Marilyn had a yen for tight-fitting, black-and-white checked trousers, which she wore frequently – and stylishly – over the years. Purchased by her from Los Angeles boutique Jax, the pair shown below (at left) fetched $26,000 at Julien’s Auctions in 2005. Now, thanks to the UK high street retailer Marks & Spencer, you can copy her look with this pair (below right) for just £25 – order here.
UK vintage fashion retailer Joanie Clothing has put an artistic spin on the ubiquitous Marilyn T-Shirt (inspired, of course, by Milton Greene’s ballerina sitting.) Other faces in this range include Grace Kelly and Audrey Hepburn.
The iconic dress worn by Marilyn when she sang ‘Happy Birthday Mister President’ to John F, Kennedy in 1962 is continuing its US tour at Ripley’s Museum in San Antonio, Texas, where it will be on display until October 28.
The new exhibition, Essentially Marilyn, has opened at the Paley Center for Media in Los Angeles. Admission is free until September 30, ahead of the Profiles in History auction in October. The exhibit showcases the remarkable collection of Maite Minguez Ricart, all the way from Spain. Jackie Craig shared these photos of Monroe’s glamorous movie costumes and personal artifacts on Marilyn Remembered – you can see more here.
A number of personal items are also on offer, including several family photos inscribed by Marilyn on the reverse.
Essentially Marilyn, a free exhibition at the Paley Center for Media in Los Angeles, will be on display from August 18-September 30, ahead of a major auction at Profiles in History this October.
“A major Marilyn Monroe mystery has been solved! For years it had been debated, how did she get her name? A never before seen oversize presentation photograph inscribed by Marilyn Monroe to 20th Century Fox studio executive, Ben Lyon, answers that question.
Marilyn inscribes, ‘Dear Ben, You found me, named me and believed in me when no one else did. My thanks and love forever. Marilyn’. The photo was taken during the filming of The Seven Year Itch. This is the most important signed photograph in Hollywood history.
Fifteen costumes worn by Marilyn Monroe will be on exhibit, including her yellow and black sequined showgirl costume from Gentlemen Prefer Blondes, her signature white chiffon over white satin ball gown from The Prince and the Showgirl, her patterned sequined dress from How to Marry a Millionaire and the ‘Subway Dress’ from The Seven Year Itch that was created by Bill Travilla, who made most of Marilyn’s costumes, for touring and exhibition purposes. It’s made to the exact specifications of his original 1955 design for the film.
Marilyn’s heavily hand-annotated script from 1955’s The Seven Year Itch, which gives unique insight into her artistic process.
Marilyn’s personal childhood photographs with handwritten notes, including her baby photo with the note, ‘Me when I was very small,’ another photograph with the note, ‘First boyfriend. Lester Bolender and Norma Jeane, both age 5’.
The exhibit will be framed by elegant and stunningly beautiful large format photographs of Monroe captured by her friend, famed fashion and celebrity photographer Milton H. Greene.”
Representatives of Marilyn and Elvis Presley’s estates are suing a clothing company for a total of $353,500 in royalties and penalties, the New York Post reports. Central Mills, under its Freeze Apparel division, manufactured a range of tops featuring Marilyn’s image, such as the sweater shown above. TapouT LLC is a clothing division of Authentic Brands Group (ABG), the licensing arm of Marilyn’s estate. The two companies parted ways in December 2017.
Actress Sarah Paulson – best-known for her roles in American Horror Story, The People Vs. O.J. Simpson, and Ocean’s 8 – appears in a new short film advertising Prada’s Fall and Winter Collection. Neon Dream follows a mysterious woman (Amanda Murphy) driving into Las Vegas, where a rather sinister troop of Marilyn Monroe clones led by RuPaul’s Drag Race diva Violet Chachki are waiting. She catches the eye of a parking valet (Paulson) who follows her, morphing into Marilyn a la Seven Year Itch, and a rollerskating waitress.
Over at the Watch More Movies blog, there’s an interesting post about Greta Garbo and her influence on Marilyn – with a special focus on their makeup styles. (Marilyn told one interviewer that she never missed a Garbo film on television, while Susan Strasberg mentioned Marilyn ‘doing her Garbo eyes’ for nights on the town.)
“Often when people talk about Marilyn Monroe’s predecessors, they can’t seem to get past her fluffy blonde hair. They draw endless parallels to Jean Harlow, with whom she shares little more than a hair color. Monroe herself idolized Garbo. And it shows if you’re looking for it.
All together, the lazy/sexy ideal is embodied by both women. Where Monroe usually infused this spirit into dizzy comedic roles, Garbo primarily put it to use playing women of mystery. Suffice it to say, both stars have reached an iconic status at least in part because their roles were intertwined so cleverly with their respective public images.
I look to Monroe’s eye makeup as the dead giveaway. Monroe and her makeup artist, Whitey Snyder, created much the same shapes but with gentler lines.
When Garbo first emerged with her long bob, it was admired by fans, but magazine writers were quick to point out that this was unflatteringly long and advised that only Garbo could pull it off. Likewise, Monroe was put down in the press for her too-long unstylish hair–some journalists even comparing her to a dog. (The ideal then being closer to Elizabeth Taylor’s neatly coiffed short curls.) Funny that both styles are considered almost universally flattering today.
According to Katharine Cornell, when Garbo was considering a return to the screen she wanted to star alongside Monroe. Garbo confided that she wanted to play Dorian Gray with Monroe as Sibyl Vane. If you’re queer-hearted like myself (and Garbo) it’s devastating that we never got that film.
I suppose I’ll sign off now with tears in my eyes for what could have been and for the mutual appreciation that Marilyn Monroe probably never knew about.”
In addition to the screenings at the Laemmle theatres on June 5, Gentlemen Prefer Blondes will return to another Los Angeles venue next month. At 2 pm on June 23 at the historic Egyptian Theatre on Hollywood Boulevard (now part of the American Cinematheque), Kimberly Trulher of the GlamAmor website will introduce Blondes, as part of a ‘Fashion & Film: The Fifties’ series.
“Gentlemen Prefer Blondes is one of those movies where everything was in alignment. At its helm was the great director Howard Hawks, one of my favorites … But he was also equally adept at comedy and loved strong women … so he was the perfect person to take this Broadway musical onto the big screen. A signature of all his films is the strong relationship of the leads and their witty dialogue, and he couldn’t do much better than he did in –he had the language of the great Anita Loos and Charles Lederer for stars Jane Russell and Marilyn Monroe.
Without question, another signature of any Hawks production is its style. His films feature some of the best costume design and designers of all time … Gentlemen Prefer Blondes is no different … in fact, what people seem to remember most about the movie is its style. Marilyn is luminous as lead Lorelei Lee in costumes by her longtime friend and legendary costume designer William ‘Billy’ Travilla.”