Marilyn and the ‘Hollywood Liars’

Hollywood Menteur (or Hollywood Liar) is a new comic book inspired by The Misfits, from the French cartoonist Luz. As you may recall, a despairing Marilyn calls her cowboy friends ‘liars’ during her furious speech in the desert. It’s also the subject of an exhibition in Paris, as Jacques LeRoux tells Marilyn Remembered.

“Today in Paris, I stumbled by accident on the new show at Huberty Breyne Gallery (specialist in Comics Art). It’s the first show ever of caricaturist Luz, who just released his latest comic book … The exhibition presents the original comic strips for show and sale.

You might not have heard about Luz but here in France he is very well know because of his provocative Charlie Hebdo covers and because he is one of the few survivors of the January 7, 2015 terrorist attack and killings at Charlie Hebdo. Shortly after the attack, he decided to quit his work as a newspaper caricaturist and receded into anonymity, guarded 24/7 by government security agents.

Today, I started chatting with the gallery’s owner who told me Luz was at the opening of the show last Thursday (he came heavily guarded, what a life…) and when asked : ‘Why Marilyn?’, he said he became obsessed by Marilyn and The Misfits shortly after the Charlie Hebdo attacks. Watching the movie again and later reading all he could about its stars and the filming, he felt he could relate to the anguish and pain Marilyn was going through at the time (and that himself still goes through, for a whole different reason). And that he felt in love with her all over again.

Hollywood Menteur shows a very violent and disturbing image of Marilyn (and Monty, and Clark, and John…). Marilyn is a woman fighting for her own survival among a team of colleagues, some of them also on their way to extinction. Luz did not want to draw Marilyn in a realistic way but as a metaphor for fright and anger. Just what Luz still feels, 4 years after the Charlie Hebdo attack.

Isn’t it intriguing and moving that Luz found in a screaming Marilyn Monroe his own way of expressing his frustration over the ordeal he went through on that dreadful day at Charlie Hebdo?

One room in the show is all devoted to 8 expressionist portraits of Marilyn. Blood red.

Very intense and powerful stuff indeed…”

Sandra Chevier on Marilyn’s Superhero Struggle

Canadian artist Sandra Chevier’s Cages, currently on display in Hong Kong, blends images of Marilyn and other iconic women with comic strip superheroes, reports Time Out. (The portrait above is based on Richard Avedon’s 1957 photo, while the image below draws on a 1953 studio shot by Frank Powolny.)

“Cages is about women trying to find freedom from society’s twisted preconceptions of what a woman should or shouldn’t be. The women encased in these cages of brash imposing paint or comic books that mask their very person symbolise the struggles that women go through [facing] false expectations of beauty and perfection, as well as the limitations society places on women, corrupting what truly is beautiful by placing women in these prisons of identity. By doing so, society is asking them to become superheroes.”

‘Power Girl’: Comic Artists Reinvent Marilyn

A series of illustrations by comic-book artist Joe Phillips, reimagining classic Hollywood stars as superheroes – including Marilyn as ‘Power Girl’ – is featured in the Wall Street Journal‘s Speakeasy blog this week. (Phillips has taken inspiration from a 1953 photo of Marilyn by Milton Greene…)

Meanwhile, Moviepilot.com has a showcased a series of posters for classic movies – including The Seven Year Itch – by Taiwanese artist Summerise, whose style recalls both Alphonse Mucha and Richard Amsel, who designed some of the most iconic movie posters of the 1970s and 80s.

“Marilyn Monroe appears out of a puff of smoke, her couture (in an echo to the famous scene where he skirts billows up) flowing like a wisp of desire complete with golden bird of sexual joy forming the dream stream.”