Marilyn at Julien’s: Kiss Hollywood Goodbye

In our final post ahead of the November 14 event at Julien’s Auctions, A Southern Gentleman’s Collection, we focus on Marilyn’s marriage to Arthur Miller and the last years of her life. (You can read all posts about this sale here.)

“A group of six audio recordings including: 1) a late 1950s-era 3-inch reel tape (Type 151) featuring interviews Monroe conducted with Look magazine and Chicago disc jockey Dave Garroway, housed in its original box with handwritten annotations reading in part ‘May Reis’ [Monroe’s longtime New York-based secretary]; 2) a 33 1/3 RPM record labeled “M. Monroe – Belmont / Side 1 / Side 2[her 1960 interview with Georges Belmont for Marie Claire]; 3) another 33 1/3 RPM record identical to #2 but sides 3-4; 4) another 33 1/2 RPM record identical to #2 but sides 5-6, content unknown on all; 5) a 78 RPM record on the RCA Victor label of the star singing ‘The River of No Return’ and ‘I’m Gonna File My Claim;’ and 6) a 45 RPM record same as the 78; further included with a CD of the reel tape; all originally from the Estate of May Reis. And sold separately, a publicity still from River of No Return, autographed by Marilyn.”

Recordings SOLD for $3,840; photo SOLD for $10,240

“A legal-sized financial document from Woodbury Savings Bank in Connecticut, two hole punch marks on left side, dated ‘Sept. 9, 1957,’ filled out in blue fountain pen ink by Arthur Miller, briefly outlining the couple’s finances, noting their annual income as ‘$50,000,’ interestingly, Miller adds that there is a ‘suit pending against M.M. Productions,’ both signed twice on the lower margin, with MM’s reading ‘Marilyn Monroe Miller;’ also included is a related photocopied document from the same bank.” And sold separately, a window card for The Prince and The Showgirl (1957.)

Document SOLD for $4,480; poster SOLD for $384

“Nine original snapshots depicting Marilyn at Ebbets Field in Brooklyn on May 12, 1957 as she makes a guest appearance at a soccer match between the U.S. and Israel. And sold separately, a medical insurance form from Associated Hospital Service of New York, entirely filled out in blue ballpoint ink by Miller when the couple was applying for insurance, noting their address on ‘Tophet Road, Roxbury, Conn.’ and noting Monroe’s health issues as ‘Appendix Removed / 5% (hearing) impairment, Ectopic Pregnancy,’ oddly, Miller checked off ‘no’ under ‘female trouble’ for his wife, signed by Miller on page 3 and further signed by Monroe right below but in different blue ballpoint ink.”

Photos SOLD for $1,024; document SOLD for $3,750

“Miscellaneous paperwork from 1958 including: an invoice from Carl Perutz Photography sent to Marilyn at her NYC address on ’18 June 1958;’ and four receipts from the Yellow Cab Company of Los Angeles ranging in date from July 14 to July 16, 1958, showing that MM was at the Hotel Bel Air, Saks Fifth Avenue, and a mysterious address at 8719 Bonner Drive; though her name does not appear anywhere on the receipts, they come from the same files as the Perutz invoice.”

SOLD for $512

“Telegram dated October 28, 1958, sent to Jack Lemmon by the producer of Some Like It Hot, reading in part ‘By reason of the illness of Marilyn Monroe, please be advised / that we hereby exercise the right to suspension…;’ and sold separately, a standard check from the ‘Marilyn Monroe Productions, Inc.’ account … matted under a 1970s-era re-issue soundtrack album from Some Like It Hot.”

Telegram SOLD for $768; check + album SOLD for $2,560

“A standard address book with navy blue leather covers and A to Z tabs, kept by May Reis [Monroe’s longtime New York secretary] on the star’s behalf for a number of years, inside pages contain Reis’ handwritten entries in pencil or various colors of ballpoint ink for Monroe’s personal and business contacts including (in alphabetical order): Rupert Allan, Elizabeth Arden, Richard Avedon, Kenneth Battale, Saul Bellow, Chateau Marmont, Michael Chekhov, Jack Cole, George Cukor, Lilly Daché, Agnes Flanagan, Bob Fosse, Ben Gazzara, Lotte Goslar, Sydney Guilaroff, Lillian Hellman, Hedda Hopper, Hotel Bel Air, John Huston, William Inge, Jax, Anne Karger, Marianne Kris, Leon Krohn, Ann Landers, Erno Laszlo, Jean Louis, Carson McCullers, Inez Melson, Isidore Miller, Berniece Miracle, Monroe Six, Eunice Murray, Jean Negulesco, Norman Norell, Clifford Odets, Louella Parsons, Lena Pepitone, The Plaza Hotel, Henry Rosenfeld, Hedda and Norman Rosten, Eva Marie Saint, Norma Shearer, Frank Sinatra, Sidney Skolsky, Allan Snyder, John Steinbeck, Paula Strasberg, Western Costume Co., Billy Wilder, and Shelley Winters, among a few others; also included are a few notes relating to the stars personal identification numbers as well as bank accounts; Reis’ ownership signature is penned on the second page next to a date of ‘1958;’ Monroe penciled in a note on the last page reading ‘Roxbury Conn. / Tophet Rd.'”

UNSOLD – reserve not met

“A single page of personalized stationery, dated ‘April 15, 1960,’ to ‘Mr. Ehrlich,’ reading in part ‘Will you please convey my sincere appreciation to the public and critics of Chile for awarding the Laurel de Oro as Best Actress of 1959,’ signed in black fountain pen ink in the lower right corner ‘Marilyn Monroe;’ with its original transmittal envelope. And sold separately, a contact sheet showing Marilyn in a scene from Some Like It Hot (1959.)”

Letter SOLD for $3,750; contact sheet SOLD for $768

“A small receipt from Gray Reid’s in Reno, Nevada noting a date of ’16 Aug 60′ and that ‘$6.07’ was spent, verso has a blue ballpoint ink handwritten annotation (not in MM’s hand) reading ‘Black / Umbrella’ — probably the umbrella that Marilyn bought for her acting coach, Paula Strasberg, during shooting of The Misfits.”

SOLD for $256

“A black silk and ostrich feather wrap with two black velvet arm straps, label reads ‘Made to Order / Rex / Inc. / Beverly Hills / California;’ displayed in a shadow box with a black and white image of the star wearing it during a 1960 photo shoot with Eve Arnold. Interestingly, this piece may have been used as a prop in MM’s last and unfinished 1962 film, Something’s Got To Give as a similar wrap can be seen in her tote bag in the sequence where she watches her children in the swimming pool.”

SOLD for $10,240

“A deep brownish-black mink fur stole, rectangular shaped with slightly flared ends, lined in a black and gold brocade textured raw silk, no labels present.” [Worn by Marilyn to the premiere of The Misfits in 1961.]

SOLD for $5,760

“A group of seven accessories including: 1) a pair of cat eye sunglasses with rhinestone detailing; 2) their case made of beige vinyl and brown plastic, stamped ‘Cosmetan / Sun Glasses;’ 3) a cordovan alligator eyeglass case stamped in part ‘Schilling;’ 4) a red cotton eyeglass case with a label reading in part ‘Devonaire of California;’ 5) a sterling silver shoe horn, stamped ‘Sterling’ on both sides; and 6-7) a pair of orange plastic shoe trees.”

SOLD for $7,500

“A two page hand-written note on light blue pieces of notepaper from the Los Angeles Institute for Psychoanalysis, penciled by the star in full “‘CR 12151 Western Union / Dear Marlon / I need your / opinion about a / plan for getting / Lee out here on more / than a temporary / basis please / phone me as soon / as possible / Time / is of the essence / Marilyn;’ evidently written for a telegram that she was sending to Brando about Actors’ Studio head Lee Strasberg. And sold separately, a telegram from Brando dated ‘1962 Jan 13,’ sent to Marilyn at her ‘882 North Doheny Apt 3’ address, reading in full ‘Tried to reach you by fone must leave city this weekend / sorry / Marlon,’ with a number of stamps and other handwritten delivery annotations evident; seeming to be Brando’s response to Monroe’s note.”

Marilyn’s note SOLD for $6,400; Marlon’s telegram SOLD for $2,560

“A standard postcard from the Fontainebleu Hotel in Miami, signed in blue ballpoint ink on the verso ‘To Gisele / Thank you / so much! / Marilyn Monroe.'” [Marilyn stayed overnight at the Fontainebleu in 1962 with her former father-in-law, Isidore Miller.]

SOLD for $2,500

“A large collection of approximately 130 loose-leaf ‘colored’ script change pages given to the star throughout the production of Something’s Got to Give, as the script was being revised on a regular basis, noting numerous and various dates in April and May of 1962, many pages are paper-clipped or stapled together by their revision date, a number of them have the star’s name penned in the upper right hand corner (though not in her hand) or small notes addressed to her, Monroe’s own handwritten annotations appear on a few pages, mainly as directions to herself such as ‘drop voice – / lean against post’ or additional dialogue she added such as ‘if you’d take it out’ and the like, she also circled her character’s name [“Ellen”] on many pages; two pink pages are torn with one having Monroe’s penciled annotation reading ‘No good one.’ And sold separately, an oversize colour photo taken during Marilyn’s 1962 session with Bert Stern for Vogue magazine, entitled ‘I Beg Of You‘.”

Script pages SOLD for $12,800; photo SOLD for $5,120

Sold separately, these contact sheets are among several lots featuring photos by Bert Stern.

Contact sheets SOLD for $1,152 and $896, respectively

“A telegram dated ‘1962 Jun 1 AM 9 55,’ sent to Marilyn at her Fifth Helena Drive address in Brentwood, CA, reading in full ‘Happy Birthday Hope Today And Future Years Bring You / Sunny Skies And All Your Heart Desires As Ever / Joe’ — most likely DiMaggio as it was sent from ‘Madrid Via RCA.'”

SOLD for $6,250

“A ticket reading in part ‘May 19, 1962 / Madison Square Garden / Gala All Star Show’ — the now-historic event celebrating President John F. Kennedy‘s 45th birthday, plus a photo of Marilyn during her performance of ‘Happy Birthday, Mr President’. And sold separately, a group of four telephone bills, sent to “M. Monroe” from General Telephone Company, ranging in date from April 30 to July 30, 1962, listing all the long distance calls she made to cities noted on the bills as ‘NYC, Bkln, Queen, Wbury, Engla, Telav’ and, most interestingly, to ‘Wash’ a number of times in July — so maybe she was calling the Kennedys?”

Ticket + photo SOLD for $896; telephone bills SOLD for $4,375

“A 1960s-era Steno spiral-bound notebook filled with about 45 pages of notes and reminiscences penned in blue ballpoint ink that George Barris wrote down while he was working with the star in the summer of 1962; appearing to be taken verbatim from conversations the two had, the subjects mentioned are quite varied and range from Monroe’s favorite films to her health to people on her mind at that particular time such as President Kennedy, Arthur Miller, Joe DiMaggio, Cyd Charisse, Marlon Brando, Paula Strasberg, and Greta Garbo; other topics include living in California, nude scenes in films, her termination from her last film, sex, on being a sex symbol, marriage, children, and life philosophy in general; some of the notes appear to have been jotted down later or even after the star’s death but in any case, it’s a fascinating look into the star’s psyche as recounted by someone who closely worked with her at the very end of her life. And sold separately, a signed photo by Barris.

Notebook SOLD for $8,750; photo SOLD for $2,560

Naomi Watts Inspired by Marilyn

Among those who attended the opening night of the Marilyn exhibit at Blancpain in Manhattan this week was Australian actress Naomi Watts, who shot to fame as a fragile Hollywood starlet in David Lynch’s Mulholland Drive (2001), and was the initial favourite to play Marilyn in filmmaker Andrew Dominik’s long-mooted adaptation of Joyce Carol Oates’ Blonde. After nearly a decade’s gestation, the film went into production this year with Ana de Armas in the lead role. Nonetheless, Naomi’s love for Marilyn is still strong, as she told Fashion Week Daily after arriving at Blancpain yesterday.

“Why did you want to be a part of tonight?

A New York night. Like any actress, I’m fascinated by Marilyn’s story.

What are your first memories of her?

I think she was there before I saw her films because she was everywhere. I was probably too young to know the films. She was just a glamour symbol. Then as I got to see her on film and then become an actor and get inside of her story. It was a wonderful discovery. Some of her work in the later part of her life was particularly extraordinary. Knowing what she had gone through as well. She was one of a kind.

Did you ever have any desire to play her in a biopic?

There was a moment where I nearly did quite a while ago. I’m too old now.  I’m aged out. Yes, it was something I considered and I was talking to a filmmaker for a period of time. It was a dark piece.

Do you have a favorite Marilyn Monroe movie?

The Misfits. I love the rawness of that. Gentlemen Prefer Blondes is another. The Seven Year Itch! There are so many!”



Marilyn at Julien’s: At the Movies

Another selection of items featured in Property From the Life and Career of Marilyn Monroe, going under the hammer at Julien’s Auctions on Thursday, November 1. (You can read all my posts on the sale here.)

“A single page removed from a trade publication such as Variety or The Hollywood Reporter with text reading in part ‘Thank you / Marilyn Monroe’ — an ad the star placed in the publication to thank the Hollywood Foreign Press Association for her 1962 Golden Globe win for ‘World Favorite Actress,’ mounted to cardboard; found in Monroe’s own files. ”

SOLD for $512

A framed still photo showing Marilyn with co-stars June Haver, William Lundigan and Jack Paar in Love Nest (1951); and a costume test shot for Don’t Bother to Knock (1952.)

Photo sets SOLD for $640 and $896, respectively

Marilyn and Jane Russell performing ‘Two Little Girls From Little Rock’ in Gentlemen Prefer Blondes, as seen on the cover of LIFE magazine in 1953. Marilyn’s costume is expected to fetch a maximum $80,000 – see here.)

Magazine SOLD for $896; costume SOLD for $250,000

A still photo of Marilyn during filming of River of No Return in 1953. The gown she wore while performing the theme song is expected to fetch a maximum $80,000 – see here.

Photo set SOLD for $1,152; costume SOLD for $175,000

Travilla’s costume sketch for the ‘Heat Wave’ number in There’s No Business Like Show Business (1954), and a colour transparency of Marilyn in costume for a wardrobe test shot. (The costume itself is estimated to fetch up to $80,000 – see here.)

Sketch SOLD for $11,520; photo SOLD for $750; costume SOLD for $280,000

A framed still photo of Marilyn performing ‘Heat Wave‘, and a custom-made, one-of-a-kind poster made for the Century Theatre in the Hamilton, Ontario area to advertise a raffle to win tickets to see There’s No Show Business Like Show Business.

Photo SOLD for $750; poster SOLD for $1,280

“A group of three, all original prints with a glossy finish, depicting the star behind-the-scenes on the set of her 1956 20th Century Fox film, Bus Stop; all have typed text on the bottom margin noting to credit Al Brack who was a ‘Sun Valley, Idaho photographer.'”

SOLD for $576

A pair of memos regarding Milton Greene’s photos from the set of The Prince and the Showgirl; and, sold separately, a contact sheet. The second memo reads in part, ‘Dear Mike, The print you sent me, that Marilyn Monroe said she had killed, is incorrectly numbered. Marilyn is right – she did kill it.’ Both memos are dated April 11, 1957, and are addressed to ‘Meyer Hunter.’ Lois Weber, one of Monroe’s publicists at the time, authored both memos.”

Memos SOLD for $312.50; contact sheet SOLD for $500

Still photo of Marilyn with co-stars Tony Curtis and Jack Lemmon in a scene from Some Like It Hot (1959.)

Photo set SOLD for $576

“A pair of colour slides of Marilyn Monroe in a scene from How To Marry a Millionaire (1953), and during a press conference for Let’s Make Love with co-star Frankie Vaughan on January 16, 1960.”

SOLD for $512

Still photos of Marilyn performing ‘My Heart Belongs to Daddy‘, and with director George Cukor, both taken on the set of Let’s Make Love.

SOLD for $512 and $640, respectively

Candid photos taken during filming of The Misfits in 1960.

Photo sets sold for $1,562.50 and $1, 920, respectively

Producer Henry Weinstein’s screenplay for the unfinished Something’s Got to Give (1962.)

SOLD for $768

Still photos taken by Lawrence Schiller during filming of the ‘pool scene’ in Something’s Got to Give.

Photo sets sold for $1,280 each

“A collection of approximately 65 pieces comprising only photocopied scripts and documents, all related to Marilyn Monroe’s films. Some film titles have more than one copy of the script, and some feature the working title and not the final one. All are bound into 20th Century Fox covers of various colors and appear to be the studio’s ‘loan out’ or ‘library’ copies. Pieces include (in alphabetical order): All About Eve (a treatment only), As Young As You Feel (2 scripts ), Bus Stop (3 scripts), Dangerous Years (1 script), Don’t Bother to Knock (2 scripts), The Full House (1 script), Gentlemen Prefer Blondes (2 scripts plus 4 related documents), How to Marry a Millionaire (3 scripts plus 1 related document), Let’s Make Love (2 scripts), Love Nest (2 scripts), Monkey Business (2 scripts plus 2 related documents), Move Over, Darling (1 script), Niagara (2 scripts plus 4 related documents), O. Henry’s Full House (2 scripts plus 1 related document), River of No Return (1 script plus 5 related documents), The Seven Year Itch (3 scripts), Something’s Got to Give (1 script), There’s No Business Like Show Business (3 scripts plus 7 related documents), Ticket to Tomahawk (2 related documents), and We’re Not Married (1 script plus 1 related document). Also included are a few miscellaneous pieces related to Monroe. “

SOLD for $896

Marilyn, Bruce Dern and ‘Wild River’

At 83, Bruce Dern is one of Hollywood’s most enduring character actors, with a career spanning almost 60 years. In 2013, he spoke about meeting Marilyn at the Actors Studio, and her advice that success would come to him in later life (see here.) Now in an interview for the New York Post, Dern describes a conversation with Marilyn before he made his big-screen debut in 1960; and while his recollection probably isn’t verbatim – I doubt she used the word ‘wunderkind’, or that she would have made cutting remarks about her husband with a passing acquaintance – it does shed light on a film Marilyn almost made with Dern (and her fragility certainly rings true. )

“I’m sitting in the back row my second day at the Actors Studio, and just before the session starts, this woman comes in with a yellow babushka over her head and sits down next to me.

‘You’re Gadge’s new wunderkind,’ she says — Gadge was Mr. [Elia] Kazan’s nickname. ‘The movie you’re gonna do, Wild River, I was gonna do — but I have to do this dumb movie my husband wrote, so they gave it to Lee Remick.’

Marilyn’s husband was Arthur Miller, the movie she was doing was The Misfits, and the star was Clark f - - king Gable. ‘What if he doesn’t like me?’ she asked. ‘He’s the biggest star that ever lived!’

She was as fragile as anyone I’ve ever seen in show business.”

Wild River was a Twentieth Century Fox production, directed by Elia Kazan and starring Montgomery Clift as an official from the Tennessee Valley Authority who tries to persuade an old woman to give up her home to build a hydroelectric dam on her land. He also becomes involved with her granddaughter Ella (Remick.) Bruce Dern played a small, uncredited role as a TVA agent (see inset, below.)

Marilyn was indeed committed to The Misfits, but it was Kazan who chose Lee Remick to play the lead – perhaps because sensing that his past relationship with Marilyn, and his falling out with Miller would cause conflict. Wild River was a good film, but a less glamorous role than Marilyn usually played, and arguably more suited to Remick.

Marilyn was still contracted to Fox, although she hadn’t worked there since 1956. After losing Wild River, she starred in the lightweight musical, Let’s Make Love, at Fox instead, before making The Misfits independently. Whatever her misgivings, The Misfits was probably a better fit for Marilyn than Wild River, and she finally got to co-star with her friend, Montgomery Clift.

Lee Remick was briefly set to replace Marilyn in the ill-fated Something’s Got to Give (1962), and would go on to narrate a 1987 documentary, Remembering Marilyn. Meanwhile, Miller and Kazan were finally reconciled (with Marilyn’s support), and later collaborated on After the Fall (1964), Miller’s autobiographical play in which Kazan’s wife, Barbara Loden (who had also appeared in Wild River), played a character based on Marilyn.

‘The Misfits’ in Morehead, KY

The Misfits will be screened at the Osher Lifelong Learning Institute (OLLI) in Morehead, Kentucky this fall, as part of the Osher Classic Film Series which runs on Wednesdays at 12:30 pm from September 25 – October 30 (enrolment is free, but limited to 35 places.)

Wednesdays With Marilyn in Palm Springs

The Palm Springs Cultural Centre is hosting a summer season of Marilyn’s movies each Wednesday at 7 pm, with Niagara on July 10; followed by Gentlemen Prefer Blondes on July 17, How to Marry a Millionaire on July 24, and Some Like It Hot on July 31. On Wednesdays at 7 through August, catch The Seven Year Itch, Bus Stop, Let’s Make Love and Monkey Business. And finally, the retrospective winds up in September with Don’t Bother to Knock and The Misfits.

Thanks to Eric at Marilyn Remembered

Marilyn Goes From Grand Marshal to Usherette

These candid photos of Marilyn, taken circa 1961, will go under the hammer at RR Auctions on June 12, as part of their latest Fine Autographs and Artifacts sale.

Although usually credited to Inge Morath, these photos (taken in 1960, during filming of The Misfits) are stamped with the name of Henri Cartier-Bresson, her colleague at the Magnum Photos agency (they visited the set in tandem.)

This wire photo was taken during Marilyn’s visit to the 1952 Miss America pageant in Atlantic City. Another photo taken with these young servicewomen caused a minor scandal, as mentioned in the caption. Some more information from the shoot is posted below (although the quote attributed to Marilyn was later refuted by her own publicist in a 1955 interview with the Saturday Evening Post‘s Pete Martin.)

“The low-cut summer dress she was wearing caught the attention of a photographer, who stood on a chair to better capture the outfit’s full effect. Upon seeing the photo, an Army information officer ordered it killed because he did not want to give the parents of potential recruits the ‘wrong impression’ about Army life. Information about the suppression of the photo was leaked to the press and then turned into frontpage news.

‘Leg art’ photo sessions were a never-ending part of Marilyn’s career, and one that she worked at with enthusiasm and good humor.

When asked her opinion of the situation for a story titled ‘Marilyn Wounded by Army Blushoff,’ Marilyn replied in her tongue-in-cheek manner, ‘I am very surprised and very hurt. I wasn’t aware of any objectionable décolletage on my part. I’d noticed people looking at me all day, but I thought they were admiring my Grand Marshal’s badge!'”

Susan Doll, How Stuff Works

Another Misfits photo from Magnum’s Eve Arnold.

One of the distinctive photo manipulations of Arthur ‘Weegee’ Fellig, based on his image of Marilyn at the Racquet Club, Palm Springs in 1949.

This photo of Marilyn with fellow celebrity usher Marlon Brando at the 1955 premiere of The Rose Tattoo comes from the collection of George Zeno, who has contributed to books including James Spada’s Monroe: A Life in Pictures (1982), and Christopher Nickens’ Marilyn in Fashion (2012.)

This photo shows Marilyn arriving at Phoenix Airport to film the rodeo scenes for Bus Stop in 1956.

This classic glamour shot (taken by Frank Powolny in 1953) is inscribed, ‘To Cheryl, Love & kisses, Marilyn Monroe.’

This shot of Marilyn singing alongside pianist Hal Schaefer, taken by John Florea in 1954, is part of a complete first series set of ‘Marilyn Monroe Trade Cards’ in their original packaging, entitled ‘Marilyn and Her Music,’ containing cards #1-20.

UPDATE: View results here

Marilyn’s Movies: A Birthday List

On Marilyn’s 93rd birthday, Sophia Waterfield aggregates online ratings from Metacritic and Rotten Tomatoes to gauge the 10 highest scoring Monroe movies with critics and audiences today in a post for Newsweek. The results are surprising, with her dramatic roles in Don’t Bother to Knock and The Misfits tying for first place; followed by Gentlemen Prefer Blondes and The Asphalt Jungle, with perennial favourite Like It Hot coming in fifth. The ranking continues with All About Eve, Monkey Business, The Seven Year Itch, Niagara, and How to Marry a Millionaire.

Meanwhile on the Gold Derby website, Zach Laws and Chris Beachum pick their top 15, with Some Like It Hot, The Misfits and The Seven Year Itch on top. Three more of my favourites – Bus Stop, Clash By Night and The Prince and the Showgirl – occupy the 5th, 13th and 14th places respectively, with River Of No Return ranked 11th and There’s No Business Like Show Business at 15th. (Of all Marilyn’s major movies, Let’s Make Love is the only one not to make either list.)

Manfred Kreiner’s Marilyn at Julien’s Legends

SOLD as part of set for $625

Following reports that the bathrobe worn by Marilyn in How to Marry a Millionaire will be auctioned at the annual Legends sale at Julien’s on June 13-14 (see here), the full listings are now available online here. I will review Marilyn’s personal and business correspondence in a future post, but today I’m looking through the archives of German photographer Manfred ‘Kreiner’ Linus.

UPDATE: I have now added the final bids for each item.

Marilyn opens the Time-Life building in New York, July 1957 (SOLD for $640)
This group of photos includes images from the Time-Life building (bottom, centre), and with Arthur at the Crystal Awards, where Marilyn received an award for The Prince and the Showgirl at New York’s French embassy in February 1959 (top left, and bottom right) SOLD for $1,280
Arriving in Chicago, March 1959 (SOLD as part of set for $625)
Meeting the press at Chicago’s Ambassador Hotel (SOLD for $3,840)
Arriving at the New York premiere of Some Like It Hot, March 1959
(SOLD as part of set for $625)
This group of photos includes an image of Marilyn attending the Hollywood reception for Russian premier Nikita Khrushchev in September 1959 (top right) SOLD for $320
This slide shows Manfred Kreiner with Marilyn during filming of The Misfits, 1960 (SOLD for $320)