeks ago, a mural by Paul Archer, depicting Marilyn between the sheets (inspired by an iconic photo session with Andre de Dienes), was stolen from the wall outside Floyd’s Diner in downtown Victoria, in British Columbia, Canada. But as the Times Colonist reports today, the mural has now been found in a nearby alleyway, with only minor damage.
Marilyn Forever, an opera, will be staged this weekend at the McPherson Playhouse in Victoria, British Columbia, reports the Times-Colonist. Starring the Faroese singer, Eivor Palsdottir, it features a libretto by poet Marilyn Bowering, based on her 1987 book, Anyone Can See I Love You, set to music by the British composer, Gavin Bryars. An earlier version of the show was produced in 2010.
“Pálsdóttir, chatting between rehearsals, said Marilyn Forever commences unconventionally with the movie star’s death. ‘She’s lying dead in her bed and she kind of wakes up. And her thoughts go back,’ the 30-year-old said.
She worked with Bryars five years ago, performing a piece called Tróndur i Gotu. In Marilyn Forever, aside from a couple of sequences, she makes no attempt to replicate Monroe’s breathy delivery. Pálsdóttir deliberately sings in her own voice, which at times sounds ethereal — somewhat reminiscent of Björk and Kate Bush.
‘My biggest challenge is probably [Monroe’s] body language. And the link between not trying to sound like her, but still being her. That’s quite a challenge, actually. It’s Marilyn with a different voice,’ she said.
Bryars…recalls obsessively watching her 1961 film The Misfits for an entire week.
Back then, British cinema-goers typically saw two films in a row — an ‘A’ and ‘B’ feature. Bryars would watch The Misfits, read the movie’s script while the second feature played, then watch The Misfits once more.
‘There was a sense it was the end of a whole group. And the film itself was about the end of a world, this world of rounding up horses and so forth, this whole neo-cowboy world,’ Bryars said.
Most of all, there was that intangible something about Marilyn Monroe. Bryars’ interest was rekindled when he read Bowering’s 1987 book of poems about Monroe, Anyone Can See I Love You. Bowering also created a stage and a radio version — the latter was broadcast by the CBC and the BBC.
She says Marilyn Forever is intended to reflect the experience of life flashing before one’s eyes, as is said to happen when death looms. There are ‘psychological moments, reflections, reminiscences and so on,’ she said, adding: ‘Basically, she’s discovering and saying who she is through this night.’
Bryars says there’s something ‘Shakespearean’ in the way Marilyn Forever presents Monroe at a moment of tragedy.”