Marilyn has been chosen as the face of the 1950s in a Marie-Claire article about changing beauty trends over the decades.
“Elegant hair updos are making a comeback on the fashion week catwalks, but their history is firmly rooted in 1950s fashion. Few beauty muses are more iconic than Marilyn Monroe, whose hourglass figure was the most desired female shape of the decade. She’s probably also a big reason why the best red lipstick is such a timeless classic beauty look.”
Over at Beam Fashion, Nadja Beschetnikova looks at the stories behind Marilyn’s three ‘most expensive dresses’ (which sold for the highest prices at auction.)
“Diamonds Are A Girl’s Best Friend
‘Apart from the two side seams, the dress was folded into shape rather like cardboard. Any other girl would have looked like she was wearing cardboard, but on-screen I swear you would have thought Marilyn had on a pale, thin piece of silk. Her body was so fabulous it still came through’ – Travilla
The Seven Year Itch
Travilla called it ‘that silly little dress’. The dress indeed has a simple sewing pattern with a typical silhouette for a cocktail dress, which was in vogue in the 1950s and 1960s. Although the designer never paid much heed to his creation, it’s now one of the most famous dresses of all time.
Happy Birthday Mr President
Jean Louis had originally designed a version of the dress for Marlene Dietrich. Her live performances always had almost a magical effect to the audience thanks in no small part to her fascinating outfits. This backless flesh-colored gown remains an example to emulate for modern celebrities and pioneered the trend for ‘naked’ dresses.”
US singer-songwriter Halsey’s new look has been compared to Marilyn’s after bleaching her hair blonde and cutting it in a curly blonde pixie ‘crop’ in time for P. Diddy’s New Year’s Eve party in Miami, as noted by Jacqueline Laurean Yates at Yahoo Lifestyle. This week, she performed at a New York gala for the AIDS charity, AmFAR, in a ‘nude’ dress that drew comparisons to Marilyn’s ‘birthday dress’, worn for her performance at the John F. Kennedy gala in 1962, as Mary Anderson reports for The Revelist. (And while Halsey’s revealing attire makes that iconic garment look positively demure, it’s worth remembering that Marilyn’s glamorous style was also deemed as ‘scandalous’ back in the day.)
The movie costume collection of Marilyn Remembered president Greg Schreiner – around 500 garments in total, including this red dress originally designed by Oleg Cassini and worn by his former wife, Gene Tierney, in On the Riviera (1951) , and by Marilyn a year later in promotional shots and at the premiere of Monkey Business – returns to the spotlight in HollywoodRevisited, a musical extravaganza at the Annenberg Theater in Palm Springs on February 22, the DesertSun reports.
“‘It began with Marilyn,’ Schreiner beams. ‘She was always my No. 1 star.’ In those early days of collecting, he says he could fetch a vintage garb from $200 to $500. ‘It was one of the first times [auction houses] had done something like it; nobody had thought the costumes would ever be worth anything.’ As prices for movie costumes shot north over the years, especially Monroe-related items, Schreiner fell deeper in love with collecting all kinds of movie wardrobe items.
In 1987, Schreiner formalized the genesis for what is now Hollywood Revisited in a very small way — in nursing and retirement homes. Things snowballed after that. This year, Schreiner has shows booked in major theatrical houses around the country — from West Palm Beach and Santa Monica to Chicago. He is now heralded for being one of the most well-known collectors of classic movie costumes worn by Monroe, Davis, Elizabeth Taylor, Julie Andrews, Katherine Hepburn, Mae West, Judy Garland, and countless others. In fact, 30 of Schreiner’s costumes are on display in the Hollywood Museum.”
The singer and actress, Hillary Duff, has launched a new range for Glasses USA, People reports. ‘Muse X Hillary Duff’ includes a frame named after Marilyn, available in clear/neutral, shiny black, tortoise or pink, at $125 – although the design is more reminiscent of the Rayban Wayfarer sunglasses favoured by Marilyn in the late 1950s, than the ‘cat’s eye’ spectacles she wore as Pola in How to Marry a Millionaire.
“Duff’s ultimate goal when designing her frames was to empower women to feel comfortable in their own skin, so she honored iconic women in history (including Marilyn Monroe, Jane Austen, Clara Barton and more) by naming the frames after them.
‘It’s from women in history that have really made their stamp on the world,’ Duff said. ‘We’re in a really great time for women … I feel like women are really getting to stand in the front. Naming them, it kind of came to me — just the inspiration was wanting women to feel confident and naming them [after] people that are badass.'”
Niagara was released in the US sixty-five years ago this week, on January 21, 1953. This red jacket, designed by Dorothy Jeakins for the scene dubbed the ‘longest walk in history’ – in which Marilyn walked away from the camera, over 116 feet of film – is one of the prized pieces in the Star Collection of the Western Costume Company, North Hollywood.
Earlier this week we learned that the pencil skirt is making a comeback. Now it’s time for dark denim to re-enter your wardrobe, sported here by Marilyn and Arthur Miller. “This look, similar to that immortalised by Marilyn Monroe in 1961’s The Misfits and Martin Sheen in 1973’s Badlands, evokes a glory time in American history when the US was the leading purveyor of denim worldwide,” Scarlett Conlon writes for The Guardian.
Pencil skirts are back in style, according to The Guardian‘s Hannah Marriott (although I was unaware that they ever weren’t), proclaiming Marilyn – along with Marlene Dietrich, Meghan Markle and others – a ‘pencil skirt icon.’
“Marilyn Monroe’s walk down a steamy train platform in Some Like it Hot is the archetypal pencil skirt fashion reference, harking back to a time when form-fitting skirts were pretty shocking. (So tightly did they cling to curves that they are said to have inspired ‘the twist’, the only dance move women could do while wearing them.) The modern equivalent of the va-va-voom look is the stretchy pencil skirt favoured by Kim Kardashian and the Instagram set, usually paired with a crop top.”
Marilyn’s 1962 photo-shoot with Bert Stern for Vogue, in which she wore a black Christian Dior dress, is listed among the legendary fashion house’s top five ‘life-changing moments’ by Justin Gray on Yohomo.
“Can you think of a better combo? Marilyn Monroe … wearing this backless black Dior dress designed by Marc Bohan. The haunting photos, shot by Bert Stern for Vogue, just show the beauty of the fabric clinging to her back allowing the light to dance off her shoulder blades and pull the viewers eye up to her face. The tailoring and the fit of the piece appear as effortless as Marilyn’s beauty, but hide so much complexity in the seaming and the construction. This is one of those perfect moments when an artist and a muse find each other.”