‘Smash’: Bombshell’s Opening Night

Season 2 of Smash has seen falling ratings and a downgrade on US TV schedules. However, fans of the show have been glad to see Ivy (Megan Hilty) regain her role as Marilyn in the musical, Bombshell. The twelfth episode, ‘Opening Night’, has now aired, and Smash will continue on NBC every Saturday, while the season finale – a double episode – will air on Sunday, May 26th.

‘Smash’ Cast Remember Marilyn

Smash cast members Megan Hilty, Debra Messing and Christian Borle are pictured here marking the 50th anniversary of Marilyn’s death during filming of the upcoming second series.

According to Starpulse, Messing also shared a Monroe quote on Twitter: ‘A career is wonderful thing, but you can’t snuggle up to it on a cold night.’

Hilty re-tweeted the post: ‘Can we get RIP Marilyn Monroe trending worldwide? R.I.P to this beautiful icon of the 20th century! Never forgotten!’

‘Smash’ Episode 15: ‘Bombshell’

 

The season finale of Smash has now aired in the US…

“Hilty is the real genius in the Marilyn role — even Anjelica Huston knows that, even if she couldn’t sway Derek — and if I were here, I would be contemplating the fistful of pills as well. The show wants us to care about Karen and to despise Ivy, who sleeps with other people’s boyfriends and tries to sabotage everything. But the best person in real life is not always the best person for the job, especially when it comes to show business. I hope that next season they let Ivy redeem herself and take her place. Bernadette Peters needs something else to do besides look devastated.” – Los Angeles Times

“There’s no denying that some people have that essence that just makes them watchable — Monroe, maybe more than any other actress, had it, was luminous on screen for reasons beyond just looks. But in trying to tell a story about that ‘it’ factor, ‘Smash’ actually ends up being about another aspect of stardom entirely, one that’s about the people dictating it rather than about who’s on screen…foisting a character on the viewers and insisting that despite how they might actually feel, that she’s the one to love.” – IndieWire

‘Smash’ Episode 14: ‘Previews’

The penultimate episode of this season’s Smash aired in the US last night, reports the Wall Street Journal.

‘The show ends with Marilyn’s death… but there is no applause…only Leo and Frank applaud and then everyone else joins in…but because they have to, not because they want to.

Afterwards Bobby says “First preview, something always goes wrong.” “Like no applause?” Karen asks? And there’s Dev waiting for Karen — he needed space and she apologizes and whoops there’s Ivy…

Meanwhile there’s a meeting of the minds – Tom says you can’t end a musical on a suicide, Julia says that’s what she did, she killed herself and Derek says there are a lot of theories out there about how Marilyn Monroe died (some even say it was murder — Marilyn was only 36 years old when she passed away). Eileen plays peacemaker and suggests a reunion with her younger self — Norma Jean. Eileen is hell bent on making “Bombshell” run forever to standing ovations every night. And she wants a new ending by Monday morning.’

‘Smash’ Episode 13: ‘Tech’

This latest episode is the first to be filmed since the series began airing, and features Rebecca Duvall (Uma Thurman) in Marilyn mode:

‘Movie star/Bombshell star Rebecca Duvall grappled with mounting performance anxiety, and Derek slithered into her dressing room to urge her to use her insecurities to better understand Marilyn, and to revel in her own star power, too. “It’s your escape from the terror,” he insisted. (Srsly?) Rebecca then donned (not entirely convincing) Marilyn drag for a performance of “Happy Birthday, Mr. Director” – ”I wonder if she got Karen to coach her,” snarled Ivy Lynn, hilariously — and before you knew it, Derek was all “Marilyn glowed in the light. She was luminous like you.” And Rebecca was all looking for a compliment that went beyond Derek thinking she was pretty. And then Derek used his condescension – ”You, my darling, are a lovely little actress.” — as an aphrodisiac. Next thing you know the director and his leading lady were going at it in the dressing room, with Rebecca’s creepy manager, super creepy Ellis, and somewhat creepy Ivy standing outside, eavesdropping creepily. Rebecca and Derek doing the nasty brings a whole new meaning to “Let Me Be Your Star,” I guess.’ – TVLine

‘“Smash’s” big gamble, starting out, was whether or not anyone would care enough about Marilyn to care at all about “Bombshell.” The musical-within-a-musical could have been about anything — the Tudor dynasty, contemporary politics, Joni Mitchell, the roaring ’20s, you name it — but they went with an iconoclastic character partly because she’s familiar to a mass audience and partly because she is glamorous and fun and beautiful, qualities the producers wanted to stamp onto their own young stars. The Marilyn story comes with drama already baked in; the high-highs and the low-lows, the rapture and the fame and the suicide.  But as the show proves, there are complications that go with Marilyn, and hers is not a story that belongs in just anyone’s hands.’ – Rachel Syme, Los Angeles Times

Bobby Rivers on ‘Smash’

 Blogger and MM fan Bobby Rivers shares his thoughts on TV’s Smash:

 “I am a Monroe fan. She was not a belter in her movie musicals.  Not like a Patti LuPone, Liza Minnelli or Kristin Chenoweth on Broadway.  Marilyn Monroe was not designed for theatre.  She created herself for intimacy with a movie camera.  She cooed.  She purred.  She was a satiny jazz baby singing ‘Diamonds Are A Girl’s Best Friend’ in ‘Gentlemen Prefer Blondes.  But she wasn’t a belter.

In ‘Smash’, she’s a belter.  And the “Smash” Marilyn doesn’t have that sexy subtlety.  Instead of pushing her dress down when the breeze from the subway blows her dress up, the NBC Marilyn assertively lifted her skirt up in a number without any breeze at all.  But they probably had to add that kind of brassiness to make the Monroe character work onstage and play to the MTV-generation folks in the balcony.  The ‘Smash’ version of the Blonde Bombshell seems more Joey Heatherton than Marilyn Monroe.

Joey did movies and musical work on TV shows.  Joey could belt a tune. She could dance.  She hurled sexy in your face like a custard pie.  She hoped to follow in Monroe’s footsteps starring in ‘Sugar’.  That was the 1972 Broadway musical version of ‘Some Like It Hot’.”

‘Smash’ Episode 12: ‘Publicity’

Ivy Lynn (Megan Hilty) sings another Marilyn-themed number in this week’s episode:

‘It’s hard for me to hate Ivy when she sang “Second Hand White Baby Grand” as beautifully as she did. I don’t know that Karen could have sung that song as effectively as Ivy did simply because Karen isn’t “broken” the way Ivy is. With lyrics like, “Something secondhand and broken still can make a pretty sound” and “I still have something beautiful to give,” that heartbreaking song might as well have been written about Ivy instead of Marilyn.’ – TV Equals

‘Smash’ Episode 11: ‘The Movie Star’

 Uma Thurman dominates this latest episode as movie star Rebecca Duvall, picked to play Marilyn. There’s just one problem – Rebecca can’t sing…!

“Uma Thurman gives Smash an added dimension this week that has been missing and it’s nice to have a new kind of plot line, instead of just Ivy vs. Karen. Uma gets her first Stage Marilyn musical number and since it’s at the end of the episode, Tom has changed the key for her and the singing improves. The episode is decent (once again, it’s even better if you forget about Frank and Leo) and the show seems to be back to moving in a good direction, rather than a ridiculous one.” – ScreenCrave