Some items were previously sold at Christie’s in 1999, while various writings, drawings and correspondence have been published in books like Fragments, MMPersonal and Girl, Waiting. However, there is still a great deal of unseen material, yielding fresh insight into Marilyn’s life and times.
In advance of the auction in Beverly Hills on November 17 the Happy Birthday dress will be on display for one week only from tomorrow at the Museum of Style Icons at Newbridge Silverware in County Kildare, Ireland.
ES Updates will be covering all aspects of the sale, including a series of detailed posts about what’s on offer. You can also read an article about it on Immortal Marilyn now, while Scott Fortner will be interviewing Anna Strasberg at his MM Collection blog on November 1.
A trove of rare photos from the estate of Frieda Hull – a former member of the Monroe Six, the group of loyal fans who befriended Marilyn after her move to New York in 1955 – has been added to the upcoming Julien’s Auctions sale, set for November and also including items from the David Gainsborough Roberts Collection and Marilyn’s own personal archive, as Just Collecting reports. (This follows the sale of fellow Monroe Sixer Jimmy Collins‘ photo collection at Heritage Auctions earlier this year.)
“Hull’s job as an airline employee also enabled her to follow Monroe on the West Coast, and throughout her life she built up an archive of rare photographs spanning the actress’ entire career.
In addition to the photographs that members of the ‘Six’ took themselves, Hull’s collection features a wide range of previously unseen images. They include unseen colour photos of Monroe as she sang ‘Happy Birthday’ for President John F. Kennedy at Madison Square Garden; slides of her on location filming the iconic subway skirt-blowing scene from The Seven Year Itch; and images of her and husband Arthur Miller after the premiere of Some Like It Hot in 1959.
In all, the Frieda Hull collection includes 550 colour and black & white candid photographs, more than 150 slides, close to 750 movie stills, publicity photos and lobby cards, and even personal home movies of Monroe leaving her New York apartment in 1958.
Aside for the photographic archive, Hull’s personal collection also includes memorabilia such as locks of Monroe’s hair, a scarf gifted by Monroe herself, Hull’s original ticket and program to the 1962 JFK Madison Square Garden gala, and a Gladstone Hotel menu autographed by Monroe and Miller.”
Just four years younger than Monroe, Frieda Hull died in Las Vegas in 2014, aged 83. You can read her obituary here. And for an exclusive sneak preview of the Frieda Hull collection, visit Scott Fortner’s blog here.
“It was an absolute thrill to work with Julien’s on the Frieda Hull Collection. I was repeatedly delighted and dumbstruck over the photos in this archive, many of which I’d never seen. Fans will be overjoyed and amazed with these new unpublished images of Marilyn. Below are some shots from my study as part of my sorting process, which was no small task considering the sheer volume of photos. All totaled, an unprecedented 142 lots of photos will be offered in the auction, the majority of which were taken by members of the Monroe Six.”
A very special 90th birthday party for Marilyn went down last night at Heritage Auctions in Beverly Hills, as part of a Limited Runs pop-up exhibition. Among the guests were collectors Greg Schreiner and Scott Fortner, impersonator Holly Beavon, Tom Kelley Jr (whose father photographed Marilyn’s nude calendar), actress Kathleen Hughes (widow of River of No Return producer Stanley Rubin), and Marian Collier (who played Marilyn’s bandmate Olga in Some Like it Hot.) Photos and videos from the evening have been posted on the Facebook page for Marilyn Remembered.
Marilyn Monroe: The Legacy of a Legend, an exhibition of the David Gainsborough Roberts collection, opened at London’s Design Centre last week. Fellow collector Scott Fortner attended the launch, alongside impersonator Suzie Kennedy and actress Linda Gray (aka Sue-Ellen Ewing from TV’s Dallas.)
In an article for the Telegraph, Bethan Holt discussed the ‘lipstick, diamonds and cigarettes’ among Marilyn’s personal effects, while Ben Miller looks at the ‘vulnerability and humanity’ revealed by her drawings and notes in his review for Culture24.
After closing on June 20, the collection will move to the Museum of Style Icons at Newbridge in County Kildare, Ireland, where it will be on display from June 25-July 25.
If the recently-announced November sale of David Gainsborough-Roberts‘ Marilyn collection wasn’t spectacular enough, here comes news that Lee Strasberg’s Monroe archive will also be included. A limited edition, box-set catalogue is also on sale for $250. The list isn’t yet online, but collector Scott Fortner gives us a sneak preview on his blog today. Many items were previously featured in the books Fragments and MM – Personal, and have never been up for sale until now. “I’ve always thought that the 1999 Christie’s auction, ‘The Personal Property of Marilyn Monroe’, would most certainly be the most important auction ever when it came to Marilyn,” Scott writes. “However, Julien’s Auctions is moving into this same category…”
In an article for Woman’s Day magazine, tracing the history of Marilyn’s iconic white halter dress – designed by Travilla, and famously worn in The Seven Year Itch – Marlisse Cepeda reveals how Oscar-winning actress Meryl Streep helped track it down. (However, as Scott Fortner noted in 2011, that dress may have been a prototype rather than the one worn by Marilyn.)
“In June 2011, Debbie [Reynolds] put much of her collection up for auction, including the white cocktail dress. It was purchased for $5.52 million, the most money ever paid for a movie costume. The winning bid was made over the phone, and the dress is now part of a private collection—the mysterious owner has remained unidentified.
The last time the dress was seen in public was in October 2012, for the “Hollywood Costume” exhibition at the Victoria and Albert Museum in London. The last-minute addition was made possible by another actress, Meryl Streep.
The exhibition’s curator happened to tell Meryl that she was hoping to add Eliza Doolittle’s Ascot dress from My Fair Lady to the show. Meryl claimed she knew the dress’s current owner, and helped the curator track her down. But it turned out the woman didn’t have the Ascot number, but she did, in fact, own Marilyn’s iconic costume. She agreed to loan the gown to the exhibit, and just like that, it made its way to London, into the spotlight once again. “
The collection of David Gainsborough Roberts – one of the world’s largest Marilyn archives, including many of her iconic movie costumes – will be sold in November, Julien’s Auctions has announced.
Although the live auction will be held in Los Angeles, UK fans will be able to see Roberts’ full collection at London’s Design Centre from May 25- June 20. It will then visit the Newbridge Museum of Style Icons in Ireland from June 25-July 25, before crossing the Atlantic on Cunard’s Queen Mary 2 in August, with more US exhibition dates to be confirmed.
Fellow collector Scott Fortner has been helping to catalogue the items, and is reporting his findings on the MM Collection blog. And finally, here’s an excerpt from the Julien’s press release.
“Highlights from this historic sale include a sheer black beaded and sequined dress worn by Monroe in her Golden Globe winning role Sugar Kane as she crooned ‘I’m Through With Love’ in the award winning 1959 film Some Like it Hot; an elaborate embellished stage gown worn by Monroe as she sang ‘After You Get What You Want You Don’t Want It’ in the 1954 comedy There’s No Business Like Show Business which was designed by one of Marilyn’s all-time favorite designers, William Travilla; a pink linen halter wiggle dress designed for Monroe by Dorothy Jenkins for the 1953 thriller Niagara; a green satin one-piece with black sequins and gold fringe worn by Monroe as she sang ‘That Old Black Magic’ in the 1956 film Bus Stop; a lilac satin leotard worn by Monroe as Lillian Russell in the 1958 photo series by Richard Avedon and featured in Life magazine in 1958. Additional film pieces offered include costumes from Gentlemen Prefer Blondes and Let’s Make Love, along with a pair of rhinestone earrings worn by Monroe in How To Marry A Millionaire and a pair of sequin embellished opera gloves from the Rachmaninoff scene of The Seven Year Itch.
Monroe’s personal style is represented by a figure hugging black cocktail dress by Ceil Chapman, a favorite of Monroe; a slender fitting bias cut crepe evening gown worn by Monroe to the 1955 premiere of The Rose Tattoo; an embellished slubbed silk Lanvin gown; and rhinestone jewelry. Personal items include prescription pill bottles, Victoria and Albert museum exhibited high heels, a plastic doll in the likeness of Monroe given as a souvenir at her 34th birthday party; documents and correspondences; household items; and Monroe’s Detroit Free Press New Faces Award from 1952.”
One of Marilyn’s most iconic dresses, rarely seen today, is currently on display as part of Twentieth Century Fox Presents Marilyn Monroe, the new exhibition at Bendigo Art Gallery, as Scott Fortner reports for his MM Collection blog.
“Many of the items on exhibit have been seen around the world, including the US, Italy, Germany, Japan, Canada, Spain and Prague. However, one item in particular hasn’t been seen by the public in over 20 years, and that’s the striking purple gown that Marilyn Monroe wore throughout her Korean USO tour in 1954 when she performed for US troops stationed there. Marilyn is often quoted as saying performing in Korea was one of the highlights of her life.
The dress and matching bolero jacket, owned by a private collector in Australia, is quite simply, stunning. It sparkles in the light today exactly as it must have in February of ’54 as Marilyn sang ‘Diamonds are a girl’s best friend’ in front of thousands of US servicemen in freezing temperatures. It was an absolute thrill to see this treasure live and in person. And for those who may doubt it’s the actual Korea USO dress, I’ve done a bit of analysis, and I’m convinced it’s THE dress Marilyn owned and wore throughout her USO tour. Many have speculated the whereabouts of this dress, yet those of us ‘in the know’ have known it was in the hands of a private collector in Australia. His generosity in sharing the gown with the public is greatly appreciated.”
“I’ve basically been collecting Marilyn Monroe related pieces for as long as I can remember. In junior high I bought my first Marilyn book and also my first Marilyn Monroe collectible, which was a poster composed of a collage of Marilyn photos – I still have that poster today. For quite some time, my collection focused on Marilyn Monroe books. I bought (and still do) just about every book that came out about her.
In 1999, Marilyn’s personal estate went up for auction via Christie’s New York. Not long after that sale, Marilyn’s items started being auctioned on eBay, and that’s when I really started expanding my collection to include her personal property … It’s a very expensive hobby and one that becomes more and more expensive all the time. Over 50 years after her death, items from her personal life and her films are only going up in value …”
After news from Maite Minguez Ricart and Debbie Reynolds, Scott Fortner – owner of one of the world’s largest collections of Marilyn’s personal property – has given fans a preview of the items he has loaned to the Bendigo Art Gallery in Australia for their much-anticipated exhibition, ‘Twentieth Century-Fox Presents Marilyn Monroe’, opening on March 5. You can follow Scott’s updates on the exhibition at The MM Collection‘s Facebook page.