Marilyn ‘Re-Imagined’ in Spartansburg

Artist Kirkland Thomas Smith’s portrait of Marilyn – inspired by Bert Stern, and assembled with reclaimed materials – is featured in her new exhibition, Re-Imagined, at the Curtis R. Harley Gallery in Spartansburg (part of the University of South Carolina Upstate) until September 21, as Samantha Swann reports for GroupState.

“The series carries an environmental message, which Smith said was inspired by the plastic toys that her four children accumulated. That caused her to think about just how many plastic items people can accumulate, even when trying not to. Before starting this series of work 10 years ago, Smith focused on traditional portraiture.

‘When I was trying to figure out how I could paint a picture of our consumerism, I just didn’t feel like I could make a bold enough statement painting a picture of it, and that’s where I got the idea to just use the stuff as my paint,’ Smith said.

Smith said that before starting the project, she, like many people, assumed that all plastics were recyclable. They are not. In fact many are not, she said. The items Smith uses would normally be thrown away — some are items that she or others have saved from trash cans, while others were purchased at yard sales or thrift stores.

While she wants the work to be fun, she also hopes that it will make viewers think about the amount of plastic and non-recyclable items in their daily lives and about the legacy being left for future generations.”

Kirkland Smith’s Marilyn, Re-Created

This striking work of art, made from scraps of non-recyclable waste, is on display as part of a Kirkland Smith exhibit at Gallery 80808, in Columbia, South Carolina, reports Mary Bentz Gilkerzon for the Columbia Free Times.

“Marilyn (2009) features the face of Marilyn Monroe, maybe the ultimate American icon of beauty, one that is immediately recognizable given her place in 20th century popular culture. The scale of the piece (48-by-48 inches), the frontal viewpoint and the cropping of the subject all make a nod to Andy Warhol’s famous Marilyn series, but the materials used add another dimension altogether. Using junk to address the issue of beauty forces a shift in perception. A Barbie doll creates the shadow on her nose; an old hairdryer creates the highlight in her hair. The viewer is aware of both subject and material at the same time.”