Marilyn is the cover girl of this month’s Yours Retro, with a four-page article inside by Michelle Morgan about The Girl, her new book. And Marilyn is also pictured in two other features, about Hollywood marriages and beauty secrets; while Richard Wattis (her co-star in The Prince and the Showgirl) is mentioned in a piece about great British character actors.
Interestingly, the same cover photo (by Sam Shaw) was used by sister magazine Yours back in 2006.
Marilyn also covers London-only magazine The Resident this month, with a two-page spread inside on Up Close With Marilyn, the Milton Greene exhibition at Proud Central until June 24. You can read the magazine online (here), and copies are also circulating on eBay.
Marilyn is a favourite cover girl at Scotland’s Weekly News. Inside the latest edition, there’s a double-page spread with author Michelle Morgan talking about her new book, The Girl: Marilyn Monroe, The Seven Year Itch and the Birth of an Unlikely Feminist. The Weekly News is available from selected newsagents across the UK, and the second part of the interview will be published in next week’s issue.
British fans can expect lots of media coverage for Marilyn this month. In this week’s issue of free magazine Stylist, Rhiannon Lucy Coslett interviews gallery director Amy Thornett about Up Close With Marilyn, the exhibition of Milton Greene photos at London’s Proud Central until June 24. You can read it here, or buy a copy (N415) for just £1 from Newsstand (shipping costs may vary outside the UK.)
And in the latest issue of The Lady (dated May 11), ‘Marilyn Monroe: An Unlikely Feminist’, a four-page article by Michelle Morgan, author of The Girl (just published in the US, and coming to our shores very soon),is accompanied by more Greene photos.
Author Michelle Morgan will be answering your questions about all things MM live on Immortal Marilyn’s Facebook page (here) this Sunday, May 6, at 1 pm central (7 pm in the UK.) And Immortal Marilyn president Leslie Kasperowicz has reviewed Michelle’s upcoming book, The Girl, here.
“Some may say that Marilyn Monroe wasn’t a feminist, and by much of today’s definition, she may not have been. For her era, however, her stalwart refusal to bend to the pressure of men who could have destroyed her career is nothing short of remarkable. Morgan sheds light on a side of Marilyn that is rarely discussed, the actress and the woman whose life and career were truly remarkable aside from all of the sensational tabloid trash that has dominated the narrative about Marilyn for so long.”
Michelle Morgan’s new book, The Girl: Marilyn Monroe, The Seven Year Itch, and the Birth of an Unlikely Feminist, will be published on May 31. Ahead of a live chat with Michelle, Homegirl Talk has posted a wide-ranging interview, in which the prolific author and MM expert reveals her inspiration for The Girl...
“It was my editor’s idea, because she wanted to do a book about how The Seven Year Itch was an influential film that still inspires millions of people. I loved that idea, so we talked and decided to broaden it to include how the film inspired Marilyn and how that period of time became her most powerful and influential. Strangely, Marilyn’s time in New York and also her early modeling career have been two of my favorite periods of her life. Several years ago I was given the opportunity of writing about her modeling days, and now I’ve done the New York period, too. I’m really thrilled to have written about both.”
And don’t forget, Michelle will be a special guest at a panel discussion about Marilyn at London’s Birkbeck College on May 16 – more details here.
2018 is shaping up to be another great year for Marilyn’s book-loving fans. Marilyn: Lost and Forgotten, featuring 150 images from Colin Slater’s Hollywood Photo Archive, is set for publication in October. For those who can’t get enough of those classic Hollywood beauties, a companion volume – Venus in Hollywood: Portraits from the Golden Age of Glamour – is due in November.
Looking further ahead, Amanda Konkle’s Some Kind of Mirror: Creating Marilyn Monroe, a scholarly look at her film performances, will be published in February 2019. (Only the Kindle version is available for pre-order as yet.)
Reno, a 2016 play by Roy Smiles about Marilyn’s conflicted relationships with husband Arthur Miller and director John Huston during the tumultuous filming of The Misfits, will be published shortly by Oberon Modern Playwrights (the Kindle version is currently available for pre-order.)
And finally, Elizabeth Winder’s Marilyn in Manhattan is now available in Turkish; and Marilyn Monroe: 1926-1962, a new study of her untimely death by Eva Enderström, has been published in Sweden.
An extract from Michelle Morgan’s upcoming book, The Girl: Marilyn Monroe, The Seven Year Itch, and the Birth of an Unlikely Feminist, has been published in L.A. Weekly. Looking not only at Marilyn’s life but also the culture surrounding women in her time, Michelle brings some much-needed historic nuance to our perception of what it is to be a feminist.
“Since she was such a complex character, Marilyn Monroe found herself stuck in the middle of two different types of women: those who were disgusted or intimidated by her glamour and wanted her to tone everything down, and those who loved her look just as it was and wanted her to stop trying to be taken seriously.
It could easily be argued that Marilyn suffered frequent frustration because people wanted to pigeonhole her into being just one kind of personality. This undoubtedly came as a result of her unique and modern outlook on life—one more fitting to the twenty-first century rather than the 1950s. She was actually a modern-day feminist, though the very idea struck the nerves of many at the time.
Although vulnerable and complex, Marilyn was a strong woman who consistently fought for what she believed in. However, because of the confusion and stigma related to the word, it is highly unlikely that she would ever have considered herself a feminist in 1955. Friend Norman Rosten further doubted that she would have joined the women’s liberation movement in the 1960s and argued that in terms of economic equality, she had already proven herself.”
But wait, there’s more – if you’re in London on the afternoon of May 16, Michelle will be discussing her book from 2-5 pm with Gabriella Apicella, Underwire Film Fest founder and ardent Monroe fan, and Catherine Grant, Professor of Screen Studies at the Birkbeck University cinema on Gordon Square, Bloomsbury. The conversation will be followed by a Q&A – more details here.
“With an in-depth look at the two most empowering years in the life of Marilyn Monroe, The Girl details how The Seven Year Itch created an icon and sent the star on an adventure of self-discovery and transformation from a controlled wife and contract player into a businesswoman and unlikely feminist whose power is still felt today.
When Marilyn Monroe stepped over a subway grating as The Girl in The Seven Year Itch and let a gust of wind catch the skirt of her pleated white dress, an icon was born. Before that, the actress was mainly known for a nude calendar and one-dimensional, albeit memorable, characters on the screen. Though she again played a ‘dumb blonde’ in this film and was making headlines by revealing her enviable anatomy, the star was now every bit in control of her image, and ready for a personal revolution.
Emboldened by her winning fight to land the role of The Girl, the making of The Seven Year Itch and the eighteen months that followed was the period of greatest confidence, liberation, and career success that Marilyn Monroe lived in her tumultuous life. It was a time in which, among other things, she:
– Ended her failing marriage to Joe DiMaggio and later began a relationship with Arthur Miller;
– Legally changed her name to Marilyn Monroe, divorcing herself from the troubled past of Norma Jeane;
– Started her own production company;
– Studied in private lessons with Lee and Paula Strasberg of the Actors Studio and became a part of the acting revolution of the day.
The ripple Marilyn’s personal revolution had on Hollywood and in trailblazing the way for women that followed will both surprise and inspire readers to see Marilyn Monroe — and perhaps themselves — in an entirely new light.”