Category Archives: Auctions

Milton Krasner: Marilyn and Her Cameraman

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A photographic archive from the estate of legendary Hollywood cameraman Milton Krasner will be auctioned at Laidlaw’s in Carlisle, England on March 25, the Daily Mail reports. As the full catalogue has not yet been published, it is unclear how many photos feature Marilyn, other than the image shown above (with Krasner standing behind director Howard Hawks.) However, the star and her four-time lensman were photographed together during their earliest collaboration on All About Eve; and Sam Shaw captured them on the set of their penultimate project, The Seven Year Itch. (Krasner also filmed ‘The Ransom of the Red Chief’ for the portmanteau film, O. Henry’s Full House, though he was uncredited. Marilyn appeared in another segment.)

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“An official photograph taken on the set of the 1950s classic, Monkey Business, featuring Marilyn Monroe and Cary Grant in roller skates is a noteworthy picture that offers a behind-the-scenes glimpse into Krasner’s work.

A program from the 23rd Annual Academy Awards – when Krasner’s movie All About Eve received a record-breaking 14 nominations – and a signed Christmas card from American costume designer Charles LeMaire are just one of the rare pictures from Krasner’s archive that will be on sale.
The two had worked together on All About Eve and would go on to work together on The Seven Year Itch.

Krasner’s work with Marilyn Monroe and their shared filmography includes All About Eve, Monkey Business, O. Henry’s Full House, The Seven Year Itch and Bus Stop.”

Debbie Reynolds 1932-2016

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Debbie Reynolds, star of Singin’ in the Rain and other classic Hollywood musicals, has died after suffering a stroke, aged 84 – just one day after her famous daughter, Carrie Fisher, also passed away.

She was born Mary Frances Reynolds in El Paso, Texas in 1932. As a child she moved with her family to Los Angeles, and was crowned Miss Burbank in 1948. She began her career at Warner Brothers, where she was renamed Debbie.

In Three Little Words (1950), a nostalgic musical about the heyday of Tin Pan Alley, she played Helen Kane, the singer famed for her 1928 hit, ‘I Wanna Be Loved By You‘ (later revived by Marilyn Monroe in Some Like It Hot.)

Debbie Reynolds sings 'I Wanna Be Loved By You' to Carleton Carpenter in 'Three Little Words' (1951)
Debbie Reynolds sings ‘I Wanna Be Loved By You’ to Carleton Carpenter in ‘Three Little Words’ (1950)

After moving to MGM, Debbie’s big break came when she was cast in her first dancing role, as chorus girl Kathy Selden in Singin’ in the Rain (1952), recently named as the all-time Greatest Movie Musical (and fifth-greatest movie overall) by the AFI. She went on to star in Frank Tashlin’s Susan Slept Here (1954), and with Frank Sinatra in The Tender Trap (1955.)

In 1956, she played a bride-to-be in The Catered Affair. That year, her marriage to singer Eddie Fisher was feted by Hollywood’s fan magazines as the dawn of a new, all-American golden couple. They were swiftly paired in Bundle of Joy, with Debbie playing a shopgirl who takes in an abandoned baby.

Their daughter Carrie was born in 1956, followed by son Todd in 1958. He was named after Eddie’s mentor, theatrical impresario Mike Todd, who died in a plane crash soon after.  The Fishers’ seemingly idyllic life was shattered in 1959, when Eddie left Debbie for Mike Todd’s widow, Elizabeth Taylor. The scandal rocked Hollywood, although the two women resumed their friendship after Taylor divorced Fisher a few years later. Debbie married the millionaire businessman, Harry Karl, in 1960.

Debbie was the best-selling female singer of 1957, thanks to her hugely popular theme from Tammy. She later released an album, and went on to appear in Henry Hathaway’s How the West Was Won (1962), and opposite Tony Curtis in Goodbye Charlie (1964), in a role first offered to Marilyn Monroe.

Debbie With Tony Curtis in 'Goodbye Charlie' (1964)
With Tony Curtis in ‘Goodbye Charlie’ (1964)

In later years, Debbie would claim that evangelist Billy Graham approached her in 1962, after experiencing a premonition that Marilyn’s life was in danger. As Debbie did not know Marilyn well, she instead contacted a mutual friend, hairdresser Sydney Guilaroff, who allegedly spoke with Marilyn by telephone just hours before her death.

“She was a gentle, childlike girl who was always looking for that white knight on the white horse,” Debbie said of Marilyn, adding, “And why not? What sex symbol is happy?” Debbie also claimed that they attended the same church, although no further details have been uncovered.

Throughout the 1960s, Debbie played a three-month residency in Las Vegas each year. Her performance in The Unsinkable Molly Brown (1964) earned her an Oscar nomination. Her second marriage ended in 1973. Four years later, her daughter Carrie Fisher found fame In her own right as Princess Leia in Star Wars.

With daughter Carrie Fisher in 2015
With daughter Carrie Fisher in 2015

Carrie would later become an acclaimed author. Postcards From the Edge, a novel about her close, if occasionally fractious relationship with her celebrated mother, was filmed by Mike Nichols in 1990, with Meryl Streep and Shirley MacLaine in the leading roles. Todd Fisher has also worked extensively in film, as well as assisting his mother with her business ventures.

The Debbie Reynolds Dance Studio opened in Los Angeles in 1979, and is still thriving. Her third marriage, to real estate developer Richard Hamlett, ended in 1996. She starred in several Broadway musicals and appeared in numerous television shows, including The Love Boat, Hotel, The Golden Girls, Roseanne, and Will & Grace. A former Girl Scout leader, she has also worked tirelessly for AIDS and mental health charities.

Debbie played herself in The Bodyguard (1992), and was reunited with Elizabeth Taylor for a 2001 TV movie, These Old Broads. One of her final roles was as Liberace’s mother in Behind the Candelabra (2013.) Her memoir, the aptly-titled Unsinkable, was published in 2015; and a new documentary, Bright Lights: Starring Carrie Fisher and Debbie Reynolds, premiered at Cannes in 2016, and has since been acquired by HBO.

Debbie with her Hollywood costume collection
Debbie with her Hollywood costume collection

Debbie Reynolds will also be remembered fondly for her efforts to preserve the legacy of Hollywood’s golden age, which began when she purchased costumes from classic films (including many made for Marilyn) at an MGM auction in 1970. Her dream of opening a movie museum was sadly never realised, and in 2011, she relinquished her collection.

Among the many Marilyn-related items sold in a two-part event at Profiles in History was the cream silk halter-dress designed by Travilla, and worn by Marilyn as she stood over a subway grate in an iconic scene from The Seven Year Itch. The dress sold for $4.6 million, a sum surpassed only by the sale of Marilyn’s ‘Happy Birthday Mr President’ dress at Julien’s last month for $4.8 million.

Although the buyer was not named, the Seven Year Itch dress is rumoured to have been purchased by Authentic Brands Group (ABG), the Canadian company which is the licensing arm of Marilyn’s estate.

2016: A Year In Marilyn Headlines

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In January, exhibitions featuring Milton Greene and Douglas Kirkland’s photographs of Marilyn opened in London and Amsterdam. In New York, the Museum of Modern Art paid tribute to Marilyn’s choreographer, Jack Cole. Also this month, James Turiello’s book, Marilyn: The Quest for an Oscar, was published. And Edward Parone, assistant producer of The Misfits, died.

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In February, Marilyn ‘starred’ with Willem Dafoe in a Snickers commercial for the US Superbowl. Monroe Sixer Jimmy Collins’ candid photographs were sold at Heritage Auctions, and the touring exhibition, Marilyn: Celebrating an American Icon, came to Albury, Australia.

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Another major Australian exhibition, Twentieth Century Fox Presents Marilyn Monroe, featuring the collections of Debbie ReynoldsScott Fortner, Greg Schreiner and Maite Minguez Ricart – opened at the Bendigo Art Gallery in March. And Barbara Sichtermann’s book, Marilyn Monroe: Myth and Muse, was published in Germany.

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In April, a special edition of Vanity Fair magazine – dedicated to MM – was published. A campaign to save Rockhaven, the former women’s sanitarium where Marilyn’s mother Gladys once lived – was launched. And actress Anne Jackson – wife of Eli Wallach, and friend to Marilyn – passed away.

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In May, Marilyn graced the cover of a Life magazine special about ‘hidden Hollywood’, and Sebastien Cauchon’s novel, Marilyn 1962, was published in France. Cabaret singer Marissa Mulder’s one-woman show, Marilyn in Fragments, opened in New York, while Chinese artist Chen Ke unveiled Dream-Dew, a series of paintings inspired by Marilyn’s life story. The remarkable collection of David Gainsborough Roberts was displayed in London. Finally, Alan Young – the comedian and Mister Ed star, who befriended a young Marilyn – died.

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June 1st marked what would be Marilyn’s 90th birthday. Also in June, New Yorkers were treated to an Andre de Dienes retrospective, Marilyn and the California Girls. An exhibition of the Ted Stampfer collection, Marilyn Monroe: The Woman Behind the Myth, opened in Turin, Italy. A new documentary, Artists in Love: Arthur Miller and Marilyn Monroe, was broadcast in the UK, while Australia honoured Marilyn with a commemorative stamp folder, and genealogists investigated Marilyn’s Scottish ancestry.

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In July, the birthday celebrations continued in Marilyn’s Los Angeles hometown with tributes from painter David Bromley, and another Greene exhibition. A new musical, Marilyn!, opened in Glendale. Rapper Frank Ocean appeared alongside a Monroe impersonator in a Calvin Klein commercial. And Marni Nixon, the Hollywood soprano who sang the opening bars of ‘Diamonds Are a Girl’s Best Friend’, passed away.

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August 5th marked the 54th anniversary of Marilyn’s death. Also this month, it was announced that Seward Johnson’s ‘Forever Marilyn’ sculpture may return permanently to Palm Springs. April VeVea’s Marilyn Monroe: A Day in the Life was published, and Marilyn’s role in Niagara was featured in another Life magazine special, celebrating 75 years of film noir.

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In September, Marilyn: Character Not Image – an exhibition curated by Whoopi Goldberg – opened in New Jersey. Terry Johnson’s fantasy play, Insignificance, was revived in Wales. Two locks of Marilyn’s hair were sold by Julien’s Auctions for $70,000. And author Michelle Morgan published The Marilyn Journal, first in a series of books chronicling the Marilyn Lives Society; and A Girl Called Pearl, a novel for children with a Monroe connection.

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In October, Happy Birthday Marilyn – a touring showcase for the collection of Ted Stampfer – came to Amsterdam, while Marilyn: I Wanna Be Loved By You, a retrospective for some of her best photographers, opened in France. Marilyn Forever, Boze Hadleigh’s book of quotes, was published. Marilyn’s friendship with Ella Fitzgerald was depicted on the cult TV show, Drunk History. And on a sadder note, photographer George Barris, biographer John Gilmore, and William Morris agent Norman Brokaw all passed away this month.

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In November, Marilyn’s ‘Happy Birthday Mr President‘ dress was sold for a record-breaking $4.8 million during a three-day sale at Julien’s Auctions, featuring items from the David Gainsborough Roberts collection, the Lee Strasberg estate, and many others including the candid photos of Monroe Sixer Frieda Hull. Also this month, comedienne Rachel Bloom spoofed ‘Diamonds Are a Girl’s Best Friend’ in a musical sequence for her TV sitcom, Crazy Ex-Girlfriend. And Marilyn Monroe: Lost Photo Collection, a limited edition book featuring images by Milton Greene, Gene Lester and Allan ‘Whitey’ Snyder, was published.

05E065FF-9E98-4677-8946-85623619BBF3-2686-0000014DE181D724_tmpFinally, in December the EYE Film Institute began a Marilyn movie season in Amsterdam. The Asphalt Jungle was released on Blu-Ray by Criterion. And actresses Zsa Zsa Gabor and Debbie Reynolds both passed away.

Marilyn’s Final Script Sold (Again) For $25,000

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Marilyn’s annotated script for her final, incomplete  movie, Something’s Got to Give, has been sold at the Nate D. Sanders Hollywood Memorabilia auction for $25,000. While reporters have poked fun at her minor spelling errors – such as ‘leeding him on’ – her comments are often perceptive. ‘Needs more jokes’, she remarked – an opinion shared by others during this troubled production.

If this script looks familiar, that’s because it sold at Julien’s only a month ago for $10,240. Other items from the event have also been spotted on auction sites like EBay, confirming that Marilyn’s personal property is becoming a magnet for investors. A disused grave marker from her crypt, also sold in November, attracted no bids this time around.

“Monroe’s handwritten pencil notes begin with her character’s (Ellen Wagstaff Arden) introduction in the script on page 12 and carry through to the end on page 149, even including notes on the verso of the last page and back cover, such as a note reading, ‘Joke writers Mel Brooks / Herb Gardner / Need spice / raisins / Need some funny lines.’ There are notes in Monroe’s hand on approximately 42 pages in the script, ranging from simple dialogue corrections and changes to in-depth sense memory notes when doing a scene that required a deeper emotional connection and understanding. Regarding her character’s introduction, as she interacts with naval personnel who saved her after being marooned on an island for five years, Monroe writes, ‘1 – Gayity [sic] 2 – Excitement 3 – Then Dazed.’ In one scene, Monroe references Arthur Miller’s children to better help her relate to her character’s children, ‘Bobby M. / and early Janie / except their [sic] mine.’ Throughout the script, Monroe writes succinct dialogue and character notes: ‘Stunned / Dazed – sky high with adventure’, ‘dead pan/I really don’t know’, ‘anticipating the joys’, ‘Trying to think or remember’, ‘start to wonder what’s from now on’, ‘I don’t know he knows’, ‘easy/very intimate/very real’, ‘[L]et me get into something more comfortable / leading him on -‘. Included is a small card with call times and scenes to be shot, and a small scrap of paper with a note in Monroe’s hand wondering why they are shooting out of sequence, as well as notes about using Miss vs. Mrs.”

This copy of the script is dated March 29, 1962. Another version, including revisions dated April 23 and 27, and with eighteen pages annotated by Marilyn, went unsold, after being purchased at Julien’s last month for $12,800.

“Some of the highlights include notes Monroe made for Scene 168, in which she interacts with her children in the movie, who don’t recognize her as they were too young when she became stranded on an island for five years and presumed dead. These hand-annotated typewritten pages were inserted into the script for this particular scene – one of the few that Monroe completed before her untimely death. Within these pages, Monroe writes a series of notes regarding her preparation: ‘Real thought’, ‘Mental Relaxation’, ‘Look for the light’, ‘Place the pain/feeling where it is not in the brow’, as well as specific sense memories to help find the emotional truth with her character’s feelings toward her on-screen children, ‘Substitute children – B & J if necessary’, perhaps referring to Arthur Miller’s children Bobby and Jane. There are also some notes from Monroe regarding her work with a Swedish dialect coach. Peppered throughout the script are further dialogue notes, changes and line strikes. Interestingly, the script also includes notes in an unknown hand giving blunt, critical assessments and insights of the script’s scene descriptions, direction and dialogue. These notes start on the script’s first page, ‘Note for Marilyn/He has to woo her not the way it is / new blue pages’ and continue in blue pen, ‘Dull’, ‘Naggy, ‘Make it funny!’ and ‘Smugly’. Interestingly, Monroe reacts to some of these notes, either changing dialogue and scene direction or, in some cases, striking the note itself if she doesn’t agree with it.”

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And in other news, a Frank Powolny portrait of Marilyn – signed by the lady herself to ‘Jimmie’ – was sold at R.R. Auctions for $24,959 this week, as part of the Tom Gregory Collection.

Marilyn’s Inn Key Sold on Ebay

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A vintage room-key from the Homestead Inn in New Milford, Connecticut, where Marilyn is said to have stayed during her courtship with Arthur Miller, was sold for $131 on Ebay last week, as Barry Lytton reports for the Danbury News-Times.

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“‘We just bought all the keys because people like old hotel keys,”’ said Loretta Kretchko, who co-runs Bob Kretchko Antiques with her husband, Bob. ‘We weren’t thinking Marilyn.’

In 1956, Monroe stayed in the inn while she was dating playwright Arthur Miller, who lived in Roxbury at the time. The two later married.

The Kretchkos purchased the keys two years ago, right before a new owner renovated the inn, Loretta said, and they planned on selling them. Many of the rooms had several sets, which was great for the Kretchkos — more old keys to sell, she said.

‘But this was the only No. 22 key,’ Loretta said. ‘(Monroe) always stayed in 22.’

The Homestead Inn has had its share of famous guests over the years, including Joseph and Rose Kennedy, who stayed in New Milford while their future-president son, John, was an eighth-grader at the Canterbury School.”

Marilyn at Julien’s: The Lois Weber Collection

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Lois Smith, publicist to Meryl Streep, Robert Redford and others, died in 2012, aged 84. “In a tough business known for steel-sharp elbows,” her New York Times obituary read, “Ms. Smith stood out for being nurturing. She was at the birth of Marilyn Monroe’s kittens...”

Born Lois Eileen Wollenweber of Brooklyn in 1928, she began working for publicist Ted Saucier in the 1950s. His most famous client was the Waldorf-Astoria Hotel, where he and Lois recruited celebrities who had come there to escape Hollywood’s crumbling studio system. One of them was Marilyn, who lived there for several months after moving to New York in 1955.

Lois later married journalist Gene Smith, and formed Pickwick Public Relations with Pat Newcomb – Marilyn’s publicist at the time of her death – in 1969. A number of items in the current Julien’s sale, ending today, come from her estate (under the name of Lois Weber.)

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This photo was taken by Hans Knopf on February 22, 1956, when Marilyn was walking to Cecil Beaton’s studio for their famous session. Lois, who accompanied her that morning, is generally cropped out of the picture.

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Two other photos taken by Knopf that day show Marilyn and Lois getting into a taxi cab en route to lunch at the Ambassador Hotel with society columnist Elsa Maxwell.

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Interestingly, some copies of the candid photos taken by Frieda Hull and other members of the ‘Monroe Six’ were also in Lois’ possession. The young fans gave each other copies of their photos, so perhaps they shared a few with her as well.

A 32-page transcript of Marilyn’s 1960 interview with George Belmont, submitted by Lois to Look magazine, is also on offer. Perhaps the most significant items from her estate, however, are the many beautiful photos, negatives and colour transparencies from the set of The Prince and the Showgirl. Marilyn exercised a strict  approval process over all images, and relegated these to a ‘Kill’ folder.

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Marilyn at Julien’s: A Candid Feast

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“As far as Hollywood stories go, Marilyn Monroe‘s is generally seen as a tragic one,” Time magazine observes. “Knowing what would come later, it’s easy for her fans today to look at images of the actress and add their own overlay of sadness to the pictures.”

However, the article continues, candid photos from the Frieda Hull estate – up for bids at Julien’s Auctions this weekend – show a “lighter side” of Marilyn, suggesting that “the tragedy of her story does not mean that she lacked for moments of happiness—or at least moments when she appeared to be happy.”

The Frieda Hull collection ranges from approximately Lots 605-788 of the Julien’s sale, and is well worth a closer look. Time have featured some of the most striking images on offer, and I’ve posted a few more below.

Signed photo of Marilyn in New York, 1955
Signed photo of Marilyn in New York, 1955
Returning from her Jamaican honeymoon with Arthur Miller, 1957
Returning from her Jamaican honeymoon with Arthur Miller, 1957
Marilyn attends a screening of 'The Prince and the Showgirl', 1957
Marilyn attends a screening of ‘The Prince and the Showgirl’, 1957
Leaving her New York apartment in 1959, en route to meet Khrushchev in Hollywood
Leaving her New York apartment in 1959, en route to meet Khrushchev in Hollywood
Attending Josephine Baker's revue in Los Angeles, 1960
Attending Josephine Baker’s revue in Los Angeles, 1960

Frieda Hull also collected original memorabilia, including movie stills, studio portraits and lobby cards. She compiled scrapbooks and home movies, and even owned a scarf of Marilyn’s, and a Gladstone Hotel menu signed by MM and Arthur Miller – not to mention a Monroe Six badge!

This archive is so unique that it could easily fill a book. Although some images have been seen before, many have never been published, and some are extremely rare. Whatever her mood, Marilyn could always spare a smile for her fans. So let’s hope this isn’t the last we’ll see of these lovely pictures.

Marilyn at Julien’s: Trinkets and Keepsakes

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Among Marilyn’s possessions were many items of sentimental value.  She kept this ballerina paperweight in her New York apartment next to a framed photo of 1920s Broadway star Marilyn Miller, who inspired her own stage name. In a strange twist of fate, she would also become ‘Marilyn Miller’ after her third marriage. She later gave the paperweight to her friend and masseur, Ralph Roberts, calling it “the other Marilyn.”

49D0AD3E-208B-4C7D-8A6E-BF4B8C120722-17167-00000949DDBC3B1D_tmpThis silver-tone St Christopher pendant was a gift from Natasha Lytess, Marilyn’s drama coach from 1948-54. (St Christopher is the patron saint of travellers.) Marilyn cut ties with Lytess after discovering she was writing a book about their friendship. She later gave the pendant to Ralph Roberts, telling him, “I’ve outgrown Natasha.

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This gold and silver-tone Gemini pendant reflects Marilyn’s close identification with her astrological sign, symbolised by twin faces. “I’m so many people,” she told journalist W.J. Weatherby. “Sometimes I wish I was just me.

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Marilyn was exceedingly generous to her friends, as the story behind this bracelet reveals.

“A rhinestone bracelet owned by Marilyn Monroe and gifted to Vanessa Reis, the sister-in-law to May Reis, Monroe’s personal assistant and secretary. In a letter to the consigner dated November 28, 1994, Ralph Roberts writes, ‘Reference Marilyn robe and bracelet. As best I recall, late one Saturday afternoon Marilyn and I were in the dining area of the Miller 9th floor suite at the Mapes Hotel. She had just changed into a robe, sitting on one of the chairs and I was massaging her back and shoulders. She showed me a bracelet she’d brought to Reno with thought of possibly wearing it as a [undecipherable comment] for Roslyn [Monroe’s character in The Misfits]. Upon discussing it, she and Paula [Paula Strasberg was Monroe’s acting coach and friend] had decided somehow it wouldn’t be appropriate. Just then May Reis entered with Vanessa Reis (the widow of Irving Reis, May’s greatly loved brother and film director). Vanessa had come up from LA for a long weekend visit – there’d been some talk of our going out to some of the casinos to do a bit of gambling. Vanessa told Marilyn how lovely she looked in that robe. Marilyn thanked her + impulsively held out the bracelet, Take this + wear it as a good luck charm. I was wearing it during dance rehearsals for Let’s Make Love, smashed into a prop, so a stone is loosened. I wish I could go with you, but Raffe is getting some Misfits knots out. And I should go over that scene coming up Monday. They left. Marilyn asked me to remind her to have the robe cleaned to give to Vanessa. Whitey, Agnes, May – all of us – knew from experience we couldn’t compliment Marilyn on any personal items or had to be very careful. She’d be compulsive about giving it, or getting a copy – to you.’ Accompanied by a copy of the letter.”

Jack Dempsey, a former world heavyweight champion boxer, wrote to Joe DiMaggio’s New York Yankees teammate, Jerry Coleman, in 1954. “Have been reading a lot about Marilyn, Joe and yourself, here in the east,” Dempsey remarked. “Best of luck to you and your family, and send Marilyn’s autograph along.

47506260-4B71-4779-B8DB-0A5CDFC4355B-17167-000009531D6A9016_tmpThis small pine-cone Christmas tree, held together with wire and dusted in glitter, was given to Marilyn as a surprise by Joe DiMaggio one year when she had no plans, or decorations. Christmas can be a lonely time, and Joe made sure to bring some cheer.

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This vintage Hallmark card was sent to Marilyn one Christmas by her favourite singer, Ella Fitzgerald.

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Author Truman Capote sent Marilyn a personally inscribed 1959 album of himself reading ‘A Christmas Memory‘ (an excerpt from his famous novella, Breakfast at Tiffany’s.)

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Marilyn owned a leather-bound, monogrammed copy of Esquire magazine’s July 1953 issue, featuring an article about herself titled “The ‘Altogether’ Girl.”

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Marilyn’s 1954 trip to Korea to entertain American troops was one of her happiest memories. This photo shows her with the band and is accompanied by a letter from George Sweers of the St Petersburg Times, sent after their chance reunion when Marilyn took a short break in Florida in 1961.

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This endearing note accompanied a gift from Marilyn to Paula Strasberg, who replaced Natasha Lytess as her acting coach in 1956: “Dear Paula, I’m glad you were born because you are needed. Your warmth is both astonishing and welcomed. Love & Happy Birthday, Marilyn.”

In April 1955, novelist John Steinbeck wrote a letter to Marilyn, asking her to sign a photo for his young nephew.

“In my whole experience I have never known anyone to ask for an autograph for himself. It is always for a child or an ancient aunt, which gets very tiresome as you know better than I. It is therefore, with a certain nausea that I tell you that I have a nephew-in-law … he has a foot in the door of puberty, but that is only one of his problems. You are the other. … I know that you are not made of ether, but he doesn’t. … Would you send him, in my care, a picture of yourself, perhaps in pensive, girlish mood, inscribed to him by name and indicating that you are aware of his existence. He is already your slave. This would make him mine. If you will do this, I will send you a guest key to the ladies’ entrance of Fort Knox.”

Television host Edward K. Murrow sent Marilyn a Columbia Records album, featuring excerpts from speeches by Sir Winston Churchill, in November 1955. She had been a guest on Murrow’s CBS show, Person to Person, a few months previously.

 

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Marilyn’s custom-bound edition of Arthur Miller’s Collected Plays included a personal dedication. Miller had drafted a fuller tribute, but it was nixed – possibly because his first divorce was not final when it was published.

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“This book is being written out of the courage, the widened view of life, the awareness of love and beauty, given to me by my love, my wife-to-be, my Marilyn. I bless her for this gift, and I write it so that she may have from me the only unique thing I know how to make. I bless her, I owe her the discovery of my soul.”

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Costume designer Donfeld sent Marilyn this handmade birthday card one year, together with a small note that read, “M – I hope this finds you well and happy – My thoughts are with you now – Love, Feld.”

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This engraved cigarette case was given by Marilyn to Joe DiMaggio during their post-honeymoon trip to Japan in 1954.

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This souvenir brochure for the small town of Bement, Illinois was signed by Marilyn when she made a surprise appearance in 1955, during a festival marking the centennial of an historic visit by her idol, Abraham Lincoln.

Comedian Ernie Kovacs sent this rather cheeky letter to Marilyn in 1961. He would die in a tragic car crash in January 1962, aged 43, followed by Marilyn in August.

“The letter, addressed to ‘Marilyneleh’, invites Monroe to a get together at his home on June 15, giving the dress code as ‘… slacks or if you want to be chic, just spray yourself with aluminum paint or something.’ He continues, ‘I’ll try to find someone more mature than Carl Sandburg for you. … if Frank is in town, will be asking him. … don’t be a miserable shit and say you can’t come. … Look as ugly as possible cause the neighbors talk if attractive women come into my study.’ He signs the letter in black pen ‘Ernie’ and adds a note at the bottom: ‘If you don’t have any aluminum paint, you could back into a mud pack and come as an adobe hut. … we’ll make it a costume party. … Kovacs.'”

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Always gracious to her fans, Marilyn gave child actress Linda Bennett a magazine clipping with the inscription, “I saw you in The Seven Little Foys. Great – Marilyn Monroe.” She also signed this photograph, “Dear Linda, I wish you luck with your acting. Love and kisses, Marilyn Monroe Miller.”

Marilyn at Julien’s: Style and Beauty

Marilyn in costume for 'The Prince and the Showgirl'
Marilyn in costume for ‘The Prince and the Showgirl’

“Marilyn Monroe famously sang ‘Diamonds are a Girl’s Best Friend,’” Sheila Gibson Stoodley writes for Robb Report, “but collectors of her memorabilia disagree. Seven of the 10 most-expensive Marilyn Monroe items sold at auction are dresses—mainly costumes that the late star wore in her films. The few that she donned outside of the studio earn their high sums thanks to period photographs that prove Monroe wore them.” And over at his MM Collection Blog, Scott Fortner – who helped to catalogue this week’s auction at Julien’s – takes a closer look at the ‘I’m Through With Love‘ dress from Some Like It Hot, and the ‘After You Get What You Want‘ dress from There’s No Business Like Show Business. Both costumes are from the David Gainsborough Roberts collection, and will go under the hammer tomorrow.

4B0C4B67-95B1-4697-9B6F-7F99625E3A20-16590-000008CBD9507BCC_tmpSeveral other items which contributed to Marilyn’s glamorous look are also among the lots. From her modelling days onward, Marilyn often wore her own clothing in photo shoots. These brown leather sandals date back to a 1950 session with photographer Earl Leaf, shot at the Hollywood home of her agent, Johnny Hyde.

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Unlike her cinematic alter-ego Lorelei Lee, Marilyn wasn’t really a material girl. These earrings, worn to the premiere of The Seven Year Itch, were made from simulated diamonds.

Green lace blouse, from 'Bus Stop'
Green lace blouse, from ‘Bus Stop’

Marilyn’s movie costumes were made in duplicates, with her name next to the Fox logo on a sewn-in label. This green lace bodice from Bus Stop was won in a contest by a lucky reader of the British fan magazine, Picture Show.

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These red satin platform shoes – designed by Annello & Davide – were born by Marilyn to the London premiere of Arthur Miller’s controversial play, A View From the Bridge.

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John Moore’s pencil sketches for the form-fitting mermaid gown worn by Marilyn to the premiere of The Prince and the Showgirl are also on offer.

Marilyn’s personal diet plan and skincare regime are available in full.

“A two-page, typed plan titled ‘Calorie Restricted Diet/ 1000 Calories/ 100 Grams Protein’ prepared for Monroe by Dr. Leon Krohn. The pages are undated, but some of the approved foods and meal plans are in line with the notations found in Monroe’s hand in the back of one of her notebooks from 1958. The diet put forth presents sound health advice even by today’s standards, recommending the restriction of sugar, fats and carbohydrates to whole wheat and ‘one small white potato boiled baked or riced’ as a substitution for one slice of bread.

Five sets of instructions, eight pages, from the Erno Laszlo Institute written out for Marilyn Monroe Miller, dated June 5, 6, 11, and 12, 1958, and July 3, 1958, outlining her constantly changing skincare regime in great detail. The instructions not only divide skincare into ‘Morning,’ ‘Evening if dressing,’ and ‘Evening before retiring,’ but also there are instructions on what not to eat: ‘Not one piece of any kind of nuts, olives, chocolate, clams and oysters.’ There are also separate instructions for California and ‘Instructions for Makeup While Making Films.'”

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These white leather shoes by Salvatore Ferragamo are just one of several pairs that she owned. (The spiked heels were 3 inches high, and the size was 7.5B.)

In the spring of 1958, Marilyn made plans to appear at the Cannes Film Festival. Simone Noir sent her an invitation to visit Christian Dior in Paris. Unfortunately, the trip was cancelled, but a separate invoice shows that Marilyn bought a dress and coat by Dior from a Park Avenue boutique.

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That Christmas, Marilyn’s longtime hairdresser, Agnes Flanagan, gave her a bottle of her favourite perfume, Chanel No. 5, purchased from I. Magnin in Beverly Hills.

04CE929F-E2C5-4041-B63B-5942E77CBE29-16590-000008F3381F1DE9_tmpFinally, a costume sketch by Bob Mackie for Something’s Got to Give. Based on a Jean Louis design, the red skirt suit with a swing jacket trimmed in leopard print, and matching hat, was intended as an ‘Outfit Worn on Day Off/Also in Courtroom Sequence.’ However, the ensemble was not worn by Marilyn during wardrobe tests, or any surviving footage from the ill-fated movie.

Marilyn at Julien’s: A Life In Art

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Items from Lee Strasberg’s estate will be auctioned at Julien’s this Friday. They include many of Marilyn’s notes, poems, ink and crayon  drawings and watercolours, previously published in the acclaimed Fragments and the French book, Girl Waiting. Some of the artworks purchased by Marilyn for home display are also up for bids.

Abigail Cain has written an insightful piece about Marilyn’s little-known artistic side for Artsy.net.

“‘Not only was she a voracious reader and a haunting poet, but, as several of these objects prove, Monroe was also deeply invested in both collecting and creating visual art. Among these items—many of which have never before been seen by the public—were the 1961 architectural plans for Monroe’s unrealized Manhattan apartment. In this drawing, a space was marked off for an art studio inside the three-story townhouse, located at 241 East 61st Street.

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In addition, a series of letters from the late 1950s show that Monroe was enrolled in a correspondence art course through the Famous Artists School in Westport, Connecticut. The recovered documents include a roster of instructors, a ‘Rate Yourself Progress Chart,’ and several pages explaining the logistics of the painting class and long-distance critiques.

Also included in the auction is a series of drawings by Monroe, done primarily in Conté crayon. Although these are not dated, Woolley said it’s possible they were completed as part of the correspondence art course.

Lithograph owned by Marilyn
Lithograph owned by Marilyn

Beyond her own sketches, Monroe was also a collector of art. Her tastes were varied—at the beginning of her career, she taped inexpensive reproductions of Albrecht Dürer, Fra Angelico, and Leonardo da Vinci to the walls of her Hollywood apartment. As she grew in both fame and fortune, she began to purchase originals instead.”