Yesterday brought the sad news that Canadian-born actress Margot Kidder has passed away aged 69. Many children of the 1970s (myself included) will remember her as Lois Lane in the Superman movies. But did you know she also played Cherie in a 1982 television remake of Bus Stop? Filmed for HBO at the Claremont Theatre in California, it was a more literal adaptation of William Inge’s play, featuring additional characters not seen in Marilyn’s 1956 movie. If you’re curious about Margot’s performance, watch this Youtube clip from 6:20 onwards – and a full copy can be purchased for $23 from DVD Cafe.
Newsweek has republished two stories dealing with past anniversaries of Marilyn’s death. The first, from 1982, was originally entitled ‘Keeping the Monroe Memories Aglow‘ and focuses on collectors and fans, some of whom are still active today. ‘The 24-Year Itch‘ dates from 1986, and features contributions from feminist author Gloria Steinem, and Margaret Parton, one of the last journalists to speak at length with Marilyn.
“Monroe has mostly attracted male biographers. Probably few of them found it remarkable that an intelligent woman would talk like a breathless teenager or play a string of bimbos. Looking at Monroe’s life through the eyes of a contemporary feminist, Steinem now sees Norma Jeane Baker (the real name behind all the imagery) as a girl who never grew up. She was an early bloomer who spent her childhood shunted from one foster home to the next. She remained trapped inside the voluptuous Marilyn, forever seeking the love and approval she had missed as a kid. ‘She was just so vulnerable and unprotected,’ Steinem says.
The effect of social and sexual convention in shaping a tinseltown goddess’s behavior and attitudes is worth remembering. Steinem reminds us that in Monroe’s day a woman so spectacularly sexy was seen by other women primarily as a threat (that, of course, could never happen among the sisterhood today). When Margaret Parton, one of the few women journalists to cover Marilyn during her life, did a profile for the Ladies’ Home Journal, it was killed for being too favorable. Years later, when Ms. magazine ran a cover story on Monroe called ‘The Woman Who Died Too Soon,’ it became one of the magazine’s best-selling issues … In a feminist age, it is easier for women to respond with sympathy to the way Monroe was treated.”
Ronald H. ‘Mike’ Carroll, the retired Los Angeles County deputy district attorney who supervised the 1982 review of Marilyn Monroe’s 1962 death, has died aged 74.
The enquiry into Marilyn’s death lasted nearly 4 months. A 30-page report concluded, ‘Our inquiries and document examination uncovered no credible evidence supporting a murder theory…The homicide hypotheses must be viewed with extreme skepticism.’
Lionel Grandison’s claim to have found Monroe’s ‘red diary’ was also rejected. (Grandison was employed by the coroner’s office when Marilyn died.) TheLos Angeles Timesnoted that Carroll’s report cited ‘reasonable evidence’ of suicide, arguing that murder in this case would have required a ‘massive conspiracy’.
One of Monroe’s many biographers, Anthony Summers, interviewed Carroll for a Reader’s Digest article, ‘Bombshell’, in 2006. Carroll staunchly defended the 1982 enquiry: ‘My job was to look for evidence of murder,’ he said, ‘and I didn’t find any. There were pieces of information that might have thrown light on aspects of Marilyn Monroe’s final days, her involvement with the Kennedy brothers, for instance. But that’s for the biographers and historians. It wasn’t my job, wasn’t the assignment we had.’