Some Kind of Mirror: Creating Marilyn Monroe is a new academic study of Marilyn’s movie performances by Amanda Konkle. Although set for publication on February 28, it’s already in stock at The Book Depository. Having just read it, I can whole-heartedly recommend this book: it’s thoughtful without being stuffy, and puts the focus back on Marilyn’s work. Some Kind of Mirror is illustrated with screen-captures from Marilyn’s films, as well as the beautiful cover photo by Eve Arnold (showing Marilyn during filming of The Misfits, toasting her loyal friends and co-workers.)
Sarah Churchwell’s excellent 2005 ‘meta-biography’, The Many Lives of Marilyn Monroe, will be reissued in March, as well as being published digitally for the first time. (The only downside for me is no Marilyn on the cover!)
And looking further ahead, The Little Book of Marilyn: Inspiration From the Goddess of Glam – the latest from ace biographer Michelle Morgan – is coming in July.
“A lifestyle guide and tribute to the style, glamour, and showmanship of Hollywood’s most iconic star, with Marilyn-inspired lessons and inspiration for today’s woman.
While the 1950s was in many ways an era of repression for women, Marilyn Monroe broke barriers and rebelled against convention — and charmed the world with her beauty, talent, and irresistible personality. Filled with gorgeous photos, The Little Book of Marilyn will show you how to bring a touch of that glamour into your own life through:
- * Tutorials on recreating the star’s makeup looks
- * Style advice and tips on where to find Marilyn-like fashions
- * Décor ideas from Marilyn’s own homes
- * Everyday inspiration from her life that will let your inner Marilyn shine, and much more!”
Joyce Carol Oates’ novel about Marilyn, Blonde (2000), will be reissued later this month. In a review for The Times, Liza Klaussman claims it is now even more relevant given the recent revelations about sexual abuse in Hollywood, and the #MeToo movement.
“To capture a quicksilver persona such as Monroe’s is no easy feat. Oates puts multiple perspectives to use, bringing Monroe’s life to us in shards of Technicolor. It is told at once through Norma Jeane’s voice and those close to her … What saves Blonde from descending into a darkness so deep that the reader is forced to look away is in part Oates’s lavish language and its loose structure, which gives the story a high-octane energy. And it can’t be denied that there is voyeuristic pleasure in it. However, the novel is also infused with Monroe’s sly, subversive wit, breaking up the darker matter … What Oates achieves is to restore a crucial element of Monroe’s story, one that has been lost, overlooked — the element of fury. Blonde stands as a cry of rage against the violence, symbolic and physical, that was perpetrated against the woman known as Marilyn Monroe. And, in the end, it leaves us in no doubt of the personal price to be paid for denying that rage.”
However, while Blonde is revered by some critics, others felt that Oates took too many liberties with the facts of Marilyn’s life and presented her as a helpless victim. In her 2004 ‘meta-biography’, The Many Lives of Marilyn Monroe, Sarah Churchwell challenged Oates’ claim that fictional devices enabled her to give full expression to Marilyn’s complex nature.
“Oates repeatedly protests in interviews against the ‘literalism’ of critics who disliked her extravagant fabrications, but it is not crudely literal to acknowledge that Marilyn Monroe is not totally a product of Joyce Carol Oates’ imagination, and that the story Oates tells is not entirely a product of her imagination. Although Oates can (and does) hide behind the intellectual justification that the novel is postmodern in its ‘experimentations’ with blending fact and fiction, it is hard not to conclude that the experimentation is expedient, and arbitrary … Oates’ postmodern ‘experimentation’ reconfirmed the Marilyn Monroe we’ve known since 1946: artificial, one-dimensional and dim. Oates’ technique is not archetype but stereotype, not only of ‘the Ex-Athlete’ and ‘the Playwright,’ but particularly of breathless, confused, stammering, disintegrating ‘Marilyn’ … In Oates’ approach, Marilyn’s life is such an open secret that we need not bother with its details: we can simply stand back and take in the whole as a panorama adequately represented by selected symbolic ‘truths’.”
First published in 2002, Sarah Churchwell’s ‘meta-biography’, The Many Lives of Marilyn Monroe, is now available in Polish.
Dr Sarah Churchwell, author of The Many Lives of Marilyn Monroe, presents a free lunchtime talk, ‘Becoming Marilyn: The Invention of Marilyn Monroe’, as part of the ‘American Lives’ week presented by the University of East Anglia’s School of American Studies at The Forum, Norwich, on Thursday July 7 between 12-1pm. (On a related note, Christopher Bigsby, author of a two-volume biography of Arthur Miller, will speak on Friday July 8.)