Richard Meryman Dies at 88

Journalist Richard Meryman – who was the last person to interview Marilyn, and went on to become an acclaimed biographer – has died aged 88, reports the New York Times.

The son of artist Richard Sumner Meryman, ‘Junior’ was born in Washington, and grew up in Dublin, New Hampshire. He graduated from Andover and Williams College, was an All-American lacrosse player, and a World War II Navy ensign. In 1949 he was hired by Life magazine,  and became its human affairs editor. Meryman is credited as a pioneer of the taped interview.

On February 10, 1962, Meryman wrote a letter to Marilyn requesting an interview. On May 17, Marilyn arrived in New York for John F. Kennedy’s birthday gala (which took place two days later.) That evening, she and publicist John Springer met Meryman and his assistant, Barbara Villet, at the Savoy-Plaza Hotel, and arranged an interview.

On July 4, Meryman interviewed Marilyn at her new home in Brentwood, Los Angeles. On July 9, Meryman brought her a transcript of their discussion. She received a copy of the article on July 14, and it was published in Life on Friday, August 3 – the day before she died. In the magazine’s next issue, Meryman published his own reminiscences of their encounter, entitled ‘A Last Talk With a Lonely Girl.’

Thirty years after Marilyn’s death, Meryman’s tapes were broadcast  in an HBO documentary, Marilyn: The Last Interview. ‘My experience with stars is that – through all the publicity and the hype and everything – the public senses the essence of the person,’ Meryman told CNN’s Larry King in 2001. ‘And the essence of Marilyn is she communicated a kind of truth. And truth is very powerful.’

Meryman’s interview was published as a compendium of quotes from Marilyn herself, without his questions. It gives the reader a sense of hearing Marilyn’s own voice, perhaps for the first time. She talked about her difficult childhood, the double-edged nature of stardom, and her recent dispute with Twentieth Century-Fox. In 2007, the ‘last interview’ was included in ‘Great Interviews of the 20th Century‘, a series of pamphlets published by The Guardian.

Perhaps inspired by his work with Marilyn, Elizabeth Taylor collaborated with him on a 1964 book, Elizabeth Taylor: An Informal Memoir. Louis Armstrong was among many other celebrities interviewed by Meryman, and a short book, Louis Armstrong: A Self-Portrait, was published following his death in 1971.

Meryman’s subsequent biographies included Mank: The Wit, World and Life of Herman Mankiewicz (1978) and Enter Talking, a 1987 collaboration with acid-tongued comedienne Joan Rivers.

His first wife, artist Hope Brooks, died of a malignant melanoma in 1975, leaving behind two daughters. Meryman wrote about his grief in a 1980 memoir, Hope: A Loss Survived. In the same year, he was remarried to art consultant Elizabeth Burns.

Andrew Wyeth: A Secret Life,  Meryman’s biography of the American artist (best-known for his 1948 painting, Christina’s World) was published in 1998. Meryman had befriended Wyeth in 1964. Wyeth died in 2009. In 2013, Meryman published an illustrated compendium of their discussions, Andrew Wyeth: A Spoken Self-Portrait.

Meryman also wrote a novel, Broken Promises, Mended Dreams (1984.) He died of pneumonia in Manhattan on February 5, and is survived by his second wife, his two daughters and two stepsons, and grandchildren.

Variety Reviews ‘Love, Marilyn’

Marilyn on Person to Person, 1955

Variety has reviewed Love, Marilyn, giving us a fuller picture of the cast and materials. (David Strathairn as Arthur Miller is surely inspired casting!)

“With: F. Murray Abraham, Elizabeth Banks, Adrien Brody, Ellen Burstyn, Glenn Close, Hope Davis, Viola Davis, Jennifer Ehle, Ben Foster, Paul Giamatti, Jack Huston, Stephen Lang, Lindsay Lohan, Janet McTeer, Jeremy Piven, Oliver Platt, David Strathairn, Marisa Tomei, Lili Taylor, Uma Thurman, Evan Rachel Wood, Lois Banner, George Barris, Patricia Bosworth, Sarah Churchwell, Amy Greene, Molly Haskell, Jay Kanter, Richard Meryman, Thomas Schatz, Donald Spoto.

Two unearthed boxes of diary entries, letters and whatnot (some of which were published in 2010 as Fragments: Poems, Intimate Notes, Letters by Marilyn Monroe) provide the novelty and appeal to what would otherwise be a standard life-overview. The erstwhile Norma Jean Baker’s awful childhood, her stormy marriages to Joe DiMaggio and Arthur Miller, the paralyzing effects of her insecurities on film shoots, her problematic alliance with the Actors Studio, her pill consumption, et al., all constitute familiar terrain that makes Love, Marilyn seem redundant at times.

The first-person testimonies are more interesting, from archival clips of Susan Strasberg, John Huston, Joshua Logan, Jane Russell, Laurence Olivier and others to excerpts from memoirs and other writings by one of her many shrinks (read by F. Murray Abraham), Miller (David Strathairn), and analysts Gloria Steinem (Hope Davis) and Norman Mailer (Ben Foster), among others. Particularly flavorful are Oliver Platt and Paul Giamatti as Billy Wilder and George Cukor, respectively, both recalling their exasperation working with the hypersensitive box office sensation. There are also present-tense interviews with biographers, critics, Actors Studio contemporary Ellen Burstyn, and close non-celebrity friend Amy Greene (who shares some salty thoughts on Marilyn’s husbands).

While there’s no question Garbus has recruited first-rate talent to pay homage here, some of the most impressive names prove heavy-handed or simply miscast in attempting to channel the love goddess’s fragile spirit; moreover, having them act against green-screened archival materials has a tacky, pop-up televisual feel. Probably most effective in their straightforward readings are Jennifer Ehle, who gets a fair amount of screentime, and (perhaps surprisingly) Lindsay Lohan, who does not.

Limiting clips from predictable movie highlights, and skipping over several well-known titles entirely, the pic tries to emphasize lesser-known materials, including numerous candid photos, behind-the-scenes footage, and one uncomfortable live appearance on TV’s Person to Person.”

‘An Actress Prepares’ in Hampstead

Bulgarian actress Irina Diva has spoken about her one-woman show, An Actress Prepares, based on Marilyn Monroe’s last interview with Richard Meryman in July 1962:

‘Irina quickly tells me not to go along expecting an impersonation; the play is an introspective performance that uses Marilyn’s own words. Although most audiences expect to see the blonde wig a lot earlier in the show, Irina laughs, ‘‘People always say, ‘we expected more Marilyn’, and I say ‘it is all Marilyn!'”

Read interview in full at Vintage Seekers

An Actress Prepares is now playing at the New End Theatre in Hampstead, London, until July 10. It was recently reviewed in The Stage:

“Diva has hit upon the fascinating concept of stripping away all the cliches of the Monroe brand – so the blonde bombshell’s words are spoken by a brunette Bulgarian, purposely making no attempt to cover her accent.

This allows us to focus on the oft poignant words rather than the trappings of yet another Boo-boo-bee-doo impersonator and reminds us that Norma Jean never used to have platinum hair either.

That said, Diva’s performance is so eccentric that a breathy rendition of Happy Birthday wouldn’t be so amiss to anchor this in some kind of normality.”

And another review, from a previous performance at the Dublin International Gay Theatre Festival:

“Irina Diva is a first class actress. She speaks slowly and clearly with much colour and emotive range in her voice. She is fit, attractive and intelligent in her performance. The setting of the play in the dressing room of the star, ably assisted by her silent dresser accentuates the intimacy of her analysis of female sexuality and her relationship with men who desire her. The dresser (Award Winning Graham Elwell) is gay and sees and touches intimately the body of this goddess, which must have been the ultimate desire of most men of her generation.

Diva has emotion, an intimate understanding of the text, strong stage presence and a noticeable accent. Here and it is only here that I part company with the production. Monroe had constructed phrases and caressed words that would make men shudder, it was softly spoken, sensual and full of implication. Diva’s accent is loud, strong, emotive and does not in anyway reflect the linguistic impact of Monroe’s sultry tone.”

‘An Actress Prepares’ in Edinburgh

Irina Diva in ‘An Actress Prepares’

“Empire film magazine crowned Marilyn Monroe the ‘Sexiest Female Movie Star of all Time’, while People magazine voted her the ‘Sexiest Woman of the Century’. But what was beyond the public image and the pretty face? Now the life and thoughts of the troubled screen goddess is coming to Edinburgh in An Actress Prepares, a surprising and revealing adaptation of Marilyn Monroe’s last ever interview, for the first time ever making its appearance on stage.”

On 17th August 1962 LIFE magazine published “Last Talk with a Lonely Girl”.  36 years old, divorced for the third time and now living alone, frustrated by Hollywood and tired of the label ‘sex symbol’, the final years of her life were marked by illness, personal problems, and a reputation for being unreliable and difficult to work with.  In An Actress Prepares, Marilyn reflects on her silver screen persona and exaltation to one of the most celebrated idols of her time, while freely admitting to never knowing happiness. Candid and contemplative, and with her untimely death shortly after, this was to become her ultimate interview.”

Bulgarian actress Irina Diva plays Marilyn in An Actress Prepares (a pun on Monroe’s dramatic bible, An Actor Prepares by Constantin Stanislavski) at the Edinburgh Fringe until this Saturday, August 21.

Venue:  Zoo Roxy – The Warren, 2 Roxburgh Place (venue 115)

Time:  22.00 (22.45)

Dates:  15th – 21st August 2010

Tickets:  £8.00

Box Office: 0131 662 689