“Marilyn Monroe, on the other hand, I was able to take pictures of in an intimate situation rather than a public one. This was in her hotel room in 1956*, when I was covering the film she was making at the time, Some Like It Hot.* She may have been reading a script when I took it. It was just me and her, and she was going about her business. I like the atmosphere, and the fact that it’s a famous person being photographed in an ordinary way. And I found her very sympathetic, I must say. She was nice, smart, kind of amusing, and very approachable. Not a bimbo at all.”
*Actually, Erwitt first photographed Marilyn in 1954, while she was filming The Seven Year Itch in Manhattan. They worked together again on The Misfits (1960.)
“Four of Elliott Erwitt’s most iconic images will be presented in the UK for the first time as editioned, large format platinum prints, in an exhibition of fine photographs spanning Erwitt’s distinguished career.”
“Toni Westbrook-Van Cleave was only 6 at the time, but she still remembers Marilyn Monroe strapping on a toy gun belt and playing cowboys and Indians with her young brother during a break in filming of The Misfits.
Like other residents of the small northern Nevada town of Dayton, she had no clue of the demons that drove Monroe to be consistently late on the set, causing frustrating delays for director John Huston and co-stars Clark Gable and Montgomery Clift.
‘She was gorgeous, very sweet, naive,’ recalled Van Cleave, who was a $10-a-day extra during a rodeo scene. ‘She wasn’t snobby. She seemed real down to earth and friendly.'”
With Dayton’s 50th anniversary tribute coming up this weekend, Kay Winters, now 90, remembers filming of The Misfits:
“Celebrating her 90th birthday soon, Kay recalls watching Hollywood’s favorite movie stars acting on Pike Street: ‘We watched it being filmed,’ she said of Marilyn’s famous paddle board scene taken in the Odeon’s Saloon. ‘That silk dress she wore was really tight,’ she laughed at the memory.”
“Austerlitz notes that his biographical chapters are intended to create a conversation among comedy’s most influential practitioners. Arranged in rough chronological order, the effect is cumulative. Mae West’s brazen sexuality primps the pillow for Marilyn Monroe’s bombshell self-awareness; unlikely bedfellows Jerry Lewis and Richard Pryor somehow manage to conceive Eddie Murphy.”
“In mid-October, Farrar Straus & Giroux will bring out a book called Fragments – purported to be a work of Marilyn Monroe’s writings, poems, notes, letters from her personal archive. Isabel Keating did the audio voice of Marilyn for the Macmillan Audio version of this sure-to-be-hot book.
She did the recording of the material on the anniversary of Marilyn’s death and says: ‘During the sessions, a small group of us realized the fact and a collective shiver was felt and a tear was shed … Whatever anyone thinks about the book itself, even the jottings of this famous woman evoke her spirit, her mind. They show her as a woman searching and hoping to amplify her experience. She wanted to improve herself and was reaching and searching. I found the work so smart – and so fragile.'”
“Fall 2010 is the 50th anniversary of the filming of The Misfits in Reno, Dayton and the Pyramid Lake area. The star-studded film, written by Arthur Miller and directed by John Huston, was the last movie appearance for both Marilyn Monroe and Clark Gable, and also featured Montgomery Clift, Thelma Ritter and Eli Wallach.
However, other ‘stars’ in the movie were four-legged creatures – wild horses, rodeo horses and trained movie horses played prominent roles in the film. To pay homage to these horses, along with horses in general, which have played such an important role in Nevada’s history, the ‘Honoring the Horse’ exhibit will be featured in the University of Nevada, Reno’s Mathewson-IGT Knowledge Center beginning Sept. 15.
The ‘Honoring the Horse’ exhibit will run through March 2011, and in February, the Knowledge Center will host a discussion and showing of ‘The Misfits’, celebrating the 50th anniversary of the film’s release.
Over 300 photographs and artworks in this touring exhibition, coming to the Warhol Museum, opening for 24 hours from 10 am, October 23, and continuing until January 2, 2011. A Monroe film series begins on November 12.
In 1956, Marilyn Monroe stayed in a penthouse suite at the Sahara Motor Inn, downtown Phoenix, Arizona, while filming Bus Stop. More recently known as a Ramada Inn, the motel is currently being razed and will be used as the site of a new law school, reports AZCentral.com.
This demolition is going ahead despite protests from local heritage organisations.
“The Sahara Motor Inn, later called the Ramada Inn, is an urban oasis that rose from the sand like a mirage in Downtown Phoenix, complete with a sparking pool, restaurant, cafe, bar, 175 guest rooms, gift shop, two large terrace suites for hosting parties and meetings, and two apartment penthouses. There are also 8 possible spaces for retail. These mini-resorts defined Phoenix in the 1950s by bringing resort-style amenities to the middle class. These mini resorts even attracted celebrities. Marilyn Monroe herself lodged in one of the penthouse suites in the Sahara while filming ‘Bus Stop’. During the late 50’s people from all over the country passed through Phoenix and many of these people spent the night in one of these mini resorts. They experienced a taste of living in the desert, fell in love with Phoenix, and then moved here.
The Sahara was built by Del Webb, the namesake for ASU’s own School of Construction which boasts of its collaboration that creates ASU’s School of Sustainable Engineering and the Built Environment. ASU claims to be ‘the model of sustainability’ and the City promotes sustainable development, but in razing the Ramada, there is nothing that is sustainable, Earth-friendly, or revitalizing.”
Alex North composed the haunting soundtrack to The Misfits, and other classic films including A Streetcar Named Desire, Cleopatra and Who’s Afraid of Virginia Woolf?
A tribute to North, featuring a screening of The Misfits, will take place in the Samuel Goldwyn Theatre (the same venue where the Oscar nominations are announced each year), on Wilshire Boulevard, Beverly Hills, on Friday, September 24th at 7.30 pm.
As with all Misfits-related events, I wish I could be there. The soundtrack is available on CD.