Marilyn Inspires Isolation Self-Portrait

A group of professional photographers have created isolation self-portraits for the Washingtonian. Among them, Jada Imani M took inspiration from Marilyn and the glamour of classic Hollywood (she also reminds me of the great Dorothy Dandridge here.)

“During this quarantine I have been faced with my own personal insecurities in relation to my appearance. I knew for a while I was not completely confident in my looks, but now I am forced to face my issues head on. I found some photos from a Marilyn Monroe calendar I was gifted years ago—ever since I was little, I knew Marilyn Monroe was one of the most beautiful women I had ever seen, a timeless beauty. Those photos inspired me to create this self-portrait series in a similar fashion and reminded me that I am a timeless beauty as well.”

When ‘Rivals’ Meet: Marilyn and Jane in Semiahmoo, WA

When pin-up queens Marilyn and Jane Russell teamed up for Gentlemen Prefer Blondes, reporters predicted a mighty feud – but they quickly struck up a close bond, onscreen and off, and many fans consider Jane the best co-star Marilyn ever had. As the Northern Light reports, at the Semiahmoo Resort near Blaine, Washington State on January 29 from 7-9 pm, Ron Miller, author of Conversations With Classic Film Stars, will consider their pairing in the second part of his free film series ‘When Rivals Meet’, alongside Fred Astaire vs Gene Kelly, Bette Davis vs Joan Crawford, and others.

When Marilyn Came to Forest Hills

In an article for Forest Hills Connection, Ann Kessler looks back at Marilyn’s week-long stay in the Washington suburb while husband Arthur Miller was on trial for contempt of Congress in May 1957.

“Monroe wanted to support her husband by coming to DC, but didn’t want to stay at a hotel where she would be constantly mobbed by the press and fans. For that same reason she couldn’t actually attend any of the court sessions.

Miller contacted his lawyer, Joseph L. Rauh, Jr., a widely respected civil rights attorney and co-founder of the Americans for Democratic Action, to ask his suggestions for housing in DC. Joe Rauh invited Miller and Marilyn to stay on the sofa bed in the den of his house at 3625 Appleton Street NW. The next day Rauh’s son Carl, a junior at Wilson High School, drove to Union Station to pick up a woman ‘wearing a dark wig, a head scarf, and sunglasses.’ That was Marilyn Monroe.

Monroe spent the next week at Rauh’s house with Olie Rauh, Joe’s wife. She bicycled around the neighborhood (wearing sunglasses and pedal pushers), sat at the Rauhs’ backyard pool, read books and followed the trial as closely as she could from afar. The neighbors had no idea that Monroe was still present, having assumed she had only briefly visited the Rauhs. In reality, Monroe and Miller had left the Rauh home and then returned for their extended stay.

On the last day of her week’s visit someone tipped an Evening Star reporter to Monroe’s presence and the lawn was soon full of representatives of the press. Monroe held a brief news conference. When asked what she thought of Washington, she said, ‘I love your city. I think it’s the most beautiful I’ve ever seen. I’ve never been here before.’ Soon after, Monroe and her husband, as scheduled, left for Union Station to catch a train to New York.”

John Bailey: Washington’s Marilyn Muralist

John Bailey, the artist behind the famous Marilyn mural in Washington D.C., has died, as John Kelly reports for the Washington Post. (The mural is based on a 1955 photo by Milton Greene, and was created in 1981.)

“John Bailey died last week in Richmond. He was responsible for one of Washington’s most famous paintings, even if you never knew it was he who painted it: the Marilyn Monroe mural in Woodley Park.

I mentioned the mural last week in my column about one of the men who commissioned it, hair stylist Roi Barnard. It was an odd but fitting coincidence that Bailey passed away at age 78 just as I was preparing the article for publication.

‘It was just so beautiful,’ Barnard said of his reaction the first time he saw Bailey’s mural, painted in 1981 on the side of the Connecticut Avenue NW salon Roi ran with his then-partner, Charles Stinson.

For Barnard, it was a literal dream come true: He had seen the mural in his sleep.

Bailey spent a year living in Barnard and Stinson’s house at 16th and Colorado NW. The artist used it as a base of operations while he painted the bottom of their swimming pool (another Marilyn) and worked on portraits.

Bailey was also a dancer and was married to the grande dame of dance in Virginia, Frances Wessells, who survives him.

‘He meshed photorealism with a painterly touch,’ [Robbie] Kinter said. ‘Even though he was a photorealist, he had a beautiful sense of design. I think he really saw beauty in things.’

Bailey’s Marilyn was one of the first murals in a city that has since become famous for them. Her lips are parted, her eyelids heavy. She fills the frame, an inscrutable memorial in this monumental town.

‘He made a beautiful, physical mark on this city that has nothing to do with politics. And not everyone can say that,’ said Nancy Tartt, who met Bailey when she studied dance at George Washington University.”

Roi Barnard Reveals Story Behind Marilyn Mural

This Marilyn mural, in the Woodley Park district of Washington D.C., was commissioned almost 40 years ago by a local hairdresser. Roi Barnard, former owner of Salon Roi (and author of a new memoir) has shared the story behind this much-loved local landmark with the Washington Post.

“What do you see when you look at Marilyn Monroe gazing down at the corner of Connecticut and Calvert streets NW? A beautiful woman? A movie star? An icon?

Roi Barnard sees himself.

‘When I saw Marilyn for the first time on screen, I just went, Whoa, you’re not happy either,’ said Roi, the District hairdresser who helped commission the famed mural in 1981. ‘And I saw it in her eyes.’

‘My love affair with Marilyn started when I was 12,’ said Roi as he gently, but firmly, tilted my head to the left. ‘Her star was just beginning to rise. I forget which movie I saw first, but I saw her, and I saw in her eyes, my eyes. We had sad eyes. No matter how happy she was, I knew she was sad. And I related to that.’

Roi doesn’t seem sad now, at age 81. It wasn’t always that way.

‘I was a sissy little boy,’ Roi said. That was not an easy thing to be where he grew up: in tiny Poplar Branch, N.C., a place of dirt roads and outhouses … Roi came out of the closet in the 1960s, determined to be honest about his sexuality. He became a model, changing his name from ‘Roy’ to the more memorable ‘Roi.’ He learned to cut hair and worked as a hairdresser at the Washington Hilton. In 1969, he and Charles Stinson — his business partner and onetime romantic partner — opened a salon together.

In 1981, Charles commissioned artist John Bailey to paint the Marilyn mural. It’s become a landmark, even if most passersby don’t know how personal the image is to Roi.

‘She carried me through a very troubling part of my life,’ Roi said. ‘I would just go see her movies or read about her. I connected with her.’ Putting Marilyn on the wall wasn’t advertising, Roi said. It was homage.”

Marilyn’s Washington Mural Reigns Supreme

One of the best-known, and long-lived Marilyn murals – now 37 years old – is profiled on DC Curbed.

“On the upper outside wall of Salon Roi, passersby can find a massive mural of pop culture icon Marilyn Monroe. The work was completed in 1981 by John Bailey. It was later restored in 2001 after the artwork faded over the years. New lights were also installed. In 2014Washington City Paper’s Reader’s Poll named this piece one of the the best murals in the city.”

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