My review of the recent Channel 4 documentary, Marilyn Monroe: Auction of a Lifetime, is posted today at Immortal Marilyn. At the time of writing, the programme is still available to watch online (UK only.) And if you’re looking for a more detailed view of the sale, it’s right here.
The annual Hollywood Legends auction at Julien’s, set for April 29, features a number of Marilyn-related items, including a 1961 check book which, as UK tabloid The Mirror reports, shows she was overdrawn at the time.
Here are some of the more unusual lots…
“A Marilyn Monroe novelty game night set. The Brown & Bigelow set contains two decks of playing cards, one showing Monroe in the ‘A New Wrinkle’ pose and one of Monroe in the ‘Golden Dreams’ pose from her 1949 Red Velvet photo session with Tom Kelley, and a set of four tin coasters showing Monroe in the ‘Golden Dreams’ pose and ‘Marilyn Monroe’ printed on each. Contained in a black flocked presentation box, stamped with an image of Monroe and branded text that reads ‘Always First/ with the Best Figures/ T D F CO.’ at lower right.”
Rare photos taken by Bruce Davidson during filming of Let’s Make Love.
A number of items related to photographer John Florea, including this contact sheet from the ‘Heat Wave’ number in There’s No Business Like Show Business.
A personal note from photographer Zinn Arthur to Marilyn and Milton Greene, probably penned during filming of Bus Stop.
Julien’s Auctions has announced an online-only sale of photos featuring Marilyn, ending on March 26 – more details here.
“The sale will feature over 100 Marilyn Monroe photographs by the most significant photographers of the era who captured the pop culture icon, including George Barris, Andre de Dienes, Douglas Kirkland, Milton Greene, Joseph Jasgur, Bruno Bernard, Richard Avedon and more.
The featured photographs spanning Marilyn’s career include early images of Norma Jean Baker captured by Joseph Jasgur before her transition to Marilyn Monroe. Rare highlights include photographs by Bruce Davidson of Marilyn Monroe on the set of The Misfits, a John Bryson photograph of Marilyn Monroe with her husband Arthur Miller, Nat Dillinger photographs of Marilyn dancing on the set of Let’s Make Love, and Bruno Bernard photographs of Marilyn on the set of Niagara. The sale also features a selection of rare and recognizable movie stills and publicity photos from Marilyn’s most significant acting roles.
Notable portions of the sale include over 25 photographs taken by Douglas Kirkland during the famous ‘Nude In White Silk Sheet’ photoshoot from November 17th, 1961 … The sale also features a collection of over 25 photographs of Marilyn Monroe taken by George Barris just weeks before the legend’s untimely passing.
A selection of photographs from historic appearances, including a group of 8 images sold with copyright from Marilyn’s arrival in Korea to support and perform for the US troops abroad, as well as a Robert H. McKinley photograph of Marilyn addressing the troops from atop an army tank in Korea. Also offered are personal and introspective photographs of Marilyn including Eve Arnold’s image of Marilyn Monroe sitting quietly reading a favorite book under a tree outdoors.”
A photographic archive from the estate of legendary Hollywood cameraman Milton Krasner will be auctioned at Laidlaw’s in Carlisle, England on March 25, the Daily Mail reports. As the full catalogue has not yet been published, it is unclear how many photos feature Marilyn, other than the image shown above (with Krasner standing behind director Howard Hawks.) However, the star and her four-time lensman were photographed together during their earliest collaboration on All About Eve; and Sam Shaw captured them on the set of their penultimate project, The Seven Year Itch. (Krasner also filmed ‘The Ransom of the Red Chief’ for the portmanteau film, O. Henry’s Full House, though he was uncredited. Marilyn appeared in another segment.)
“An official photograph taken on the set of the 1950s classic, Monkey Business, featuring Marilyn Monroe and Cary Grant in roller skates is a noteworthy picture that offers a behind-the-scenes glimpse into Krasner’s work.
A program from the 23rd Annual Academy Awards – when Krasner’s movie All About Eve received a record-breaking 14 nominations – and a signed Christmas card from American costume designer Charles LeMaire are just one of the rare pictures from Krasner’s archive that will be on sale.
The two had worked together on All About Eve and would go on to work together on The Seven Year Itch.
Krasner’s work with Marilyn Monroe and their shared filmography includes All About Eve, Monkey Business, O. Henry’s Full House, The Seven Year Itch and Bus Stop.”
Debbie Reynolds, star of Singin’ in the Rain and other classic Hollywood musicals, has died after suffering a stroke, aged 84 – just one day after her famous daughter, Carrie Fisher, also passed away.
She was born Mary Frances Reynolds in El Paso, Texas in 1932. As a child she moved with her family to Los Angeles, and was crowned Miss Burbank in 1948. She began her career at Warner Brothers, where she was renamed Debbie.
In Three Little Words (1950), a nostalgic musical about the heyday of Tin Pan Alley, she played Helen Kane, the singer famed for her 1928 hit, ‘I Wanna Be Loved By You‘ (later revived by Marilyn Monroe in Some Like It Hot.)
After moving to MGM, Debbie’s big break came when she was cast in her first dancing role, as chorus girl Kathy Selden in Singin’ in the Rain (1952), recently named as the all-time Greatest Movie Musical (and fifth-greatest movie overall) by the AFI. She went on to star in Frank Tashlin’s Susan Slept Here (1954), and with Frank Sinatra in The Tender Trap (1955.)
In 1956, she played a bride-to-be in The Catered Affair. That year, her marriage to singer Eddie Fisher was feted by Hollywood’s fan magazines as the dawn of a new, all-American golden couple. They were swiftly paired in Bundle of Joy, with Debbie playing a shopgirl who takes in an abandoned baby.
Their daughter Carrie was born in 1956, followed by son Todd in 1958. He was named after Eddie’s mentor, theatrical impresario Mike Todd, who died in a plane crash soon after. The Fishers’ seemingly idyllic life was shattered in 1959, when Eddie left Debbie for Mike Todd’s widow, Elizabeth Taylor. The scandal rocked Hollywood, although the two women resumed their friendship after Taylor divorced Fisher a few years later. Debbie married the millionaire businessman, Harry Karl, in 1960.
Debbie was the best-selling female singer of 1957, thanks to her hugely popular theme from Tammy. She later released an album, and went on to appear in Henry Hathaway’s How the West Was Won (1962), and opposite Tony Curtis in Goodbye Charlie (1964), in a role first offered to Marilyn Monroe.
In later years, Debbie would claim that evangelist Billy Graham approached her in 1962, after experiencing a premonition that Marilyn’s life was in danger. As Debbie did not know Marilyn well, she instead contacted a mutual friend, hairdresser Sydney Guilaroff, who allegedly spoke with Marilyn by telephone just hours before her death.
“She was a gentle, childlike girl who was always looking for that white knight on the white horse,” Debbie said of Marilyn, adding, “And why not? What sex symbol is happy?” Debbie also claimed that they attended the same church, although no further details have been uncovered.
Throughout the 1960s, Debbie played a three-month residency in Las Vegas each year. Her performance in The Unsinkable Molly Brown (1964) earned her an Oscar nomination. Her second marriage ended in 1973. Four years later, her daughter Carrie Fisher found fame In her own right as Princess Leia in Star Wars.
Carrie would later become an acclaimed author. Postcards From the Edge, a novel about her close, if occasionally fractious relationship with her celebrated mother, was filmed by Mike Nichols in 1990, with Meryl Streep and Shirley MacLaine in the leading roles. Todd Fisher has also worked extensively in film, as well as assisting his mother with her business ventures.
The Debbie Reynolds Dance Studio opened in Los Angeles in 1979, and is still thriving. Her third marriage, to real estate developer Richard Hamlett, ended in 1996. She starred in several Broadway musicals and appeared in numerous television shows, including The Love Boat, Hotel, The Golden Girls, Roseanne, and Will & Grace. A former Girl Scout leader, she has also worked tirelessly for AIDS and mental health charities.
Debbie played herself in The Bodyguard (1992), and was reunited with Elizabeth Taylor for a 2001 TV movie, These Old Broads. One of her final roles was as Liberace’s mother in Behind the Candelabra (2013.) Her memoir, the aptly-titled Unsinkable, was published in 2015; and a new documentary, Bright Lights: Starring Carrie Fisher and Debbie Reynolds, premiered at Cannes in 2016, and has since been acquired by HBO.
Debbie Reynolds will also be remembered fondly for her efforts to preserve the legacy of Hollywood’s golden age, which began when she purchased costumes from classic films (including many made for Marilyn) at an MGM auction in 1970. Her dream of opening a movie museum was sadly never realised, and in 2011, she relinquished her collection.
Among the many Marilyn-related items sold in a two-part event at Profiles in History was the cream silk halter-dress designed by Travilla, and worn by Marilyn as she stood over a subway grate in an iconic scene from The Seven Year Itch. The dress sold for $4.6 million, a sum surpassed only by the sale of Marilyn’s ‘Happy Birthday Mr President’ dress at Julien’s last month for $4.8 million.
Although the buyer was not named, the Seven Year Itch dress is rumoured to have been purchased by Authentic Brands Group (ABG), the Canadian company which is the licensing arm of Marilyn’s estate.
In January, exhibitions featuring Milton Greene and Douglas Kirkland’s photographs of Marilyn opened in London and Amsterdam. In New York, the Museum of Modern Art paid tribute to Marilyn’s choreographer, Jack Cole. Also this month, James Turiello’s book, Marilyn: The Quest for an Oscar, was published. And Edward Parone, assistant producer of The Misfits, died.
In April, a special edition of Vanity Fair magazine – dedicated to MM – was published. A campaign to save Rockhaven, the former women’s sanitarium where Marilyn’s mother Gladys once lived – was launched. And actress Anne Jackson – wife of Eli Wallach, and friend to Marilyn – passed away.
In May, Marilyn graced the cover of a Life magazine special about ‘hidden Hollywood’, and Sebastien Cauchon’s novel, Marilyn 1962, was published in France. Cabaret singer Marissa Mulder’s one-woman show, Marilyn in Fragments, opened in New York, while Chinese artist Chen Ke unveiled Dream-Dew, a series of paintings inspired by Marilyn’s life story. The remarkable collection of David Gainsborough Roberts was displayed in London. Finally, Alan Young – the comedian and Mister Ed star, who befriended a young Marilyn – died.
In July, the birthday celebrations continued in Marilyn’s Los Angeles hometown with tributes from painter David Bromley, and another Greene exhibition. A new musical, Marilyn!, opened in Glendale. Rapper Frank Ocean appeared alongside a Monroe impersonator in a Calvin Klein commercial. And Marni Nixon, the Hollywood soprano who sang the opening bars of ‘Diamonds Are a Girl’s Best Friend’, passed away.
August 5th marked the 54th anniversary of Marilyn’s death. Also this month, it was announced that Seward Johnson’s ‘Forever Marilyn’ sculpture may return permanently to Palm Springs. April VeVea’s Marilyn Monroe: A Day in the Life was published, and Marilyn’s role in Niagara was featured in another Life magazine special, celebrating 75 years of film noir.
In September, Marilyn: Character Not Image – an exhibition curated by Whoopi Goldberg – opened in New Jersey. Terry Johnson’s fantasy play, Insignificance, was revived in Wales. Two locks of Marilyn’s hair were sold by Julien’s Auctions for $70,000. And author Michelle Morgan published The Marilyn Journal, first in a series of books chronicling the Marilyn Lives Society; and A Girl Called Pearl, a novel for children with a Monroe connection.
Marilyn’s annotated script for her final, incomplete movie, Something’s Got to Give, has been sold at the Nate D. Sanders Hollywood Memorabilia auction for $25,000. While reporters have poked fun at her minor spelling errors – such as ‘leeding him on’ – her comments are often perceptive. ‘Needs more jokes’, she remarked – an opinion shared by others during this troubled production.
If this script looks familiar, that’s because it sold at Julien’s only a month ago for $10,240. Other items from the event have also been spotted on auction sites like EBay, confirming that Marilyn’s personal property is becoming a magnet for investors. A disused grave marker from her crypt, also sold in November, attracted no bids this time around.
“Monroe’s handwritten pencil notes begin with her character’s (Ellen Wagstaff Arden) introduction in the script on page 12 and carry through to the end on page 149, even including notes on the verso of the last page and back cover, such as a note reading, ‘Joke writers Mel Brooks / Herb Gardner / Need spice / raisins / Need some funny lines.’ There are notes in Monroe’s hand on approximately 42 pages in the script, ranging from simple dialogue corrections and changes to in-depth sense memory notes when doing a scene that required a deeper emotional connection and understanding. Regarding her character’s introduction, as she interacts with naval personnel who saved her after being marooned on an island for five years, Monroe writes, ‘1 – Gayity [sic] 2 – Excitement 3 – Then Dazed.’ In one scene, Monroe references Arthur Miller’s children to better help her relate to her character’s children, ‘Bobby M. / and early Janie / except their [sic] mine.’ Throughout the script, Monroe writes succinct dialogue and character notes: ‘Stunned / Dazed – sky high with adventure’, ‘dead pan/I really don’t know’, ‘anticipating the joys’, ‘Trying to think or remember’, ‘start to wonder what’s from now on’, ‘I don’t know he knows’, ‘easy/very intimate/very real’, ‘[L]et me get into something more comfortable / leading him on -‘. Included is a small card with call times and scenes to be shot, and a small scrap of paper with a note in Monroe’s hand wondering why they are shooting out of sequence, as well as notes about using Miss vs. Mrs.”
This copy of the script is dated March 29, 1962. Another version, including revisions dated April 23 and 27, and with eighteen pages annotated by Marilyn, went unsold, after being purchased at Julien’s last month for $12,800.
“Some of the highlights include notes Monroe made for Scene 168, in which she interacts with her children in the movie, who don’t recognize her as they were too young when she became stranded on an island for five years and presumed dead. These hand-annotated typewritten pages were inserted into the script for this particular scene – one of the few that Monroe completed before her untimely death. Within these pages, Monroe writes a series of notes regarding her preparation: ‘Real thought’, ‘Mental Relaxation’, ‘Look for the light’, ‘Place the pain/feeling where it is not in the brow’, as well as specific sense memories to help find the emotional truth with her character’s feelings toward her on-screen children, ‘Substitute children – B & J if necessary’, perhaps referring to Arthur Miller’s children Bobby and Jane. There are also some notes from Monroe regarding her work with a Swedish dialect coach. Peppered throughout the script are further dialogue notes, changes and line strikes. Interestingly, the script also includes notes in an unknown hand giving blunt, critical assessments and insights of the script’s scene descriptions, direction and dialogue. These notes start on the script’s first page, ‘Note for Marilyn/He has to woo her not the way it is / new blue pages’ and continue in blue pen, ‘Dull’, ‘Naggy, ‘Make it funny!’ and ‘Smugly’. Interestingly, Monroe reacts to some of these notes, either changing dialogue and scene direction or, in some cases, striking the note itself if she doesn’t agree with it.”
And in other news, a Frank Powolny portrait of Marilyn – signed by the lady herself to ‘Jimmie’ – was sold at R.R. Auctions for $24,959 this week, as part of the Tom Gregory Collection.
A vintage room-key from the Homestead Inn in New Milford, Connecticut, where Marilyn is said to have stayed during her courtship with Arthur Miller, was sold for $131 on Ebay last week, as Barry Lytton reports for the Danbury News-Times.
“‘We just bought all the keys because people like old hotel keys,”’ said Loretta Kretchko, who co-runs Bob Kretchko Antiques with her husband, Bob. ‘We weren’t thinking Marilyn.’
In 1956, Monroe stayed in the inn while she was dating playwright Arthur Miller, who lived in Roxbury at the time. The two later married.
The Kretchkos purchased the keys two years ago, right before a new owner renovated the inn, Loretta said, and they planned on selling them. Many of the rooms had several sets, which was great for the Kretchkos — more old keys to sell, she said.
‘But this was the only No. 22 key,’ Loretta said. ‘(Monroe) always stayed in 22.’
The Homestead Inn has had its share of famous guests over the years, including Joseph and Rose Kennedy, who stayed in New Milford while their future-president son, John, was an eighth-grader at the Canterbury School.”
Lois Smith, publicist to Meryl Streep, Robert Redford and others, died in 2012, aged 84. “In a tough business known for steel-sharp elbows,” her New York Times obituary read, “Ms. Smith stood out for being nurturing. She was at the birth of Marilyn Monroe’s kittens...”
Born Lois Eileen Wollenweber of Brooklyn in 1928, she began working for publicist Ted Saucier in the 1950s. His most famous client was the Waldorf-Astoria Hotel, where he and Lois recruited celebrities who had come there to escape Hollywood’s crumbling studio system. One of them was Marilyn, who lived there for several months after moving to New York in 1955.
Lois later married journalist Gene Smith, and formed Pickwick Public Relations with Pat Newcomb – Marilyn’s publicist at the time of her death – in 1969. A number of items in the current Julien’s sale, ending today, come from her estate (under the name of Lois Weber.)
This photo was taken by Hans Knopf on February 22, 1956, when Marilyn was walking to Cecil Beaton’s studio for their famous session. Lois, who accompanied her that morning, is generally cropped out of the picture.
Two other photos taken by Knopf that day show Marilyn and Lois getting into a taxi cab en route to lunch at the Ambassador Hotel with society columnist Elsa Maxwell.
Interestingly, some copies of the candid photos taken by Frieda Hull and other members of the ‘Monroe Six’ were also in Lois’ possession. The young fans gave each other copies of their photos, so perhaps they shared a few with her as well.
A 32-page transcript of Marilyn’s 1960 interview with George Belmont, submitted by Lois to Look magazine, is also on offer. Perhaps the most significant items from her estate, however, are the many beautiful photos, negatives and colour transparencies from the set of The Prince and the Showgirl. Marilyn exercised a strict approval process over all images, and relegated these to a ‘Kill’ folder.