Norman Norell, who became one of Marilyn’s favourite designers after Amy Greene introduced them in 1955, is the subject of a major retrospective, opening at New York’s Museum at the Fashion Institute of Technology (FIT) on February 9, 2018. As yet, it’s unknown whether any of Marilyn’s dresses (or similar) will be featured, but it’s a must-see for vintage style enthusiasts.
Iconic photos of Marilyn by Sam Shaw, Lawrence Schiller and Bert Stern are now on display at La Galerie D’Instant in Paris until February 13, 2018. You can also order an exhibition poster online for €20.
‘Golden Marilyn’, a hyper-realist portrait of Marilyn created in 2010 by the Tulsa-based artist Otto Duecker (after the iconic Ben Ross photo), is featured in Fool the Eye, a new exhibition at the Nassau County Museum of Art in Roslyn Arbor, New York until March 2018, as Deidre Geben reports for Newsday.
“At a time when the word ‘fake’ is dominating conversation, the Nassau County Museum of Art presents ‘Fool the Eye,’ an ambitious examination of truth and illusion comprising more than 150 paintings, sculptures and works on paper from the past two centuries.
‘Whether realist or abstract, all the works in the show play with perceptual effects,’ says Franklin Hill Perrell, who, along with Debbie Wells, guest-curated the exhibition. To be sure, Perrell and Wells have gathered a delightfully mixed bag of visual tricks. Prominent among the optical devices on view is trompe l’oeil, a technique that upends rules of linear perspective to convince viewers they are looking at actual objects instead of two-dimensional representations of them.
Museumgoers are likely to be tempted to peel off the pieces of torn and curling tape seeming to secure Otto Duecker’s black-and-white photographic rendering of Marilyn Monroe to a wall — that is, until they realize it’s all a pictorial ruse.”
Photos of Marilyn riding a pink elephant at the circus, taken at an arthritis charity benefit in New York by Walter Carone for Paris Match in 1955, are featured in a new exhibit dedicated to the magazine’s great photographers, at the Argentic Gallery on Rue Daubenton, Paris, until tomorrow, November 19.
With a major new biography of Richard Avedon, Something Personal, due to be published later this month, the New Yorker‘s Hilton Als looks back at Nothing Personal, the photographer’s 1964 collaboration with author James Baldwin. An exhibit of material from the book will go on display at the Pace/McGill Gallery, NYC, on November 17.
“As an artist, Avedon told the truth about lies, and why we need them or metaphors to survive, and how people fit into their self-mythologizing like body bags, and die in them if they’re not careful. Look at his portrait of Marilyn Monroe in Nothing Personal, perhaps one of the most difficult pictures in the book. In an interview, Dick said Monroe had given a performance as Marilyn Monroe earlier in the shoot, laughing and giggling and dancing. But then the shoot was over, and where was she? Who was she? Nothing Personal is riddled with these questions of identity—what makes a self?—a question that gave a certain thirteen-year-old ideas about the questions he might ask in this world: Who are we? To each other? And why?”
The dress worn by Marilyn when she sang for President Kennedy and assorted paraphernalia continues its US tour with a short stop at Ripley’s museum in Orlando, Florida from November 8, reports Attractions magazine.
A red taffeta gown with black lace overlay and fishtail skirt worn by Marilyn in 1952 has been recovered and will be on display at the New York Open House at the city’s French Embassy this weekend, reports NY1. Marilyn wore the dress for a photo shoot with Bob Landry, and on several public outings.
“‘We are pretty sure that it belonged to her but the mystery remains, we don’t know why it is here, because to our knowledge, she never came to the French Embassy,’ said Benedict de Montlaur, Cultural Counselor of the French Embassy.”
The French embassy is situated on Fifth Avenue, at the former Payne Whitney family mansion. Ironically, Marilyn was briefly a patient at the Payne Whitney Psychiatric Hospital on East 68th Street in 1961. She also received a Crystal Star award at a venue described as the French Film Institute or Consulate in 1959, but wore a different outfit to the ceremony.
Christopher Nickens wrote about the dress – purchased ‘off the rack’ in 1951, after Marilyn rejoined Twentieth Century Fox – in his 2012 book, Marilyn In Fashion:
“With a steady pay-check coming in, she indulged in some new clothes. She bought this evening gown at I. Magnin’s department store. It is a strapless red silk taffeta, snug from the bodice down to just below the hips, and covered in black French lace. The black lace gloves and a black fox boa Marilyn wore with the dress helped soften some of its gaudiness. ‘I paid a stiff price for it,’ Marilyn said. ‘I was told that the dress was the only copy of an original purchased by a San Francisco social leader.’
Marilyn wore the dress on several occasions, including the 1952 Photoplay magazine awards, and for the party celebrating the opening of Don’t Bother to Knock. She considered it her lucky dress because of the attention it always brought her although it was criticised in the press. ‘This was the dress that provoked so much comment … it was proof positive, they claimed, that I was utterly lacking in taste. I’m truly sorry, but I love the dress.'”
The touring retrospective, Remembering Sam Shaw: 60 Years of Photography, including some of the legendary shutterbug’s most famous shots of Marilyn among many other iconic images, is now on display at the Brandts Museum in Odense, Denmark until January 21, 2018.
After last month’s tour of Canada, Marilyn’s ‘birthday dress’ is now on display at Ripley’s in San Francisco throughout August, reports the SF Examiner. While the Kennedy connections may be foremost in some minds, the Fisherman’s Wharf location is more redolent of Marilyn’s marriage to Joe DiMaggio, a humble fisherman’s son who grew up in the city, and bought a restaurant on the Wharf after finding fame in baseball.
“Ripley’s bought the one-of-a-kind dress designed by Jean Louis from a private collector last year, earning a Guinness World Record for the most expensive dress sold at auction. For the last 17 years, the gown was ‘kept well, but away from the public,’ Meyer said.
The dress, along with the gala’s poster, advertisement and a ticket, will be on display at San Francisco’s Ripley’s at Fisherman Wharf every day from 10 a.m. to 10 p.m. for the next month.
After that, Ripley’s will tour the collection around its 32 locations in 10 countries. The dress will be traveling incognito with at least two guards and in a case designed specifically for it.”