Fellow Travelers, a new play by Jack Canfora about the tangled lives of Marilyn, Arthur Miller and Elia Kazan, will open the summer season at the Bay Street Theatre in Sag Harbor, New York, in May 2018, Playbill reports.
My review of Artists In Love: Arthur Miller and Marilyn Monroe, part of a 2016 documentary series for the Sky Arts satellite channel and presented by the British actress Samantha Morton (who played an MM impersonator in the 2009 film, Mister Lonely), is published today at Immortal Marilyn.
The annual ‘Icons & Idols’ sale, set for November 17 at Julien’s, includes a number of interesting Marilyn-related items. Chief among them is this black fur coat, with an interesting back story – and further evidence of Marilyn’s generosity.
“A mid-1940s black colobus coat worn by Marilyn Monroe to the 1948 film premiere of The Emperor Waltz (Paramount, 1948). The coat has broad shoulders, a cordé collar, a satin lining, and a Jerrold’s Van Nuys, Calif. label. Although the black colobus is currently on the endangered species list, it was quite fashionable in the 1940s. Monroe wrote in a letter to Grace Goddard dated December 3, 1944, ‘I found out that its [sic] possible to buy a Gold Coast Monkey Coat. I shall write to you about it later.’ The coat was gifted from Monroe to Jacquita M. Rigoni (Warren), who was the great-niece to Anne Karger, mother of Monroe’s voice coach, Freddie Karger. Monroe had a close relationship with the family, and the coat has remained in their possession. Accompanied by a letter of authenticity from Jacqui Rigoni detailing the family’s relationship to Monroe and the history of the coat.
(The monkey species used to make this Marilyn Monroe monkey fur coat is on the Endangered Species list.)”
As the accompanying letter explains, Jacquita is the granddaughter of Effie ‘Conley’ Warren, who was Anne Karger’s sister. They had performed together in vaudeville as the Conley Sisters. Jacqui was a teenager when Marilyn dated her uncle, Fred Karger, for several months in 1948. Accepted as part of the family (long after the affair ended), Marilyn would often take Jacqui to her apartment and gave her clothes on numerous occasions. Fred and Marilyn also visited Jacqui’s parents, Jack and Rita Warren, at home. By the early 1950s, Marilyn was still regularly visiting Anne Karger with gifts including the monkey fur coat which she requested that Anne give to Jacqui. She also attended Jacqui’s wedding with Anne, while Fred brought his new wife, actress Jane Wyman.
Two intriguing photos are included in this lot. One shows a young Marilyn sitting at the piano with Fred. Never before seen, it is the only known photo documenting one of her most intense relationships. The second shows Marilyn in 1961 with Anne and another lady, perhaps Effie Warren. A cropped version has been published before, but the whole version is extremely rare.
Another item which sheds new light on Marilyn’s life is a letter from ‘Uncle Art’, a relative of her legal guardian, Grace Goddard. Sent to the teenage Norma Jeane, ‘So glad you are making satisfactory progress in school. I advise that you be particularly diligent in the cultural subjects … sad is the fate of the young woman who has not the ambition to so model and mold her language and conduct as to have [illegible] herself to the point where she can mingle with cultured people inconspicuously.‘ The letter is written on International Correspondence Schools of Scranton, Pennsylvania stationery, undated and signed ‘Devotedly Yours, Uncle Art.’ One wonders if this high-minded gentleman might have inspired Marilyn in her lifelong quest for self-improvement.
This photo (available in negative) was taken by Joseph Jasgur on the Fox studio back lot during the early days of Marilyn’s acting career, in 1947.
A signed check for $500, made out to The Christian Community, is dated October 11, 1954 – just six days after Marilyn announced her separation from husband Joe DiMaggio. And this photo of Marilyn, taken by Manfred Kreiner on her arrival in Chicago to promote Some Like It Hot in March 1959, is inscribed in red pen by Marilyn herself with the words ‘Kill kill’ – indicating that the photo should not be published.
The auction also includes photos attributed to Bruno Bernard, and some items that appeared in previously last year’s dedicated auction at Julien’s (including Marilyn’s copy of the Breakfast at Tiffany’s script, and her typed skincare regime from the Ernst Laszlo Institute.) And finally, she is featured alongside various other celebrities – including Jacqueline Kennedy Onassis, Carol Channing, and future president Donald Trump – in an Al Hirschfield caricature from 1988.
Actor Martin Landau has died aged 89. He was born into a Jewish family in Brooklyn in 1928, and worked as a political cartoonist at the New York Daily News before joining the Actors Studio (alongside Steve McQueen) in 1955. His audition piece was a scene from Clifford Odets’ Clash by Night, which had been filmed with a young Marilyn Monroe three years earlier. He became a close friend of fellow student James Dean, and reportedly dated Marilyn for a few months before her 1956 marriage to Arthur Miller.
Landau made his theatrical debut in a touring production of Paddy Chayefsky’s Middle of the Night, starring Edward G. Robinson, in 1957. Marilyn had attended the Broadway premiere in 1956 (before Landau was cast.) Marilyn was offered the lead in the 1959 movie adaptation, but Kim Novak was eventually cast alongside Marilyn’s sister-in-law, Joan Copeland. Landau did not reprise his role, having been spotted by Alfred Hitchcock during a West Coast performance. His first major film was Hitchcock’s classic thriller, North by Northwest.
He went on to appear in Cleopatra and The Greatest Story Ever Told, finally achieving stardom in TV’s Mission Impossible. An established character actor, he also worked as a drama coach and became an executive director of the Actors Studio. After winning a Golden Globe and an Oscar nomination for Francis Ford Coppola’s Tucker: The Man and His Dream (1988), Landau was nominated again for Woody Allen’s Crimes and Misdemeanours (1989), and at last won an Oscar as Best Supporting Actor in Tim Burton’s Ed Wood (1994.)
He continued acting and teaching into his eighties, playing elderly billionaire J. Howard Marshall in a 2013 biopic of Anna Nicole Smith, the tragic model and reality TV star whose bombshell image was heavily influenced by Marilyn’s. Landau’s last major film was The Red Maple Leaf (2016), with two more currently awaiting release.
Martin Landau died at the Ronald Reagan UCLA Medical Centre in Westwood, Los Angeles on July 15, after being hospitalised and suffering from complications. He is survived by his former wife and Mission Impossible co-star, Barbara Bain, and their two daughters.
You can read more about his memories of Marilyn here.
Today marks the 61st anniversary of Marilyn’s marriage to Arthur Miller, on June 29, 1956. Over at History Buff, Mary Miller (no relation, I assume) looks back on a ‘tragically beautiful’ wedding, quoting a diary entry from Marilyn herself.
“I am so concerned about protecting Arthur I love him—and he is the only person—human being I have ever known that I could love not only as a man to which I am attracted to practically out of my senses about—but he [is] the only person … that I trust as much as myself—because when I do trust my- self (about certain things) I do fully.”
It’s hard to imagine today that gossip columnists like Hedda Hopper once had the power to make and break careers, but in the age of the Hollywood blacklist, that’s exactly what she did. Hedda was never Marilyn’s closest ally in the press: that honour fell to Sidney Skolsky, and Hedda’s bitter rival, Louella Parsons.
However, it was Hedda who planted the (possibly apocryphal) story about an ailing Howard Hughes spotting Norma Jeane on a magazine cover back in 1946, and in 1952, she would champion MM as Hollywood’s finest ‘blowtorch blonde.’ She made no secret of her disapproval when Marilyn abandoned her studio contract and formed her own production company, and in 1960 she would expose Marilyn’s adulterous affair with Yves Montand.
Although more feared than liked, Hedda’s influence should not be underestimated. Originally published in 1963, her memoir, The Whole Truth and Nothing But, has now been reissued via Kindle, and for fans of Hollywood history, it’s a must-read.
You can now read my review of Dr Rock Positano’s memoir, Dinner With DiMaggio, over at Immortal Marilyn.
Bill Pursel, who befriended Marilyn during the early years of her career, has died aged 91, reports the Las Vegas Review-Journal.
“William Albert Lloyd Pursel was born July 24, 1925, in Marshalltown, Iowa. His family moved to Las Vegas in 1939. After graduating from Las Vegas High School, class of 1943, he was drafted into the U.S. Army and served in The European Theatre during World War II. He became a sales manager for KLAS Radio and covered several atomic bomb explosions at the Nevada Test Site. He was a Chartered Life Underwriter and a Chartered Financial Consultant with The Paul Revere Life Insurance Company. He was president of The Life Underwriters Association of Nevada. He was active in The Las Vegas Jr. Chamber of Commerce, a founding member of The Sports Car Club of America in So Nevada, a charter member of Trinity United Methodist Church, and belonged to both the Masonic Lodge and the Elks Lodge. He served two-four year terms as a trustee at Southern Nevada Memorial Hospital (UMC).”
Bill’s memories of Marilyn – they dated on and off for several years – were unknown to to the public until he spoke with Michelle Morgan, author of Marilyn Monroe: Private and Undisclosed. They met in 1946, when 19 year-old Norma Jeane was staying with a family friend in Las Vegas while waiting her divorce from Jim Dougherty. Bill later visited her in Los Angeles, and was waiting at the house she shared with Ana Lower when she returned from a meeting at Twentieth Century Fox with a contract and a new name.
She was dropped by the studio a year later, but pursued her craft at the Actors Lab, even once asking college student Bill to enroll. They remained close after she began a romance with Fred Karger in 1948, and she later asked Bill to protect her from a ‘beach wolf’ – none other than actor Peter Lawford, who would play a significant role in her final days. Bill saw her as both dedicated and vulnerable in Hollywood, recalling a distressing phonecall during the Love Happy promotional tour of 1949. And then, just as their relationship seemed likely to turn serious, Marilyn called it off – leaving Bill with nothing but a couple of signed photos (now owned by collector Scott Fortner.)
Bill heard from Marilyn just once more, shortly after she began dating Joe DiMaggio. By then, Bill was happily married. He later recalled seeing her singing Happy Birthday to President Kennedy on television, just months before her death in 1962. He felt no bitterness, and knowing her sensitive nature, he was saddened but not surprised by her tragic demise.
Mr Pursel died last Thursday, June 1st – on what would have been Marilyn’s 91st birthday. He is survived by his wife of more than sixty years, Mabel ‘Mac’ Salisbury Pursel; and his children, William ‘Bill’, Kristie, and Kim (‘Bill’) Toffelmire, her stepchildren and their children, and several nieces and nephews.
Michelle Morgan has written an emotional tribute to Bill Pursel:
“He has been a constant presence in my life since 2005, when I first contacted him during the writing of my Marilyn book. What started out as an interview, turned into a friendship between Bill, his beautiful wife Mac, his family and my own … My work has been deeply enriched because of Bill’s stories, and my life has been changed because of his friendship. He was a huge supporter of my career, and gave me lots of advice in recent years … Good night, Bill. Thank you for your wonderful friendship. You were one of the best friends I ever had.”
You can pay your respects to Bill here.
Dr Rock Positano’s memoir, Dinner With DiMaggio – first announced back in 2015 – will be published in May, and is already attracting coverage in celebrity magazines and on gossip websites.
Marilyn’s relationship with Joe is the subject of a cover story in the current issue of Closer Weekly (USA only.) And Radar Online has claimed that their marriage ended because she was unable to have children. In fact, Marilyn left Joe because he was too controlling. While Marilyn certainly wanted children, she wasn’t ready during their marriage because of her burgeoning career.
“From Joe’s point of view, they didn’t stay married, because Marilyn was not able to have children. It was as simple as that,” Positano writes. “Joe wanted kids, and Marilyn could not have them.” However, when reporters at their wedding asked if they wanted children, Marilyn said “six,” only for Joe to interrupt, as if correcting her: “one.”
While Marilyn certainly wanted to be a mother – she suffered at least two miscarriages during her later marriage to Arthur Miller, and even considered adoption – I don’t believe it was a priority during her marriage to Joe. And such was Joe’s enduring devotion to Marilyn, I don’t believe he would have divorced her for that reason either.