An archive of over 200 negatives taken during filming of Niagara by Canadian photographer Jock Carroll in 1952 has been sold with copyright for $61,866.25 at RR Auctions. Also in the Fine Autographs and Artifacts (Entertainment) sale, a December 1961 letter from Marilyn to Lee Strasberg was sold for $18,750 – more on the auction here.
An archive containing more than 200 negatives from the filming of Niagara, part of the late photographer Jock Carroll’s estate, are will go under the virtual hammer this Wednesday, March 4th, at RR Auctions (with copyright), TMZ reports. Bidding starts at $10,000, but the online auctioneers hope it will sell for much more.
Carroll’s stunning book about the shoot, Falling For Marilyn, was posthumously published in 1996 and includes his interviews with Marilyn. His novel, The Shy Photographer (1964), is also said to have been inspired by this memorable encounter. (You can view more of Carroll’s photos here.)
A number of other Monroe-related items will be auctioned, including her December 1961 letter to Lee Strasberg detailing her unrealised plans to expand the Actors Studio and Marilyn Monroe Productions.
“The pics — 227 total, 198 of which depict Marilyn — were snapped by Canadian journalist and photog Jock Carroll in 1952, while she was preparing for her first top billing as Rose Loomis in the noir thriller.
The set of photos is mostly comprised of black-and-white negatives but includes some color positive transparencies. And, along with shots of Monroe, there are several of the sets, scenery and of course … Niagara Falls.
The negatives could become much more than just a collector’s item too … because they include the copyright to the images. Carroll signed the rights over to his son [Angus Carroll] before he died, and the son will grant them to the buyer.
This means the highest bidder at the auction will have the right to print and even sell copies from the negatives, which could lead to big bucks. Commercial use requires permission from Monroe’s estate, however.”
UPDATE: The Josh Carroll archive has been sold for $61,866.25 – more details on the auction here.
A souvenir album featuring images from the star-studded gala for John F. Kennedy’s 45th birthday at Madison Square Garden in 1962 will soon go under the hammer at RR Auctions as part of an extensive archive of memorabilia relating to the former president. The sale ends on January 23, with a starting bid of $1,000 for the album, although auctioneer Robert Livingston hopes that this private collection, with an estimated value of $1.5 million, will be sold as a single lot.
UPDATE: The album was sold for $6,970.
A 1953 Frank Powolny portrait, inscribed ‘To Cheryl, Love & kisses, Marilyn Monroe’, was sold for $13,636 at RR Auctions’ Fine Autographs and Artifacts sale yesterday. Bob Towers’ photo of Marilyn arriving at Phoenix Airport in 1956 sold for $578, while a photo taken during filming of The Misfits (attributed to Henri Cartier-Bresson), and a wire photo of Marilyn posing with U.S. servicewomen raised $525 each.
Meanwhile, the annual Legends event, featuring 135 Marilyn-related lots, is now open at Julien’s through Friday – more info here.
These candid photos of Marilyn, taken circa 1961, will go under the hammer at RR Auctions on June 12, as part of their latest Fine Autographs and Artifacts sale.
Although usually credited to Inge Morath, these photos (taken in 1960, during filming of The Misfits) are stamped with the name of Henri Cartier-Bresson, her colleague at the Magnum Photos agency (they visited the set in tandem.)
This wire photo was taken during Marilyn’s visit to the 1952 Miss America pageant in Atlantic City. Another photo taken with these young servicewomen caused a minor scandal, as mentioned in the caption. Some more information from the shoot is posted below (although the quote attributed to Marilyn was later refuted by her own publicist in a 1955 interview with the Saturday Evening Post‘s Pete Martin.)
“The low-cut summer dress she was wearing caught the attention of a photographer, who stood on a chair to better capture the outfit’s full effect. Upon seeing the photo, an Army information officer ordered it killed because he did not want to give the parents of potential recruits the ‘wrong impression’ about Army life. Information about the suppression of the photo was leaked to the press and then turned into frontpage news.
‘Leg art’ photo sessions were a never-ending part of Marilyn’s career, and one that she worked at with enthusiasm and good humor.
When asked her opinion of the situation for a story titled ‘Marilyn Wounded by Army Blushoff,’ Marilyn replied in her tongue-in-cheek manner, ‘I am very surprised and very hurt. I wasn’t aware of any objectionable décolletage on my part. I’d noticed people looking at me all day, but I thought they were admiring my Grand Marshal’s badge!'”Susan Doll, How Stuff Works
Another Misfits photo from Magnum’s Eve Arnold.
One of the distinctive photo manipulations of Arthur ‘Weegee’ Fellig, based on his image of Marilyn at the Racquet Club, Palm Springs in 1949.
This photo of Marilyn with fellow celebrity usher Marlon Brando at the 1955 premiere of The Rose Tattoo comes from the collection of George Zeno, who has contributed to books including James Spada’s Monroe: A Life in Pictures (1982), and Christopher Nickens’ Marilyn in Fashion (2012.)
This photo shows Marilyn arriving at Phoenix Airport to film the rodeo scenes for Bus Stop in 1956.
This classic glamour shot (taken by Frank Powolny in 1953) is inscribed, ‘To Cheryl, Love & kisses, Marilyn Monroe.’
This shot of Marilyn singing alongside pianist Hal Schaefer, taken by John Florea in 1954, is part of a complete first series set of ‘Marilyn Monroe Trade Cards’ in their original packaging, entitled ‘Marilyn and Her Music,’ containing cards #1-20.
UPDATE: View results here
Surprisingly, Marilyn’s 1961 letter to Lee Strasberg failed to reach the $20,000 estimate at the RR Auctions Hollywood sale on Thursday, May 23. A Marilyn-owned black velvet belt, possibly worn in As Young As You Feel, sold for $7,837.50; while her copy of Something To Live By, a self-help book by Dorothea S. Kopplin, fetched $7,730. You can find out more about the winning Marilyn-related lots here; and the full list is over here.
A letter from Marilyn to Lee Strasberg will be sold online during the Classic Hollywood sale at RR Auctions this Thursday, May 23. While Marilyn talks frankly about her emotional problems and disappointments in life, she also proposed an ambitious plan for her future career. Sadly, her goals would never be realised as she passed away just eight months after the letter was written. It is dated 19 December, 1961, and like other letters from her final years, it was typed (probably by a secretary), and was previously published in the 2010 book, Fragments. Coming from her estate (along with all her personal possessions, 75% was passed on to Lee after she died), it is the first time the letter has gone up for auction with an estimate of $20,000. Further details, including a full transcript, are also available here.
“This is an important personal letter and please don’t start to read it until you have the time to give it your careful thought. This letter concerns my future plans and therefore concerns yours as well since my future development as an artist is based on our working together. All this is an introduction; let me outline the recent events, my ideas and my suggestions.
As you know, for years I have been struggling to find some emotional security with little success, for many different reasons. Only in the last several months, as you detected, do I seem to have made a modest beginning. It is true that my treatment with Dr. Greenson has had its ups and downs, as you know. However, my overall progress is such that I have hopes of finally establishing a piece of ground for myself to stand on, instead of the quicksand I have always been in. But Dr. Greenson agrees with you, that for me to live decently and productively, I must work! And work means not merely performing professionally, but to study and truly devote myself. My work is the only trustworthy hope I have. And here, Lee, is where you come in. To me, work and Lee Strasberg are synonymous. I do not want to be presumptuous in expecting you to come out here for me alone. I have contacted Marlon on this subject and he seems to be quite interested, despite the fact that he is in the process of finishing a movie. I shall talk with him more thoroughly in a day or two.
Furthermore, and this must be kept confidential for the time being, my attorneys and I are planning to set up and [sic] independent production unit, in which we have envisaged an important position for you. This is still in the formative phase, but I am thinking of you in some consultative position or in whatever way you might see fit. I know you will want enough freedom to pursue your teaching and any other private interests you might want to follow.
Though I am committed to my analysis, as painful as it is, I cannot definitively decide, until I hear from you, because without working with you only half of me is functioning. Therefore, I must know under what condition you might consider coming out here and even settling here.
I know this might sound quite fantastic, but if you add up all the possible advantages it should be quite a rewarding venture. I mean not only for Marlon and me—but for others. This independent production unit will also be making pictures without me—this is even required for legal reasons. This will offer an opportunity for Susan if she should be interested and perhaps even for Johnny. And Paula would have a great many opportunities for coaching. As for you, Lee, I still have the dream of you some day directing me in a film! I know this is a big step to take, but I have the wish that you might realize out here some of the incomplete hopes that were perhaps not fulfilled for you, like Lincoln Center, etc.
So I don’t know how else to persuade you. I need you to study with and I am not alone in this. I want to do everything in my power to get you to come out—within reason—as long as it is to your advantage as well as mine. So, Lee, please think this over carefully; this is an awfully important time of my life and since you mentioned on the phone that you too felt things were unsettled, I have dared to hope. I have meetings set up with Marlon and also with my attorneys and will phone you if there are any important new developments. Otherwise, please get in touch with me.”
Also on offer, the 1952-53 editions of Who’s Who in Hollywood, autographed by a multitude of stars, are a treasure trove for movie buffs. Marilyn is listed in the category ‘Super Stars: The Younger Set.’ (EDIT: unsold)
The lamp seen in the restaurant scene from How To Marry a Millionaire (here, with Alex D’Arcy) was used as a prop in other Fox movies, including The Girl Can’t Help It, starring that other fifties blonde, Jayne Mansfield. (EDIT: Unsold)
A number of original photos are also on sale…