Waiting For A Miracle With Marilyn

Country singer Willie Nelson and British actress Charlotte Rampling are an unlikely couple, and having Ms Rampling play a Marilyn impersonator is even more surprising. But that’s exactly what you’ll see in their offbeat new movie, Waiting For the Miracle to Come, as Joe Leydon reports for Variety. (It’s available in the US from today on DVD and streaming.)

Waiting for the Miracle to Come is the first dramatic feature written and directed by Lian Lunson, previously best known for such musical documentaries as Willie Nelson: Down Home … With help and encouragement from mentors and former collaborators — including Bono and Wim Wenders, who are credited among the executive producers, and Leonard Cohen, whose song provides the movie with its title — she mounted this small-budget labor of love with the obvious intent of telling a simple yet resonant story unbound by specifics of time and continuity, but infused with strains of melancholy, regret, and unreasonable hope. Call it a dream play, and you won’t be far off the mark.

Supernatural undercurrents sporadically reach flood level as Adeline Winter (Sophie Lowe), a young woman who dreams of performing as trapeze artist and tightrope walker, takes heed of a letter left by her recently deceased father (Todd Terry), and follows his directive to visit a ranch in Ransom, Calif., where she might find a goldmine. What she finds instead are the aforementioned ex-vaudevillians, Jimmy (Nelson) and Dixie Riggs (Rampling), owners and operators of ‘The Beautiful Place’ — hardly a gold mine, but rather a haven for abandoned horses, a home for two trailer park residents, and a place where Dixie occasionally dolls herself up like her idol, Marilyn Monroe, and sings for locals in a small theater near their memento-stuffed, Christmas-light-bedecked house.”

Celebrating Marilyn in Derby

Attention, Midlanders: two Monroe movies are to be screened at Derby’s QUAD Centre, with The Seven Year Itch set for tomorrow, March 24, at 3 pm; and Bus Stop at 2:30 pm on Sunday, April 7. It’s a tie-in with Marilyn, a free exhibition based on photographer Emily Berl’s stunning images of Monroe lookalikes (see here), at the nearby Déda Gallery until April 14 as part of the Format Festival. (The gallery is closed on Sundays, however, so you’ll have to see them on different days.)

Thanks to Lorraine at Marilyn Remembered

Emily Berl’s Multitude of Marilyns

Hanna Nixon, UK (after Earl Baron’s Marilyn)

Los Angeles-based photographer Emily Berl has been working with Marilyn lookalikes in Tinseltown and far beyond for several years (see here.) Her portraits are now collected in a stunning monograph, and Monroe fans will notice many familiar faces striking classic poses in new settings, and a selection of images posted today on The Cut shows that there was a great deal more variety to Marilyn’s style than is generally acknowledged. Marilyn is quite an expensive book ($98) but the quality is well worth the price, for collectors and art-lovers alike.

“One of the things I have had to come to terms with this project is that it kind of dances with a lot of clichés, like the Hollywood dream, but I’ve realized I’m into that. I think even though they’re clichés, they’re kind of important. They’re not necessarily a bad thing.”

Nadine Banville, Canada (soon to appear in a new movie, ‘Reliving Marilyn’)
Debra Bakker, Netherlands (wearing a dress similar to Marilyn’s in ‘There’s No Business Like Show Business’)