UK readers, listen up: Marilyn is featured in today’s Telegraph. She is featured on the cover of Sunday supplement, Stella magazine, with a six-page spread about the Greene/Kirkland exhibition in London. You can also read the article here.
After ES Updates reported last week of an exhibition featuring Milton Greene and Douglas Kirkland’s photos of Marilyn opening in Amsterdam, comes news of another Greene/Kirkland show, in the UK. As announced by Luxury London, ‘Gentlemen Prefer Blondes Starring Marilyn Monroe’ will be on display at the Little Black Gallery on Park Walk, Chelsea, from January 19-February 27, with a selection of prints for sale.
‘Archetype of the American Hero’, Alistair Cooke’s tribute to Gary Cooper, was published in The Guardian after Cooper’s death in May 1961. In this extract from Alistair Cooke at the Movies, Cooke considers how movie stars were then so often dismissed as mere ‘personalities’, and rarely credited with much talent or intelligence.
“It is easy to forget now, as always with artists who have matured a recognisable style, that for at least the first dozen years of his film career Gary Cooper was the lowbrow’s comfort and the highbrow’s butt. However, he lasted long enough, as all great talents do, to weather the four stages of the highbrow treatment: first, he was derided, then ignored, then accepted, then discovered. We had seen this happen many times before; and looking back, one is always shocked to recognise the people it has happened to. Today the intellectual would deny, for example, that Katharine Hepburn was ever anything but a lovely if haggard exotic, with a personal style that might enchant some people and grate on others, but would insist she was at all times what we call a serious talent. This opinion was in fact a highly sophisticated second thought, one which took about a decade to ripen and squelch the memory of Dorothy Parker’s little tribute to Miss Hepburn’s first starring performance on Broadway: ‘Miss Hepburn ran the gamut of human emotions from A to B.’
Marilyn Monroe is a grosser example still. Universally accepted as a candy bar or cream puff, she presented a galling challenge to the intelligentsia when she married Arthur Miller, a very sombre playwright and indubitably un homme serieux. The question arose whether there had been serious miscalculation about a girly calendar that could marry a man who defied the House Un-American Activities Committee. The doubt was decided in Miss Monroe’s favour when she delivered pointed ripostes to dumb questions at a London press conference.”
Gary Cooper was one of many stars who attended a party in Marilyn’s honour at Romanoff’s restaurant in Hollywood, to celebrate her filming The Seven Year Itch in November 1954. He also attended the 1959 Fox luncheon for Soviet premier Nikita Krushchev, where he was seated at Marilyn’s table.
At the auction of Dame Joan Collins’ personal property at Julien’s earlier this month, a June 1960 letter from Cooper to Marilyn was sold for $1,280. Cooper was then in hospital, and thanked Marilyn for sending him roses, expressing his regret at being unable to attend a recent party (possibly her 34th birthday celebrations, on the set of Let’s Make Love.) Click on the picture below to read his letter in full.
The full programme for the BFI’s June season of MM films is now online, with tickets available now for members, or from May 12 for non-members. All of Marilyn’s films from 1952-62 are included (apart from O. Henry’s Full House), with multiple showings of The Misfits as part of its nationwide reissue, and a new print of Niagara. This retrospective includes two other events: ‘Who Do You Think You Are, Marilyn Monroe?‘ on June 3rd, featuring authors Jacqueline Rose and Bonnie Greer; and a Marilyn Monroe Study Day on June 27, with guests including Sarah Churchwell. You can view the digital guide for June here.
Details of the British Film Institute’s June retrospective (at London Southbank) have been posted on their blog, naming 12 of the 15 Marilyn movies to be screened – and giving us a sneak preview of the season’s poster. (Interestingly, the BFI have partnered with Stylist, the free women’s magazine who have picked Marilyn as their cover girl on more than one occasion.)
This photograph of a determined-looking Marilyn, arriving at the Comedy Theatre for the London premiere of husband Arthur Miller’s play, A View From the Bridge, in October 1956 – watched by a wanly smiling Sir Laurence Olivier, with whom she was filming The Prince and the Showgirl – was taken by Brian Seed, an Englishman who worked for Life magazine during the 1950s and 60s. A selection of his work is published today on the Time-Life website.
Unpublished at the time, Brian Seed’s photos of Marilyn are now in demand. In 2013, Brian – who now lives in Illinois – was interviewed by the Chicago Sun-Times. ‘That Marilyn Monroe was a really smart cookie,’ he recalled. ‘Look at this picture — she’s looking directly at me, because she knows I’m likely the only photographer in there who’s working for a magazine, and that the photo that would result would not be used in one day’s paper and then gone forever.’
Bruce Davidson’s photo of a pensive Marilyn, watched by husband Arthur Miller during filming of The Misfits, features in The Photographers 2014, a dual exhibition at two London galleries, Beetles+Huxley and Osborne Samuel (whose website includes several photos of Marilyn by Elliott Erwitt.)
London street artist Pegasus – who has created several tributes to Marilyn – pays homage to Australian singer Kylie Minogue in a new Chelsea artwork. There’s more than a hint of MM, too – Kylie is wearing Marilyn’s ‘Blue Dragon’ costume, from that famous scene in Bus Stop (1956.) In her unforgettable role as beleaguered nightclub ‘chantoosie’ Cherie, Monroe sang ‘That Old Black Magic’ to an audience of rambunctious cowboys.
Kylie is a well-known Monroe fan, having performed ‘Diamonds Are a Girl’s Best Friend’ in the past. And this isn’t the first time Pegasus has merged two icons, either – he once recreated Betty Grable’s most famous pin-up pose, using the face of Queen Elizabeth II.
Summer is the season for outdoor movies, with Marilyn a perennial favourite. Gentlemen Prefer Blondes, starring MM as Lorelei Lee, will be screened by Film4 on Sunday, August 10, at Somerset House on London’s Strand. Doors open at 6.30 pm, with DJs playing from 7 and Blondes at 9. Tickets cost £16.00, so make a night of it!
The German Dada artist, Hannah Höch, is the subject of a retrospective exhibition at London’s Whitechapel Gallery (on display from January 15th – March 23rd.) One of her late photo-montages, ‘Kleine Sonne’ (‘Little Sun’, 1969) depicts the grinning mouth of Marilyn Monroe hovering beside a fish’s eye.
Her source may have been Richard Avedon‘s 1959 photo of Marilyn which graced the cover of Life magazine. You can read more about Hannah Höch in today’s Guardian.