The French singer and actress Vanessa Paradis is one of Marilyn’s most devoted celebrity fans; she wrote a song called ‘Marilyn & John’ for her debut album back in 1988, and still collects Monroe memorabilia, including a pair of her shoes. As a longtime spokeswoman for Chanel, Vanessa has now combined both passions in a new clip, I Am An Idea. “A Chanel perfume is a play of shadows and light, which reveals nudity and protects intimacy,” she says in the video. “A set of jewelry and an abstraction; a suit of armor and a construction. A Chanel perfume is an invisible negligee, one that Marilyn chose to adorn her nights.” (This mini-film, first in a series, also features Eve Arnold’s photos of Marilyn lying nude in bed – let’s hope she was wearing her signature Chanel No. 5 …)
Marilyn wore this Pucci blouse (above) during one of her last photo sessions with George Barris in 1962. Prints are very ‘in’ this season, and while it’s a different pattern and colour, this H&M+ blouse might be of interest to Monroe fans (below.) It’s available online only for £19.99 in UK sizes 16-30, and would look great with capri pants (just add to favourites to pick your size.)
The pearls worn by Marilyn in Richard Avedon’s publicity shots for Some Like It Hot have named as the most iconic pearl image in history, in a poll conducted by British chocolatier Thornton’s to promote their new ‘Thornton’s Pearl’ range, the Scottish Sun reports.
According to WWD, the Scottish-born, London-based designer Christopher Kane’s new pre-fall collection is inspired by John Vachon’s photos of Marilyn on location for River Of No Return
in the Canadian Rockies (collected in the 2010 book, Marilyn, August 1953: The Lost Look Photos.) The connection isn’t obvious – and the image on this pink sweatshirt was actually taken in 1951, on the set of Let’s Make It Legal. However, Kane does incorporate elements of her pin-up style in the collection.
Kim Goodwin, who was a make-up artist to celebrities from Elizabeth Taylor to Charlize Theron, died of heart failure and other complications this weekend.
Kim’s sad passing was announced by his best friend, singer Marie Osmond, who kept fans updated throughout his illness. Marie’s brother Donny Osmond, with whom she has been performing at the Flamingo Hotel and Casino in Las Vegas for eleven years, has also offered condolences.
Kim was much loved by the Marilyn fan community, creating a series of one-of-a-kind dolls which became highly prized due to his impeccable renditions of Marilyn’s iconic fashions. He also a devoted collector of rare photographs, sharing his expertise with biographers like Michelle Morgan.
In a recent tour video, Kim transformed Marie into silver screen icons Marilyn, Elizabeth, plus Sophia Loren and Ann-Margret.
And here is a selection of Kim’s Marilyn dolls, as posted by Melinda Mason on her Marilyn Monroe and the Camera website.
A model girl, from Norma Jeane to Marilyn…
… whether in a potato sack or creamy silk…
She was the blonde gentlemen preferred…
An idol to millions…
Or was she just The Girl Upstairs?
A showgirl, from Cherie to Sugar…
Fast forward to 1962…
A star in her prime…
But something had to give…
“A crimson mouth was an essential component of Marilyn Monroe’s bombshell identity; her pursed, full lips and the soft, sulky voice that emerged from between them oozed sex appeal and a magnetic, ultra-womanly allure. Along with her platinum blond hair, red lipstick was the cosmetic equivalent of the slinky, low-cut dresses and high heels that were her sartorial trademark.
But it was more than that: red lipstick served to enhance many of the characters she played. In roles like Lorelei Lee in Gentlemen Prefer Blondes and Cherie in Bus Stop, red lipstick was the ideal accessory to underscore her characters’ femininity and seductiveness.
The application of red onto Monroe’s lips on film sets was methodical and strategic: her makeup artist, Allan ‘Whitey’ Snyder, used several shades of the color at a time, with a darker iteration near the edges of the lips and lighter versions toward the center to create an intensely accentuated pout. But the actress’s seductive persona wasn’t limited to just her movie roles: even o duty, a staple of her look was a liberal application of her favorite shade, Max Factor’s Ruby Red. Although that brand is no longer available in America, it’s still popular in Europe, where four wearable versions of red were introduced in 2016 as the Marilyn Monroe Lipstick Collection. One of the options is her beloved Ruby Red.”
Actress Elle Fanning paid sartorial tribute to MM yesterday on The Tonight Show Starring Jimmy Fallon, with Vogue‘s Christian Allaire praising her ‘campy’ style.
“Fanning wore a Pop Art creation from Loewe’s Pre-Fall 2019 collection, designed by Jonathan Anderson … Fanning chose his shirt and skirt combo, which was emblazoned with Andy Warhol–style portraits of the iconic Hollywood starlet Marilyn Monroe. The design certainly falls in line with the idea of camp: it sits at the intersection of fashion, art, and pop culture, with just a dash of visual excess. Yet, somehow, Fanning made the ensemble seem completely wearable …”
But as Emily Kirkpatrick notes on the New York Post‘s Page Six, this is only the latest instance of Elle’s fangirling for Marilyn…
“But that’s not the first time the SAG Award nominee has stepped out covered in her idol’s image. She also made an appearance at the 2017 InStyle Awards wearing a form-fitting dress from Versace’s spring 2018 collection covered in a Warhol print of the Hollywood legend, complete with matching footwear.
At the age of 7, Fanning even dressed up as the icon to attend the Dream Halloween Fundraiser for children affected by AIDS.
The Miu Miu ambassador’s preoccupation with Monroe even extends to her beauty cabinet. As she told Rookie magazine in 2011: ‘I went to an auction and got her face cream and powder. Her actual one … So I have that in my room. It’s literally the best thing ever. The lotion on it is sort of glued shut but the powder, some of it’s still in there.’
And Fanning’s love affair with the iconic starlet doesn’t end there. ‘Marilyn Monroe has been Fanning’s hero for about 15 years — most of her life,’ the actress’ June 2017 Vogue cover story reads. ‘She studies Marilyn’s interviews the way some study paintings by Cézanne. “You could always see the emotions that she was feeling … in her eyes,” she says. “She didn’t know how great she was.” She often wonders how Marilyn would have managed social media.’
The Teen Spirit star explained the origin of her fixation during a conversation with Scarlett Johansson for Interview magazine in 2014: “I was 7 when I first saw a picture of her. I didn’t know that she was such a big icon,” Fanning said. “But I would just look at her and I was mesmerized. She was beautiful and so … truthful. She’s not faking it. If she’s having a terrible day when the picture was taken, she’ll show that she’s really depressed and having a terrible day. You can see it in her eyes.”
Continued the Somewhere actress: “There are all the layers behind it. She not like, ‘Oh, let me just put on a smile.’ That year my dad got the DVD of The Seven Year Itch. I was probably way too young to watch it. I didn’t even know what the story was about, but I was just looking at her the whole time and the way she talked was so light. That year I was Monroe in the white dress for Halloween. It was interesting to me that she did mostly comedies but her life was so tragic.”
Ian Griffiths, the British-born creative director of the Italian women’s fashion house, Max Mara, has talked about Marilyn’s influence on his work in a new interview with the Sydney Morning Herald. (The Jean-Louis designs worn by Marilyn in Let’s Make Love, and the iconic beach jacket she wore on Santa Monica Beach for photographer George Barris, were major inspirations for Max Mara’s Fall 2015 collection.)
“My first celebrity crush was Marilyn Monroe. In her films, I saw strength and talent in her above and beyond the blonde bombshell she was portrayed as. You could see her intelligence, and beneath that vulnerability there was a strength I admired.
When I became a punk in the ’70s, Marilyn emerged as a symbol of rebellion. We subverted the whole meaning of Marilyn and played with it in our scene. We wore T-shirts with her face on it and peroxided our hair.”
Travilla’s designs for Marilyn in The Seven Year Itch were legendary, but the costumes worn by other actresses in the film are also spectacular. This beautiful green number, worn by Dorothy Ford in the train station scene, is now part of the Western Costume Company collection. Dorothy, who also played the Indian girl, was a statuesque former model and showgirl signed by MGM in the 1940s, who studied at the Actors’ Lab, was a comedic foil to Abbott and Costello, and played John Wayne’s love interest in Three Godfathers (1948.)
Thanks to Matt at Marilyn Remembered
Marilyn was one of the first female stars to wear denim, both on and offscreen – and it’s a timeless look, as Elle India reports. (Before embracing double denim in The Misfits, Marilyn had sported jeans in Clash By Night and River Of No Return.)
“Denim might be the norm today but back in the 1950s, Hollywood’s favourite bad boy James Dean popularised it in Rebel Without A Cause (1955). He was a young, edgy star and his blue dip-dyed Lee 101 Riders became synonymous with the same characteristics. In some ways Marilyn Monroe was the female equivalent of this sexy, rebellious sentiment—donning a Storm Rider by Lee jacket (which until then had mainly been sported by male celebrities) and a pair of jeans while filming her last cinema outing, The Misfits (1961).”