A 1953 Frank Powolny portrait, inscribed ‘To Cheryl, Love & kisses, Marilyn Monroe’, was sold for $13,636 at RR Auctions’ Fine Autographs and Artifacts sale yesterday. Bob Towers’ photo of Marilyn arriving at Phoenix Airport in 1956 sold for $578, while a photo taken during filming of The Misfits (attributed to Henri Cartier-Bresson), and a wire photo of Marilyn posing with U.S. servicewomen raised $525 each.
Meanwhile, the annual Legends event, featuring 135 Marilyn-related lots, is now open at Julien’s through Friday – more info here.
These candid photos of Marilyn, taken circa 1961, will go under the hammer at RR Auctions on June 12, as part of their latest Fine Autographs and Artifacts sale.
Although usually credited to Inge Morath, these photos (taken in 1960, during filming of The Misfits) are stamped with the name of Henri Cartier-Bresson, her colleague at the Magnum Photos agency (they visited the set in tandem.)
This wire photo was taken during Marilyn’s visit to the 1952 Miss America pageant in Atlantic City. Another photo taken with these young servicewomen caused a minor scandal, as mentioned in the caption. Some more information from the shoot is posted below (although the quote attributed to Marilyn was later refuted by her own publicist in a 1955 interview with the Saturday Evening Post‘s Pete Martin.)
“The low-cut summer dress she was wearing caught the attention of a photographer, who stood on a chair to better capture the outfit’s full effect. Upon seeing the photo, an Army information officer ordered it killed because he did not want to give the parents of potential recruits the ‘wrong impression’ about Army life. Information about the suppression of the photo was leaked to the press and then turned into frontpage news.
‘Leg art’ photo sessions were a never-ending part of Marilyn’s career, and one that she worked at with enthusiasm and good humor.
When asked her opinion of the situation for a story titled ‘Marilyn Wounded by Army Blushoff,’ Marilyn replied in her tongue-in-cheek manner, ‘I am very surprised and very hurt. I wasn’t aware of any objectionable décolletage on my part. I’d noticed people looking at me all day, but I thought they were admiring my Grand Marshal’s badge!'”
One of the distinctive photo manipulations of Arthur ‘Weegee’ Fellig, based on his image of Marilyn at the Racquet Club, Palm Springs in 1949.
This photo of Marilyn with fellow celebrity usher Marlon Brando at the 1955 premiere of The Rose Tattoo comes from the collection of George Zeno, who has contributed to books including James Spada’s Monroe: A Life in Pictures (1982), and Christopher Nickens’ Marilyn in Fashion (2012.)
This photo shows Marilyn arriving at Phoenix Airport to film the rodeo scenes for Bus Stop in 1956.
This classic glamour shot (taken by Frank Powolny in 1953) is inscribed, ‘To Cheryl, Love & kisses, Marilyn Monroe.’
This shot of Marilyn singing alongside pianist Hal Schaefer, taken by John Florea in 1954, is part of a complete first series set of ‘Marilyn Monroe Trade Cards’ in their original packaging, entitled ‘Marilyn and Her Music,’ containing cards #1-20.
In the Salisbury Post, Mark Wineka notes the passing of Barbara Harris Richmond, who was crowned Miss North Carolina in 1952 and attended the Miss America pageant in Atlantic City, where she met the parade’s Grand Marshal, Marilyn Monroe. (There are several photos of Marilyn with various contestants, but as yet I haven’t seen Barbara’s. Incidentally, Salisbury was also the home-town of Marilyn’s future masseur and close friend, Ralph Roberts.)
“In June of that year, only after a lot of coaxing and having just graduated from Woman’s College in Greensboro, 22-year-old Barbara Harris entered the Jaycee-sponsored Miss Salisbury Pageant and won. She topped a field of 16 contestants.
By late July, she was competing in the Miss North Carolina Pageant in Winston-Salem. She won again, as judges selected her over 37 other contestants. All the stories to come would mention how small she was for a beauty queen — 5 feet, 2 inches tall and 115 pounds.
It also was standard for the day to give her measurements, which were 34-24-34.
A hectic month followed leading up to the Miss America competition in Atlantic City, New Jersey. She toured New York and went through hours of coaching and singing rehearsals for the pageant, which included the usual bathing suit, evening gown and talent categories.
During the week, Barbara had her picture taken with the parade marshal, Marilyn Monroe. It was a tossup as to who was prettier, though Monroe raised eyebrows with a dress whose neckline plunged to her waist.
The Salisbury Evening Post sent a reporter to cover all of Barbara’s pageant activities. Editors assumed readers were so familiar with her by then that headlines sometimes referred to her as ‘Babs.’
Though Barbara didn’t make the final 10 in the 1952 Miss America Pageant, she was mentioned prominently for the Grand Talent Award. She filled the Atlantic City convention hall with an aria from ‘Samson and Delilah,’ prompting a rousing ovation from the crowd of 18,000.”
Carol Koontz, a baton and drum corps leader who met Marilyn (in her Grand Marshal capacity) while competing at the 1952 Miss America pageant in Atlantic City, has died in Ohio aged 83, reports CantonRep.com.
“For decades, Koontz shared her skills in baton-twirling, music, and pageantry with thousands of local youngsters in Stark and Tuscarawas counties. She started the troupe in 1962 and was still giving weekly baton lessons until about two weeks ago, her daughter Holly Flowers said.
Koontz began teaching the baton in 1948. In 1952, the Tuscarawas County native won the Miss Dennison and Miss Ohio pageants and competed in the Miss America pageant in Atlantic City, N.J. During her talent portion in the national contest, Koontz played a classical piece on the clarinet, then twirled two ‘fire’ batons.
She also had her picture taken with Monroe, who was a special guest.
‘My grandma (Carol’s mother) happened to be in the restroom when Marilyn Monroe was in there, and Marilyn asked her how she kept her hair curly in humid weather,’ Flowers said with a laugh. ‘My grandmother was giving Marilyn Monroe hair tips.’
Years later, Koontz led her troupe on the famed boardwalk at a Miss America commemoration event, her daughter noted.”
‘The Art of Mike Bell’, a new exhibition featuring this monochrome painting of Marilyn as Grand Marshal at the 1952 Miss America Parade in Atlantic City, opens today and will be on display at the Noyes Art Garage, A.C. until August 28. Admission is free.
Defiantly lowbrow, Bell’s main themes are pop culture and the ‘carnival’ atmosphere of his hometown, At the Shore reports. Another portrait of Marilyn, pencilled onto a matchbook, has been displayed by Ripley’s.