A ‘Collector’s Ransom’ for Marilyn

Over 50 Marilyn-related lots will go under the hammer at on December 17-19, as part of the Hollywood – A Collector’s Ransom auction at Profiles in History. Marilyn’s costumes from A Ticket to Tomahawk, Love Nest, and Don’t Bother to Knock, and her fishnet tights from Bus Stop – which went unsold at last year’s Essentially Marilyn event – are back for a second chance. (UPDATE: the brown skirt suit worn by Marilyn in Love Nest has been sold for $30,000 – but again, the other movie costumes went unsold.)

As Simon Lindley reports for Just Collecting, Marilyn’s personal annotated screenplay for The Seven Year Itch is also on offer, with a reserve of $60-80K. (The photo shown above, taken on location in New York, is sold separately.)

“In the film Monroe’s character is known simply as ‘The Girl’, an aspiring actress who serves as the object of the husband’s desires.

But behind her on-screen persona as the blonde sex symbol, Monroe’s extensive handwritten annotations reveal her dedication to her craft.

Throughout the script she has written notes to herself such as ‘Look first indecisive – pause – hesitation – little smile’ and ‘My body into his – sliding into him as if I want to sleep with him right then & there. Swing hips again’.

This preparation and complete understanding of the role in evident in her notes for the famous ‘Subway’ scene, which helped cement her place as a genuine Hollywood icon.

The energy and sexuality which Monroe portrays may seem effortless, but her script notes show she though very carefully about how to play the moment: ‘Child w/a woman. Direct & fem[inine]. Open… This is everything there is in the world. Light & easy. Everything flies out of her. Newborn – the baby looking at the moon for the first time.'”

Screenplay UNSOLD; photo sold for $200

And now, let’s take a closer look at what else is on offer…

“Vintage original 8 x 10 in. photograph taken of 13 year-old Norma Jeane on a trip to Yosemite with ‘Aunt’ Ana Lower and other family members. And sold separately, a vintage original 2-page printed 6.25 x 9 in. Ralph Waldo Emerson Junior High School Class of Summer 1941 commencement program. The printed program contains itinerary including music, speeches, and songs. Listed alphabetically in the ‘Graduating Class, June 1941 Girls’ roster of graduates is ‘Baker, Norma Jeane’.”

UNSOLD

“Vintage original gelatin silver 8 x 10 in. photograph of Marilyn with her junior high school glee club, smiling in the center of the group. The verso is copiously inscribed with messages to Norma Jeane by her girlfriends, including, ‘To a beautiful, sweet, charming, and darling, adorable Norma Jean’ and ‘I hope your ambition will come true – to stay an old maid all your life’.”

SOLD for $3,000

“A 2-page letter to ‘Cathy’ handwritten in pencil and signed, ‘Norma Jeane’. Written during a period of major transition in her life, Norma Jeane mentions a leave of absence from her job as a parachute inspector at Radioplane. She had recently been ‘discovered’ by US Army Air Force First Motion Picture Unit photographer David Conover while working at the plant, and through his connections, had been able to get freelance work as a pin-up model. She writes in full: ‘Thursday. My dearest Cathy, thank you for your sweet little note, why of course of course I like you dear very much, you know that. If I seem a little neglectful at times its because I’m so busy I don’t seem to have any time to catch up on my correspondence, but I promise after this, I shall, do better, honestly I will. Jimmie arrived about three weeks ago and you can imagine how thrilled I was. I only wish he didn’t have to go back. Jimmie and I went up to Big Bear Lake for a week and had a grand time I hope you and Bud will be down soon because I would love for you both to meet him. I’ve been on leave of absence from Radioplane. I shall tell you all about it when I see you honey or I shall write to you later. I have so many things I have to do so I had better close for now but I shall write soon. Tell Bud Hello for me. Love, Norma Jeane.'”

UNSOLD

Vintage original 8 x 10 in. cast & crew photo from Marilyn’s first movie, Scudda Hoo! Scudda Hay! She is in the third row, just above leading lady June Haver. SOLD for $1,500

“Vintage original gelatin silver 7 x 8.75 in. double weight matte photograph, inscribed and signed in black ink at lower right, ‘To Grace and Daddy Always Lovingly Norma Jeane 12/25/46′. The ‘daddy’ to whom Norma Jeanne inscribed this early headshot is Erwin ‘Doc’ Goddard, a research engineer and the husband of Norma Jeanne’s legal guardian, Grace Goddard.  And sold separately, two oversize glamour portrait photographs of Marilyn Monroe in character as ‘Miss Caswell’ in All About Eve. The first is credit stamped by Ray Nolan with studio snipe, and the other, seen at right, attributed to Ed Clark.” [A poster for the film, signed by Bette Davis, Joseph Mankiewicz, and Celeste Holm, is being sold separately.]

Signed photo SOLD for $30,000; poster SOLD for $6,000.

Two vintage calendars including a 1950 wall calendar measuring 8.5 x 14.5 in., and featuring paintings by Earl Moran, six featuring Marilyn, alongside cute, risque poems like, ‘What are little girls made of? Sugar and spice, Perfume that smells nice, Jewels and furs, To attract attention, And other good things Too obvious to mention’, and a wall calendar featuring unique topless ‘cowgirl’ images of Marilyn not seen elsewhere. Sold separately, a 16 x 32 in. pin-up 1952 wall calendar titled, ‘The Lure of Lace‘. Featuring Marilyn Monroe in her famous Tom Kelley nude kneeling pose, but with a black lace teddy ‘overprint’.” 

UNSOLD

“Two original studio production 8 x 10 in. negatives of Marilyn Monroe and Jane Russell in Gentlemen Prefer Blondes, each modeling wardrobe by designer William Travilla. [Russell wore a blonde wig to impersonate Marilyn in a courtroom scene.] Each includes within image a ‘shot-board’ documentation of production, scene, and change numbers. Also included are two original wardrobe documentation green pages detailing costumes [Monroe page describes a different costume, for the opening ‘Little Rock’ number.] At some point in time a positive copy print of the Monroe negative was made for archive continuity, but is not original to the production.”

UNSOLD

“11 x 14 in. portrait by Ed Clark of Marilyn in the gold lame gown from Gentlemen Prefer Blondes for LIFE magazine. Signed in black ink on Marilyn’s skirt by the photographer, ‘Edmund Clark Life’.” 

SOLD for $300

“Photo of Marilyn at the Photoplay Awards in 1953, part of a 1750-image archive for celebrity snapper J.B. Scott. And sold separately, an award plaque presented to Marilyn by a County Fair ‘Sugar Queen’, engraved, ‘To the Sweetest Girl in Motion Pictures, Marilyn Monroe, 20th Century-Fox Films Star Presented by 1953 Yolo County Fair Sugar Queen’.” 

Photo archive SOLD for $95,000; award plaque UNSOLD.

“Elois Jenssen costume sketch for Lucille Ball as ‘Lucy Ricardo’ as ‘Marilyn Monroe’ from I Love Lucy. Elois Jenssen was Lucille Ball’s designer of choice, who is credited with creating the ‘Lucy Look’. This dress design was created for the I Love Lucy Episode: ‘Ricky’s Movie Offer’, which aired on Nov. 8th, 1954. In the episode, ‘Lucy’ transforms herself into Marilyn Monroe to try to win a role in Ricky’s (Desi Arnaz) new Hollywood film. This costume was then repurposed into a showgirl costume for two subsequent episodes.” [Elois Jenssen’s costume sketches for Marilyn in We’re Not Married are being sold separately.]

UNSOLD

“Ten 8 x 10 in. photographs of Marilyn Monroe in scenes from films, including the earliest title which depicts her on any of its publicity, Dangerous Years. Other highlights include Ladies of the ChorusThe Asphalt JungleRight Cross [to our knowledge, this still is the only original release paper to depict Marilyn], Let’s Make it Legal, and [shown above] Bus Stop.

SOLD for $225

“A set of fourteen 7 x 8.5 in. to 8 x 10 in. photographs, a mix of portraits, candids, and scenes, including stills from The Seven Year Itch and Let’s Make Love [at left] and a candid by Al Brack [at right], showing Marilyn on location for Bus Stop in Sun Valley, Idaho.”

UNSOLD

“Two exhibition photos signed by Marvin Scott, of Marilyn performing at a circus benefit in 1955; and sold separately, another set including this photo of Marilyn arriving at Los Angeles in 1958 for the filming of Some Like It Hot.

UNSOLD

“A candid photo taken by Milton Greene at Marilyn’s wedding to Arthur Miller; and sold separately, two address books from her estate, including typed and annotated entries for contacts including Actor’s Studio, Jack Benny, Eve Arden, George Cukor, Montgomery Clift, Jack Cardiff, Joe DiMaggio, Henry Fonda, John Huston, Hedda Hopper, Designers, makeup artists, Ben Gazzara, Gene Kelly, Jack Lemmon, Yves Montand, Arthur Miller, Robert Montgomery, Jane Russell, Jean Negulesco, Lee and Paula Strasberg, David Selznick, Carl Sandburg, Frank Sinatra, Eli Wallach, Shelley Winters, Clifford Odets, Peter Lawford, JAX, Richard Avedon, Louella Parsons, and more. Annotations not attributed to Monroe.”

UNSOLD

And finally, a set of nine photos from Marilyn’s last completed film, The Misfits (1961.) SOLD for $4,500

Marilyn’s Costumes and Jewellery Sold at Julien’s

The results are in for this year’s Legends sale at Julien’s Auctions. A number of photos from the Manfred ‘Linus’ Kreiner archive (see above) were sold, with the Marilyn-related lots fetching up to $3,800. These photos were recently featured in Parade magazine (see here.)

Marilyn at the Fox luncheon for Soviet premier Nikita Khrushchev (Manfred Kreiner, 1959)

Within the fan community, biographer Gary Vitacco-Robles won a telegram from Lauren Bacall congratulating Marilyn after her wedding to Joe DiMaggio, for $1,582.50. The biggest Marilyn-related sales, however, were her costume from A Ticket to Tomahawk (sold for $22,400), and her bathrobe from How to Marry a Millionaire (which fetched $28,800.) Here are some more highlights:

  1. A rare ‘Page 3’ copy of Playboy‘s first issue, signed by Hugh Hefner ($16,00)
  2. A cast of Marilyn’s hands and feet from Grauman’s Chinese Theatre ($25,600)
  3. A black chiffon overblouse ($19, 200)
  4. A six-strand, iridiscent crystal necklace in purple and green ($11,250)
  5. A pair of rhinestone clip earrings ($28,125)
  6. Marilyn’s script for Something’s Got to Give, dated August 30, 1961 ($12,800)

And finally, I’ve added the maximum bids for each item featured in my previous posts – learn more about this fascinating auction here.

Marilyn’s How to Marry a Millionaire bathrobe today

Marilyn at Julien’s: A Life On Film

(SOLD for $22, 400)

A final post (for now) on the Julien’s Legends series, in advance of the auction on June 13-14. As well as Marilyn’s bathrobe from How to Marry a Millionaire (see here) her costume from A Ticket to Tomahawk (1950) is also on offer. She wore it to perform ‘Oh, What A Forward Young Man You Are’ with Dan Dailey and her fellow chorines.

As well as an archive of material by Manfred ‘Linus’ Kreiner (see here), several other photographers are also represented.

UPDATE: I have now added the final bids for each item.

Marilyn at the Racquet Club in Palm Springs, by Bruno Bernard (1949) SOLD for $1,920
A collection of 10 original vintage film stills,
together with approximately 25 publicity image photographs of Monroe (printed circa 1970s and 1980s), from the collection of actress Morgan Fairchild (SOLD for $768)
33 vintage lobby cards from the collection of Morgan Fairchild (SOLD for $768)
Colour transparency from a publicity shoot for Niagara (1953) UNSOLD
Silver gelatin print of Marilyn by Andre de Dienes (SOLD for $1,024)
Marilyn in 1962, signed by George Barris – from the private collection of the late Kim Goodwin (SOLD for $1,024)

“A group of seven color slides, all showing Marilyn performing for U.S. troops in Korea in 1954. Four slides show Monroe wearing a purple spaghetti-strapped dress on stage, three show her wearing a bomber jacket and pants in the camp, and one has a further handwritten annotation in black fountain pen ink reading in part ‘6 Feb 54 – A little/ closer this time.'” (SOLD for $448)

A group of 21 colour slides (SOLD for $5,625)
A black-and-white negative from Marilyn’s ‘Hooker’ series with Milton Greene; and a large screenprint from the Black Sitting, signed by Greene (from the collection of Morgan Fairchild) SOLD for $1,562.50 and $2,187.50, respectively
Screenprint by Bert Stern, signed (from the collection of Morgan Fairchild) SOLD for $1,600
10 large-format photos of Marilyn by Harold Lloyd (SOLD – three lots reached $3,200 each)
Marilyn’s ‘revised final script’ for Something’s Got to Give, dated August 30, 1961. In fact, the screenplay would be revised several more times, even before the ill-fated production began shooting in 1962. (SOLD for $12,800)

Stanley Donen 1924-2019

Filmmaker Stanley Donen has died aged 94. He co-directed and choreographed classic musicals such as On the Town (1949) and Singin’ in the Rain (1952) with Gene Kelly, and made three films with Audrey Hepburn. The second of Donen’s five wives, Marion Marshall, had appeared alongside a young Marilyn Monroe in A Ticket to Tomahawk (1950.) He also dated Judy Holliday and Elizabeth Taylor, and is survived by his partner of thirty years, the writer and director Elaine May.

Donen never worked with Marilyn, but in a 1999 interview (posted on the Film Talk website), Donen revealed he had rejected a project which Marilyn later filmed with George Cukor, before choosing Indiscreet, a sophisticated romantic comedy starring Cary Grant and Ingrid Bergman, which as columnist Louella Parsons had reported in 1956, was originally slated for Clark Gable and either Marilyn or Jayne Mansfield.

“Norman Krasna gave me a script he had written, which was eventually made with Marilyn Monroe and Yves Montand [Let’s Make Love, 1960], but I didn’t like it. He then said, ‘You know, I did a play in New York which was a flop [Kind Sir, directed by Joshua Logan in 1952 and starring Charles Boyer and Mary Martin], but why don’t you read it? Maybe you’ll like it.’ I read it, and I was very impressed. I told him, “God, this would make a wonderful movie.’ ‘You think so? Every studio in town has turned it down,’ he said. ‘You know what, you own it, if you can get it made, I’ll write the screenplay.’ So I got it made, I got Cary Grant and Ingrid Bergman and we made Indiscreet [1958]. That was the real beginning of me being a producer, I liked putting it together.”

Robert Wagner: ‘The Marilyn I Knew’

Marilyn films a screen test with Robert Wagner, 1951

One of the last survivors of Hollywood’s golden age, Robert Wagner has written about Marilyn in his memoir, You Must Remember This, as well as providing the introduction to David Wills’ Marilyn – In the Flash. In his latest book, I Loved Her in the Movies: Memories of Hollywood’s Legendary Actresses, Wagner writes about her again, and an excerpt is published on the Town and Country website.

“I have no horror stories to tell. I thought she was a terrific woman and I liked her very much. When I knew her, she was a warm, fun girl. She was obviously nervous about the test we did together, but so was I. In any case, her nervousness didn’t disable her in any way; she performed in a thoroughly professional manner. She behaved the same way in Let’s Make It Legal, the film we later made—nervous, but eager and up to the task.

Years later, Marilyn began dropping by the house where Natalie [Wood] and I lived. Our connection was through Pat Newcomb, her publicist. I had known Pat since our childhood. She had also worked for me and often accompanied Marilyn to our house. I bought a car from Marilyn—a black Cadillac with black leather interior.

Marilyn (at right) with Wagner’s second wife, Marion Marshall (second left) in A Ticket to Tomahawk (1950)

Marilyn had an innately luminous quality that she was quite conscious of—she could turn it on or off at will. The problem was that she didn’t really believe that it was enough. My second wife, Marion [Marshall] knew her quite well; she and Marilyn had modeled together for several years, and were signed by Fox at the same time, where they were known as ‘The Two M’s.’ Marion told stories about how the leading cover girls of that time would show up to audition for modeling jobs. If Marilyn came in to audition, they would all look at each other and shrug. Marilyn was going to get the job, and they all knew it. She had that much connection to the camera.

When Marilyn died, Pat Newcomb was utterly devastated; Marilyn had been like a sister to her, a very close sister, and she took her death as a personal failure. Marilyn’s death has to be considered one of show business’s great tragedies. That sweet, nervous girl I knew when we were both starting out became a legend who has transcended the passing of time, transcended her own premature death.”

Star-Spotting in Durango, 1950

Marilyn on location for ‘A Ticket to Tomahawk’, 1949

It’s well-known in Durango, Colorado, that the then up-and-coming actress, Marilyn Monroe, visited the town in 1949 to film a small role in the comedy Western, A Ticket to Tomahawk. But did you know that MM returned a year later, during filming of another Western, Across The Wide Missouri, starring none other than her idol, Clark Gable?

Interestingly, Across the Wide Missouri was released in November 1951, on the same week as another early Monroe film, Let’s Make it Legal.

A relaxed moment off the set

Mickey Hogan, now 82, remembers meeting the hopeful starlet in today’s Durango Herald:

“So, what was she doing in Durango in 1950? She has no credited role in Across the Wide Missouri. She could have been trying to land a role, or trying to catch someone’s attention. Clark Gable was among her favorite actors – maybe she was observing.

‘As I remember, she liked Durango and had a great time here (during Ticket to Tomahawk) and wanted to come back,’ Hogan said.

A major battle scene between the mountain men and the Native Americans was shot by Andrews Lake near the top of Molas Pass. That’s where he became acquainted with Monroe.

The topsoil around Andrews is a spongy peat moss that is flammable, Hogan said. Most everyone on the crew and the hordes of spectators were smokers, creating a potential fire danger. Hogan traveled on a horse with a fire extinguisher, putting out any smoldering spots in the peat moss.

Monroe asked if she could join Hogan on his rounds, and she was set up with a horse and fire extinguisher of her own.

‘People got bored to death,’ Hogan explained. ‘And that’s where Marilyn got involved with me and putting fires out. She didn’t have anything to do. … She just enjoyed riding and doing something. It wasn’t any other reason she had.’

She joined him two or three times, and that was it: Hogan’s brush with Marilyn Monroe. He assumes she was just building her career and thought that people involved with the movie could help.

‘That’s just a guess on my part,’ Hogan said, ‘but I’m pretty sure it’s true.’

He also remembers Monroe visiting Hogan’s Store, and his father, Charles Hogan, waiting on her.

‘My dad was very attentive on providing her with (jeans) to try on,’ Hogan chuckled. ‘I never will forget that. I just laughed at my dad.'”