Marilyn’s affair with her Let’s Make Love co-star Yves Montand (captured here by photographer John Bryson) makes the cover of a Paris Match special issue about celebrity romances – you can order it here.
And by the way, Fraser Penney has shared this very similar cover from another Paris Match special, released in 1990. Although Marilyn’s dalliance with Yves came at a low point in her life, he remains an iconic figure in France. Incidentally, he also had a less-publicised affair with another married star, Shirley MacLaine, on the set of My Geisha (1962.)
As a part of a series on great American plays, Broadway World presents some interesting facts about After the Fall, Arthur Miller’s controversial play which explored aspects of his personal life, including his marriage to Marilyn. (You can read further posts about the play and its history here.)
“After the Fall premiered on Broadway in 1964. The production was directed by Elia Kazan, and starred Barbara Loden as Maggie and Jason Robards Jr. as Quentin. Barbara Loden won the 1964 Tony Award for Best Featured Actress in a Play, and Jason Robards was nominated for the 1964 Tony Award for Best Actor in a Play.
The play is based off of Miller’s recent divorce from Marilyn Monroe, and is considered to be one of Miller’s least popular plays with critics. The plot is non-linear and takes on surrealist elements.
After the Fall was revived Off-Broadway in 1984. It was directed by John Tillinger, and starred Frank Langella and Dianne Wiest.
The play was revived on Broadway in 2004 by Roundabout Theatre Company. It was directed by Michael Mayer, and starred Peter Krause and Carla Gugino. The production was nominated for the 2005 Drama Desk Award for Outstanding Set Design of a Play.”
Photographer George Rodriguez, who captured Los Angeles life for forty years – from Hollywood glitz to Chicano civil rights movement – is the subject of a retrospective, George Rodriguez: Double Vision, at the Vincent Price Art Museum in LA until February 29, We Are Mitú reports. (Rodriguez photographed Marilyn at the Golden Globes in 1962 with her date, Mexican screenwriter José Bolaños, though it’s unclear whether these images of part of the exhibition.)
Roger Kahn, considered America’s greatest baseball writer, has died aged 92, the Los Angeles Times reports. His most famous book was The Boys of Summer (1972), in which he recalled his early days as a Dodgers fan. He also published Joe and Marilyn: A Memory of Love in 1986. The first stand-alone book on the explosive DiMaggio romance, it was a bestseller – although his portrayal of Marilyn was considered sleazy by some readers and critics, and her renewed friendship with Joe in her final years is omitted entirely.
“The problem with Joe & Marilyn is basically a problem with Joe and a problem with Marilyn. She slipped away, leaving friends who still protect her and others who gossip about her, and he has declined to speak from his heart.
As a young reporter, Mr. Kahn had an entire clubhouse of athletes, sitting in front of their lockers, day after day, telling their stories. In this book, subtitled ‘A Memory of Love,’ Mr. Kahn had to rely too often on second-hand stuff – the cottage industry of books about Miss Monroe as well as ‘people in DiMaggio’s close circle’ and ‘persistent reports’ and ‘stories’ and ‘legends.’
Roger Kahn did meet her once, at an impressionable age, during a publicity party for one of her movies. When he mumbled something about having covered the Yankees for a newspaper, she looked right through him, he recounts. That brief encounter inspired Mr. Kahn to describe her frequently as a sexually compelling woman, ‘that phenomenon of innocence and lust, blond hair and parted lips, the squirming nude on the calendar who aspired to play a Dostoevski heroine.’
He traces her path through the seamy casting calls, repeating the gossip that Marilyn did this or that for certain Hollywood figures, and repeating the saucy lines that Marilyn may or may not have said … Mr. Kahn also finds an ‘attractive, dark-haired New York lady who had dated Joe’ to tell this story: ‘Before we went out, mutual friends gave me a little list of things I was never to bring up. Marilyn, of course. Sinatra. The Kennedys. Johnny Carson.’
Toward the end, Mr. Kahn writes: ‘What went so wrong so quickly? He was neat. She was sloppy. He was repressed. She was hyperactive. Each was willful. Each had a temper. Each was a star. Stars in collision.’
At another point, Mr. Kahn defines the problem in rather turgid prose: ‘Exactly what happened to the abandoned child called Norma Jeane in the casual way stations where she had to live carries us onto the turf of novelists.’ The critic and observer in Mr. Kahn may sense that it is time to leave Miss Monroe and Mr. DiMaggio to the novelists and the poets.”
Marilyn’s getaway to St. Petersburg, Florida with ex-husband Joe DiMaggio on March 22, 1961 – following her divorce from Arthur Miller and a traumatic hospital stay – is covered by Bill DeYoung in a fascinating piece for St. Pete Catalyst.
“Leaning back on a beach recliner under a blue-and-white striped cabana for two, the most-photographed woman in the world smiled shyly at the gathered gaggle of photographers – the newswire paparazzi and the Brownie-toting locals.
‘Her skin is white – almost chalky – and her hair is platinum-gold,’ the daily newspaper would report the next morning. ‘She’s trimmer than the girl in the movies. And she’s beautiful. She’s really beautiful.
The paper was the St. Petersburg Times, and the woman under glass was none other than Marilyn Monroe … It was DiMaggio who suggested a relaxing week at the beach. The retired Yankee slugger was working as batting coach for the team during spring training in St. Petersburg.
At the Tides, they took separate top-floor suites.
Local residents were allowed limited access to the hotel’s two pools, snack bar and beachfront. Membership in the Bath Club wasn’t exclusive – anyone who paid the annual dues could use the facility.
‘It was all about her – I don’t think I even knew who Joe DiMaggio was at the time,’ says Karen DeYoung, 12 years old in March of 1961. She and her family were Bath Club regulars.
‘Everybody was talking about it, as we were hanging out by the pool,’ she recalls, ‘so of course we had to go down and check it out. We were giggling and nonchalantly walking in front of their cabana, trying to get a glimpse of them.’
DeYoung, senior national security correspondent for the Washington Post, has never forgotten what happened next.
‘It was at that point that DiMaggio called out “Hey kid,” and handed me a dollar, or a couple dollars, and said “Go get us some hot dogs.” So I did.’
She ran to the poolside snack bar and dutifully returned, handing a steaming pair of franks to the bare-chested sports icon and the movie star with the chalky-white skin.”
“They took frequent walks on the beach, holding hands and posing for news photographers. Monroe accompanied her ex to Huggins Field, the Yankees’ training site adjacent to Crescent Lake downtown. A photographer from Sports Illustrated snapped her gazing adoringly as he swatted a few balls. Together, they watched spring training games from the press box at Al Lang Field.”
“During their eight-day stay, DiMaggio and Monroe dined often in the Tides’ on-site restaurant, and at the Wine Cellar, about a mile north on Gulf Boulevard. The Wine Cellar was a favorite haunt for visiting Yankee players.
Mike Porter was 20 years old, a student at St. Petersburg Junior College, working on the valet team at the Wine Cellar. He remembers when the Tides’ official ‘limo,’ a four-door DeSoto with a wooden rack on the roof, dropped Joe and Marilyn at the restaurant’s front door.
‘He was sitting in the front seat, she was in back,’ Porter recalls. ‘I reached in to help her get out. She was very pale, and very frail. She looked at me and didn’t say anything.'”
“They were promptly seated at a dark corner table. ‘The manager came out about 45 minutes later and said “Hey, the guests are bothering them so much they can’t eat their meal – would you take my car and drive them back to the Tides?”‘ Porter explains. ‘I said sure.’
Monroe was chatty, Porter remembers, while DiMaggio didn’t say much. The two talked about possibly renting a car. They asked him if he had a car of his own.
A day or so later, Porter was summoned to the Tides, poolside, on official business: ‘I came and picked her up and I took her to get her hair done,’ he says. ‘She was delightful; she called me Mike. I didn’t make any reference to who she was – I knew she’d had enough of that at the restaurant.’
Porter had no interest in Monroe’s personal or marital issues. ‘Other than the fact that she looked great in a bathing suit,’ he says, ‘I wasn’t into that stuff.’
Hotel management arranged for the golden couple to sunbathe in privacy, on a secluded rooftop deck over the lobby. Remembers Bath Club ‘cabana boy’ John Messmore: ‘They were hounded all the time, so Mr. Dross, the hotel manager, said to them “Why don’t I just give you the key?”‘
Messmore, 17 at the time, was dispatched to the sundeck to take a lunch order. ‘And when Joe saw me, he thought I was there to get an autograph,’ Messmore explains. ‘And that was exactly the opposite of what he wanted. So he wasn’t a lot of smiles.’
‘But Marilyn, I remember she had on a white terrycloth robe, and a kind of white terrycloth wrap thing on her head. And she ordered an avocado, and an iced tea with two lemons, for lunch. And I cannot remember what Joe ordered, I was so enamored with Marilyn Monroe.’
Even their secluded rooftop nest wasn’t totally private. Boys lined up to toss baseballs to DiMaggio, who’d sign them and toss them back down.
‘I do remember her peeking out of the door of her room,’ Messmore says, ‘and looking both ways when I was walking down the hallway, like she had heard a noise or something. And that’s how I knew which room she was in.'”
“On March 31, the Times published a United Press International photo taken the previous afternoon. In another beach cabana, Monroe and DiMaggio were smiling broadly. She was wearing a shoulderless, midriff-bearing top and black shorts.
St. Petersburg Times – Friday, March 31, 1961. SUNCOAST SUN GILDS A LILY. Marilyn Monroe arrived on the Suncoast just a week ago today, pale and drawn from a recent illness. Taking her sunglasses off for a cameraman for the first time, Marilyn looks healthy and happy as she poses in a cabana at The Tides, North Redington Beach with her ex-husband, former baseball great, Joe DiMaggio. Both are reported to be leaving the Suncoast area Saturday.
On April 1, nine days after their arrival, the couple flew out of Tampa International Airport.”
Marilyn graces the cover of UK nostalgia magazine Yours Retro (Issue 21). It’s her third Yours Retro cover, making her their most popular cover star. And let’s not forget, she also topped the list in their recent special issue, 100 Greatest Movie Icons.
Inside, there’s a four-page feature by Michelle Morgan, ‘Marilyn … Becoming Mrs. Dougherty,’ about the teenage Norma Jeane’s first marriage and the beginning of her modelling career. To learn more on this topic, read Michelle’s excellent book, Before Marilyn: The Blue Book Modelling Years, now available in paperback.
In our final post ahead of the November 14 event at Julien’s Auctions, A Southern Gentleman’s Collection, we focus on Marilyn’s marriage to Arthur Miller and the last years of her life. (You can read all posts about this sale here.)
“A group of six audio recordings including: 1) a late 1950s-era 3-inch reel tape (Type 151) featuring interviews Monroe conducted with Look magazine and Chicago disc jockey Dave Garroway, housed in its original box with handwritten annotations reading in part ‘May Reis’ [Monroe’s longtime New York-based secretary]; 2) a 33 1/3 RPM record labeled “M. Monroe – Belmont / Side 1 / Side 2[her 1960 interview with Georges Belmont for Marie Claire]; 3) another 33 1/3 RPM record identical to #2 but sides 3-4; 4) another 33 1/2 RPM record identical to #2 but sides 5-6, content unknown on all; 5) a 78 RPM record on the RCA Victor label of the star singing ‘The River of No Return’ and ‘I’m Gonna File My Claim;’ and 6) a 45 RPM record same as the 78; further included with a CD of the reel tape; all originally from the Estate of May Reis. And sold separately, a publicity still from River of No Return, autographed by Marilyn.”
Recordings SOLD for $3,840; photo SOLD for $10,240
“A legal-sized financial document from Woodbury Savings Bank in Connecticut, two hole punch marks on left side, dated ‘Sept. 9, 1957,’ filled out in blue fountain pen ink by Arthur Miller, briefly outlining the couple’s finances, noting their annual income as ‘$50,000,’ interestingly, Miller adds that there is a ‘suit pending against M.M. Productions,’ both signed twice on the lower margin, with MM’s reading ‘Marilyn Monroe Miller;’ also included is a related photocopied document from the same bank.” And sold separately, a window card for The Prince and The Showgirl (1957.)
Document SOLD for $4,480; poster SOLD for $384
“Nine original snapshots depicting Marilyn at Ebbets Field in Brooklyn on May 12, 1957 as she makes a guest appearance at a soccer match between the U.S. and Israel. And sold separately, a medical insurance form from Associated Hospital Service of New York, entirely filled out in blue ballpoint ink by Miller when the couple was applying for insurance, noting their address on ‘Tophet Road, Roxbury, Conn.’ and noting Monroe’s health issues as ‘Appendix Removed / 5% (hearing) impairment, Ectopic Pregnancy,’ oddly, Miller checked off ‘no’ under ‘female trouble’ for his wife, signed by Miller on page 3 and further signed by Monroe right below but in different blue ballpoint ink.”
Photos SOLD for $1,024; document SOLD for $3,750
“Miscellaneous paperwork from 1958 including: an invoice from Carl Perutz Photography sent to Marilyn at her NYC address on ’18 June 1958;’ and four receipts from the Yellow Cab Company of Los Angeles ranging in date from July 14 to July 16, 1958, showing that MM was at the Hotel Bel Air, Saks Fifth Avenue, and a mysterious address at 8719 Bonner Drive; though her name does not appear anywhere on the receipts, they come from the same files as the Perutz invoice.”
SOLD for $512
“Telegram dated October 28, 1958, sent to Jack Lemmon by the producer of Some Like It Hot, reading in part ‘By reason of the illness of Marilyn Monroe, please be advised / that we hereby exercise the right to suspension…;’ and sold separately, a standard check from the ‘Marilyn Monroe Productions, Inc.’ account … matted under a 1970s-era re-issue soundtrack album from Some Like It Hot.”
Telegram SOLD for $768; check + album SOLD for $2,560
“A standard address book with navy blue leather covers and A to Z tabs, kept by May Reis [Monroe’s longtime New York secretary] on the star’s behalf for a number of years, inside pages contain Reis’ handwritten entries in pencil or various colors of ballpoint ink for Monroe’s personal and business contacts including (in alphabetical order): Rupert Allan, Elizabeth Arden, Richard Avedon, Kenneth Battale, Saul Bellow, Chateau Marmont, Michael Chekhov, Jack Cole, George Cukor, Lilly Daché, Agnes Flanagan, Bob Fosse, Ben Gazzara, Lotte Goslar, Sydney Guilaroff, Lillian Hellman, Hedda Hopper, Hotel Bel Air, John Huston, William Inge, Jax, Anne Karger, Marianne Kris, Leon Krohn, Ann Landers, Erno Laszlo, Jean Louis, Carson McCullers, Inez Melson, Isidore Miller, Berniece Miracle, Monroe Six, Eunice Murray, Jean Negulesco, Norman Norell, Clifford Odets, Louella Parsons, Lena Pepitone, The Plaza Hotel, Henry Rosenfeld, Hedda and Norman Rosten, Eva Marie Saint, Norma Shearer, Frank Sinatra, Sidney Skolsky, Allan Snyder, John Steinbeck, Paula Strasberg, Western Costume Co., Billy Wilder, and Shelley Winters, among a few others; also included are a few notes relating to the stars personal identification numbers as well as bank accounts; Reis’ ownership signature is penned on the second page next to a date of ‘1958;’ Monroe penciled in a note on the last page reading ‘Roxbury Conn. / Tophet Rd.'”
UNSOLD – reserve not met
“A single page of personalized stationery, dated ‘April 15, 1960,’ to ‘Mr. Ehrlich,’ reading in part ‘Will you please convey my sincere appreciation to the public and critics of Chile for awarding the Laurel de Oro as Best Actress of 1959,’ signed in black fountain pen ink in the lower right corner ‘Marilyn Monroe;’ with its original transmittal envelope. And sold separately, a contact sheet showing Marilyn in a scene from Some Like It Hot (1959.)”
Letter SOLD for $3,750; contact sheet SOLD for $768
“A small receipt from Gray Reid’s in Reno, Nevada noting a date of ’16 Aug 60′ and that ‘$6.07’ was spent, verso has a blue ballpoint ink handwritten annotation (not in MM’s hand) reading ‘Black / Umbrella’ — probably the umbrella that Marilyn bought for her acting coach, Paula Strasberg, during shooting of The Misfits.”
SOLD for $256
“A black silk and ostrich feather wrap with two black velvet arm straps, label reads ‘Made to Order / Rex / Inc. / Beverly Hills / California;’ displayed in a shadow box with a black and white image of the star wearing it during a 1960 photo shoot with Eve Arnold. Interestingly, this piece may have been used as a prop in MM’s last and unfinished 1962 film, Something’s Got To Give as a similar wrap can be seen in her tote bag in the sequence where she watches her children in the swimming pool.”
SOLD for $10,240
“A deep brownish-black mink fur stole, rectangular shaped with slightly flared ends, lined in a black and gold brocade textured raw silk, no labels present.” [Worn by Marilyn to the premiere of The Misfits in 1961.]
SOLD for $5,760
“A group of seven accessories including: 1) a pair of cat eye sunglasses with rhinestone detailing; 2) their case made of beige vinyl and brown plastic, stamped ‘Cosmetan / Sun Glasses;’ 3) a cordovan alligator eyeglass case stamped in part ‘Schilling;’ 4) a red cotton eyeglass case with a label reading in part ‘Devonaire of California;’ 5) a sterling silver shoe horn, stamped ‘Sterling’ on both sides; and 6-7) a pair of orange plastic shoe trees.”
SOLD for $7,500
“A two page hand-written note on light blue pieces of notepaper from the Los Angeles Institute for Psychoanalysis, penciled by the star in full “‘CR 12151 Western Union / Dear Marlon / I need your / opinion about a / plan for getting / Lee out here on more / than a temporary / basis please / phone me as soon / as possible / Time / is of the essence / Marilyn;’ evidently written for a telegram that she was sending to Brando about Actors’ Studio head Lee Strasberg. And sold separately, a telegram from Brando dated ‘1962 Jan 13,’ sent to Marilyn at her ‘882 North Doheny Apt 3’ address, reading in full ‘Tried to reach you by fone must leave city this weekend / sorry / Marlon,’ with a number of stamps and other handwritten delivery annotations evident; seeming to be Brando’s response to Monroe’s note.”
Marilyn’s note SOLD for $6,400; Marlon’s telegram SOLD for $2,560
“A standard postcard from the Fontainebleu Hotel in Miami, signed in blue ballpoint ink on the verso ‘To Gisele / Thank you / so much! / Marilyn Monroe.'” [Marilyn stayed overnight at the Fontainebleu in 1962 with her former father-in-law, Isidore Miller.]
SOLD for $2,500
“A large collection of approximately 130 loose-leaf ‘colored’ script change pages given to the star throughout the production of Something’s Got to Give, as the script was being revised on a regular basis, noting numerous and various dates in April and May of 1962, many pages are paper-clipped or stapled together by their revision date, a number of them have the star’s name penned in the upper right hand corner (though not in her hand) or small notes addressed to her, Monroe’s own handwritten annotations appear on a few pages, mainly as directions to herself such as ‘drop voice – / lean against post’ or additional dialogue she added such as ‘if you’d take it out’ and the like, she also circled her character’s name [“Ellen”] on many pages; two pink pages are torn with one having Monroe’s penciled annotation reading ‘No good one.’ And sold separately, an oversize colour photo taken during Marilyn’s 1962 session with Bert Stern for Vogue magazine, entitled ‘I Beg Of You‘.”
Script pages SOLD for $12,800; photo SOLD for $5,120
Sold separately, these contact sheets are among several lots featuring photos by Bert Stern.
Contact sheets SOLD for $1,152 and $896, respectively
“A telegram dated ‘1962 Jun 1 AM 9 55,’ sent to Marilyn at her Fifth Helena Drive address in Brentwood, CA, reading in full ‘Happy Birthday Hope Today And Future Years Bring You / Sunny Skies And All Your Heart Desires As Ever / Joe’ — most likely DiMaggio as it was sent from ‘Madrid Via RCA.'”
SOLD for $6,250
“A ticket reading in part ‘May 19, 1962 / Madison Square Garden / Gala All Star Show’ — the now-historic event celebrating President John F. Kennedy‘s 45th birthday, plus a photo of Marilyn during her performance of ‘Happy Birthday, Mr President’. And sold separately, a group of four telephone bills, sent to “M. Monroe” from General Telephone Company, ranging in date from April 30 to July 30, 1962, listing all the long distance calls she made to cities noted on the bills as ‘NYC, Bkln, Queen, Wbury, Engla, Telav’ and, most interestingly, to ‘Wash’ a number of times in July — so maybe she was calling the Kennedys?”
Ticket + photo SOLD for $896; telephone bills SOLD for $4,375
“A 1960s-era Steno spiral-bound notebook filled with about 45 pages of notes and reminiscences penned in blue ballpoint ink that George Barris wrote down while he was working with the star in the summer of 1962; appearing to be taken verbatim from conversations the two had, the subjects mentioned are quite varied and range from Monroe’s favorite films to her health to people on her mind at that particular time such as President Kennedy, Arthur Miller, Joe DiMaggio, Cyd Charisse, Marlon Brando, Paula Strasberg, and Greta Garbo; other topics include living in California, nude scenes in films, her termination from her last film, sex, on being a sex symbol, marriage, children, and life philosophy in general; some of the notes appear to have been jotted down later or even after the star’s death but in any case, it’s a fascinating look into the star’s psyche as recounted by someone who closely worked with her at the very end of her life. And sold separately, a signed photo by Barris.
Goodman Basil Espy III, M.D. loved purchasing sports and Hollywood memorabilia, so it’s not surprising that Marilyn’s romance with baseball legend Joe DiMaggio – and especially, their tour of Japan and Korea – would be at the heart of his Monroe archive, as we discover in this third post about the November 14 auction at Julien’s, A Southern Gentleman’s Collection. And first up, this ‘Official American League Ball‘ is signed in blue ballpoint ink ‘Marilyn Monroe’ – but not in the sweet spot! (You can read all posts about this sale here.)
“A set of two travel alarm clocks; the first beige metal with a ribbed plastic retractable cover by Westclox; the second brass with a red face by Tiffany & Co., engraved on the bottom ‘Marilyn Monroe;’ interestingly, MM was shot in a series of black and white photographs by Bob Beerman circa 1953 where the Westclox piece can be seen on her bedside table.”
SOLD for $7,500
Following a two-year courtship, Marilyn and Joe were married in January 1954. Weeks later, they went on a ‘honeymoon‘ of sorts, as Joe promoted baseball in Japan. These four photos show the couple en route, and after their arrival in Tokyo. And sold separately, “a traditional Japanese fan likely made of bamboo and painted black with a natural wood handle … according to a catalogue description from Christie’s where it was originally sold, ‘…Joe immediately purchased this small memento for his one true love’ apparently on ‘February 2, 1954.'”
Photos SOLD for $896; fan SOLD for $2,560
“A standard United States Department of Defense identification card issued to Marilyn, featuring a small black and white photograph of her in the upper left corner, text reads in part ‘DiMaggio, Norma Jeane,’ photograph is dated ‘4 Feb 54,’ card is dated ‘8 Feb. 1954,’ signed by Monroe in blue ballpoint ink on the lower margin ‘Norma Jeane DiMaggio,’ further black fountain pen ink annotations of the issuing officer appear below, verso displays Monroe’s finger prints next to her typed statistics reading ‘Height 5′ 5 1/2″ / Weight 118 / Color of Hair Blonde / Color of Eyes Blue / Religion None / Blood Type UNK / Date of Birth 1 June 26,’ laminated. Monroe visited Japan and then Korea while on her honeymoon with Joe DiMaggio in February of 1954, and she was given this ‘Noncombatant’s Certificate of Identity’ so she could perform for the American troops while there.”
UNSOLD – reserve not met
A group of three snapshots, all taken in February 1954 when Marilyn was performing for the US troops in Korea; the first shows MM from the back as she walks by; the other two show a cake the soldiers presented to her (though she’s not in the shots). And sold separately, a strip of paper with a soldier’s name and other information on it, signed in blue ballpoint ink ‘Marilyn Monroe.'”
Photos SOLD for $320; autograph SOLD for $2,240
“A single sheet of paper, typed with notes about Marilyn’s Korean tour that appears to be for photo captions or perhaps an interview, heavily annotated in pencil in Monroe’s hand where she revises or edits the typed text, ending with ‘I knew it was raining – but I somehow didn’t / feel it – all I could think was I hoped / they weren’t getting too wet / Korea – / an experience I’ll never forget.'”
SOLD for $3,200
“A standard issue military jacket made of olive green wool, long sleeves, two front flap pockets, six button front closure, stamped on inside lining in part ‘Medium,’ adorned with countless Army-related patches, insignia, and lapel pins, further patch sewn above left pocket with white stitching reads ‘Monroe;’ presented to the star by a VIP soldier when she famously visited the troops in February 1954 while on her honeymoon with Joe DiMaggio; the jacket is displayed within a shadow box along with two black and white images [sold separately, here]: one shows MM receiving the folded-up jacket from a soldier named McGarr; the other shows MM with McGarr and Jean O’Doul [wife of baseball great, Lefty O’Doul] wearing the jacket.
Jacket SOLD for $44,800; photos SOLD for $768
“A single page of stationery printed with an ‘M,’ penned in blue ballpoint ink, no date, to ‘Jimmy,’ reading in part ‘I was so happy you met us / at the airport and I got to see you / again – your [sic] one of my favorite / people you know,’ ending with ‘Have a Happy Birthday and a / wonderful time / Marilyn’ — Jimmy being James ‘Lefty’ O’Doul, professional baseball player and later a manager and mentor to Joe DiMaggio; included with its original envelope addressed to ‘Mr. Jimmy Gold O’doul [sic] / Personal.’ And sold separately, four photos taken in Korea; three depict Marilyn with others as she wears her fitted checkered dress from Gentlemen Prefer Blondes (1953); one depicts Jean O’Doul [wife of baseball great Lefty O’Doul] and a soldier; versos of all display various handwritten annotations in pencil and fountain pen ink including the date of ’27/2/54.'”
Letter SOLD for $6,400; photos SOLD for $1,250
Original photo, though now creased and wrinkled, depicting Marilyn in a living room with four other females circa 1954, a black ballpoint ink annotation handwritten on the verso reads ‘This is the interior / of the house in / Beverly Hills. It was / rented by Joe;’ also included are three other snapshots from the same day but printed decades later.”
SOLD for $768
“A small clutch-style purse, made of beige raw silk, gold-tone metal frame with rhinestone closure, zipper on bottom opens to reveal another compartment, inside lined in tan-colored silk, label reads ‘Saks Fifth Avenue,’ additional studio label reads ‘1-6-3-1667 M. Monroe A-729; used by Marilyn as ‘Vicky Parker’ in an extended sequence with Donald O’Connor as ‘Tim Donahue’ in There’s No Business Like Show Business (1954.)”
SOLD for $15,625
“A standard playbill for The Teahouse of the August Moonsigned in blue fountain pen ink on the top margin of the cover by Marilyn and in turquoise fountain pen ink on the side margin of the cover by Joe DiMaggio.” [The play starred David Wayne, who had appeared with Marilyn in four films, including How to Marry a Millionaire. She would see the play again after moving to New York, when her Actors’ Studio buddy Eli Wallach joined the cast.]
SOLD for $5,670
“A group of four telegrams, variously dated in December 1954, to the star and her lawyer [Frank Delaney] from an executive at 20th Century Fox, outlining how Marilyn needs to fulfill her obligation to The Seven Year Itch even though she’s sick; funny documents showing how Marilyn was being Marilyn and the studio had to acquiesce because she was…Marilyn. And sold separately, a contact sheet depicting 12 images of Marilyn wearing a white fur stole as she stands next to Itch director Billy Wilder in 1954, mounted to cardboard, signed in black felt-tip ink in the lower right corner ‘for Billy Wilder from Dick Avedon / 67.'”
Telegrams SOLD for $1,024; contact sheet SOLD for $3,200
“A small piece of paper with the top and bottom portions torn off, one side has penciled questions written in another hand, likely that of Ben Hecht or Sidney Skolsky [as both men who helped Marilyn to write her 1954 memoir, My Story, which wasn’t published until 1974], reading in full ‘Think about / 1) anecdote about pics / working on / 2) about Johnny Hyde – / how helped you – gave courage,’ rest of page and other side have Monroe’s blue fountain pen ink responses, with one compelling part reading ‘for those who want to / judge – I’ve traded my (paper purposely torn off here but evidently ‘body’) / more than once / for shelter and small quantities / of understanding and / warmth. I never traded for money / or a job directly or anything (one) could see / with the naked eye / except from one man / who was also deeply lonely…’ and it ends there on that cliffhanger!”
Bob Bahr explores Marilyn’s spiritual side in a cover story for the Atlanta Jewish Times (dated August 30.)
“Monroe once told Paula Strasberg, her drama coach at the time, that she felt a special kinship with her newfound faith. ‘I can identify with the Jews,’ she said. ‘Everybody’s out to get them, no matter what they do, like me.’
On the front door of the home where she died, she had affixed a mezuzah with its tiny parchment scroll of sacred Jewish writings. She still had the prayer book with her personal notes written in its pages, a gift from Miller that had once belonged to the Brooklyn synagogue where he had had his bar mitzvah. On her mantle she kept a bronze menorah, which played ‘Hatikvah,’ the national anthem of the State of Israel. It was a present from Miller’s Yiddish-speaking mother.
Rabbi Robert Goldburg had worked with her during her conversion and provided her with a number of Jewish historical and religious works to study. About three weeks after her death, he wrote of his impressions of her at the time.
‘She was aware of the great character that the Jewish people had produced. … She was impressed by the rationalism of Judaism — its ethical and prophetic ideals and its close family life.’
When she rebelled against the exploitation of the Hollywood studio system, broke her contract with 20th Century Fox and fled Hollywood in 1954 for a new life in New York, it was at the urging of Milton Greene, a popular Jewish photographer with whom she founded Marilyn Monroe Productions. For a while she lived with Greene and his wife and helped take care of their year-old son.
Even before the move she lived and worked in what was largely a Jewish world. In Hollywood her agent and publicist and an early drama coach and mentor were all Jewish. She owed her early success, in part, to personal relationships with the powerful Jewish studio executive Joseph Schenck and the important talent agent Johnny Hyde, who had originally emigrated from the Jewish Ukraine. Her three psychiatrists were Jewish as well as many of her doctors. One of her closest journalistic confidants was the newspaper columnist Sidney Skolsky.
But all that accelerated when she moved to New York and enrolled in Lee and Paula Strasberg’s Actors Studio … She quickly fell in with their circle of friends, who made up the theatrical and literary elite of Jewish New York. She volunteered to be the star attraction at a United Jewish Appeal dinner.
The poet Norman Rosten and his wife and children were close friends. She was a regular at a summer of brunches and picnics and cookouts with the Strasbergs in Ocean Beach on Fire Island. She frequently dug into what Paula Strasberg called her ‘Jewish icebox’ there, with its salamis from Zabar’s on New York’s Upper West Side and the honey cakes and fancy European pastries from some of the bakeries started in New York by refugees from Nazi persecution.
It was, in the words of one Monroe biographer, ‘a year of joy,’ made even more joyful by a newfound romance with [Arthur] Miller … Gloria Steinem, the Jewish American essayist and feminist, wrote a perceptive analysis about the relationship and Monroe’s decision just before their marriage to convert to Judaism.
‘Miller himself was not religious, but she wanted to be part of his family’s tradition.”‘I’ll cook noodles like your mother,” she told him on their wedding day. She was optimistic this marriage would work. On the back of a wedding photograph, she wrote “Hope, Hope, Hope.”‘
Her public commitment to Judaism in the mid-50s was just one of the signs that Jews were winning new acceptance in America after the end of World War II and of the changes that the war had brought.
Although she’s been gone these many years, she is not forgotten. Time has treated the memory of Monroe with kindness. Her estate, most of which she left to the Strasberg family, has consistently earned tens of millions of dollars over the more than 50 years since her death … As for that prayer book that Arthur Miller took from his Brooklyn synagogue and Monroe kept to her dying day, it sold at auction last year for $18,000.”