Eight colour slides of Marilyn in Korea were discovered by a veteran’s family in Louisiana over the Easter weekend, as Jim Dresbach writes for DCMilitary.com.
“When Louis Larue passed away in February, he left thousands of photographs he snapped of his family, friends, and time spent as an Army pilot in the 3rd Infantry Division in Korea.
Larue took hundreds of pictures during his Korean deployment. Some snapshots documented and captured the aftermath of an anti-aircraft artillery attack on his aircraft, but his lens stumbled upon glamour and greatness in early 1954. That February, Larue captured America’s most famous glamour girl on film.
Mike Larue, son of the Monroe photographer, has been busy trying to catch his breath and to piece together the circumstances behind the photos.
‘In all the conversations we had with my dad about him being over there (in Korea), nobody remembers him mentioning anything about seeing Marilyn Monroe,’ Mike said. ‘This came off as a shock.'”
Pop artist Peter Max, dubbed ‘the zen master of colour’, has teamed up with the estate of Milton Greene to create a series of images of Marilyn, on display in an exhibition titled ‘Homage to Colour’, now at the Angela King Gallery in New Orleans until June 23.
As Max told David Lee Simmons of NOLA.com, his fascination with Marilyn began with a personal encounter in New York, sixty years ago. (He thinks it occurred around 1953, though it may actually have been a year or two later, after Marilyn moved to the city permanently – and, coincidentally, when many of Greene’s photos of Marilyn were shot. Monroe’s visits to Carnegie Hall, close to where Max saw her, have been noted here.)
“‘I was at the 57th Street school,’ he said, referring to the now-iconic Art Students League of New York, incubator of countless artists. ‘It was across from Carnegie Hall, and I was sitting on the steps of our building. I was kind of on the side, sitting with friends of mine, and this woman, beyond gorgeous, walks by in high heels. And I just couldn’t take my eyes off her!
‘After she passed by, she turned around and told me, Hey, I love your colorful pants! Actually, I had on regular pants, khaki pants, really, but from the knees down there was paint splatter all over them. She was remarking on the splatter of all those colors. Then I said to my friend, Ronnie, that’s Marilyn Monroe.
‘I’m looking at a Marilyn Monroe I just painted. I can’t tell you why. I mean, she had the most stunning features — an absolute miracle from God. And she had this beauty and charisma in her face that was just beyond belief. The nose, cheeks, eyes, everything was perfectly in balance.
‘Years ago, I just decided to paint the [photographs]. I used to paint her a little bit before that. I had these paintings of her in my studio, and a dealer said, We’ve got to show those in the gallery. So I started painting some more.'”
Butterfly in the Typewriter is Cory McLauchlin‘s new biography of John Kennedy Toole, the New Orleans-based novelist whose comic masterpiece, A Confederacy of Dunces, was unpublished until long after his suicide in 1969, aged 31.
Fans of the author may not have known that he – like many of Louisiana’s young men – was a passionate admirer of Marilyn Monroe. In 1955, he wrote to New York Times critic Bosley Crowther, praising his favourable review of The Seven Year Itch.
An enthusiastic comic book artist during his college years, Toole later created The Hullabaloo, a three-part series partly inspired by Marilyn’s performance in Bus Stop. ‘He depicts a voluptuous Monroe leaning in ecstasy against a bus stop post,’ McLauchlin writes. ‘Two students observe her and whisper, “I don’t know who she is, but she’s been here for two days.” The next week the same frame was republished with the caption, “What? She still here?” Two weeks later, the image appears with the caption, ‘”NOoooo!” The homely ladies appear threatened by the beauty that simply will not leave.’
Toole was shocked by the news of Marilyn’s death in 1962, which he learned while teaching English as part of his military service in Puerto Rico. Toole commented, ‘Her life and death are both very sobering and even frightening. In my own way I loved Marilyn Monroe very much. Isn’t it a shame she never knew this…’
Toole, who lived with his mother, experienced great difficulties in forming relationships with women. He was devastated by the assassination of John F. Kennedy in 1963, and his depressive tendencies were certainly aggravated by repeated rejections from publishers.
A Confederacy of Dunces was finally published in 1980, and a year later, Toole was posthumously awarded the Pulitzer Prize for Fiction (an honour that Marilyn’s third husband, Arthur Miller, had previously been awarded for his 1949 play, Death of a Salesman.)
Love, Marilyn will be screened next Saturday, April 20th, at 4:30 pm in the Cinemark Perkins Rowe in Baton Rouge, as part of the Louisiana International Film Festival.
Thanks to David Hoyd Hastie
Two films featuring Marilyn will screen at the Prytania Theatre, New Orleans, as part of their Classic Movies series: Gentlemen Prefer Blondes (June 4, 5, and 8th) and All About Eve (June 11, 12, 15.)