The Last Tapes of Marilyn Monroe, a new play starring Italian actress Marianna Esposito, was staged in Milan last Saturday. While Marilyn’s alleged stream-of-consciousness tapes for Dr Ralph Greenson have never materialised, and detective John Miner’s self-proclaimed transcription is also highly questionable, the play – written and directed by Guilio Federico Janni – has nonetheless been praised by diehard fans, including Gianandrea Colombo who posted his review on the Marilyn Monroe – Italia Facebook group.
“A well-written and sincere monologue, which ‘undressed’ Marilyn from the clichés of stupidity and frivolousness. Among ‘educated’ quotations – from Shakespeare to Joyce – Marianna Esposito cried and smiled, retracing the last hours of Marilyn through the ‘relationship’ with her therapist. Being in the front row, I was able to enjoy the skill of this actress whose strong point is a mime and intense expressiveness, the ability to pass from languid glances to inconsolable crying, to stage the same effervescence of the glass of sparkling wine that her Marilyn sips during the show, telling of life, love and cinema. Marianna Esposito crosses the border between actor and spectator with firmness, direct looks and a physicality exhibited without hesitation. A minimal setting, soft lighting and the magic of a play written and certainly acted ‘from the heart’, elevates the soul of the woman behind the mask of the myth.”
Designer Jeremy Scott has always been fascinated by pop culture. In his fall 2018 ready-to-wear collection for Moschino, unveiled yesterday at Milan Fashion Week, he draws on the many myths about Marilyn and the Kennedys, adding his own farcical spin that Jackie Kennedy was really an alien, and the killer of both Marilyn and JFK. It’s fun to imagine what Marilyn would have worn in the 1960s – she was very fond of Pucci – and Scott’s designs are a sort of postmodern blend of the Space Age and Pop Art. In terms of his Marilyn-esque designs (as modelled here by Bella Hadid), I think the evening gowns work best. But although the concept is meant to be humorous, I do wish Scott had bypassed these tired old tropes which tend to turn Marilyn into what she most feared becoming (a joke.)
A month-long retrospective dedicated to Hollywood’s greatest blonde icons – Marilyn and Marlene Dietrich – is now in progress at MIC: The Interactive Cinema Museum in Milan, Italy. Still to come are The Seven Year Itch (August 6); There’s No Business Like Show Business (August 9); Let’s Make Love (August 10); Bus Stop (August 12); Niagara (August 13); Don’t Bother to Knock (August 16); How to Marry a Millionaire (August 19); Bert Stern: Original Madman (August 20); Monkey Business (August 23); Marilyn Monroe: The Final Days (August 24); Gentlemen Prefer Blondes (August 26); and Some Like It Hot (August 27.)
Marilyn Monroe Inganni (meaning ‘deceptions’)is a new Italian book by Francesca Brignoli and Nuccio Lodato, focusing on her screen work from an academic perspective. Its release coincided with a recent exhibition at Fermo Immagine,Milan’s film poster museum. You can learn more about this book here, and watch a book trailer here.
“When you think of photographs of famous people you think of the paparazzi. But when you see Phil Stern’s photographs of Hollywood icons like Marilyn Monroe and James Dean you think of art. Not only are his photos moments captured in time, but they are also art – photos of an era long gone. Phil Stern managed to break down the wall of celebrity and show people for who they really were. When you’re talking iconic photographers you can’t really look any further.”