Amy and Joshua Greene Remember Marilyn

In a new interview for the Hello Giggles website, Joshua and Amy Greene talk about Marilyn and their spectacular book, 50 Sessions: The Essential MM By Milton Greene.

“On meeting Marilyn for the first time at Gene Kelly’s house:

AG: So, I also have to tell you that very few people in Hollywood had ever seen Marilyn because she was almost a recluse. She got up, she went to work, and she came back. So Milton said, ‘I’m gonna get Marilyn’ and come back to Gene’s house, [and] that’s where I met her. She came walking in. She was wearing a big Polo coat and no makeup. Her hair looked good. I sort of waved at her and she waved at me. The first break, I went over to her and she threw her arms around me and said, I’m delighted to meet you, and I kissed her. It was lovely because we became girlfriends.

On finding out about Marilyn’s death:

AG: We were in France, in Paris. Milton was doing the collections for Life magazine, and there was a radio. I kept saying, ‘Well let’s try to get some music or something.’ All we got was news, news, news, and neither one of us could understand French that well. All of a sudden, the words Marilyn Monroe came on. We didn’t know what it was. So, we went to [Château de] Fontainebleau, had a wonderful picnic lunch, drove back to Paris, and the first thing we heard—the telephone was ringing off the wall. It was Arthur Jacobs, who was her publicist trying to get us all day. And he said Marilyn’s dead. […] I collapsed. Milton was staggering. That was the last thing we expected.

On the subconscious feminism of Marilyn and Marilyn Monroe Productions:

JG: When you look at the history of what she was up against, what she did—she knew exactly what she was doing with men, and she knew exactly what she wanted to do for herself. With the right help [and] the right people, she was able to change and break the chain, break the glass ceiling, for someone with essentially no power and no money in the ‘50s as a woman. You gotta look at it through those rose-colored glasses. There’s movements that were created based on her life path—things that she wasn’t necessarily doing for that reason—she was just fighting for her freedom.”

Milton Greene’s ‘Essential Marilyn Monroe’

This is the final cover for the standard edition of The Essential Marilyn Monroe – Milton Greene: 50 Sessions, now making its way to readers in the UK and beyond. (Big spenders can also order a limited edition, boxed version with a print for £1,500.)

The first review has already been posted on Amazon by Fraser Penney:

“An absolutely amazing book on Marilyn’s and Milton Greene’s photo sessions. This book has many unpublished and alternate shots of the classic images we’ve all come to know. There’s also some funny ones of Marilyn clowning in front of camera in a playful way, showing the warmth the two shared during their years of friendship.

The book is a joy from start to finish with a few pages of text by Joshua Greene, film producer Jay Kanter and another of Marilyn’s photographers, Douglas Kirkland.

With a brief introduction to each of the 50 sessions, offering an insiders insight, it’s the most spectacular homage to Marilyn and Milton’s collaboration, friendship and professional relationship.

In the words of Marilyn’s assistant (how she’s described in book) Pat Newcomb, writes, ‘This is a truly authentic look into Monroe’s life, and the best collection of photographs of the world’s most glamorous star by someone who really knew her.'”

An example of colour restoration in ‘The Essential MM’
Joshua Greene at work (via Iconic Images)

Joshua Greene has spoken to the Hollywood Reporter about this epic project:

“‘The first time I released unseen images was in 1993, with Milton’s Marilyn. It was our early days of restoration, and if you go through that book, the color work is really inconsistent,’ he explains. “We also ran images to look like contact sheets, so many were very small, and it just wasn’t impactful. I was really disappointed in the outcome of that project. This time around, I wanted to make sure that what had happened there would never happen again.’

‘I look at this as the last hurrah, because I would like to retire,’ says Joshua, who’s 63. Of the book’s 284 images, 160 are — you guessed it — never before seen. ‘I started working on this about five years ago, originally with about 600 images,’ Joshua says. ‘The restoration work is very tedious; some photos took as much as 60 hours per frame. I would love to have included more images, but we also did what was best for the layout and formatting of this book.’

Joshua believes his father would approve of both the choice and quality of the images. ‘Milton was a maverick in the darkroom; nobody knew printing techniques better than he did,’ he says. ‘I started working with him in the darkroom when I was 11 years old. If the old man was alive today, I know he would have embraced today’s digital technology.’

Also key to the selection was to convey the ease and intimacy of his father’s friendship with an enigmatic woman who continues to captivate the public’s imagination. ‘They were very comfortable with each other, and she trusted him, and you see that in these photos,’ Joshua notes. ‘Ultimately he’d be thrilled with what we’ve created this time around. I’ve kept this fire burning for a long time, but with this, I know he’d be proud.'”

Marilyn Book News: Directors and Co-Stars at Fox

Just published is Twentieth Century Fox: A Century of Entertainment, Michael Troyan’s mammoth study of Marilyn’s home studio. It’s 736 pages long, with 150 photos in a landscape-size hardback.

Anne Bancroft, who made her screen debut in Don’t Bother to Knock and shared a dramatic scene with Marilyn, is the subject of two new biographies: one by Peter Shelley, and another by Douglass K. Daniel.

And one of Marilyn’s favourite directors, Jean Negulesco (How to Marry a Millionaire), is given the biographical treatment in a new study by Michelangelo Capua.

Coming in September is the much-anticipated Milton Greene retrospective, The Essential Marilyn Monroe (a German version and special edition are also available.) And in November, Marilyn graces the paperback cover of Cecil Beaton: Portraits and Profiles.

Looking further ahead, two intriguing new titles will be hitting our shelves in 2018: Colin Slater’s Marilyn Lost and Forgotten: Images from the Hollywood Photo Archiveand Marilyn Monroe: The Private Life of a Public Icon, a biography by Charles Casillo. And Elizabeth Winder’s Marilyn in Manhattan will be released in paperback.

Marilyn Book News: Greene, Beaton and More

This autumn will see the release of what could be the most comprehensive Greene retrospective to date, The Essential Marilyn Monroe by Milton H. Greene: 50 Sessions. Coming from ACC Art Books on September 27,  it spans 324 pages and 400 photos.

Marilyn also graces the cover of Cecil Beaton: Portraits and Profiles, one of many celebrities featured, out in paperback on October 5. This book was originally released in hardback (with Beaton on the cover) back in 2014.

And for something completely different, Robin Holabird’s Elvis, Marilyn, and the Space Aliens: Icons on Screen in Nevada is out now. Don’t be put off by the wacky cover: it includes a chapter on The Misfits.