Sashaying Down the Aisle With Sugar

Dublin actress turned novelist Deirdre Purcell reveals why Some Like It Hot is her favourite movie in an interview with the Irish Independent today.

“With its peerless performances, not least by Jack Lemmon, it never fails to entertain and for me, now, represents a wonderful lesson in how to script a movie. It was from this I learned that the classic turning point of almost any movie comes 28 minutes in. In this one, it occurs when the two lads, Lemmon and Tony Curtis, clap eyes on Marilyn Monroe sashaying down the railway platform. The destination of the movie is now set. I hired a print of it and showed it at the Strand Cinema in Fairview to entertain our wedding guests. Of course we went there in CIE’s wedding bus.”

Marilyn at Julien’s: Kiss Hollywood Goodbye

In our final post ahead of the November 14 event at Julien’s Auctions, A Southern Gentleman’s Collection, we focus on Marilyn’s marriage to Arthur Miller and the last years of her life. (You can read all posts about this sale here.)

“A group of six audio recordings including: 1) a late 1950s-era 3-inch reel tape (Type 151) featuring interviews Monroe conducted with Look magazine and Chicago disc jockey Dave Garroway, housed in its original box with handwritten annotations reading in part ‘May Reis’ [Monroe’s longtime New York-based secretary]; 2) a 33 1/3 RPM record labeled “M. Monroe – Belmont / Side 1 / Side 2[her 1960 interview with Georges Belmont for Marie Claire]; 3) another 33 1/3 RPM record identical to #2 but sides 3-4; 4) another 33 1/2 RPM record identical to #2 but sides 5-6, content unknown on all; 5) a 78 RPM record on the RCA Victor label of the star singing ‘The River of No Return’ and ‘I’m Gonna File My Claim;’ and 6) a 45 RPM record same as the 78; further included with a CD of the reel tape; all originally from the Estate of May Reis. And sold separately, a publicity still from River of No Return, autographed by Marilyn.”

Recordings SOLD for $3,840; photo SOLD for $10,240

“A legal-sized financial document from Woodbury Savings Bank in Connecticut, two hole punch marks on left side, dated ‘Sept. 9, 1957,’ filled out in blue fountain pen ink by Arthur Miller, briefly outlining the couple’s finances, noting their annual income as ‘$50,000,’ interestingly, Miller adds that there is a ‘suit pending against M.M. Productions,’ both signed twice on the lower margin, with MM’s reading ‘Marilyn Monroe Miller;’ also included is a related photocopied document from the same bank.” And sold separately, a window card for The Prince and The Showgirl (1957.)

Document SOLD for $4,480; poster SOLD for $384

“Nine original snapshots depicting Marilyn at Ebbets Field in Brooklyn on May 12, 1957 as she makes a guest appearance at a soccer match between the U.S. and Israel. And sold separately, a medical insurance form from Associated Hospital Service of New York, entirely filled out in blue ballpoint ink by Miller when the couple was applying for insurance, noting their address on ‘Tophet Road, Roxbury, Conn.’ and noting Monroe’s health issues as ‘Appendix Removed / 5% (hearing) impairment, Ectopic Pregnancy,’ oddly, Miller checked off ‘no’ under ‘female trouble’ for his wife, signed by Miller on page 3 and further signed by Monroe right below but in different blue ballpoint ink.”

Photos SOLD for $1,024; document SOLD for $3,750

“Miscellaneous paperwork from 1958 including: an invoice from Carl Perutz Photography sent to Marilyn at her NYC address on ’18 June 1958;’ and four receipts from the Yellow Cab Company of Los Angeles ranging in date from July 14 to July 16, 1958, showing that MM was at the Hotel Bel Air, Saks Fifth Avenue, and a mysterious address at 8719 Bonner Drive; though her name does not appear anywhere on the receipts, they come from the same files as the Perutz invoice.”

SOLD for $512

“Telegram dated October 28, 1958, sent to Jack Lemmon by the producer of Some Like It Hot, reading in part ‘By reason of the illness of Marilyn Monroe, please be advised / that we hereby exercise the right to suspension…;’ and sold separately, a standard check from the ‘Marilyn Monroe Productions, Inc.’ account … matted under a 1970s-era re-issue soundtrack album from Some Like It Hot.”

Telegram SOLD for $768; check + album SOLD for $2,560

“A standard address book with navy blue leather covers and A to Z tabs, kept by May Reis [Monroe’s longtime New York secretary] on the star’s behalf for a number of years, inside pages contain Reis’ handwritten entries in pencil or various colors of ballpoint ink for Monroe’s personal and business contacts including (in alphabetical order): Rupert Allan, Elizabeth Arden, Richard Avedon, Kenneth Battale, Saul Bellow, Chateau Marmont, Michael Chekhov, Jack Cole, George Cukor, Lilly Daché, Agnes Flanagan, Bob Fosse, Ben Gazzara, Lotte Goslar, Sydney Guilaroff, Lillian Hellman, Hedda Hopper, Hotel Bel Air, John Huston, William Inge, Jax, Anne Karger, Marianne Kris, Leon Krohn, Ann Landers, Erno Laszlo, Jean Louis, Carson McCullers, Inez Melson, Isidore Miller, Berniece Miracle, Monroe Six, Eunice Murray, Jean Negulesco, Norman Norell, Clifford Odets, Louella Parsons, Lena Pepitone, The Plaza Hotel, Henry Rosenfeld, Hedda and Norman Rosten, Eva Marie Saint, Norma Shearer, Frank Sinatra, Sidney Skolsky, Allan Snyder, John Steinbeck, Paula Strasberg, Western Costume Co., Billy Wilder, and Shelley Winters, among a few others; also included are a few notes relating to the stars personal identification numbers as well as bank accounts; Reis’ ownership signature is penned on the second page next to a date of ‘1958;’ Monroe penciled in a note on the last page reading ‘Roxbury Conn. / Tophet Rd.'”

UNSOLD – reserve not met

“A single page of personalized stationery, dated ‘April 15, 1960,’ to ‘Mr. Ehrlich,’ reading in part ‘Will you please convey my sincere appreciation to the public and critics of Chile for awarding the Laurel de Oro as Best Actress of 1959,’ signed in black fountain pen ink in the lower right corner ‘Marilyn Monroe;’ with its original transmittal envelope. And sold separately, a contact sheet showing Marilyn in a scene from Some Like It Hot (1959.)”

Letter SOLD for $3,750; contact sheet SOLD for $768

“A small receipt from Gray Reid’s in Reno, Nevada noting a date of ’16 Aug 60′ and that ‘$6.07’ was spent, verso has a blue ballpoint ink handwritten annotation (not in MM’s hand) reading ‘Black / Umbrella’ — probably the umbrella that Marilyn bought for her acting coach, Paula Strasberg, during shooting of The Misfits.”

SOLD for $256

“A black silk and ostrich feather wrap with two black velvet arm straps, label reads ‘Made to Order / Rex / Inc. / Beverly Hills / California;’ displayed in a shadow box with a black and white image of the star wearing it during a 1960 photo shoot with Eve Arnold. Interestingly, this piece may have been used as a prop in MM’s last and unfinished 1962 film, Something’s Got To Give as a similar wrap can be seen in her tote bag in the sequence where she watches her children in the swimming pool.”

SOLD for $10,240

“A deep brownish-black mink fur stole, rectangular shaped with slightly flared ends, lined in a black and gold brocade textured raw silk, no labels present.” [Worn by Marilyn to the premiere of The Misfits in 1961.]

SOLD for $5,760

“A group of seven accessories including: 1) a pair of cat eye sunglasses with rhinestone detailing; 2) their case made of beige vinyl and brown plastic, stamped ‘Cosmetan / Sun Glasses;’ 3) a cordovan alligator eyeglass case stamped in part ‘Schilling;’ 4) a red cotton eyeglass case with a label reading in part ‘Devonaire of California;’ 5) a sterling silver shoe horn, stamped ‘Sterling’ on both sides; and 6-7) a pair of orange plastic shoe trees.”

SOLD for $7,500

“A two page hand-written note on light blue pieces of notepaper from the Los Angeles Institute for Psychoanalysis, penciled by the star in full “‘CR 12151 Western Union / Dear Marlon / I need your / opinion about a / plan for getting / Lee out here on more / than a temporary / basis please / phone me as soon / as possible / Time / is of the essence / Marilyn;’ evidently written for a telegram that she was sending to Brando about Actors’ Studio head Lee Strasberg. And sold separately, a telegram from Brando dated ‘1962 Jan 13,’ sent to Marilyn at her ‘882 North Doheny Apt 3’ address, reading in full ‘Tried to reach you by fone must leave city this weekend / sorry / Marlon,’ with a number of stamps and other handwritten delivery annotations evident; seeming to be Brando’s response to Monroe’s note.”

Marilyn’s note SOLD for $6,400; Marlon’s telegram SOLD for $2,560

“A standard postcard from the Fontainebleu Hotel in Miami, signed in blue ballpoint ink on the verso ‘To Gisele / Thank you / so much! / Marilyn Monroe.'” [Marilyn stayed overnight at the Fontainebleu in 1962 with her former father-in-law, Isidore Miller.]

SOLD for $2,500

“A large collection of approximately 130 loose-leaf ‘colored’ script change pages given to the star throughout the production of Something’s Got to Give, as the script was being revised on a regular basis, noting numerous and various dates in April and May of 1962, many pages are paper-clipped or stapled together by their revision date, a number of them have the star’s name penned in the upper right hand corner (though not in her hand) or small notes addressed to her, Monroe’s own handwritten annotations appear on a few pages, mainly as directions to herself such as ‘drop voice – / lean against post’ or additional dialogue she added such as ‘if you’d take it out’ and the like, she also circled her character’s name [“Ellen”] on many pages; two pink pages are torn with one having Monroe’s penciled annotation reading ‘No good one.’ And sold separately, an oversize colour photo taken during Marilyn’s 1962 session with Bert Stern for Vogue magazine, entitled ‘I Beg Of You‘.”

Script pages SOLD for $12,800; photo SOLD for $5,120

Sold separately, these contact sheets are among several lots featuring photos by Bert Stern.

Contact sheets SOLD for $1,152 and $896, respectively

“A telegram dated ‘1962 Jun 1 AM 9 55,’ sent to Marilyn at her Fifth Helena Drive address in Brentwood, CA, reading in full ‘Happy Birthday Hope Today And Future Years Bring You / Sunny Skies And All Your Heart Desires As Ever / Joe’ — most likely DiMaggio as it was sent from ‘Madrid Via RCA.'”

SOLD for $6,250

“A ticket reading in part ‘May 19, 1962 / Madison Square Garden / Gala All Star Show’ — the now-historic event celebrating President John F. Kennedy‘s 45th birthday, plus a photo of Marilyn during her performance of ‘Happy Birthday, Mr President’. And sold separately, a group of four telephone bills, sent to “M. Monroe” from General Telephone Company, ranging in date from April 30 to July 30, 1962, listing all the long distance calls she made to cities noted on the bills as ‘NYC, Bkln, Queen, Wbury, Engla, Telav’ and, most interestingly, to ‘Wash’ a number of times in July — so maybe she was calling the Kennedys?”

Ticket + photo SOLD for $896; telephone bills SOLD for $4,375

“A 1960s-era Steno spiral-bound notebook filled with about 45 pages of notes and reminiscences penned in blue ballpoint ink that George Barris wrote down while he was working with the star in the summer of 1962; appearing to be taken verbatim from conversations the two had, the subjects mentioned are quite varied and range from Monroe’s favorite films to her health to people on her mind at that particular time such as President Kennedy, Arthur Miller, Joe DiMaggio, Cyd Charisse, Marlon Brando, Paula Strasberg, and Greta Garbo; other topics include living in California, nude scenes in films, her termination from her last film, sex, on being a sex symbol, marriage, children, and life philosophy in general; some of the notes appear to have been jotted down later or even after the star’s death but in any case, it’s a fascinating look into the star’s psyche as recounted by someone who closely worked with her at the very end of her life. And sold separately, a signed photo by Barris.

Notebook SOLD for $8,750; photo SOLD for $2,560

‘ORRY’ at the Lee Strasberg Theatre

Orry, a tribute to the Australian-born costume designer Orry-Kelly (who won an Oscar for Some Like It Hot), written and performed by Paul Hardcastle, is playing at the Lee Strasberg Theatre in Los Angeles until November 11.

“You’re invited to the funeral of three-time Oscar winner and Hollywood legend, costume designer Orry-Kelly. Don’t expect a little thing like death to stop the whip tongue and quick wit of the unapologetically gay Australian rascal who dressed and heard the secrets of stars like Marilyn Monroe, Bette Davis, Olivia de Havilland, Merle Oberon, Ingrid Bergman and Mae West – just to name a few. Fearless, funny and outspoken, Orry-Kelly lived life to the fullest, from his childhood in Kiama, to reveling in Sydney’s underworld nightlife, to chasing his dreams of acting in New York, to Hollywood. Based on his memoir Women I’ve Undressed – found in a pillowcase in suburban Sydney nearly 51 years after his death – Orry incorporates music, dance, vaudeville routines, puppetry, digital art, special effects and a taste of those incredible gowns to share his irresistible story. Anyone who loves classic movies, fashion, gossip and Cary Grant will love Orry.”

Broadway World

Marilyn at Julien’s: Friends in Need

Marilyn by George Barris, 1962 – SOLD for $1,280

When perusing Marilyn’s personal correspondence and keepsakes, what always impresses me is that for all her self-doubt, there were so many people in her life whom she cherished, and they adored her in return. And this is evident in the lots going under the hammer in Property From The Life and Career of Marilyn Monroe at Julien’s Auctions on November 1. (You can read all my posts on the sale here.)

“A Bank of America check written entirely in Marilyn Monroe’s hand in blue ink dated January 1, 1952, made payable to N. Lytess in the amount of $100.00. ‘N. Lytess’ is Natasha Lytess, Monroe’s acting coach from 1948 until 1955.”

SOLD for $2,560

“A standard handwritten check entirely penned in black fountain pen ink by the star, dated ‘Dec 1 54,’ written out to ‘Mr. M. Chekhov’ [Michael Chekhov, her acting coach] for ‘$60’ and signed in the lower right corner ‘Marilyn Monroe,’ cancellation stamps and punch-outs evident on verso.”

SOLD for $3,520

“A watercolour painting rendered on construction paper by Marilyn herself depicting an abstract image of a cat in shades of black and gray, further inscribed by Monroe on the lower right side ‘a cat watching its own tail move’; included with a photocopied letter dated ‘March 5th, 1999’ reading in part ‘(this) painting / was found among Lotte Goslar’s personal files…Lotte and Marilyn were close / friends’ — Goslar being a German choreographer who worked in Hollywood and who had occasion to meet and work with Monroe.”

SOLD for $5,120

“A Paula Strasberg gifted and inscribed copy of Great Stars of the American Stage, with inscription reading ‘For Marilyn/With my love and admiration/ Paula S/ May 29-1956.’ Interestingly, this was the date of Marilyn Monroe’s completion of filming for Bus Stop.”

SOLD for $1,125

“A handwritten note from John Moore, one of Marilyn Monroe’s favorite designers [sent shortly after Marilyn’s hospitalisation for an ectopic pregnancy.] The August 12, 1957, note reads, ‘Dearest Marilyn, I knew you were ill in Europe and meant to send a cable – but – since I am a SLOB, I didn’t!!! I’m so happy you are well and I do hope your life will be filled with my Joy.’ Best love, John.”

SOLD for $100

The “A two-page telegram to Marilyn Monroe from Tony Award winning actor Sydney Chaplin [her friend since the late 1940s.] The July 11, 1958, telegram reads, ‘It sure was nice to hear your voice again/ In my book you are still the same wonderful person you always were/ Things have been slow in pictures for me/ I am sure a few words to Billy Wilder from you will help me get on the picture as one of George Raft’s mob men/ Please Marilyn do this for me as you know I will deliver as far as my talent is concerned/ If I get an interview with Mr. Wilder I’m sure he will use me as a personal favor to you/ Many will try to return by sixteenth/ Will cable again tonight definitely/ Love Sydney.'”

SOLD for $256

“A one-page typed letter on Twentieth Century-Fox Film Corporation letterhead to Marilyn Monroe from studio executive Ben Lyon. The April 15, 1960, letter reads, ‘Dear Marilyn, It was very sweet of you to send Jack Daniels over to me. I met him sometime back. He is a smooth character. Somehow he hit me on the back of my head about midnight and I was a sight for sore eyeballs for a couple of days. This time I am going to watch him. The offer from you and Whitey [Snyder] is the best I have had in a h— of a while. Being here is a privilege they tell me. Sometimes I wonder.’ The letter is signed ‘Sincerely, Ben.’ Monroe has acknowledged that Lyon was responsible for helping her select the name ‘Marilyn Monroe’ and for giving her her first break.”

SOLD for $256

“A three-page handwritten letter to Marilyn Monroe from poet and friend Norman Rosten, written while Rosten was in court for jury duty. The May 2, 1960, letter reads in part, ‘This is just to tell you my reaction to the house in the country. Everything looks wonderful – the work on the inside of the house but especially the outside, I meant the new trees. They are not out in full leaf yet but will be soon, and then they will be stunning. I love the single tree in the back, it’s placed exactly right.’ Rosten goes on to say that Arthur [Miller] was a good host, and ‘he did everything except bake a cake’ and ‘I assume he does that for you.’ Included is a separate piece of paper with a previously affixed newspaper clipping of the story of a man hitting ‘the only tree within 1,000 miles.’ Handwritten by Rosten on the paper is this: ‘So you think you have had tree troubles in Roxbury!’ Included is the original envelope addressed to Monroe at the Beverly Hills Hotel in California.”

SOLD for $512

“A telegram from Rupert Allan to Marilyn Monroe, dated February 10, 1961. The telegram reads, ‘I don’t want to be a sockeyed salmon/ Please get me out of this too dam [sic] cold Trukee [sic] River soon/ I’m with you always and I want to get on those meadows again with you/ Much much love Glitter Bitter/Rupert.'” [On the day of this telegram, Marilyn had just been released from the Payne Whitney Clinic, and was admitted to Columbia Presbyterian Medical Center for a 3-week stay.]

SOLD for $320

“A single page of beige paper, two-hole punch marks on top margin, dated March 26, 1962, typed text to Monroe from a secretary, the star’s green ballpoint ink responses reading in full ‘ask Hedda Rosten / good / keep it going until I / tell you’ (in reference to paying for Dr. Ralph Greenson‘s New York Times subscription).”

SOLD for $1,280

“A one-page typed letter to Marilyn Monroe from Frederick Vanderbilt Field, dated July 31, 1962, in which Field thanks Monroe for allowing him and his wife Nieves to stay in Monroe’s New York apartment. The letter reads in part, ‘It is quite impossible to thank you enough for your wonderful hospitality to us during our recent visit to New York. The apartment was the key to the success of the whole expedition. It is an extraordinarily attractive place, which is not altogether surprising considering who owns it. But beyond that your instructions to Hedda [Rosten] and Hattie [Stephenson] went far beyond the call of hospitality.’ The letter closes, ‘Nieves asks me to send you her love and to remind you that we both hope you will soon come down for another visit. She also wants you to know that we hope you are winning your battles in Hollywood. We kind of figure that being who and what you are you will come out on top.’ The letter is signed ‘Fred’ in his own hand. Monroe visited the Fields in February that same year during her travel to Mexico. The couple served as tour guides as Monroe shopped for furnishings for her new home in Brentwood, California. Frederick Field was widely believed to be a member of the communist party, and the FBI monitored Monroe during her trip. Sadly, Monroe would pass away just days after this letter was written.”

SOLD for $384

Marilyn at Julien’s: At the Movies

Another selection of items featured in Property From the Life and Career of Marilyn Monroe, going under the hammer at Julien’s Auctions on Thursday, November 1. (You can read all my posts on the sale here.)

“A single page removed from a trade publication such as Variety or The Hollywood Reporter with text reading in part ‘Thank you / Marilyn Monroe’ — an ad the star placed in the publication to thank the Hollywood Foreign Press Association for her 1962 Golden Globe win for ‘World Favorite Actress,’ mounted to cardboard; found in Monroe’s own files. ”

SOLD for $512

A framed still photo showing Marilyn with co-stars June Haver, William Lundigan and Jack Paar in Love Nest (1951); and a costume test shot for Don’t Bother to Knock (1952.)

Photo sets SOLD for $640 and $896, respectively

Marilyn and Jane Russell performing ‘Two Little Girls From Little Rock’ in Gentlemen Prefer Blondes, as seen on the cover of LIFE magazine in 1953. Marilyn’s costume is expected to fetch a maximum $80,000 – see here.)

Magazine SOLD for $896; costume SOLD for $250,000

A still photo of Marilyn during filming of River of No Return in 1953. The gown she wore while performing the theme song is expected to fetch a maximum $80,000 – see here.

Photo set SOLD for $1,152; costume SOLD for $175,000

Travilla’s costume sketch for the ‘Heat Wave’ number in There’s No Business Like Show Business (1954), and a colour transparency of Marilyn in costume for a wardrobe test shot. (The costume itself is estimated to fetch up to $80,000 – see here.)

Sketch SOLD for $11,520; photo SOLD for $750; costume SOLD for $280,000

A framed still photo of Marilyn performing ‘Heat Wave‘, and a custom-made, one-of-a-kind poster made for the Century Theatre in the Hamilton, Ontario area to advertise a raffle to win tickets to see There’s No Show Business Like Show Business.

Photo SOLD for $750; poster SOLD for $1,280

“A group of three, all original prints with a glossy finish, depicting the star behind-the-scenes on the set of her 1956 20th Century Fox film, Bus Stop; all have typed text on the bottom margin noting to credit Al Brack who was a ‘Sun Valley, Idaho photographer.'”

SOLD for $576

A pair of memos regarding Milton Greene’s photos from the set of The Prince and the Showgirl; and, sold separately, a contact sheet. The second memo reads in part, ‘Dear Mike, The print you sent me, that Marilyn Monroe said she had killed, is incorrectly numbered. Marilyn is right – she did kill it.’ Both memos are dated April 11, 1957, and are addressed to ‘Meyer Hunter.’ Lois Weber, one of Monroe’s publicists at the time, authored both memos.”

Memos SOLD for $312.50; contact sheet SOLD for $500

Still photo of Marilyn with co-stars Tony Curtis and Jack Lemmon in a scene from Some Like It Hot (1959.)

Photo set SOLD for $576

“A pair of colour slides of Marilyn Monroe in a scene from How To Marry a Millionaire (1953), and during a press conference for Let’s Make Love with co-star Frankie Vaughan on January 16, 1960.”

SOLD for $512

Still photos of Marilyn performing ‘My Heart Belongs to Daddy‘, and with director George Cukor, both taken on the set of Let’s Make Love.

SOLD for $512 and $640, respectively

Candid photos taken during filming of The Misfits in 1960.

Photo sets sold for $1,562.50 and $1, 920, respectively

Producer Henry Weinstein’s screenplay for the unfinished Something’s Got to Give (1962.)

SOLD for $768

Still photos taken by Lawrence Schiller during filming of the ‘pool scene’ in Something’s Got to Give.

Photo sets sold for $1,280 each

“A collection of approximately 65 pieces comprising only photocopied scripts and documents, all related to Marilyn Monroe’s films. Some film titles have more than one copy of the script, and some feature the working title and not the final one. All are bound into 20th Century Fox covers of various colors and appear to be the studio’s ‘loan out’ or ‘library’ copies. Pieces include (in alphabetical order): All About Eve (a treatment only), As Young As You Feel (2 scripts ), Bus Stop (3 scripts), Dangerous Years (1 script), Don’t Bother to Knock (2 scripts), The Full House (1 script), Gentlemen Prefer Blondes (2 scripts plus 4 related documents), How to Marry a Millionaire (3 scripts plus 1 related document), Let’s Make Love (2 scripts), Love Nest (2 scripts), Monkey Business (2 scripts plus 2 related documents), Move Over, Darling (1 script), Niagara (2 scripts plus 4 related documents), O. Henry’s Full House (2 scripts plus 1 related document), River of No Return (1 script plus 5 related documents), The Seven Year Itch (3 scripts), Something’s Got to Give (1 script), There’s No Business Like Show Business (3 scripts plus 7 related documents), Ticket to Tomahawk (2 related documents), and We’re Not Married (1 script plus 1 related document). Also included are a few miscellaneous pieces related to Monroe. “

SOLD for $896

Feminist Live Reads: ‘Some Like It Hot’ in Vancouver

A live reading of Some Like It Hot will be hosted by Feminist Live Reads on October 1st at the Rio Theatre in Vancouver, Canada, during this year’s Vancouver International Film Festival (VIFF), as Janet Smith reports for The Georgia Straight. (Incidentally, the poster art shows not Marilyn but Sandra Warner, who was part of Sweet Sue’s Band. She stood in for Marilyn who was unavailable on the day of the photo shoot.)

“The film is as groundbreakingly fluid about its genre as it is about gender—opening as a mafia chase movie before Tony Curtis and Jack Lemmon go undercover as women to hide with an all-female jazz orchestra led by Sugar Kane (Marilyn herself).

‘Some Like It Hot is one of my favourite movies, actually,’ says Vancouver actor Katie Findlay (best-known for the ABC series How to Get Away With Murder), speaking to the Straight over the phone from her Vancouver home. ‘My dad only watches movies made before 1960.’

‘I’ve always wanted to be handsome and dashing and morally questionable,’ she enthuses about reading the part of Tony Curtis, who essentially plays three parts: Joe, the jazz musician who witnesses a mafia shootout with his buddy; Josephine, a female jazz musician in disguise; and Junior, a faux millionaire who woos Sugar and sounds an awful lot like Cary Grant. ‘People seem to have trouble with women being more than one thing. And I get to do a Cary Grant impression!’

It helps that her bestie Kacey Rohl (who stars in VIFF 2019 movie White Lie) is reading Jack Lemmon’s role; they’ve watched Some Like It Hot many times together.

In this era of #MeToo and talk of consent, Findlay sees the ongoing relevance of Wilder’s film. When Curtis and Lemmon become women, they’re suddenly the target of a lot of unwanted attention. ‘As a movie I think it has female consciousness; it’s aware of how a woman feels,’ Findlay observes of the male characters facing constant harrassment once they take on female personas.

Adding to the experience, [Chandler] Levack reads stage directions on-stage while local songstress Jill Barber brings to life some of Monroe’s iconic songs from Some Like It Hot ( ‘I Wanna Be Loved By You’ ).”


Thanks to Eiji Aoki