Gentlemen Prefer Blondes will be screened tonight at 7 pm at the Rialto Film Theatre in Amsterdam.
“‘Diamonds are a girl’s best friend,’ as the blond showgirl Lorelei Lee sings in this particularly successful comedy / musical, which is based on the equally popular Broadway musical. Lorelei is played by Marilyn Monroe, who sings this song in a silly, seductive way. Director Hawks, who had trouble with Monroe anyway, wanted to have it spoken by a professional singer, but she rejected this resolutely. The now iconic song, for example, inspired Madonna to become a ‘Material Girl’.”
After Marilyn featured in a video backdrop for Camila Camello’s Tonight Show appearance in January, the singer has referenced ‘Diamonds Are a Girl’s Best Friend’ (via Madonna’s ‘Material Girl’ video, the ultimate homage) in a performance of her hit single, ‘Havana’, at the iHeartRadio Music Awards last night.
And elsewhere in the world of celebrity, reality TV star Mama June has shown off her recent weight loss with a Marilyn-inspired shoot to promote her new show, Mama June: From Hot to Not.
In an article for The Australian, Philippa Hawker charts the history of blondes in cinema -arguing that Marilyn continues to leave her mark on the evocation of blondeness.
“In cinema — not to mention fairytale, myth, art, literature, politics and the realm of popular culture in general — the image of the blonde or the fair-haired woman has carried a strong symbolic charge. It can be identified with innocence and purity but also with artifice and duplicity. It can suggest bounty, dazzle and allure, the implication that all that glisters is not necessarily gold. It can convey a heightened sense of spectacle. It is almost always associated with a notion of the feminine. The figure of the blonde is one of Hollywood’s most potent emblems and exports, and it has had an influence on other movie cultures over the years.
In cinema, the figure of the blonde often appears alongside the contrasting figure of the brunette; Gentlemen Prefer Blondes (1953), starring Marilyn Monroe and Jane Russell, is probably the most engaging example…
And, of course, there is Monroe, defining Hollywood blondeness, and to some degree transcending it by sheer effort of will. Her body of studio work is surprisingly confined: only once, in Clash by Night (1952), in which she portrays a cannery worker, did she play a character with an ordinary job. In her major roles she was always a variation on a gold-digger or a stereotypical ‘dumb blonde’ — yet she managed to subvert the stereotyping or deepen its implications, no matter what the challenge was off-screen. In The Prince and the Showgirl (1957), on what was reportedly a chaotic and troubled set, she gives an effortlessly appealing performance in an unlikely period piece: it is her co-star, Laurence Olivier (also her director), who appears awkward and uncomfortable.
Monroe, one way or another, continues to leave her mark on the evocation of blondeness. In the 80s, Madonna did her best to own it, restaging Monroe’s ‘Diamonds are a Girl’s Best Friend’ number, rifling through the Hollywood cultural dress-up box for a variety of shades and identities. Her video clip for ‘Vogue’, directed by David Fincher, explicitly raids both classic Hollywood portraiture and the vogueing phenomenon of the gay club.”
Paparazzi shots of Kate Middleton, Duchess of Cambridge, having a ‘Marilyn Monroe’ moment during a trip to India have made front pages across the globe today, as her dress blew up while laying a wreath at the Amar Jawan Jyoti at India Gate. A bit like that ‘subway scene’ in The Seven Year Itch, except that was staged with MM’s full consent.
Similar ‘Marilyn moments’ featuring numerous female celebrities are constantly reported in the media, but few inspire the protective feeling and deference reserved for royalty – with many on social media condemning the coverage as sexist, as Suresh Matthew reports for The Quint.
While it’s fun to see Marilyn’s name in the news, there’s something rather tacky about potentially embarrassing moments being exploited in this way – and after all, Kate was simply paying her respects to the dead when the incident occurred.
Meanwhile, Ariana Grande has paid tribute to Marilyn at the 2016 MTV Movie Awards, with her performance of new single ‘Dangerous Woman’ while wearing a white fur stole and strapless pink satin gown, reminiscent of Marilyn’s attire in her iconic ‘Diamonds Are a Girl’s Best Friend’ number from Gentlemen Prefer Blondes.
Ariana has made no secret of her admiration for Marilyn, wishing her a happy birthday on Twitter back in 2014, and offering a spirited defence of MM. However, her look may also be inspired by another of her idols, Madonna, who famously recreated the ‘Diamonds’ setpiece for her ‘Material Girl’ video back in 1985.
As Christopher Rosa reports for VH1, Ariana’s performance was also reminiscent of Madonna’s ‘Sooner or Later’ number at the Oscars in 1991, when La Ciccone once again paid homage to Monroe.
Over at Flavorwire, a look back at past depictions of Marilyn in popular culture, in anticipation of Michelle Williams’ upcoming movie role. Pictured above is Catherine Hicks in the TV movie, Marilyn: An Untold Story (1980.)
I would also nominate Theresa Russell’s portrayal of ‘The Actress’ in the 1985 movie, Insignificance; Madonna in her ‘Material Girl’ video and ‘Homage to Norma Jean’ photo shoot; Drew Barrymore’s George magazine cover shot from 1996; and Angelina Jolie’s recreation of Monroe’s 1961 session with Douglas Kirkland.
In your opinion, what are the best – and worst – portrayals of Marilyn around? Or can nobody match the sublime MM?