Actress Erin Sullivan – currently touring the US in her one-woman show, With Love, Marilyn – will also play a supporting role as MM in an industry presentation of a new musical, Dorothy Dandridge: Hollywood’s Sepia Goddess, at New York’s Off-Broadway Theatre on November 13, BWW reports.
Marilyn first met Dorothy at the Actors’ Lab in Los Angeles during the late 1940s. They were neighbours on Hilldale Avenue in 1952, and Marilyn’s vocal coach, Phil Moore, was also Dorothy’s musical arranger. In 1953, as Marilyn filmed River of No Return, Dorothy began a tumultuous relationship with director Otto Preminger. Sadly, Dorothy’s career was ultimately stymied by racism, and in an eerie echo of Marilyn’s fate, she would also die of a drug overdose.
Over at Den of Geek, Andrew Moir takes a closer look at the many pop culture references to be found in long-running UK sci-fi sitcom, Red Dwarf – including several appearances from Marilyn (as played by impersonator Pauline Bailey, who recalls the experience here.)
“Marilyn Monroe’s star continues to shine, appearing in three different episodes in series II, III and IV. She first pops up in series 2 opener Kryten as a poster on Lister’s locker, showing she’s a recognisable part of the world. She then makes an appearance later in the series as a computer sprite in the game Better Than Life. She’d be back the next year in the form of an unconvincing kit droid for The Last Day, and again in series IV as one of the rebellious droids on Wax World.”
Riely Saville, an Australian-born entertainer and Marilyn impersonator, has become the latest woman to speak out about sexual harassment at the hands of Hollywood producer Harvey Weinstein, as well as two unnamed US rappers, in an interview with Megan Palin for News.com. Marilyn herself experienced sexual harassment and assault (as explained here,) and on behalf of ES Updates, I am now extending my support to all women (and men) who have been exploited and victimised in this way.
British comedienne Miranda Hart has named Colin Clark’s The Prince, the Showgirl and Me among her six favourite books in the Express today. Although its sequel, My Week With Marilyn (after which the 2011 biopic was named), is believed by many fans to be bogus, the first book is quite a good read.
“I was always fascinated by fame. Not the desire to become famous, although I was intrigued by what it might be like, but by the unique quality and lifestyles of true icons. They don’t get more iconic than Marilyn Monroe so I found this diary of a young man becoming her assistant riveting.”
Meanwhile in other celebrity news, Sophie Monk – who played Marilyn in a 2004 TV movie, The Mystery of Natalie Wood, and is currently starring in The Bachelorette in Australia – tells the Brisbane Courier & Mailof an earlier turn as MM :
“My first job was … at Movie World (Gold Coast) as Marilyn Monroe. I got it when I was 17 after I left school and started when I was 18.”
Aleshia Brevard, the pioneering transgender actress, model and writer, has died aged 79, reports the Telegraph. She was born Alfred Brevard Crenshaw to Southern fundamentalist parents and grew up in abject poverty on a farm in the Appalachian Mountains. From an early age, Alfred dreamed of movie stars – and at 15 he took a Greyhound to California. So far, so Cherie in Bus Stop – but by the late 1950s, inspired by George Jorgensen aka Christine, America’s first transsexual, Alfred was working as a female impersonator at San Francisco nightclub Finocchio’s, and had begun the surgical transition process.
In 1960, during a break from filming The Misfits, Marilyn saw Aleshia impersonate her onstage at Finocchio’s. One of Monroe’s early biographers, Fred Lawrence Guiles, first told the story in Norma Jean (1969.)
“Finocchio’s in San Francisco is one of the few tourist attractions of that city of special interest to show folk. It features some of the best female impersonators in the business. Marilyn had expressed an interest in seeing the show when others of The Misfits company came back talking about the place. Now it had been rumoured that one of the boys was impersonating her. She had seen and laughed at Edie Adams, a good friend, in her celebrated parody of Marilyn, but the Finocchio act was something special she would go out of her way to see.
Everyone in her party was a little tense as they took their ringside table at the club. [Allan ‘Whitey’] Snyder was frankly apprehensive and kept reminding Marilyn that she should keep in mind it was all in fun. And then the breathless moment arrived. The man was gusseted in a skin-tight sequinned gown, a wind-blown platinum wig on his head. The resemblance was uncanny. [Ralph] Roberts observed Marilyn’s eyes widening in recognition, and then she grinned. Her mimic was undulating his lips in the familiar insecure smile and cupping his breasts, taking little steps around the floor, wiggling his rear.
‘You’re all terribly sweet,’ the mimic said in a little-girl voice. Marilyn put her hand to her mouth. ‘I love you all!’ the man was saying as he began to point at the men in the audience in turn. ‘You … and you …’
While Marilyn might have worn her black wig and tried to control the fits of girlish laughter that would give her away, this night she had not wanted anonymity. She had told the others she might leave them later on and wander down to Fisherman’s Wharf to visit DiMaggio’s Restaurant and then perhaps Lefty O’Doul’s. Neither establishment would find a Marilyn incognito especially amusing.
The mimic, discovering his model, could not avoid playing to her. There was a rising buzz of whispers around them as the audience saw the rapt and smiling original. Regretfully, Marilyn suggested they leave. The impersonator rushed to finish his turn. It was a short one anyway. No one could sustain such a parody for very long. As Marilyn and her friends were leaving, the man, blowing kisses to the audience and then to Marilyn removed his silvery wig.”
The Telegraph reports that Marilyn wrote in her diary that evening that the experience was ‘like seeing herself on film.’ However, Marilyn did not keep a regular diary and this remark doesn’t appear in her private notes, so it’s more likely that she said this to one of her friends. Aleshia would share her own account in her 2001 memoir, The Woman I Was Not Born to Be: A Transsexual Journey.
“Newspaper columnists touted me as Marilyn’s double. That was flattering, but it was only good publicity. Mr Finocchio paid for such fanfare. I was young, professionally blonde, and sang, ‘My Heart Belongs to Daddy’ in a red knit sweater, but that does not a legend make. I knew the difference. Marilyn was the epitome of everything I wanted to become.
The nation’s favourite sex symbol came to Finocchio’s to catch my act. She must have read the publicity.
‘Marilyn left after your number,’ I muttered to myself.
That was true. I might be reacting to the pre-op medication, but I wasn’t hallucinating. Miss Monroe had watched me perform her song from Let’s Make Love – and fled.
‘Well, I wouldn’t be sittin’ my famous ass in some nightclub watching a drag queen sing my number,’ I mused. ‘Not if I was Marilyn Monroe! No way, darlin’, I’d have better things to do with my life.”
When Marilyn died, Aleshia was recovering from her long-awaited operation and would recall, ‘I felt as though I’d lost a close, personal friend.’ She later became a Playboy Bunny, and appeared in a film produced by Robert Slatzer, a man notorious for his exaggerated stories about Marilyn, claiming they were secretly married and linking her death to the Kennedys.
“Most of my audition time had been wasted by Slatzer’s bragging about his marriage to Marilyn Monroe,” she wrote. “‘Joe DiMaggio maybe; Bob Slatzer, never,’ I thought. My Marilyn, I believed, would never have married the man I personally regarded as a blustering, rotund, B-grade movie maker. I didn’t believe a word he said.'”
Nonetheless, Slatzer gave Aleshia a part in his 1970 film, Bigfoot – as a seven-foot mother ape! “A munchkin from The Wizard of Oz would play my Sasquatch child,” Aleshia cringed. “There would be no Academy Award for this acting stint. In film history, no Sasquatch has ever received the coveted statuette. The only appeal to the potboiler was its cast. John and Chris Mitchum, brother and son of screen luminary Robert Mitchum, were in the debacle … John Carradine taught me to play poker – and I paid dearly for the privilege.” After enduring long days in full gorilla makeup without filming a scene, Aleshia contacted her agent and, much to Slatzer’s chagrin, the Screen Actors’ Guild intervened.
Aleshia went on to work in television, and after earning a master’s degree, she taught film and theatre studies to supplement her income. She was married four times, and followed her successful autobiography with a novel and further memoir. After her death on July 1, author Gary Vitacco-Robles, who interviewed Aleshia for his 2014 biography, Icon: The Life, Times and Films of Marilyn Monroe, paid tribute on Facebook: “She was a brave and lovely woman. May Aleshia’s memory be eternal.”
Posing as Marilyn is becoming a rite of passage for ex-Disney starlets: following Dove Cameron’s recent lead is Bella Thorne, in a new shoot by Mona Kuhn for Harper’s Bazaar, channeling Douglas Kirkland’s legendary 1961 session. Madonna and Christina Aguilera are among earlier stars who’ve paid homage; Kirkland has himself recreated the scene with Angelina Jolie. Over at Yahoo Style, Hayley Fitzpatrick looks back on other celebrity tributes to Marilyn, both in and out of those silky sheets.
After a recent mini-movie starring Kate Upton, UK fashion magazine LOVE has unveiled another Marilyn-inspired clip, featuring the model and young Kardashian sister, Kendall Jenner. Shot by photographer Rankin and apparently inspired by Marilyn’s late collaboration with Bert Stern, the effect is more Lolita than Let’s Make Love; but Kendall exudes a playful innocence here, keeping her hair brunette a la Norma Jeane, and (perhaps wisely) miming to Marilyn’s voice rather than attempting a full impersonation.
She’s not the first in the Kardashian clan to be linked with MM – eldest sister Kim was compared to Marilyn by husband Kanye West (of course, he’s biased), while Khloe received some iconic Monroe prints from the family matriarch, Kris Jenner, last Christmas. ‘What would Marilyn Monroe have made of it?‘ asks WWD‘s Samantha Conti – and that, of course, is anyone’s guess.
In an interview for Cosmopolitan, TV presenter Danica Kennedy looks back on her stint as a Marilyn lookalike at Universal Studios.
“For wardrobe, all of the Marilyn impersonators always wore that classic white dress from The Seven Year Itch. That includes pantyhose, Spanx shorts for when the fan blew up our skirts, and this corset bustier that was totally crazy … I would step on a platform and a fan would blow my skirt up. Then I’d have to say, ‘Oops!’
When you play somebody for two years, sometimes their characteristics can blur into your personal life accidentally. If I’m out and drinking champagne, which was Marilyn’s favorite, I’ll accidentally slip into using my sexy baby voice. It’s so awkward, especially since I’m not trying to be Marilyn.
I don’t think playing Marilyn has affected my psyche, but that’s probably because I never took playing the character too seriously. But when people want to debate with me about how she died or what she was like, I find myself standing up for her … We have all been through tough times, and her story is so tragic yet relatable.”
In one of this month’s more peculiar stories, Page Six reports that Marilyn impersonator Jimmy James has threatened legal action over a series of stamps issued in the Central African Republic, supposedly depicting Marilyn but using images of Jimmy, who impersonated her during the 1980s and 90s. James is much admired within the Monroe fan community, and was a guest speaker at the 2014 memorial service. Images of impersonators have been used before on unofficial Marilyn-themed merchandise, much to the frustration of fans – but Jimmy James is the first impersonator to respond publicly to this growing problem.
“The image on the stamp of James as Marilyn in a pair of glasses seems to be taken from a 1991 ad James did for the brand L.A. Eyeworks. (The cool 1980s and 1990s campaign included 200 others such as the actual Grace Jones, Frank Zappa, John Lydon, RuPaul, David Hockney and Bryan Ferry.)
As far as the image on the African stamp, James’ power attorney Mark Jay Heller told us: ‘Although the recognition and inclusion of a transgender model in this collection of [Monroe] stamps is appreciated . . . the publisher . . . has not only failed and omitted to secure’ James’ consent, ‘but has also failed to compensate him.’
Reps for Monroe’s estate, L.A. Eyeworks and the Central African Republic’s New York consulate did not get back to us. The image in question seems to have been taken down from a website for the country’s stamps.”
Here are some other examples of the stamps, featuring artwork of Marilyn. Another series shows her with Elvis Presley, though it is still unclear whether they ever met.