An elegant brown wool peplum skirt suit with velvet shawl lapel, designed by Charles LeMaire and worn by Marilyn for her opening scene as Roberta in Love Nest (1951), was sold for $30,000 last week at Profiles in History. (Marilyn may have sported a different lapel in the movie, however.)
This lovely photo, inscribed by a young Marilyn to ‘Grace and Daddy‘ (the Goddards), also fetched $30,000. There were around fifty Monroe-related lots in the Hollywood – A Collector’s Ransom auction but many went unsold, including costumes from A Ticket to Tomahawk and Don’t Bother to Knock, and Marilyn’s annotated screenplay for The Seven Year Itch.
Over 50 Marilyn-related lots will go under the hammer at on December 17-19, as part of the Hollywood – A Collector’s Ransom auction at Profiles in History. Marilyn’s costumes from A Ticket to Tomahawk, Love Nest, and Don’t Bother to Knock, and her fishnet tights from Bus Stop – which went unsold at last year’s Essentially Marilyn event – are back for a second chance. (UPDATE: the brown skirt suit worn by Marilyn in Love Nest has been sold for $30,000 – but again, the other movie costumes went unsold.)
As Simon Lindley reports for Just Collecting, Marilyn’s personal annotated screenplay for The Seven Year Itch is also on offer, with a reserve of $60-80K. (The photo shown above, taken on location in New York, is sold separately.)
“In the film Monroe’s character is known simply as ‘The Girl’, an aspiring actress who serves as the object of the husband’s desires.
But behind her on-screen persona as the blonde sex symbol, Monroe’s extensive handwritten annotations reveal her dedication to her craft.
Throughout the script she has written notes to herself such as ‘Look first indecisive – pause – hesitation – little smile’ and ‘My body into his – sliding into him as if I want to sleep with him right then & there. Swing hips again’.
This preparation and complete understanding of the role in evident in her notes for the famous ‘Subway’ scene, which helped cement her place as a genuine Hollywood icon.
The energy and sexuality which Monroe portrays may seem effortless, but her script notes show she though very carefully about how to play the moment: ‘Child w/a woman. Direct & fem[inine]. Open… This is everything there is in the world. Light & easy. Everything flies out of her. Newborn – the baby looking at the moon for the first time.'”
Screenplay UNSOLD; photo sold for $200
And now, let’s take a closer look at what else is on offer…
“Vintage original 8 x 10 in. photograph taken of 13 year-old Norma Jeane on a trip to Yosemite with ‘Aunt’ Ana Lower and other family members. And sold separately, a vintage original 2-page printed 6.25 x 9 in. Ralph Waldo Emerson Junior High School Class of Summer 1941 commencement program. The printed program contains itinerary including music, speeches, and songs. Listed alphabetically in the ‘Graduating Class, June 1941 Girls’ roster of graduates is ‘Baker, Norma Jeane’.”
“Vintage original gelatin silver 8 x 10 in. photograph of Marilyn with her junior high school glee club, smiling in the center of the group. The verso is copiously inscribed with messages to Norma Jeane by her girlfriends, including, ‘To a beautiful, sweet, charming, and darling, adorable Norma Jean’ and ‘I hope your ambition will come true – to stay an old maid all your life’.”
SOLD for $3,000
“A 2-page letter to ‘Cathy’ handwritten in pencil and signed, ‘Norma Jeane’. Written during a period of major transition in her life, Norma Jeane mentions a leave of absence from her job as a parachute inspector at Radioplane. She had recently been ‘discovered’ by US Army Air Force First Motion Picture Unit photographer David Conover while working at the plant, and through his connections, had been able to get freelance work as a pin-up model. She writes in full: ‘Thursday. My dearest Cathy, thank you for your sweet little note, why of course of course I like you dear very much, you know that. If I seem a little neglectful at times its because I’m so busy I don’t seem to have any time to catch up on my correspondence, but I promise after this, I shall, do better, honestly I will. Jimmie arrived about three weeks ago and you can imagine how thrilled I was. I only wish he didn’t have to go back. Jimmie and I went up to Big Bear Lake for a week and had a grand time I hope you and Bud will be down soon because I would love for you both to meet him. I’ve been on leave of absence from Radioplane. I shall tell you all about it when I see you honey or I shall write to you later. I have so many things I have to do so I had better close for now but I shall write soon. Tell Bud Hello for me. Love, Norma Jeane.'”
Vintage original 8 x 10 in. cast & crew photo from Marilyn’s first movie, Scudda Hoo! Scudda Hay! She is in the third row, just above leading lady June Haver. SOLD for $1,500
“Vintage original gelatin silver 7 x 8.75 in. double weight matte photograph, inscribed and signed in black ink at lower right, ‘To Grace and Daddy Always Lovingly Norma Jeane 12/25/46′. The ‘daddy’ to whom Norma Jeanne inscribed this early headshot is Erwin ‘Doc’ Goddard, a research engineer and the husband of Norma Jeanne’s legal guardian, Grace Goddard. And sold separately, two oversize glamour portrait photographs of Marilyn Monroe in character as ‘Miss Caswell’ in All About Eve. The first is credit stamped by Ray Nolan with studio snipe, and the other, seen at right, attributed to Ed Clark.” [A poster for the film, signed by Bette Davis, Joseph Mankiewicz, and Celeste Holm, is being sold separately.]
Signed photo SOLD for $30,000; poster SOLD for $6,000.
Two vintage calendars including a 1950 wall calendar measuring 8.5 x 14.5 in., and featuring paintings by Earl Moran, six featuring Marilyn, alongside cute, risque poems like, ‘What are little girls made of? Sugar and spice, Perfume that smells nice, Jewels and furs, To attract attention, And other good things Too obvious to mention’, and a wall calendar featuring unique topless ‘cowgirl’ images of Marilyn not seen elsewhere. Sold separately, a 16 x 32 in. pin-up 1952 wall calendar titled, ‘The Lure of Lace‘. Featuring Marilyn Monroe in her famous Tom Kelley nude kneeling pose, but with a black lace teddy ‘overprint’.”
“Two original studio production 8 x 10 in. negatives of Marilyn Monroe and Jane Russell in Gentlemen Prefer Blondes, each modeling wardrobe by designer William Travilla. [Russell wore a blonde wig to impersonate Marilyn in a courtroom scene.] Each includes within image a ‘shot-board’ documentation of production, scene, and change numbers. Also included are two original wardrobe documentation green pages detailing costumes [Monroe page describes a different costume, for the opening ‘Little Rock’ number.] At some point in time a positive copy print of the Monroe negative was made for archive continuity, but is not original to the production.”
“11 x 14 in. portrait by Ed Clark of Marilyn in the gold lame gown from Gentlemen Prefer Blondes for LIFE magazine. Signed in black ink on Marilyn’s skirt by the photographer, ‘Edmund Clark Life’.”
SOLD for $300
“Photo of Marilyn at the Photoplay Awards in 1953, part of a 1750-image archive for celebrity snapper J.B. Scott. And sold separately, an award plaque presented to Marilyn by a County Fair ‘Sugar Queen’, engraved, ‘To the Sweetest Girl in Motion Pictures, Marilyn Monroe, 20th Century-Fox Films Star Presented by 1953 Yolo County Fair Sugar Queen’.”
Photo archive SOLD for $95,000; award plaque UNSOLD.
“Elois Jenssen costume sketch for Lucille Ball as ‘Lucy Ricardo’ as ‘Marilyn Monroe’ from I Love Lucy. Elois Jenssen was Lucille Ball’s designer of choice, who is credited with creating the ‘Lucy Look’. This dress design was created for the I Love Lucy Episode: ‘Ricky’s Movie Offer’, which aired on Nov. 8th, 1954. In the episode, ‘Lucy’ transforms herself into Marilyn Monroe to try to win a role in Ricky’s (Desi Arnaz) new Hollywood film. This costume was then repurposed into a showgirl costume for two subsequent episodes.” [Elois Jenssen’s costume sketches for Marilyn in We’re Not Married are being sold separately.]
“Ten 8 x 10 in. photographs of Marilyn Monroe in scenes from films, including the earliest title which depicts her on any of its publicity, Dangerous Years. Other highlights include Ladies of the Chorus, The Asphalt Jungle, Right Cross [to our knowledge, this still is the only original release paper to depict Marilyn], Let’s Make it Legal, and [shown above] Bus Stop.
SOLD for $225
“A set of fourteen 7 x 8.5 in. to 8 x 10 in. photographs, a mix of portraits, candids, and scenes, including stills from The Seven Year Itch and Let’s Make Love [at left] and a candid by Al Brack [at right], showing Marilyn on location for Bus Stop in Sun Valley, Idaho.”
“Two exhibition photos signed by Marvin Scott, of Marilyn performing at a circus benefit in 1955; and sold separately, another set including this photo of Marilyn arriving at Los Angeles in 1958 for the filming of Some Like It Hot.
“A candid photo taken by Milton Greene at Marilyn’s wedding to Arthur Miller; and sold separately, two address books from her estate, including typed and annotated entries for contacts including Actor’s Studio, Jack Benny, Eve Arden, George Cukor, Montgomery Clift, Jack Cardiff, Joe DiMaggio, Henry Fonda, John Huston, Hedda Hopper, Designers, makeup artists, Ben Gazzara, Gene Kelly, Jack Lemmon, Yves Montand, Arthur Miller, Robert Montgomery, Jane Russell, Jean Negulesco, Lee and Paula Strasberg, David Selznick, Carl Sandburg, Frank Sinatra, Eli Wallach, Shelley Winters, Clifford Odets, Peter Lawford, JAX, Richard Avedon, Louella Parsons, and more. Annotations not attributed to Monroe.”
And finally, a set of nine photos from Marilyn’s last completed film, The Misfits (1961.) SOLD for $4,500
The most surprising aspect of last week’s Essentially Marilyn auction at Profiles in History was how many valuable items from the Maite Minguez-Ricart collection and others (including movie costumes) went unsold, while others only reached the lower estimate. In a post for his MM Collection blog, Scott Fortner goes as far as to call it a flop – and noting the high prices reached at Julien’s only last month, he argues that poor organisation was to blame, rather than a lack of interest. Here’s a selection of items that sold well, and others that didn’t: you can find the full list over at iCollector.
Photo of Norma Jeane aged five, with her ‘first boyfriend’, Lester Bolender ($10,000)
Wedding photo of Norma Jeane and Jim Dougherty ($15,000)
Seven photos from Norma Jeane’s first assignments with the Blue Book Modelling Agency, 1945 ($11,000)
Marilyn’s personally inscribed photo with Ben Lyon ($37,500 – more info here)
Black silk cocktail dress with oversize white bow, designed by John Moore and worn by Marilyn in 1958 ($40,000)
Gold pleated halter gown designed by Travilla for Gentlemen Prefer Blondes ($100,000)
Crème-coloured gown by Travilla for How to Marry a Millionaire ($100,000)
Crème and blue gown by Travilla for There’s No Business Like Show Business ($70,000)
Pink and purple satin pantsuit with train, designed by Charles LeMaire for The Seven Year Itch ($100,000)
Silver cigarette box inscribed by Marilyn to Billy Wilder, 1954 ($10,000)
Sheer tan dress by JAX, worn by Marilyn in 1958 ($20,000)
Patterned wool overcoat, worn by Marilyn in 1961 ($30,000)
Marilyn’s personal key to Warner Brothers, 1956 ($10,000)
Red halter dress by JAX, worn by Marilyn in her final photo session with Milton Greene, 1957 ($100,000)
Certificate of nomination from the Golden Globe Awards for Some Like It Hot, 1959 ($10,000)
Black address book ca 1960-62 ($17,000)
John Bryson’s candid photo of Marilyn and Arthur Miller on the set of Let’s Make Love, signed by both ($8,00)
Pucci silk blouse, worn by Marilyn in 1962 ($95,000)
White Ferragamo pumps, worn by Marilyn in Something’s Got to Give ($16,000)
Marilyn’s original grave marker from Westwood Memorial Park ($38,400)
Period costume by Rene Hubert for A Ticket to Tomahawk (UNSOLD)
Brown Skirt Suit by Charles LeMaire for Love Nest (UNSOLD)
Costume sketches by Eloise Jenssen for We’re Not Married (UNSOLD)
Green dress by Travilla for Don’t Bother to Knock (UNSOLD)
Marilyn By Moonlight author Jack Allen is selling off some items from his collection in the Essentially Marilyn auction on December 11 at Profiles In History – including photographs and the unreleased song, ‘Down Boy‘, as Mike Szymanski reports for The Art of Monteque. (The auction also features the spectacular collection of Maite Minguez Ricart – more details here.)
“When Jack Allen first fell in love with Marilyn Monroe, it was while watching her in the 1953 movie Gentlemen Prefer Blondes where she plays an ambitious showgirl … ‘Here was a girl full of naïve innocence and you could really tell that she loved performing and that she really wanted to make it,’ says Jack. ‘In a lot of ways that is the story of Hollywood.’
Jack worked on some of the photo displays and books with [Andre] de Dienes’s widow after he died in 1985, and as a payment for his work, he received some of his original photos.
‘I was most fascinated with the “End of Everything” photo session that he took near Zuma Beach in Malibu,’ Allen recalls. ‘She was troubled at the time, and it has an almost religious feeling to them.’
What the auction house doesn’t explain in the description of the photographs is why they will have a faint scent of dirt or earthiness to them. After a terrible rainstorm in Los Angeles in the 1950s, a mudslide buried and destroyed many of the photographer’s collection in his house, and out of frustration he simply buried most of his collection in the backyard. A year later, LIFE magazine editors asked about some Monroe photos, and he literally dug them up from his backyard, and in the middle of the mess, salvaged a few of the gelatin silver prints.
In another signed 8×10 photograph expected to fetch between $6,000 and $8,000, Marilyn signed it to former Heavyweight Champion of the World Max Baer, writing: ‘To Max, My body guard, Love Marilyn Monroe.’ Baer was a fighter-turned-actor and longtime admirer of the starlet, and visited her on the set of Some Like it Hot.
When studios made movies, they often pressed a record — and it was usually one-sided — of each of the songs used in the film, so when dubbing or playback was necessary while they were filming, they could use the record. So, these records actually played while the stars recreated the scenes, or filmed the dance numbers or lip synced the songs.
Jack found the heavy 78 acetate records on eBay as part of an estate of a 20th Century-Fox craft service worker who took the 12-inch records when they were abandoned by the studio after the filming of Gentlemen Prefer Blondes. Jack bid on the records in 2005, thinking they would be a fun piece of Hollywood history to have to one of his favorite films. The records were stained and scratched, but kept in their vintage sleeves from the studio … But, Jack noticed a recording ‘Down Boy‘ also penned by the legendary Hoagy Carmichael that featured only Marilyn and a soft piano accompaniment.
‘I realized that this was a song that was actually mentioned in the script, but it was never used in the movie,’ Jack recalls. ‘It was like finding a treasure. No one had ever heard this recording of Marilyn before.’
The song is upbeat and whimsical and planned for when a diamond dealer played by Charles Coburn is getting fresh with Marilyn’s character Lorelei. She sings to the men like they are a pack of hungry dogs, saying ‘Down Boy‘ to them. Marilyn sang the song with a swing temp in the key of A and B-flat.”
In an article for the Telegraph, David Millward explores the growing market for music and movie memorabilia – ahead of December’s ‘Essentially Marilyn‘ auction at Profiles in History.
“A few decades ago, a woman who worked as a cleaner at the Westwood Village Memorial Park Cemetery in Los Angeles was given the original marker used to identify Marilyn Monroe’s grave.
It was being replaced and nobody had any real use for it. The cleaner – who was a Monroe fan herself – kept it as a personal memento.
Eventually, she decided to sell the marker and approached Julien’s Auctions in Beverly Hills. It was expected to fetch from $2,000 to $4,000 dollars (£1,525 to £3,050).
That proved to be something of an underestimate. An anonymous overseas bidder paid $212,500 when it went under the hammer in June 2015. ‘The woman was in tears, she said it changed her life,’ said Darren Julien, founder of Julien’s Auctions.
While there is money to be made from memorabilia, expecting to reap vast riches would be a mistake, argued Giles Moon, of Heritage Auctions.
‘The number one thing I say to people is they should be buying because they are passionate and love the pieces, not as an investment. I don’t know of too many people who are buying as an investment, but it does happen.’
The trick is to find the stars who are not just fashionable now but will be popular forever, said Mr Moon. “The market has been falling away from major stars from the Fifties, like Elvis.’
‘There are certain artists who will increase in value and are pretty bulletproof …When it comes to movies, the best investments are Marilyn Monroe and Audrey Hepburn. They are true icons and they will always be sought after.’
But virtually every expert named Monroe as the icon whose personal effects will attract the highest bids.
[A replica of] the subway dress she wore in The Seven Year Itch [will be] sold at auction in Beverly Hills later this year. Also under the hammer is her annotated script from the 1955 film, the yellow and black sequinned costume from Gentlemen Prefer Blondes and a signed picture in which she reveals who came up with her stage name.”
Essentially Marilyn, the exhibition showcasing the collection of Maite Minguez Ricart, has been extended through October 28 at the Paley Center for Media in Los Angeles, reports Broadway World – and there’s more news on the upcoming auction…
“Profiles in History is proud to announce their next legendary, blockbuster Hollywood auction to be held December 11th, 12th and 13th in Los Angeles, and will go on display at The Paley Center for Media in Beverly Hills, currently the site of Essentially Marilyn: the Exhibit, starting October 4th and running through October 28.
Essentially Marilyn: The Auction will be on the morning of December 11th, before the Hollywood auction begins.
They have added an unreleased studio master recording of Marilyn Monroe singing the song ‘Down, Boy!‘ from Gentlemen Prefer Blondes, which was never filmed. It is being sold with copyright and is estimated to sell for $100,000 – $150,000.”
Ahead of the Essentially Marilyn exhibition’s grand opening at the Paley Centre in Los Angeles tomorrow, Olivia B. Waxman uncovers the story behind this signed photo – taken during filming of The Seven Year Itch – showing Marilyn with Fox talent scout Ben Lyon, in an article for Time. The photo – to be sold at auction by Profiles in History in October – refutes some of the more outlandish rumours about how Marilyn got her name (I’m looking at you, Mickey Rooney.) It won’t be news to longstanding fans, however, as biographer Fred Lawrence Guiles first quoted Marilyn’s words to Lyon back in 1969.
“The above photograph — inscribed by Marilyn Monroe to Lyon: “Dear Ben, You found me, named me and believed in me when no one else did. My thanks and love forever. Marilyn’ … [is] Considered to be one of the most important photographs in Hollywood history because it debunks myths about how she got her iconic stage name, it could fetch more than $100,000, according to Profiles in History CEO Joseph Maddalena, who runs the auction house that specializes in Hollywood memorabilia. He said photos autographed by Monroe usually fetch between $20,000 and $30,000.
So how was the name Marilyn Monroe chosen?
It was a team effort, according to one account of how it happened by Monroe biographer Donald Spoto. At the time, Lyon thought there were too many possible pronunciations of “Dougherty,” the surname of her soon-to-be ex-husband. The 20-year-old model — who was born Norma Jeane Mortenson and later baptized Norma Jeane Baker — suggested Monroe, another surname on the mother’s side of the family, while Lyon came up with Marilyn because she reminded him of Marilyn Miller, the Ziegfeld Follies Broadway musical star who starred with him and W.C. Fields in Her Majesty, Love. (Miller and Lyon were also thought to have been romantically involved at one point ) It would be apt that the two performers would share the same name, in more ways than one. Spoto points out that not only were they similar on the surface — both blonde in appearance — but also because they both had complicated personal lives, including failed marriages.”
Essentially Marilyn, a free exhibition at the Paley Center for Media in Los Angeles, will be on display from August 18-September 30, ahead of a major auction at Profiles in History this October.
“A major Marilyn Monroe mystery has been solved! For years it had been debated, how did she get her name? A never before seen oversize presentation photograph inscribed by Marilyn Monroe to 20th Century Fox studio executive, Ben Lyon, answers that question.
Marilyn inscribes, ‘Dear Ben, You found me, named me and believed in me when no one else did. My thanks and love forever. Marilyn’. The photo was taken during the filming of The Seven Year Itch. This is the most important signed photograph in Hollywood history.
Fifteen costumes worn by Marilyn Monroe will be on exhibit, including her yellow and black sequined showgirl costume from Gentlemen Prefer Blondes, her signature white chiffon over white satin ball gown from The Prince and the Showgirl, her patterned sequined dress from How to Marry a Millionaire and the ‘Subway Dress’ from The Seven Year Itch that was created by Bill Travilla, who made most of Marilyn’s costumes, for touring and exhibition purposes. It’s made to the exact specifications of his original 1955 design for the film.
Marilyn’s heavily hand-annotated script from 1955’s The Seven Year Itch, which gives unique insight into her artistic process.
Marilyn’s personal childhood photographs with handwritten notes, including her baby photo with the note, ‘Me when I was very small,’ another photograph with the note, ‘First boyfriend. Lester Bolender and Norma Jeane, both age 5’.
The exhibit will be framed by elegant and stunningly beautiful large format photographs of Monroe captured by her friend, famed fashion and celebrity photographer Milton H. Greene.”
Debbie Reynolds, star of Singin’ in the Rain and other classic Hollywood musicals, has died after suffering a stroke, aged 84 – just one day after her famous daughter, Carrie Fisher, also passed away.
She was born Mary Frances Reynolds in El Paso, Texas in 1932. As a child she moved with her family to Los Angeles, and was crowned Miss Burbank in 1948. She began her career at Warner Brothers, where she was renamed Debbie.
In Three Little Words (1950), a nostalgic musical about the heyday of Tin Pan Alley, she played Helen Kane, the singer famed for her 1928 hit, ‘I Wanna Be Loved By You‘ (later revived by Marilyn Monroe in Some Like It Hot.)
After moving to MGM, Debbie’s big break came when she was cast in her first dancing role, as chorus girl Kathy Selden in Singin’ in the Rain (1952), recently named as the all-time Greatest Movie Musical (and fifth-greatest movie overall) by the AFI. She went on to star in Frank Tashlin’s Susan Slept Here (1954), and with Frank Sinatra in The Tender Trap (1955.)
In 1956, she played a bride-to-be in The Catered Affair. That year, her marriage to singer Eddie Fisher was feted by Hollywood’s fan magazines as the dawn of a new, all-American golden couple. They were swiftly paired in Bundle of Joy, with Debbie playing a shopgirl who takes in an abandoned baby.
Their daughter Carrie was born in 1956, followed by son Todd in 1958. He was named after Eddie’s mentor, theatrical impresario Mike Todd, who died in a plane crash soon after. The Fishers’ seemingly idyllic life was shattered in 1959, when Eddie left Debbie for Mike Todd’s widow, Elizabeth Taylor. The scandal rocked Hollywood, although the two women resumed their friendship after Taylor divorced Fisher a few years later. Debbie married the millionaire businessman, Harry Karl, in 1960.
Debbie was the best-selling female singer of 1957, thanks to her hugely popular theme from Tammy. She later released an album, and went on to appear in Henry Hathaway’s How the West Was Won (1962), and opposite Tony Curtis in Goodbye Charlie (1964), in a role first offered to Marilyn Monroe.
In later years, Debbie would claim that evangelist Billy Graham approached her in 1962, after experiencing a premonition that Marilyn’s life was in danger. As Debbie did not know Marilyn well, she instead contacted a mutual friend, hairdresser Sydney Guilaroff, who allegedly spoke with Marilyn by telephone just hours before her death.
“She was a gentle, childlike girl who was always looking for that white knight on the white horse,” Debbie said of Marilyn, adding, “And why not? What sex symbol is happy?” Debbie also claimed that they attended the same church, although no further details have been uncovered.
Throughout the 1960s, Debbie played a three-month residency in Las Vegas each year. Her performance in The Unsinkable Molly Brown (1964) earned her an Oscar nomination. Her second marriage ended in 1973. Four years later, her daughter Carrie Fisher found fame In her own right as Princess Leia in Star Wars.
Carrie would later become an acclaimed author. Postcards From the Edge, a novel about her close, if occasionally fractious relationship with her celebrated mother, was filmed by Mike Nichols in 1990, with Meryl Streep and Shirley MacLaine in the leading roles. Todd Fisher has also worked extensively in film, as well as assisting his mother with her business ventures.
The Debbie Reynolds Dance Studio opened in Los Angeles in 1979, and is still thriving. Her third marriage, to real estate developer Richard Hamlett, ended in 1996. She starred in several Broadway musicals and appeared in numerous television shows, including The Love Boat, Hotel, The Golden Girls, Roseanne, and Will & Grace. A former Girl Scout leader, she has also worked tirelessly for AIDS and mental health charities.
Debbie played herself in The Bodyguard (1992), and was reunited with Elizabeth Taylor for a 2001 TV movie, These Old Broads. One of her final roles was as Liberace’s mother in Behind the Candelabra (2013.) Her memoir, the aptly-titled Unsinkable, was published in 2015; and a new documentary, Bright Lights: Starring Carrie Fisher and Debbie Reynolds, premiered at Cannes in 2016, and has since been acquired by HBO.
Debbie Reynolds will also be remembered fondly for her efforts to preserve the legacy of Hollywood’s golden age, which began when she purchased costumes from classic films (including many made for Marilyn) at an MGM auction in 1970. Her dream of opening a movie museum was sadly never realised, and in 2011, she relinquished her collection.
Among the many Marilyn-related items sold in a two-part event at Profiles in History was the cream silk halter-dress designed by Travilla, and worn by Marilyn as she stood over a subway grate in an iconic scene from The Seven Year Itch. The dress sold for $4.6 million, a sum surpassed only by the sale of Marilyn’s ‘Happy Birthday Mr President’ dress at Julien’s last month for $4.8 million.
Although the buyer was not named, the Seven Year Itch dress is rumoured to have been purchased by Authentic Brands Group (ABG), the Canadian company which is the licensing arm of Marilyn’s estate.
The showgirl costume worn by Marilyn while riding a pink elephant at a charity circus in 1955 is the centrepiece of Profiles in History’s Hollywood Auction 83, with a starting price of $250,000. Other Marilyn-related items up for bidding on June 30 include an original costume sketch by Travilla for Gentlemen Prefer Blondes, rare candid photos from 1957, and batches of production stills, press photos and portraits.
UPDATE: Marilyn’s ‘showgirl’ costume didn’t reach its reserve price, and thus went unsold. However, this Grecian-style dress owned by Marilyn reached its maximum estimate of $15,000.