Marilyn: A Proto-Synaesthete?

Norma Jeane by Richard C. Miller, 1946

In an article for the New Yorker, no less, Robin Wright says, ‘I have something in common with Marilyn Monroe – and you might, too.’ That shared condition, she claims, is synaesthesia…

“Marilyn Monroe had a condition called synesthesia, a kind of sensory or cognitive fusion in which things seen, heard, smelled, felt, or tasted stimulate a totally unrelated sense—so that music can be heard or food tasted in colors, for instance. Monroe’s first husband, Jim Dougherty, told Norman Mailer about ‘evenings when all Norma Jean served were peas and carrots. She liked the colors. She has that displacement of the senses which others take drugs to find. So she is like a lover of rock who sees vibrations when he hears sounds,’ Mailer recounted, in his 1973 biography of Monroe.”

While Marilyn was never diagnosed with synaesthesia, there’s a good reason for that – it wasn’t an established concept during her lifetime, although Wright believes it has been described in literature for centuries, noting that many artists, musicians and writers exhibit aspects of synaesthesia.

Maureen Seaberg first suggested that Marilyn might have been a synaesthete in a 2012 article for Psychology Today – a hypothesis supported by Mona Rae Miracle. (It would be interesting if a psychologist could examine other incidents from Marilyn’s life from this perspective.)

Marilyn photographed by Milton Greene, in costume for ‘Bus Stop’ (1956)

“It didn’t disturb me that Mr. Mailer did not refer to Ms. Monroe’s displacement of the senses specifically as synesthesia — no one was using that word in 1973. I decided to follow up with her survivors and spent months seeking them until an email arrived from her niece, Mona Rae Miracle, who with her mother, Berniece Baker Miracle, wrote a well-received biography of her famous aunt herself, titled My Sister Marilyn.

‘Synaesthesia is a term Marilyn and I were unaware of; in the past, we simply spoke of the characteristic experiences with terms such as extraordinary sensitivity and/or extraordinary imagination … Marilyn and I both studied acting with Lee Strasberg, who gave students exercises which could bring us awareness of such abilities, and the means of using them to bring characters to life. As you know, the varied experiences can bring sadness or enjoyment … Marilyn’s awesome performance in Bus Stop (the one she was most proud of) grew out of the use of such techniques and quite wore her out.'”