Over at The Guardian, Becky Barnicoat explains why Some Like it Hot is her favourite movie:
‘Goofy and clever. Funny and dark. Men and women. Some Like it Hot is all about being two things at once. My favourite of its playful dualities is “sexy and innocent”, a terrific combination which has been abandoned by modern-day Hollywood in favour of sexy and crude. There’s no room for brash jokes here – not when the finger of an elevator dial can signify something saucy with a great comic-book “doinnnnggg!” – Some Like It Hot is all about sex (see its name), but only if you want it to be (see its name). That’s not to say it’s prudish – it’s classy and sweet, preferring innuendo to insult, and gently building up romance and sexual tension.’
Lee Strasberg’s tribute to Marilyn, read at her funeral, is featured at Flavorwire in a meme on famous eulogies, posted to mark Halloween. You can read the full text here.
‘Prestigious acting teacher and director of the Actors Studio, Lee Strasberg, gave screen icon Marilyn Monroe’s eulogy in 1962. Strasberg helped train the legendary star and noted, “The dream of her talent, which she had nurtured as a child, was not a mirage.” Norma Jean had a troubled childhood — spending most of it in foster homes — but her young modeling career eventually led to screen stardom, which was sadly cut short after her suicide. As Strasberg points out, “In her own lifetime she created a myth of what a poor girl from a deprived background could attain.” ‘
Graphic artist Lindsay Marie created mash-ups of Marilyn (photographed by Bert Stern) with other icons for Halloween. The above image shows her in the style of rapper Kanye West. She has also given MM a Gene Simmons makeover – not to mention a creepy clown, and Batman‘s Poison Ivy.
Michelle Williams has been talking about her performance in My Week With Marilyn. She told Newsweek, “I knew all the stuff that was written in Arthur [Miller’s] journal. I knew what she read. This man was going to save her; this man was going to give her the family she never had. Her vision of the world got reinforced again. There it goes: Everyone will abandon me. That’s such a devastating point of view.”
Michelle also graces the cover of December’s Elle (UK edition, out tomorrow.) Of Marilyn’s style, she says, “Something I really appreciated about her is what a simple dresser she was. She’s really, in her personal life, completely unadorned. Everything that she wore looked like she could take her shoes off and run through a field. And I like that.”
Of the private Marilyn, Michelle explains, “I had always been more interested in the private Marilyn, and the unguarded Marilyn. Even as a young girl, my primary concern wasn’t with this larger than life personality smiling back from the wall but with what was going on underneath.”