Marilyn at Julien’s: At the Movies

Another selection of items featured in Property From the Life and Career of Marilyn Monroe, going under the hammer at Julien’s Auctions on Thursday, November 1. (You can read all my posts on the sale here.)

“A single page removed from a trade publication such as Variety or The Hollywood Reporter with text reading in part ‘Thank you / Marilyn Monroe’ — an ad the star placed in the publication to thank the Hollywood Foreign Press Association for her 1962 Golden Globe win for ‘World Favorite Actress,’ mounted to cardboard; found in Monroe’s own files. ”

SOLD for $512

A framed still photo showing Marilyn with co-stars June Haver, William Lundigan and Jack Paar in Love Nest (1951); and a costume test shot for Don’t Bother to Knock (1952.)

Photo sets SOLD for $640 and $896, respectively

Marilyn and Jane Russell performing ‘Two Little Girls From Little Rock’ in Gentlemen Prefer Blondes, as seen on the cover of LIFE magazine in 1953. Marilyn’s costume is expected to fetch a maximum $80,000 – see here.)

Magazine SOLD for $896; costume SOLD for $250,000

A still photo of Marilyn during filming of River of No Return in 1953. The gown she wore while performing the theme song is expected to fetch a maximum $80,000 – see here.

Photo set SOLD for $1,152; costume SOLD for $175,000

Travilla’s costume sketch for the ‘Heat Wave’ number in There’s No Business Like Show Business (1954), and a colour transparency of Marilyn in costume for a wardrobe test shot. (The costume itself is estimated to fetch up to $80,000 – see here.)

Sketch SOLD for $11,520; photo SOLD for $750; costume SOLD for $280,000

A framed still photo of Marilyn performing ‘Heat Wave‘, and a custom-made, one-of-a-kind poster made for the Century Theatre in the Hamilton, Ontario area to advertise a raffle to win tickets to see There’s No Show Business Like Show Business.

Photo SOLD for $750; poster SOLD for $1,280

“A group of three, all original prints with a glossy finish, depicting the star behind-the-scenes on the set of her 1956 20th Century Fox film, Bus Stop; all have typed text on the bottom margin noting to credit Al Brack who was a ‘Sun Valley, Idaho photographer.'”

SOLD for $576

A pair of memos regarding Milton Greene’s photos from the set of The Prince and the Showgirl; and, sold separately, a contact sheet. The second memo reads in part, ‘Dear Mike, The print you sent me, that Marilyn Monroe said she had killed, is incorrectly numbered. Marilyn is right – she did kill it.’ Both memos are dated April 11, 1957, and are addressed to ‘Meyer Hunter.’ Lois Weber, one of Monroe’s publicists at the time, authored both memos.”

Memos SOLD for $312.50; contact sheet SOLD for $500

Still photo of Marilyn with co-stars Tony Curtis and Jack Lemmon in a scene from Some Like It Hot (1959.)

Photo set SOLD for $576

“A pair of colour slides of Marilyn Monroe in a scene from How To Marry a Millionaire (1953), and during a press conference for Let’s Make Love with co-star Frankie Vaughan on January 16, 1960.”

SOLD for $512

Still photos of Marilyn performing ‘My Heart Belongs to Daddy‘, and with director George Cukor, both taken on the set of Let’s Make Love.

SOLD for $512 and $640, respectively

Candid photos taken during filming of The Misfits in 1960.

Photo sets sold for $1,562.50 and $1, 920, respectively

Producer Henry Weinstein’s screenplay for the unfinished Something’s Got to Give (1962.)

SOLD for $768

Still photos taken by Lawrence Schiller during filming of the ‘pool scene’ in Something’s Got to Give.

Photo sets sold for $1,280 each

“A collection of approximately 65 pieces comprising only photocopied scripts and documents, all related to Marilyn Monroe’s films. Some film titles have more than one copy of the script, and some feature the working title and not the final one. All are bound into 20th Century Fox covers of various colors and appear to be the studio’s ‘loan out’ or ‘library’ copies. Pieces include (in alphabetical order): All About Eve (a treatment only), As Young As You Feel (2 scripts ), Bus Stop (3 scripts), Dangerous Years (1 script), Don’t Bother to Knock (2 scripts), The Full House (1 script), Gentlemen Prefer Blondes (2 scripts plus 4 related documents), How to Marry a Millionaire (3 scripts plus 1 related document), Let’s Make Love (2 scripts), Love Nest (2 scripts), Monkey Business (2 scripts plus 2 related documents), Move Over, Darling (1 script), Niagara (2 scripts plus 4 related documents), O. Henry’s Full House (2 scripts plus 1 related document), River of No Return (1 script plus 5 related documents), The Seven Year Itch (3 scripts), Something’s Got to Give (1 script), There’s No Business Like Show Business (3 scripts plus 7 related documents), Ticket to Tomahawk (2 related documents), and We’re Not Married (1 script plus 1 related document). Also included are a few miscellaneous pieces related to Monroe. “

SOLD for $896

Marilyn’s Costumes and Jewellery Sold at Julien’s

The results are in for this year’s Legends sale at Julien’s Auctions. A number of photos from the Manfred ‘Linus’ Kreiner archive (see above) were sold, with the Marilyn-related lots fetching up to $3,800. These photos were recently featured in Parade magazine (see here.)

Marilyn at the Fox luncheon for Soviet premier Nikita Khrushchev (Manfred Kreiner, 1959)

Within the fan community, biographer Gary Vitacco-Robles won a telegram from Lauren Bacall congratulating Marilyn after her wedding to Joe DiMaggio, for $1,582.50. The biggest Marilyn-related sales, however, were her costume from A Ticket to Tomahawk (sold for $22,400), and her bathrobe from How to Marry a Millionaire (which fetched $28,800.) Here are some more highlights:

  1. A rare ‘Page 3’ copy of Playboy‘s first issue, signed by Hugh Hefner ($16,00)
  2. A cast of Marilyn’s hands and feet from Grauman’s Chinese Theatre ($25,600)
  3. A black chiffon overblouse ($19, 200)
  4. A six-strand, iridiscent crystal necklace in purple and green ($11,250)
  5. A pair of rhinestone clip earrings ($28,125)
  6. Marilyn’s script for Something’s Got to Give, dated August 30, 1961 ($12,800)

And finally, I’ve added the maximum bids for each item featured in my previous posts – learn more about this fascinating auction here.

Marilyn’s How to Marry a Millionaire bathrobe today

Marilyn at Julien’s: A Life On Film

(SOLD for $22, 400)

A final post (for now) on the Julien’s Legends series, in advance of the auction on June 13-14. As well as Marilyn’s bathrobe from How to Marry a Millionaire (see here) her costume from A Ticket to Tomahawk (1950) is also on offer. She wore it to perform ‘Oh, What A Forward Young Man You Are’ with Dan Dailey and her fellow chorines.

As well as an archive of material by Manfred ‘Linus’ Kreiner (see here), several other photographers are also represented.

UPDATE: I have now added the final bids for each item.

Marilyn at the Racquet Club in Palm Springs, by Bruno Bernard (1949) SOLD for $1,920
A collection of 10 original vintage film stills,
together with approximately 25 publicity image photographs of Monroe (printed circa 1970s and 1980s), from the collection of actress Morgan Fairchild (SOLD for $768)
33 vintage lobby cards from the collection of Morgan Fairchild (SOLD for $768)
Colour transparency from a publicity shoot for Niagara (1953) UNSOLD
Silver gelatin print of Marilyn by Andre de Dienes (SOLD for $1,024)
Marilyn in 1962, signed by George Barris – from the private collection of the late Kim Goodwin (SOLD for $1,024)

“A group of seven color slides, all showing Marilyn performing for U.S. troops in Korea in 1954. Four slides show Monroe wearing a purple spaghetti-strapped dress on stage, three show her wearing a bomber jacket and pants in the camp, and one has a further handwritten annotation in black fountain pen ink reading in part ‘6 Feb 54 – A little/ closer this time.'” (SOLD for $448)

A group of 21 colour slides (SOLD for $5,625)
A black-and-white negative from Marilyn’s ‘Hooker’ series with Milton Greene; and a large screenprint from the Black Sitting, signed by Greene (from the collection of Morgan Fairchild) SOLD for $1,562.50 and $2,187.50, respectively
Screenprint by Bert Stern, signed (from the collection of Morgan Fairchild) SOLD for $1,600
10 large-format photos of Marilyn by Harold Lloyd (SOLD – three lots reached $3,200 each)
Marilyn’s ‘revised final script’ for Something’s Got to Give, dated August 30, 1961. In fact, the screenplay would be revised several more times, even before the ill-fated production began shooting in 1962. (SOLD for $12,800)

Marilyn’s Final Script Sold (Again) For $25,000

Marilyn in Something’s Got to Give (Photo edit by Laura)

Marilyn’s annotated script for her final, incomplete  movie, Something’s Got to Give, has been sold at the Nate D. Sanders Hollywood Memorabilia auction for $25,000. While reporters have poked fun at her minor spelling errors – such as ‘leeding him on’ – her comments are often perceptive. ‘Needs more jokes’, she remarked – an opinion shared by others during this troubled production.

If this script looks familiar, that’s because it sold at Julien’s only a month ago for $10,240. Other items from the event have also been spotted on auction sites like EBay, confirming that Marilyn’s personal property is becoming a magnet for investors. A disused grave marker from her crypt, also sold in November, attracted no bids this time around.

“Monroe’s handwritten pencil notes begin with her character’s (Ellen Wagstaff Arden) introduction in the script on page 12 and carry through to the end on page 149, even including notes on the verso of the last page and back cover, such as a note reading, ‘Joke writers Mel Brooks / Herb Gardner / Need spice / raisins / Need some funny lines.’ There are notes in Monroe’s hand on approximately 42 pages in the script, ranging from simple dialogue corrections and changes to in-depth sense memory notes when doing a scene that required a deeper emotional connection and understanding. Regarding her character’s introduction, as she interacts with naval personnel who saved her after being marooned on an island for five years, Monroe writes, ‘1 – Gayity [sic] 2 – Excitement 3 – Then Dazed.’ In one scene, Monroe references Arthur Miller’s children to better help her relate to her character’s children, ‘Bobby M. / and early Janie / except their [sic] mine.’ Throughout the script, Monroe writes succinct dialogue and character notes: ‘Stunned / Dazed – sky high with adventure’, ‘dead pan/I really don’t know’, ‘anticipating the joys’, ‘Trying to think or remember’, ‘start to wonder what’s from now on’, ‘I don’t know he knows’, ‘easy/very intimate/very real’, ‘[L]et me get into something more comfortable / leading him on -‘. Included is a small card with call times and scenes to be shot, and a small scrap of paper with a note in Monroe’s hand wondering why they are shooting out of sequence, as well as notes about using Miss vs. Mrs.”

This copy of the script is dated March 29, 1962. Another version, including revisions dated April 23 and 27, and with eighteen pages annotated by Marilyn, went unsold, after being purchased at Julien’s last month for $12,800.

“Some of the highlights include notes Monroe made for Scene 168, in which she interacts with her children in the movie, who don’t recognize her as they were too young when she became stranded on an island for five years and presumed dead. These hand-annotated typewritten pages were inserted into the script for this particular scene – one of the few that Monroe completed before her untimely death. Within these pages, Monroe writes a series of notes regarding her preparation: ‘Real thought’, ‘Mental Relaxation’, ‘Look for the light’, ‘Place the pain/feeling where it is not in the brow’, as well as specific sense memories to help find the emotional truth with her character’s feelings toward her on-screen children, ‘Substitute children – B & J if necessary’, perhaps referring to Arthur Miller’s children Bobby and Jane. There are also some notes from Monroe regarding her work with a Swedish dialect coach. Peppered throughout the script are further dialogue notes, changes and line strikes. Interestingly, the script also includes notes in an unknown hand giving blunt, critical assessments and insights of the script’s scene descriptions, direction and dialogue. These notes start on the script’s first page, ‘Note for Marilyn/He has to woo her not the way it is / new blue pages’ and continue in blue pen, ‘Dull’, ‘Naggy, ‘Make it funny!’ and ‘Smugly’. Interestingly, Monroe reacts to some of these notes, either changing dialogue and scene direction or, in some cases, striking the note itself if she doesn’t agree with it.”

And in other news, a Frank Powolny portrait of Marilyn – signed by the lady herself to ‘Jimmie’ – was sold at R.R. Auctions for $24,959 this week, as part of the Tom Gregory Collection.