The annual Hollywood Legends auction at Julien’s, set for April 29, features a number of Marilyn-related items, including a 1961 check book which, as UK tabloid The Mirror reports, shows she was overdrawn at the time.
Here are some of the more unusual lots…
“A Marilyn Monroe novelty game night set. The Brown & Bigelow set contains two decks of playing cards, one showing Monroe in the ‘A New Wrinkle’ pose and one of Monroe in the ‘Golden Dreams’ pose from her 1949 Red Velvet photo session with Tom Kelley, and a set of four tin coasters showing Monroe in the ‘Golden Dreams’ pose and ‘Marilyn Monroe’ printed on each. Contained in a black flocked presentation box, stamped with an image of Monroe and branded text that reads ‘Always First/ with the Best Figures/ T D F CO.’ at lower right.”
Rare photos taken by Bruce Davidson during filming of Let’s Make Love.
A number of items related to photographer John Florea, including this contact sheet from the ‘Heat Wave’ number in There’s No Business Like Show Business.
A personal note from photographer Zinn Arthur to Marilyn and Milton Greene, probably penned during filming of Bus Stop.
And an invitation to the 1961 Berlin Film Festival…
This shot of Marilyn with director Joshua Logan, on location filming for Bus Stop in 1956, is the personal favourite of photographer Zinn Arthur. In another preview of the Newsweek special – Marilyn Monroe: The Lost Scrapbook – Douglas Kirkland, Elliott Erwitt and Lawrence Schiller share their own selections, while Joshua Greene picks one of his father’s shining moments. Read more here.
Last weekend, I posted here about the unpublished photos by Sam Shaw and Richard Avedon, part of the Hollywood Auction 56 from Profiles in History (set for July 28th.)
Other items on offer include photos taken by Ben Ross in 1952, of Marilyn in her Niagara dress; and master prints by Zinn Arthur, taken while Monroe filmed her ‘That Old Black Magic’ number for Bus Stop, in 1956.
There are also a selection of personal notes from Marilyn to friends and family, including a Chanukah card for Bobby Miller; a calling card, inscribed ‘For my love / I love you with all of my heart Happy Christmas’ (probably for Arthur Miller); and a letter to her niece, Mona Rae Miracle, which reads like this:
“Dear Mona Rae, I hardly know what to write about — it’s been so long since I’ve seen you. Your mother told me you are away at school and I’m very proud of you. Also she told me what a lovely girl you are. I would love to see you and know you again. Are you going to get married soon? Your mother said you might. If it’s really so, I wish you all the happiness there is. I’m sure he must be wonderful if you love him. And the whole world must be a beautiful place because he’s there — you see your old Auntie isn’t so old — I know how it is. But please don’t rush — but don’t hesitate either. You will know what you want and if you’r [sic] unsure life teaches us. Take care of yourself. I still see you as a little blonde headed brown eyed thin little girl as when I met you — very sweet and you wanted to be an actress. You have time — time for everything. Love, Marilyn your Auntie.”