Marilyn is the cover girl of this month’s Yours Retro, with a four-page article inside by Michelle Morgan about The Girl, her new book. And Marilyn is also pictured in two other features, about Hollywood marriages and beauty secrets; while Richard Wattis (her co-star in The Prince and the Showgirl) is mentioned in a piece about great British character actors.
Interestingly, the same cover photo (by Sam Shaw) was used by sister magazine Yours back in 2006.
Marilyn also covers London-only magazine The Resident this month, with a two-page spread inside on Up Close With Marilyn, the Milton Greene exhibition at Proud Central until June 24. You can read the magazine online (here), and copies are also circulating on eBay.
British fans can expect lots of media coverage for Marilyn this month. In this week’s issue of free magazine Stylist, Rhiannon Lucy Coslett interviews gallery director Amy Thornett about Up Close With Marilyn, the exhibition of Milton Greene photos at London’s Proud Central until June 24. You can read it here, or buy a copy (N415) for just £1 from Newsstand (shipping costs may vary outside the UK.)
And in the latest issue of The Lady (dated May 11), ‘Marilyn Monroe: An Unlikely Feminist’, a four-page article by Michelle Morgan, author of The Girl (just published in the US, and coming to our shores very soon),is accompanied by more Greene photos.
Sometimes simplicity is best: this beautiful 1953 shot of Marilyn graces the cover of Belgian magazine Graphius (Winter/Spring 2018 issue), with a feature on Milton Greene’s The Essential Marilyn Monroe inside.
Professor Stephen Hawking has died aged 76, the BBC reports.
“The British scientist was famed for his work with black holes and relativity, and wrote several popular science books including A Brief History of Time.
At the age of 22 Prof Hawking was given only a few years to live after being diagnosed with a rare form of motor neurone disease. The illness left him in a wheelchair and largely unable to speak except through a voice synthesiser.
Prof Hawking was the first to set out a theory of cosmology as a union of relativity and quantum mechanics. He also discovered that black holes leak energy and fade to nothing – a phenomenon that would later become known as Hawking radiation.
Through his work with mathematician Sir Roger Penrose he demonstrated that Einstein’s general theory of relativity implies space and time would have a beginning in the Big Bang and an end in black holes.”
Hawking was also outspoken on social issues, and took his unlikely place in popular culture with good humour. He made guest appearances on TV shows such as The Simpsons and The Big Bang Theory, and was the subject of TheTheory of Everything, a 2014 biopic starring Eddie Redmayne (who previously played Colin Clark in My Week With Marilyn.)
Finally, Dr Hawking may have been the world’s most distinguished Monroe fan, as Gregory Benford noted in a 2002 profile for Reason magazine.
“Although I had been here before, I was again struck that a man who had suffered such an agonizing physical decline had on his walls several large posters of a person very nearly his opposite: Marilyn Monroe. I mentioned her, and Stephen responded instantly, tapping one-handed on his keyboard, so that soon his transduced voice replied, ‘Yes, she’s wonderful. Cosmological. I wanted to put a picture of her in my latest book [The Universe in a Nutshell], as a celestial object.'”
Errol Morris, who directed the 1991 documentary, A Brief History of Time, recalled discussing Marilyn with Hawking in a Slate magazine interview.
“I wanted to shoot him on a stage, so we assembled a facsimile of his office in a studio. He has all of these pictures of Marilyn Monroe on the walls. At one point, one of the pictures became unglued and fell off the wall. Stephen, of course, is clicking away and finally, he says, [synthesizer voice] ‘A FALLEN WOMAN.’
Finally, I said, ‘I figured it out, why you have all these pictures of Marilyn Monroe on the wall. Like you, she was a person appreciated for her body and not necessarily her mind.’
And he gave me this really crazy look, like, ‘What the fuck are you saying, Mr. Morris?’ He gave me this crazy look, and then finally, there’s a click, and he says, ‘YES.'”
“The theoretical physicist once described his heroes as ‘Galileo, Einstein, Darwin and Marilyn Monroe.’ The last was of particular appeal to the scientist who hung posters of her and collected Monroe-related bric a brac.
‘My daughter and secretary gave me posters of her, my son gave me a Marilyn bag and my wife a Marilyn towel,’ he once said. ‘I suppose you could say she was a model of the universe.'”
Mercer Vine, the brokerage firm whose listings included the Holmby Hills estate where Fox mogul Joe Schenck once lived, and Marilyn’s last home in Brentwood, has closed after its financier, Robert H. Shapiro, was recently implicated in a billion-dollar Ponzi scheme, as Peter Kiefer writes for the Hollywood Reporter. (Schenck befriended Marilyn in the late 1940s, and she sometimes stayed in his guest cottage. Milton Greene also photographed her in Schenck’s mansion, known today as Owlwood. The article gives no further details on Marilyn’s home at Fifth Helena Drive, which was sold for $7.25 million in 2017.)
“Two years. That’s all it took for luxury brokerage firm Mercer Vine to establish itself as a major player in L.A.’s cutthroat luxury real estate market. Eight-figure listings. Pedigreed listings like Marilyn Monroe’s former home in Brentwood.
Just months after it launched in 2016, Mercer Vine grabbed headlines for representing Shapiro in the $90 million purchase of the Owlwood Estate, a 12,200-square-foot property at 141 South Carolwood Drive, which once was owned by Tony Curtis and later by Sonny and Cher. At the time, it was the second priciest residential sale in L.A. history behind the Playboy Mansion. What was even more astounding was when Shapiro and Mercer Vine relisted Owlwood a mere nine months later for $180 million without having done a single lick of work on the estate.”
Amy Greene is one of many luminaries interviewed by authors Norma Stevens and Steven M.L. Aronson for Avedon: Something Personal, in which she reveals the ties between Milton and Avedon, and later, Marilyn.
“One night in 1950, the photographer Milton Greene was having one of his Friday night open-houses in his penthouse studio, in the old Grand Central Palace building on Lexington Avenue. The room was packed with art directors, admen, models, photographers, actors, and dancers. Dick [Avedon] introduced himself to a fragile-looking blonde with almond-shaped eyes who was standing alone against the wall of the loggia – a wallflower. He broke the ice with, ‘How do you know Milton?’ She said, ‘I was married to him,’ and she filled Dick in: They were high-school sweethearts who had tied the knot in 1942 when she, Evelyn Franklin, was eighteen.
Dick said he was instantly taken by Evie’s feyness and elusiveness … He invited her to dinner that night at the Oyster Bar at Grand Central Terminal. From there the relationship took off like a choo-choo train, and the couple got hitched at the end of January 1951.
Milton Greene had meanwhile taken up with a cute Cuban-born model whom Dick had ‘discovered’, Edilia Franco (Conover, the modeling agency he sent her to, changed her first name to Amy and her last name to – in a nod to Dick – Richards.) In the spring of 1952, the year before he married Amy, Milton invited Dick and Evie to Sunday lunch in the country. ‘I wasn’t feeling so hot,’ Amy recalls. ‘I told Milton I wasn’t up to coming down. ‘Listen,’ he said, ‘I went through this shit for seven years with Evelyn, and I’m not going to put up with it from you. So get the hell up, put something decent on, and make an effort!’ He told me that one of the reasons he divorced Evelyn was she would stay in bed for days on end.
‘When Dick was in Hollywood for three months in 1956 consulting with Paramount on Funny Face, Milton was there producing Bus Stop with Marilyn, and Evelyn and I met for lunch,’ Amy recalls. ‘She and Dick were renting Marilyn and Joe DiMaggio’s old ‘honeymoon house’ on North Palm Drive in Beverly Hills, and she complained that the tour buses would drive by several times a day and the guide would make a big thing over the megaphone about the master bedroom – she said it was sexually inhibiting. The minute Evie discovered that I detested Milton’s mother as much as she did, she started giggling, and we became sort of friends. I remember her grousing that all Dick ever did was work. So I guess there wasn’t much reason for her to get out of bed.’
Five years into his marriage to Evie, a movie inspired by Dick’s [first] marriage … lit up screens across the country. ‘Funny Face, by the way, wasn’t really about me. They just used my early fashion escapades as a pretext to make a glamorous musical extravaganza …’ (Avedon)
Amazingly, Dick’s boyhood idol, Fred Astaire, now an old boy of 57, played the 25 year-old lead, named Dick; Audrey Hepburn played Doe, renamed Jo … The day Fred Astaire made his leap into death, some thirty years after Funny Face, Dick appeared in the doorway to [Norma Stevens’] office with tears running down his cheeks. ‘I didn’t cry when Marilyn died, I didn’t cry when [Alexey] Brodovitch (Avedon’s art director at Harper’s Bazaar) died, he told [Stevens.}”
This 1956 photo of Marilyn hugging a copy of the ancient Greek statue, ‘The Discus Thrower’, at Joe Schenck’s Beverly Hills home can be seen in the sumptuous new Milton Greene book, The Essential Marilyn Monroe. It also appears in The Women, a pop-up exhibition at the new Assouline bookstore in the Royal Poinciana Plaza, organised by gallery owner James Danziger and on display from January 12-16, reports the Palm Beach Daily News.
“Marilyn flew East for Christmas with the Greenes. She was, in fact, escaping from Hollywood and Twentieth Century-Fox, with a bafford press in pursuit. ‘That put us into a little cadre of sort of road-company secret service agents,’ recalls [Judy] Quine, ‘because the whole thing was so hush-hush – where she was, how she was.’ Aware of Milton’s involvement, the press staked out his Lexington Avenue studio, his pied-a-terre on Sutton Place South and the Weston house on Fanton Hill Road. The Greenes outmanoeuvred them by meeting Marilyn’s flight and heading straight for Connecticut. They stopped outside the village of Weston, deposited their precious cargo in the trunk and smuggled her past the paparazzi crowding their driveway.”
In a new interview for the Hello Giggles website, Joshua and Amy Greene talk about Marilyn and their spectacular book, 50 Sessions: The Essential MM By Milton Greene.
“On meeting Marilyn for the first time at Gene Kelly’s house:
AG: So, I also have to tell you that very few people in Hollywood had ever seen Marilyn because she was almost a recluse. She got up, she went to work, and she came back. So Milton said, ‘I’m gonna get Marilyn’ and come back to Gene’s house, [and] that’s where I met her. She came walking in. She was wearing a big Polo coat and no makeup. Her hair looked good. I sort of waved at her and she waved at me. The first break, I went over to her and she threw her arms around me and said, I’m delighted to meet you, and I kissed her. It was lovely because we became girlfriends.
On finding out about Marilyn’s death:
AG: We were in France, in Paris. Milton was doing the collections for Life magazine, and there was a radio. I kept saying, ‘Well let’s try to get some music or something.’ All we got was news, news, news, and neither one of us could understand French that well. All of a sudden, the words Marilyn Monroe came on. We didn’t know what it was. So, we went to [Château de] Fontainebleau, had a wonderful picnic lunch, drove back to Paris, and the first thing we heard—the telephone was ringing off the wall. It was Arthur Jacobs, who was her publicist trying to get us all day. And he said Marilyn’s dead. […] I collapsed. Milton was staggering. That was the last thing we expected.
On the subconscious feminism of Marilyn and Marilyn Monroe Productions:
JG: When you look at the history of what she was up against, what she did—she knew exactly what she was doing with men, and she knew exactly what she wanted to do for herself. With the right help [and] the right people, she was able to change and break the chain, break the glass ceiling, for someone with essentially no power and no money in the ‘50s as a woman. You gotta look at it through those rose-colored glasses. There’s movements that were created based on her life path—things that she wasn’t necessarily doing for that reason—she was just fighting for her freedom.”