A letter written to Marilyn by Pat Newcomb, her publicist and close friend for the last two years of her life, is among the items on auction in the UK tomorrow (Saturday, September 22), as Fox News reports.
Henry Aldridge & Sons, based in Devizes, Wiltshire, is offering several lots from the estate of Monroe collector David Gainsborough Roberts, who died in 2016. Bidding opens at 10 am GMT, and bids can also be made online via The Salesroom or Invaluable (but you’ll need to register first.)
In the letter, Pat advises Marilyn on how to field intrusive questions from the acerbic Hollywood columnist, Hedda Hopper. “If you want to return her call … I think it would be a good idea and you can avoid answering anything you don’t want,” Pat writes. “When she asks what you did over the holidays you just say ‘nothing special’ – that gives her nothing to print. You ‘saw a few friends, whom she doesn’t know anyway’ and just relaxed.'” Probably referring to the latest dance craze, Pat makes a further suggestion: “You can tell Hedda you hear she’s quite a ‘Twister’ and she’ll do a monologue which will completely take her away from anything about you.”
Pat also mentions that “Harrison Cannall’s office called to say that Joe [DiMaggio] was in town and could I confirm it. I said I didn’t know and didn’t discuss your personal life in any case.” Pat refers to related matters, such as the title of an upcoming Redbook article. The letter has an estimated price of £300-£500.
Another letter from Marilyn’s psychiatrist, Dr Ralph Greenson, is dated June 30, 1962, billing her for services totalling $1,250, with an estimated price of £400-£600.
Two vintage movie posters are also available, plus a four-page 1955 calendar featuring a censored version of Marilyn’s famous nude photo by Tom Kelley and three other pin-up shots, complete with envelope (estimated at £600-£800.)
David Gainsborough Roberts, owner of one of the world’s largest collections of Marilyn’s film costumes, memorabilia and personal effects, has died in Jersey aged 73 after a short illness, BBC News reports. A true admirer, he wore clothing emblazoned with Marilyn’s image to public events and shared his treasures with fellow enthusiasts in numerous exhibitions across the UK and beyond. In 2005, I visited a show at Renishaw Hall in Derbyshire (the enchanting family home of Marilyn’s poet friend, Dame Edith Sitwell.) It was a very touching experience, and like many other fans, I will always be indebted to David for his generosity. In November 2016, his collection was sold for £1.5 million at Julien’s Auctions.
You can read a selection of posts about David here.
“Marilyn Monroe famously sang ‘Diamonds are a Girl’s Best Friend,’” Sheila Gibson Stoodley writes for Robb Report, “but collectors of her memorabilia disagree. Seven of the 10 most-expensive Marilyn Monroe items sold at auction are dresses—mainly costumes that the late star wore in her films. The few that she donned outside of the studio earn their high sums thanks to period photographs that prove Monroe wore them.” And over at his MM Collection Blog, Scott Fortner – who helped to catalogue this week’s auction at Julien’s – takes a closer look at the ‘I’m Through With Love‘ dress from Some Like It Hot, and the ‘After You Get What You Want‘ dress from There’s No Business Like Show Business. Both costumes are from the David Gainsborough Roberts collection, and will go under the hammer tomorrow.
Several other items which contributed to Marilyn’s glamorous look are also among the lots. From her modelling days onward, Marilyn often wore her own clothing in photo shoots. These brown leather sandals date back to a 1950 session with photographer Earl Leaf, shot at the Hollywood home of her agent, Johnny Hyde.
Unlike her cinematic alter-ego Lorelei Lee, Marilyn wasn’t really a material girl. These earrings, worn to the premiere of The Seven Year Itch, were made from simulated diamonds.
Marilyn’s movie costumes were made in duplicates, with her name next to the Fox logo on a sewn-in label. This green lace bodice from Bus Stop was won in a contest by a lucky reader of the British fan magazine, Picture Show.
These red satin platform shoes – designed by Annello & Davide – were born by Marilyn to the London premiere of Arthur Miller’s controversial play, A View From the Bridge.
John Moore’s pencil sketches for the form-fitting mermaid gown worn by Marilyn to the premiere of The Prince and the Showgirl are also on offer.
“A two-page, typed plan titled ‘Calorie Restricted Diet/ 1000 Calories/ 100 Grams Protein’ prepared for Monroe by Dr. Leon Krohn. The pages are undated, but some of the approved foods and meal plans are in line with the notations found in Monroe’s hand in the back of one of her notebooks from 1958. The diet put forth presents sound health advice even by today’s standards, recommending the restriction of sugar, fats and carbohydrates to whole wheat and ‘one small white potato boiled baked or riced’ as a substitution for one slice of bread.
Five sets of instructions, eight pages, from the Erno Laszlo Institute written out for Marilyn Monroe Miller, dated June 5, 6, 11, and 12, 1958, and July 3, 1958, outlining her constantly changing skincare regime in great detail. The instructions not only divide skincare into ‘Morning,’ ‘Evening if dressing,’ and ‘Evening before retiring,’ but also there are instructions on what not to eat: ‘Not one piece of any kind of nuts, olives, chocolate, clams and oysters.’ There are also separate instructions for California and ‘Instructions for Makeup While Making Films.'”
These white leather shoes by Salvatore Ferragamo are just one of several pairs that she owned. (The spiked heels were 3 inches high, and the size was 7.5B.)
In the spring of 1958, Marilyn made plans to appear at the Cannes Film Festival. Simone Noir sent her an invitation to visit Christian Dior in Paris. Unfortunately, the trip was cancelled, but a separate invoice shows that Marilyn bought a dress and coat by Dior from a Park Avenue boutique.
That Christmas, Marilyn’s longtime hairdresser, Agnes Flanagan, gave her a bottle of her favourite perfume, Chanel No. 5, purchased from I. Magnin in Beverly Hills.
Finally, a costume sketch by Bob Mackie for Something’s Got to Give. Based on a Jean Louis design, the red skirt suit with a swing jacket trimmed in leopard print, and matching hat, was intended as an ‘Outfit Worn on Day Off/Also in Courtroom Sequence.’ However, the ensemble was not worn by Marilyn during wardrobe tests, or any surviving footage from the ill-fated movie.
Ahead of the November sale at Julien’s, some of Marilyn’s personal property was showcased for Chinese collectors in Beijing on Tuesday, Louise Watts reports for ABC News.
“Around 800 items to be auctioned come from the estate of Lee Strasberg, the famed American acting coach who became a father figure to Monroe. The money will go to his widow, Anna. Other items come from the collection of David Gainsborough-Roberts, a major collector of Monroe’s costumes.
The hundreds of items include dresses and outfits, the negligee she wore in the movie Niagara and the green and black-sequined leotard she picked out herself from a studio wardrobe to wear in Bus Stop. There is a tube of her ‘non-smear’ Revlon lipstick in Bachelor’s Carnation shade, the shoes she wore to marry playwright Arthur Miller, and the pair of costume earrings that she wore to the premiere of The Seven Year Itch.
Then there are the personal notes, crayon drawings and watercolors.
Lee Strasberg’s son, David, said that he, his mother and brother found many of the items in suitcases and closets about six years ago during a clean-out, including one trunk he’d been throwing his football cleats on for years that turned out to contain some of Monroe’s personal writings.
Some items up for auction have never been seen by the public before. They include a first-edition hand-bound 1957 volume of her third husband Miller’s plays dedicated to Monroe, and a letter from a member of the Kennedy family.
Among the quirkier items are a receipt for a bottle of champagne, her 1947 contract with Twentieth Century Fox and a recipe for stuffing jotted down on a slip of paper with an insurance company’s letterhead. Her final checkbook shows her payments to the window cleaner, her maid and the New York Telephone Co. She paid $200 to herself marked as ‘cash for trips.’
‘Marilyn kept everything. She was a hoarder,’ said [Martin] Nolan. ‘She bought a pound of butter, she bought a bottle of tonic water she kept the receipt. It’s incredible. We have a pair of strap sandals that she wore when she was Norma Jean, probably 1943, 1945. And all the money she made and how famous she became and she kept those.’
Although Western movies were banned in China during Monroe’s heyday, her pop culture image and aspects of her life are well-known among many Chinese.
Darren Julien, founder and CEO of Julien Auction’s, said about 40 percent of their client base are Chinese collectors interested in Western pop culture, and particularly Monroe.
‘A lot of people relate to her because she had actually a very difficult life in a lot of ways. She never had a lot of money, but she captured the hearts of so many people around the world,’ said Julien.”
Meanwhile, photographer Douglas Kirkland has spoken to Shanghai Daily about Meeting Monroe, a series of classic images by himself and Milton Greene, currently on display at Shanghai Tower.
“There was a very unique quality about Marilyn. She was a sex symbol but there was a sweetness about her that was very compelling. There is no one like her. It was not only her beauty, but her vulnerability that made her special. It was often said Marilyn was great with still photographers — and she was. She didn’t see stills as being a waste of time. She enjoyed the still camera, perhaps more than motion.”
Marilyn Monroe: The Legacy of a Legend, an exhibition of the David Gainsborough Roberts collection, opened at London’s Design Centre last week. Fellow collector Scott Fortner attended the launch, alongside impersonator Suzie Kennedy and actress Linda Gray (aka Sue-Ellen Ewing from TV’s Dallas.)
In an article for the Telegraph, Bethan Holt discussed the ‘lipstick, diamonds and cigarettes’ among Marilyn’s personal effects, while Ben Miller looks at the ‘vulnerability and humanity’ revealed by her drawings and notes in his review for Culture24.
After closing on June 20, the collection will move to the Museum of Style Icons at Newbridge in County Kildare, Ireland, where it will be on display from June 25-July 25.
If the recently-announced November sale of David Gainsborough-Roberts‘ Marilyn collection wasn’t spectacular enough, here comes news that Lee Strasberg’s Monroe archive will also be included. A limited edition, box-set catalogue is also on sale for $250. The list isn’t yet online, but collector Scott Fortner gives us a sneak preview on his blog today. Many items were previously featured in the books Fragments and MM – Personal, and have never been up for sale until now. “I’ve always thought that the 1999 Christie’s auction, ‘The Personal Property of Marilyn Monroe’, would most certainly be the most important auction ever when it came to Marilyn,” Scott writes. “However, Julien’s Auctions is moving into this same category…”
The collection of David Gainsborough Roberts – one of the world’s largest Marilyn archives, including many of her iconic movie costumes – will be sold in November, Julien’s Auctions has announced.
Although the live auction will be held in Los Angeles, UK fans will be able to see Roberts’ full collection at London’s Design Centre from May 25- June 20. It will then visit the Newbridge Museum of Style Icons in Ireland from June 25-July 25, before crossing the Atlantic on Cunard’s Queen Mary 2 in August, with more US exhibition dates to be confirmed.
Fellow collector Scott Fortner has been helping to catalogue the items, and is reporting his findings on the MM Collection blog. And finally, here’s an excerpt from the Julien’s press release.
“Highlights from this historic sale include a sheer black beaded and sequined dress worn by Monroe in her Golden Globe winning role Sugar Kane as she crooned ‘I’m Through With Love’ in the award winning 1959 film Some Like it Hot; an elaborate embellished stage gown worn by Monroe as she sang ‘After You Get What You Want You Don’t Want It’ in the 1954 comedy There’s No Business Like Show Business which was designed by one of Marilyn’s all-time favorite designers, William Travilla; a pink linen halter wiggle dress designed for Monroe by Dorothy Jeakins for the 1953 thriller Niagara; a green satin one-piece with black sequins and gold fringe worn by Monroe as she sang ‘That Old Black Magic’ in the 1956 film Bus Stop; a lilac satin leotard worn by Monroe as Lillian Russell in the 1958 photo series by Richard Avedon and featured in Life magazine in 1958. Additional film pieces offered include costumes from Gentlemen Prefer Blondes and Let’s Make Love, along with a pair of rhinestone earrings worn by Monroe in How To Marry A Millionaire and a pair of sequin embellished opera gloves from the Rachmaninoff scene of The Seven Year Itch.
Monroe’s personal style is represented by a figure hugging black cocktail dress by Ceil Chapman, a favorite of Monroe; a slender fitting bias cut crepe evening gown worn by Monroe to the 1955 premiere of The Rose Tattoo; an embellished slubbed silk Lanvin gown; and rhinestone jewelry. Personal items include prescription pill bottles, Victoria and Albert museum exhibited high heels, a plastic doll in the likeness of Monroe given as a souvenir at her 34th birthday party; documents and correspondences; household items; and Monroe’s Detroit Free Press New Faces Award from 1952.”
One of the world’s leading collectors of Marilyn memorabilia, David Gainsborough Roberts, will be selling his collection next year – probably in time for her 90th birthday, reports BBC News.
I was fortunate enough to see part of Mr Roberts’ collection at Renishaw Hall in Derbyshire (ancestral home of Marilyn’s poet friend, Dame Edith Sitwell), back in 2005. You can order a catalogue from the American Museum in Bath.
David Gainsborough Roberts’ collection of Marilyn’s costumes and personal items is well-known to fans. I was lucky enough to see it at Renishaw Hall, Derbyshire in 2005 (the ancestral home of Marilyn’s poet friend, Dame Edith Sitwell.) He has also exhibited his Monroe collection at the American Museum in Bath, and London’s Getty Images Gallery.
However, Mr Roberts has also purchased items belonging to many other stars, historical figures, and even a few notorious criminals. A selection of his acquisitions – including Marilyn’s red beaded dress from Gentlemen Prefer Blondes – is on display until September 2nd at Christie’s, South Kensington. In an interview with the celebrated auction house, he revealed how the red Travilla dress spurred a lifelong pursuit:
“It was 1991, I’d bought several things at Christie’s, and this Marilyn dress came up. The model was a good friend of mine, Pauline Bailey. I bid £16,000, something like that, and the press went bananas, she jumped up and down – I must have looked terrified! It took off from there, the next day I arrived back here in Jersey and my mother said to me ‘what have you been doing? The phone hasn’t stopped.’ And I said ‘believe me, seven days from now, Marilyn Monroe, Pauline Bailey and me – nobody will give a damn’ and the phone hasn’t stopped since 1991.”
Another MM lookalike, Suzie Kennedy, appeared at the opening of ‘Famous and Infamous’ yesterday, reports the Daily Mail.
“Marilyn will include imagery from Monroe’s early years as an aspiring actress through to her rise to international stardom. Accompanying the photographs will be original film costumes and dresses from the legendary collection of David Gainsborough Roberts, owner of one of the largest collections of Marilyn Monroe memorabilia in the world. Original video will also be shown ensuring Marilyn offers an unrivalled glimpse into the life of one of the world’s most famous stars.
Marilyn runs from Friday 9th March to Sunday 24th May 2012 and admission is free. The Getty Images Gallery is situated in central London, just a stone’s throw away from Oxford Circus. Opening hours are Monday to Friday 10am-5.30pm and Saturday 12pm-5.30pm.
A smaller exhibition will also be on display at Getty Images Gallery in Westfield Stratford City at a slightly later date of 23rd March to 3rd June 2012.”